Bibliografías temáticas / Queer culture

Literatura académica sobre el tema "Queer culture"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 25 de abril de 2022

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Artículos de revistas sobre el tema "Queer culture"

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Chatzipapatheodoridis, Constantine. "Beyoncé’s Slay Trick: The Performance of Black Camp and its Intersectional Politics". Open Cultural Studies 1, n.º 1 (20 de diciembre de 2017): 406–16. http://dx.doi.org/10.1515/culture-2017-0038.

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Abstract This article pays attention to African-American artist Beyonce Knowles and her performance of black camp. Beyonce’s stage persona and performances invite multiple ideological readings as to what pertains to her interpretation of gender, sexuality, and race. While cultural theory around the icon of Beyonce has focused on her feminist and racial politics as well as her politicization of the black female body, a queer reading applied from the perspective of camp performance will concentrate on the artist’s queer appeal and, most importantly, on her exposition of black camp, an intersection of feminist, racial and queer poetics. By examining video and live performances, the scope of this article is to underline those queer nuances inherent in Beyonce’s dramatisation of black femininity and the cultural pool she draws from for its effective staging. More specifically, since Beyonce plays with tropes and themes that are common in camp culture, her performance relies on a meta-camping effect that interacts with African-American queer culture. This article, thus, traces black queer traditions and discourses in the artist’s praxis of black camp.
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Sliwinska, Basia. "Art and Queer Culture". Third Text 27, n.º 6 (noviembre de 2013): 808–10. http://dx.doi.org/10.1080/09528822.2013.860794.

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Payne, Robert. "Lossy Media: Queer Encounters with Infrastructure". Open Cultural Studies 2, n.º 1 (1 de noviembre de 2018): 528–39. http://dx.doi.org/10.1515/culture-2018-0048.

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Abstract In an era of “frictionless” digital environments, this article proposes a queer analysis of the “lossy” materialities of mediated encounters. Building on recent scholarship on media failure and media infrastructures, it will argue that moments of disruption and deterioration commonly experienced by users reveal the failure of overlapping social and technical infrastructures to ensure lossless transmission of normative fantasies of subjectivity and mediated relationality. Highlighting the queer instability of material assemblages, it will pay close attention to how the articulation of bodies, objects, and spaces in particular scenes of lossy encounter generates unplanned affective intensities which may disorient and undo the consuming subject. Borrowing the concept of lossy file compression and adapting it for this purpose, the article’s broad aim is to offer a queer critical framework for inhabiting the contingent, emergent, and dissipating energies of media encounters beyond the capital-driven instrumentalisation of agency and the neoliberal imperatives of update culture.
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Stacey, Judith, Mary Bernstein y Renate Reimann. "Queer Families, Queer Politics: Challenging Culture and the State". Contemporary Sociology 31, n.º 4 (julio de 2002): 411. http://dx.doi.org/10.2307/3089078.

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Lindner, Katharina. "Review of Queer Film Culture: Queer Cinema & Queer Film Festivals International Conference". Transnational Cinemas 6, n.º 1 (2 de enero de 2015): 97–103. http://dx.doi.org/10.1080/20403526.2015.1014176.

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See, Sam. "“Spectacles in Color”: The Primitive Drag of Langston Hughes". PMLA/Publications of the Modern Language Association of America 124, n.º 3 (mayo de 2009): 798–816. http://dx.doi.org/10.1632/pmla.2009.124.3.798.

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The chapter “Spectacles in Color” in Langston Hughes's first autobiography, The Big Sea (1940), envisions modernist Harlem culture as a drag performance and offers a useful rubric for understanding Hughes's The Weary Blues (1926), a lyric history of that culture whose poems characteristically cross gender, sexual, racial, and even formal lines. The Weary Blues employs a low-down, or nature-based, and down-low, or queer, aesthetic of racial and gender crossing that I term “primitive drag,” an aesthetic that ironically coincides with the stereotypes of African Americans and queers that were propagated by early-twentieth-century sexological science and degeneration theory: namely, that blacks and queers were unnatural and degenerate because they, unlike whites and heterosexuals, exhibited a lack of racial and gender differentiation. Disidentifying with those stereotypes, the primitive drag in The Weary Blues depicts queer feeling as natural and nature as queer, thus offering a productive paradox for rethinking literary histories of modernism and theories of sexuality by the rather Darwinian notion that “the nature of the universe,” as Hughes calls it, is always subject to change, or queering.
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Hennessy, Rosemary. "Queer Visibility in Commodity Culture". Cultural Critique, n.º 29 (1994): 31. http://dx.doi.org/10.2307/1354421.

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Newhall, Kristine. "“Look at Me! I Can Change Your Tire”". Journal of Bodies, Sexualities, and Masculinities 2, n.º 2 (1 de septiembre de 2021): 39–56. http://dx.doi.org/10.3167/jbsm.2021.020204.

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Outside of bodybuilding, queer women in fitness and exercise cultures have received little attention in popular discourse and academic research. In this article, I examine how queer use of gym space can inform and reify a queer identity, specifically the enactment of queer female masculinity. I use Jack Halberstam’s work on female masculinity and literature in the fields of cultural studies and sport studies to discuss how queer identity, space, and power operate on the body in the context of fitness culture.
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Bao, Hongwei. "“Queer Comrades”: Transnational Popular Culture, Queer Sociality, and Socialist Legacy". English Language Notes 49, n.º 1 (1 de marzo de 2011): 131–37. http://dx.doi.org/10.1215/00138282-49.1.131.

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Bean. "U.S. National Security Culture: From Queer Psychopathology to Queer Citizenship". QED: A Journal in GLBTQ Worldmaking 1, n.º 1 (2014): 52. http://dx.doi.org/10.14321/qed.1.1.0052.

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Tesis sobre el tema "Queer culture"

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Brady, Anita y n/a. "Constituting queer : performativity and commodity culture". University of Otago. Department of Communication Studies, 2008. http://adt.otago.ac.nz./public/adt-NZDU20080429.113540.

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This thesis foregrounds a question unanswered in queer theory�s account of the ongoing reproduction of heteronormativity. In Gender Trouble, Judith Butler asks "From where does the performative draw its force, and what happens to the performative whose task it is to undo" that discursively legitimated enacting? (Bodies That Matter 224-5). While queer theory offers a compelling account of how the normative fictions of identity privilege heterosexuality, the first part of Butler�s question remains relatively under-theorised. This thesis addresses this gap and argues that to understand the source of performative authority, we must address the intimate relationship between gay identity and commodity culture. Thus, I investigate the connections between the marketing industry, an historically politicised gay press, and a lesbian and gay politics imagined through the paradigm of identity, and argue that they combine in a citational feedback loop to performatively produce gay identity as the "ideal consumer." I then undertake case studies of two media texts, the website Gay.com and the television series Queer Eye for the Straight Guy, in order to demonstrate how the white, male, middle-class gay aesthete functions hegemonically as gayness in culture. My analysis then turns to the second part of Butler�s question -"what happens to the performative whose task it is to undo?"- and examines the consequences of the absence of an analysis of commodity culture for the notion of queer. To that end, I suggest that alongside their repetitions of gay normativity, both Gay.com and Queer Eye perform queer possibility. However, the case studies I undertake, along with the critical reception of Queer Eye and the internet technologies behind Gay.com, suggests that these media texts fall short of the promise of queerness. This apparent failure to disturb heteronormative reproduction is connected in these critiques to each text�s commercial imperatives. This thesis argues that such critiques tend to rely on determinations of the authenticity of queer performance, and emphasise veracity over queer theory�s potential to exploit the critical potential of deliberate indeterminacy. I argue, instead, that a key part of queer theory�s contingency is its capacity to respond to the changing performative contexts of the normative repetitions it seeks to undo. To put this more simply: If consumer desire defines contemporary gayness, then it is with consumer desire that queer theory must contend. It is precisely the indeterminacy of queer that enables such shifts in its strategies of subversion. Recognition of how queer�s indeterminacy enables those subversive moves returns us to the importance to queer theory of a sustained consideration of the constitutive capacities of commodity culture. What I suggest in this thesis is that if we do no ask "From where does the performance draw its force?" then we cannot answer "And what happens to the performative whose task it is to undo?" the normative framework of identity.
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Lee, Juwon. "The Globality of the Seoul Queer Culture Festival: Subverting the Neocolonial Queer Narrative". The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1555520368932493.

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Maddison, Stephen. "Queer sisters : gay male culture, women and gender dissent". Thesis, University of Sussex, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362271.

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Gay male culture is suffused with indications of the importance of women and bonds with women. Indeed the Stonewall riots, mythologised moment of the birth of modern gay politics, are often said to have been catalysed by gay male grief at the death of Judy Garland. Why should a culture apparently founded on same-sex desire be so preoccupied with relationships across gender difference? The thesis attempts to map the shape and effects of bonds with women by using a materialist analytical framework in relation to texts and their critical retinue. The first chapter looks at A Streetcar Named Desire, a play that has engendered significant cultural contest which spans key historical and political shifts in the nature of gay male identity. This chapter attempts to show how a diverse range of critical engagements with Tennessee Williams's work, including authoritative and resistant, heterosexual, homosexual and queer ones, exhibit considerable investment in the proposition that the playwright's sexuality not only structures a libidinous desire, but a gender identification. The second chapter situates gay men within the homosocial gender bonds mapped by Eve Sedgwick, and draws attention to the dissident opportunities gay male culture has exploited within this narrative system. It goes on to examine the potential political and cultural links between such strategies and the resistance of straight women who are also organised as homosocial subjects. This chapter includes a reading of Tarantino's Pulp Fiction as homosocial text and looks at a number of autobiographical and journalistic writings which identify a predominant dissident strategy which I refer to as heterosocial bonds. The latter part of the thesis comprises two complementary chapters. The first of these, chapter three, assesses the plausibility of heterosocial bonding in the representations of relationships between straight women, lesbians and gay men in the American situation comedy Roseanne. Chapter four conducts a similar inquiry in relation to Pedro Almodovar and the representational alignment he makes with women in the film Women on the Verge of a Nervous Breakdown. The analysis conducted in both of these chapters attempts to treat the texts not only as generic and formal representations,but as attempted acts of bonding. The thesis attempts to judge the political expediency and effectiveness of heterosocial bonding, and locates the difficulty and contingency of such endeavours within the fabric of homosocial structures.
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Hannan-Leith, Madeline Naomi. ""That's how I found queer culture in so many ways" : narratives of online dating in queer women". Thesis, University of British Columbia, 2017. http://hdl.handle.net/2429/61850.

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The past few decades have seen a rise in the visibility and legal rights of lesbian, gay, bisexual, transgender and queer (LGBTQ) people, yet persistent stigmatization has left many searching for alternate ways of seeking connection. An increasingly popular means for LGBTQ individuals to find relationships is through online dating. While the Internet has been prolific in connecting LGBTQ communities, existing research on the use of Internet-dating sites in sexual minorities has focused primarily on gay men’s dating practices, overlooking queer women. The present study used a narrative approach to address the primary research question: What are queer women’s experiences of using online dating websites to find partnership? Qualitative, open-ended interviews were conducted with a purposive sample of five women who identified as queer and had used dating websites. Interviews were then transcribed and analyzed using Braun and Clarke’s (2006) thematic content analysis, resulting in the creation of three themes and 13 subthemes. These themes represent a significant and unique aspect of participants’ experiences of online dating, including their reasons for going online, how they navigated those spaces and the issues that they faced. The research findings aligned with previous literature on the subjects of online dating and queer women’s communities, and also highlighted new ideas for consideration and further exploration. Investigating these narratives may ultimately be used to inform clinical practice for sexual minority clients by contributing to our understanding of queer lived experiences and adapting counselling approaches based on this knowledge. This may improve LGBTQ client satisfaction with counselling and increase the potential for beneficial therapeutic outcomes.
Education, Faculty of
Educational and Counselling Psychology, and Special Education (ECPS), Department of
Graduate
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Adair, David Francis y n/a. "'Queer Theory': Intellectual and Ethical Milieux of 1990s Sexual Dissidence". Griffith University. School of Arts, Media and Culture, 2003. http://www4.gu.edu.au:8080/adt-root/public/adt-QGU20041014.102015.

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The main problem addressed by this thesis is the question of how to assess the politics and the cultural effects and implications of 'Queer Theory' during the period of the 1990s. 'Queer' was invoked in numerous institutions, spaces, and cultural practices over this period, and yet queer-identified theorists – and many of their critics – have often assumed that this term refers to a relatively unified object. I ask if it is appropriate to treat these 'queer' occasions in this manner, and whether this 'dispersed' object requires a different approach: one that sets out to describe means and routes by which it became possible and desirable to pose 'queer' problems across so many diverse sites and practices. In addition, if there are discernible patterns to these distributed cultural capacities and inclinations, what political significance do they have? These questions inform my account of the career of 'Queer Theory' during the 1990s. A post-humanist approach to these matters is not premised on an essential or a socially constituted general category of 'subjectivity'. Instead, it addresses 'Queer Theory' as a problem, without automatically critiquing it; it is sceptical of the perfectionist pulsion that has treated this critical practice as either a good or a bad object: dual roles that are mandated by the logic of dialectical criticism. These roles are exemplified by the frequent relegation of 'queer' in the relevant literature to the 'innately political' or the 'merely aesthetic'. In this thesis I identify ethical, cultural, and political yields of these conventional choices and the modes of problematisation in which they operate; I positively redescribe them as aesthetico-political practices. My approach therefore not only deviates from the 'good' or 'bad' critical options, but also from a third option: the equally rationalist response of assuming that 'Queer Theory' is fundamentally a problem of under-theorisation.
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Robertson, Megan. "Called and Queer Exploring the lived experiences of queer clergy in the Methodist Church of Southern Africa". university of western cape, 2020. http://hdl.handle.net/11394/7306.

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Doctor Theologiae - DTh
In South Africa anti-queer attitudes are propped up by religious moral claims and by strong assertions that queer sexualities are un-African and a secular Western import. This study contributes to the growing body of literature which challenge these claims, and at the same time interrupts scholarly trends in the field of religion and sexuality which either characterises institutional religion as singularly oppressive or homogenises queer Christians as inherently subversive. In this thesis, I explored the lived experiences of six queer clergy (one of whom was discontinued) in the Methodist Church of Southern Africa (MCSA), in order to understand the complex relationship between institutional power and the ordinary lived realities of clergy. The study focuses particularly on the MCSA as it is statistically the largest mainline Protestant denomination in South Africa and holds significant positions of power and influence on national, interdenominational and political platforms, not least of all because it has fostered an institutional identity as the ‘church of Mandela.’ Further, situated within a continental and national context where anti-queer attitudes are politicised through cultural and religious discourses, I have argued that the MCSA also serves as a case study which represents the ways in which institutionalised religion continues to be co-constitutive of social systems and hierarchies.
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Patel, Alpesh Kantilal. "Queer Desi visual culture across the 'Brown Atlantic' (US/UK)". Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.494299.

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Through an intersectional, embodied (psycho-spatial and synaesthetic), and processual theoretical matrix, my thesis unpacks the complex mechanisms underpinning the visual identification of subjects and artworks as "Desi" - the Hindi word meaning "from my country" - within the geographical and conceptual space that roughly includes the US, UK, and the South Asian subcontinent. To add further traction to my investigation, I yoke "queer" to Desi. The latter as two overlapping, and at other times competing, sets of visual identifications, serve to bring to the fore, rather than subsume, the complexities of the broader spectrum of intersecting visual identifications connected to both.
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Dawson, Leanne. "Femme : Representations of queer femininities in post-war German culture". Thesis, University of Manchester, 2009. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.511248.

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Pereira, Cristiano Fabrício Lopes. "Rhiz'hommes: redes de subjetividades". Universidade do Estado do Rio de Janeiro, 2012. http://www.bdtd.uerj.br/tde_busca/arquivo.php?codArquivo=4443.

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Coordenação de Aperfeiçoamento de Pessoal de Nível Superior
Com a profusão de imagens fotográficas do mundo capitalista e o incentivo para que todos sejamos produtores, o modo de fruição das fotografias e a nossa relação com esses simulacros vão se alterando. A necessidade que a web traz de nos apresentarmos em imagens faz com que tenhamos que fabricá-las e através delas passamos a nos relacionar de maneira narcísica. Com o projeto artístico Rhiz'hommes vão se discutindo as construções desses avatares nos sites de relacionamento e a (des)construção da figura masculina heteronormativa como observadora ideal, ponto de fuga para onde deveriam convergir todas as representações. Junto à queda do homem cartesiano, a autoria e a originalidade artística foram se transformando e cedendo espaço a práticas mais permissivas e abrangentes. Essa diluição de fronteiras é o epíteto de tempos pós-orgânicos de relações telemáticas e rizomas de subjetividades
With the profusion of photographic images in the capitalist world and with the incentive for all of us to become photographic producers, the enjoyment of photography and our relations with it keep changing. The virtual need that web brings to present ourselves as images leads us to make them and is through then that we will relate to each other in a narcisistic way. With the artistic project called Rhiz'hommes it will be discussed the construction of avatars on social networking websites and the (de)construction of the heteronormative male figure as the ideal observer, the vanishing point where all representations should converge. After the fall of cartesian man, the authorship and the artistic originality will be changed, making room for more permissives and broad pratices. This boundaries dissolution is the epitet of post-organic times with telematic relations and subjectivities rhizomes
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Jerome, Collin. "Queer Melayu : queer sexualities and the politics of Malay identity and nationalism in contemporary Malaysian literature and culture". Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39644/.

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This thesis examines Malay identity construction by focusing on the complex processes of self-identification among queer-identified Malays living in Malaysia and beyond. By analysing representations of queer Malays in the works of contemporary Malaysian Malay writers, scholars, and filmmakers, as well as queer Malays on the internet and in the diaspora, the thesis demonstrates how self-identifying gay, lesbian, bisexual, and transgendered Malays create and express their identities, and the ways in which hegemonic Malay culture, religion, and the state affect their creation and expression. This is especially true when queer-identified Malays are officially conflated with being “un-Malay” and “un-Islamic” because queer sexualities contravene Malay cultural and religious values. This thesis begins by discussing the politics of Malay identity, particularly the tension between “authority-defined” and “everyday-defined” notions of being Malay that opens up a space for queer-identified Malays to formulate narratives of Malayness marked by sexual difference. The thesis then discusses how queer-identified Malays specifically construct their identities via various strategies, including strategic renegotiations of ethnicity, religiosity, and queer sexuality, and selective reappropriations of local and western forms of queerness. The ways in which “gay Melayu” identity is a hybrid cultural construction, produced through transnational and transcultural interactions between local and western forms of gayness under current conditions of globalization is also examined, as well as the material articulation of queer narratives of Malayness and its diverse implications on queer-identified Malays' everyday lives and sense of belonging. The thesis concludes with a critical reflection on the possibilities and limitations of queerness in the context of queer Malay identity creation. Such reflection is crucial in thinking about the future directions for research on queerness and the politics of queer Malay identity. It is hoped that this study will show that queer-identified Malays reshape and transform received ideas about “Malayness” and “queerness” through their own invention of new and more nuanced ways of being “queer” and “Malay.” This study also fills up the lacunae in the scholarship on Malay identity and queer Malays by addressing the productions of Malay ethnicity and sexual identity among queer-identified Malays within and beyond Malaysia's borders.
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Libros sobre el tema "Queer culture"

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Peele, Thomas, ed. Queer Popular Culture. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6.

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Peele, Thomas, ed. Queer Popular Culture. Basingstoke: Palgrave Macmillan, 2011. http://dx.doi.org/10.1057/9780230118287.

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Peele, Thomas, ed. Queer Popular Culture. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384.

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Queer exoticism: Examining the queer exotic within. Newcastle upon Tyne: Cambridge Scholars, 2010.

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Queer theory: Law, culture, empire. Abingdon, Oxon: Routledge, 2010.

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Routledge international encyclopedia of queer culture. New York: Routledge, 2011.

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It's a queer world. London: Vintage, 1996.

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Barbie's queer accessories. Durham: Duke University Press, 1995.

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Undercurrents: Queer culture and postcolonial Hong Kong. Vancouver: UBC Press, 2008.

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Leung, Helen Hok-Sze. Undercurrents: Queer culture and postcolonial Hong Kong. Vancouver: UBC Press, 2008.

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Capítulos de libros sobre el tema "Queer culture"

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Smuga, Łukasz y Patrycja Poniatowska. "Against Culture". En Queer Rebels, 134–74. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003245124-4.

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Peele, Thomas. "Introduction: Popular Culture, Queer Culture". En Queer Popular Culture, 1–8. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_1.

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Peele, Thomas. "Introduction: Popular Culture, Queer Culture". En Queer Popular Culture, 1–8. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1007/978-1-349-29011-6_1.

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Strukov, Vlad. "Queer economics". En Queering Russian Media and Culture, 134–53. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003042358-8.

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Pearson, Wendy Gay. "Queer Theory". En The Routledge Companion to Cyberpunk Culture, 300–307. London; New York : Routledge, 2020.: Routledge, 2019. http://dx.doi.org/10.4324/9781351139885-36.

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Mowlabocus, Sharif. "Arse Bandits: Exploring Nostalgic Representations of Queerness in Gangster Films". En Queer Popular Culture, 137–49. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_10.

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Le Coney, Christopher y Zoe Trodd. "Straight Shooters, Stainless-Steel Stories, and Cowboy Codes: The Queer Frontier and American Identity in a Post-Western World". En Queer Popular Culture, 151–67. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_11.

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Cunningham, Daniel Mudie. "New Queer White Trash Cinema". En Queer Popular Culture, 169–82. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_12.

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McHarry, Mark. "Identity Unmoored: Yaoi in the West". En Queer Popular Culture, 183–95. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_13.

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He, Terri. "Why (not) Queer?: Ambivalence about “Politics” and Queer Identification in an Online Community in Taiwan". En Queer Popular Culture, 197–213. New York: Palgrave Macmillan US, 2007. http://dx.doi.org/10.1057/9780230604384_14.

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Actas de conferencias sobre el tema "Queer culture"

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"Queer Strategies in an Era of LGBT Information Abundance". En iConference 2014 Proceedings: Breaking Down Walls. Culture - Context - Computing. iSchools, 2014. http://dx.doi.org/10.9776/14332.

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Yang, Xiaofei y Zhuying Li. "A Shifting Gender Regime in Contemporary China? Fans’ Queer Readings of the Film Ne Zha". En – The Barcelona Conference on Arts, Media & Culture 2020. The International Academic Forum(IAFOR), 2020. http://dx.doi.org/10.22492/issn.2435-9475.2020.4.

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Nurbaity, Nurbaity. "Representation of Queer Muslim in @artqueerhabibi Postcard Illustration". En Proceedings of the Third International Seminar on Recent Language, Literature, and Local Culture Studies, BASA, 20-21 September 2019, Surakarta, Central Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.20-9-2019.2296943.

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Zapletniuk, O. A. "Queen Ankhesenamun and the Crisis of the Amarna Dynasty". En Preislamic Near East: History, Religion, Culture. A.Yu. Krymskyi Institute of Oriental Studies of the NAS of Ukraine, 2021. http://dx.doi.org/10.15407/preislamic2021.02.061.

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Artime Pinilla, Joaquín. "Referentes invertidos: intervención artística, teoría queer y literatura". En IV Congreso Internacional de Investigación en Artes Visuales. ANIAV 2019. Imagen [N] Visible. Valencia: Universitat Politècnica de València, 2019. http://dx.doi.org/10.4995/aniav.2019.9589.

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Este artículo es un análisis del trabajo teórico y creativo que da como resultado la intervención artística “Referentes invertidos”. Inaugurada el 26 de abril de 2018 como una obra más de la exposición colectiva “Biblioteca en paral·lel”, proyecto ganador de un PAC (Propuesta de Acción Cultural), una ayuda que concede el Àrea d’Activitats Culturals de la Universitat Politècnica de València. Este site specific se insertó en el edificio de la Biblioteca Central de la Universitat Politècnica de València. En sus cristaleras se escribió con rotulador de tiza en grandes dimensiones los apellidos de tres escritores que, en habla española, catalana e inglesa, reivindicaron activamente su condición de hombres gays, visibilizando y estableciendo otros imaginarios sobre las relaciones afectivas, amorosas y sexuales. Cada uno de los apellidos –Burroughs, Moix y Lemebel– se construyó con los títulos de las obras literarias que sus autores dejaron como legado. Se escribieron con un color secundario y al revés, para aludir al insulto “invertido”, reclamar la procedencia de unos escritores que han creado desde el margen, perteneciendo a una minoría, y así poner en valor su producción literaria, su importancia histórica y sus aportaciones al mundo de las letras. Con la elección de estos autores, el empleo de conceptos como la apropiación, la metodología artística usada, la escritura a mano y el color, se genera un espacio que vincula arte y literatura, así como visibiliza escritores clave en la producción de relatos propios al mundo queer.
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Куцева, Е. А. "THE BOOK CULTURE IN ENGLAND IN XVIIIth CENTURY". En Конференция памяти профессора С.Б. Семёнова ИССЛЕДОВАНИЯ ЗАРУБЕЖНОЙ ИСТОРИИ. Crossref, 2021. http://dx.doi.org/10.55000/mcu.2021.90.39.009.

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В XVIII веке Англия становится одной из самых читающих стран в Европе, количество публикаций растет, как в Лондоне, так и в провинции. Развитие книжной торговли было связано с повышением грамотности населения, что стимулировало рост спроса на печатную продукцию. Периодические издания активно развивались, появлялись новые их виды и жанры (обзоры, еже-дневные издания). Повышению спроса также способствовало развитие рекламы и обострение по-литической борьбы в стране. Отмена предварительной цензуры 1695 г. и Статут королевы Анны 1710 г. сыграли важную роль в формировании английской книжной культуры XVIII века, послед-ний заложил основу авторского права в Англии. В статье исследуется организация книжного рын-ка в Англии XVIII века, анализируется развитие авторского права, особенности книгоиздания, проблема пиратства или нарушения авторских прав, создание системы библиотек. In the XVIIIth century England becomes one of the most reading countries in Europe, the number of publications is growing, both in London and in the provinces. The development of the book trade was due to an increase in literacy of the population, which stimulated an increase in demand for printed products. Periodicals are actively developing, new types of printed publications and new genres (reviews, daily editions) appear. The rise in demand also contributed to the development of advertising and intensification of political strife in the country. The abolition of preliminary censorship in 1695 and the Statute of Queen Anne of 1710 were significant for the formation of English book culture in the XVIIIth century, the latter laid the foundation for copyright in England. The article examines the organization of the book market in England in the XVIIIth century, analyzes the development of copyright, features of book publishing, the problem of piracy or copyright infringement, the creation of a system of libraries.
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Bueno, Alejandra y Rubén Castillejo Argote. "Guerrilla kultural: plataformas de difusión cultural descentralizadas, colaborativas e interculturales." En III Congreso Internacional de Investigación en Artes Visuales :: ANIAV 2017 :: GLOCAL. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/aniav.2017.5846.

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El festival internacional de videoarte Fem Tour Truck, atiende a varias necesidades, la primera, dar voz y contar las historias que no se cuentan, la segunda, respetar los derechos humanos, la tercera, recuperar el espacio público como lugar de intercambio de saberes. Es por ello que se gesta desde “GUERRILLA KULTURALA”, un proyecto de creación artística y gestión cultural, desarrollado por la plataforma de difusión cultural “GUERRILLA Food Sound System”, basado en la colaboración y la hibridación entre diferentes propuestas artísticas, individuales y colectivas, de distintos ámbitos, unidas por generar “creación comprometida” y buscar nuevas fórmulas de creación, organización, y relación con la sociedad a partir de la “acción artística”. La experimentación y la investigación realizadas en “nuevos modelos de gestión de la creación artística y de organización entre personas”, nos anima a seguir apostando por estrategias innovadoras que potencien vías para fomentar la participación a través de la libre difusión de conocimientos, a la vez que complementamos nuestros recursos como creadores, trabajando de una manera conjunta y colaborativa, creando así ciclos de intercambio de recursos multidisciplinares entre creadores y sociedad desde la acción unificada. Por ello Fem Tour Truck tras un periodo de gestión y difusión de convocatoria, desarrolla una programación de actividades con diferentes artistas en diferentes ciudades para generar un intercambio cultural dando fruto a nuevas conexiones, nuevas creaciones y nuevas posturas críticas en torno a los cuerpos disidentes como el lésbico, trans, intersex, homosexual y queer, y en torno a la propia mujer. Temas tabús que toman las calles mediante la dinámica, el humor y un contexto que trata de romper las barreras clásicas de la educación, potenciando la innovación y la cooperación en el sector cultural. Fem Tour Truck es un festival sin ánimo de lucro, abierto a ser realizado en todo tipo de eventos y espacios sin perder su carácter etéreo.http://dx.doi.org/10.4995/ANIAV.2017.5846
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Koniashvili, I. O. "TRANSLATION AS A MEANS OF COMMUNICATION BETWEEN CULTURES AND THE PROBLEM OF FUNCTIONAL ADEQUACY OF POLYSEMIC WORDS ON THE BASIS OF THE ORIGINAL AND ENGLISH VERSIONS OF «THE MARTYRDOM OF THE BLESSED QUEEN SHUSHANIK» BY IAKOB TSURTAVELI". En Proceedings of the XXV International Scientific and Practical Conference. RS Global Sp. z O.O., 2021. http://dx.doi.org/10.31435/rsglobal_conf/25012021/7357.

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The present paper deals with the importance of communication and translation as a means of communication between cultures. It also highlights the intra and extra linguistic factors that are significant for translator works and thus, effective communication. In this respect the paper is an attempt to represent the equivalents of Georgian polysemic words within the frame of paradigms and syntactical functions on the basis of two English versions of Georgian hagiographic text, of the V century AD, The Martyrdom of the Blessed Queen Shushanik by Iakob Tsurtaveli. The Paper deals with the problem of reference between the notions and subjects, the process of decoding and the reasons for possible simultaneous misconceptions or misunderstanding. It also outlines the formation of a concept word through the linguistic-stylistic studies of the information by both translators which in turn provides the correct perception of the hagiographic text for the English speaking reader. The research is base don comparative and component analysis.
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Budiana, Heru, Dian Wardhiana y Centurion Priyatna. "Intercultural Communication and Social Harmony (Cultural Adaptation Case of “Queen of Silverware” Runi Palar in Ubud Bali)". En Proceedings of the 1st Padjadjaran Communication Conference Series, PCCS 2019, 9 October 2019, Bandung, West Java, Indonesia. EAI, 2020. http://dx.doi.org/10.4108/eai.9-10-2019.2291106.

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Rougerie, Corinne. "Acolhimento em centro sócio cultural: história de uma pesquisa-intervenção que se tornou cooperativa". En Simpósio Internacional Trabalho, Relações de Trabalho, Educação e Identidade. Appos, 2020. http://dx.doi.org/10.47930/1980-685x.2020.1403.

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A partir de uma perspectiva institucionalista, mais particularmente no campo sócio clínico institucional (MONCEAU, 2012a), proponho contribuir com o questionamento proposto, ilustrando-o através de uma pesquisa qualificada como pesquisa ação formação por seus co-realizadores. Há cerca de dez anos venho impulsionando e apoiando este tipo de abordagem no setor de ação social e médico-social. A construção de um processo como este requer uma atenção especial desde o início da relação de trabalho e ao longo do seu desenvolvimento. De que maneira os atores apreendem com este tipo de pesquisa? O que eles produzem juntos? O que torna cooperativa a pesquisa realizada? Em outras palavras, o que está em jogo é a capacidade de cada um de querer, ou mesmo de ser capaz, de trabalhar em conjunto de acordo com as situações profissionais e/ou pessoais em que estão envolvidos. Este é o caminho que proponho seguir, mostrando como o campo da pesquisa, no caso em um Centro Sociocultural de uma área urbana, torna-se por si só e gradualmente o que chamarei de "território de aprendizagem" (POPA, MORSEL, BAKOUCHE, 2018). Este trabalho foi objeto de uma publicação em francês para a revista Education Permanente, sob direção de Jean-Yves Robin, Ségolène Le Mouillour e Nathanaël Wallenhorst, intitulada “Croisement des savoirs et recherches coopératives” (Cruzamento de saberes e pesquisas cooperativas).
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Informes sobre el tema "Queer culture"

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Kerrigan, Susan, Phillip McIntyre y Marion McCutcheon. Australian Cultural and Creative Activity: A Population and Hotspot Analysis: Bendigo. Queensland University of Technology, 2020. http://dx.doi.org/10.5204/rep.eprints.206968.

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Bendigo, where the traditional owners are the Dja Dja Wurrung people, has capitalised on its European historical roots. Its striking architecture owes much to its Gold Rush past which has also given it a diverse cultural heritage. The creative industries, while not well recognised as such, contribute well to the local economy. The many festivals, museums and library exhibitions attract visitors from the metropolitan centre of Victoria especially. The Bendigo Creative Industries Hub was a local council initiative while the Ulumbarra Theatre is located within the City’s 1860’s Sandhurst Gaol. Many festivals keep the city culturally active and are supported by organisations such as Bendigo Bank. The Bendigo Writers Festival, the Bendigo Queer Film Festival, The Bendigo Invention & Innovation Festival, Groovin the Moo and the Bendigo Blues and Roots Music Festival are well established within the community. A regional accelerator and Tech School at La Trobe University are touted as models for other regional Victorian cities. The city has a range of high quality design agencies, while the software and digital content sector is growing with embeddeds working in agriculture and information management systems. Employment in Film, TV and Radio and Visual Arts has remained steady in Bendigo for a decade while the Music and Performing Arts sector grew quite well over the same period.
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As bandas de música populares en Galicia. Observatorio da Cultura Galega, junio de 2021. http://dx.doi.org/10.17075/bmpg.2021.

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O obxecto deste traballo é revisar as condicións actuais das bandas de música populares en Galicia e o papel de desenvolvemento cultural que realizan os seus compoñentes, músicos, persoal directivo, docentes de música, así como a súa integración no contorno xeográfico e económico no que se integran, que en Galicia se adscribe a vilas onde hai un conservatorio ou unha escola municipal de música ou mesmo a pequenas aldeas nun contorno máis rural. Tamén se quere describir en que medida se viron afectadas polas condicións impostas pola pandemia da COVID-19 nas súas actividades cotiás. O universo de estudo son as bandas de música asociadas á Federación Galega de Bandas de Música Populares. Das 94 entidades federadas contestaron 85 bandas. O cuestionario aplicouse de maneira telemática entre o 28 de abril e o 17 de maio de 2021. O corpo e contido do estudo xiran arredor da dimensión social das bandas de música populares en Galicia e abrangue información que vai dende datos xerais destas entidades musicais; características dos seus intérpretes; equipo de dirección; escolas de música pertencentes ás bandas; nivel de xestión; avaliación da calidade do equipamento das súas infraestruturas; programa de actividades; fontes de financiamento; público; difusión e imaxe e incidencia da COVID-19 no seu funcionamento.
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