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1

Emily, Heckman, ed. Ask me again tomorrow: A life in progress. New York: HarperCollins, 2003.

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2

Emily, Heckman, ed. Ask me again tomorrow: A life in progress. New York: HarperCollins, 2003.

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3

Franta, Connor. A Work In Progress: A Memoir. New York: Atria/Keywords Press, 2015.

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4

E! Entertainment. Brooklyn, New York: Wonder, 2014.

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5

Hackman, Sue. Entertainmenton TV. London: Hodder & Stoughton, 1990.

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6

The format age: Television's entertainment revolution. Malden, MA: Polity Press, 2016.

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7

The Archers miscellany. London: BBC, 2009.

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8

Senior trivia: Fun trivia questions from the golden age of entertainment. New York: iUniverse, 2008.

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9

Postgate, Oliver. Seeing things: An autobiography. London: Pan, 2001.

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10

Consuming reality: The commercialization of factual entertainment. New York: Palgrave Macmillan, 2012.

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11

Turned out nice again: The story of British light entertainment. London: Atlantic Books, 2008.

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12

Müller, Eggo. Not only Entertainment: Studien zur Pragmatik und Ästhetik der Fernsehunterhaltung. Köln: Herbett von Halem Verlag, 2011.

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13

Academy of Music (Saint John, N.B.), ed. Academy of Music, Monday ev'g, Mar. 17th: Grand literary & musical entertainment by the Irish Friendly Society. [Saint John, N.B.?: s.n.,$18--?], 1986.

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14

Leontʹev, V. P. Noveĭshai͡a ėnt͡siklopedii͡a kompʹi͡utera 2011. Moskva: OLMA Media Grupp, 2010.

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15

Noveĭshai͡a ėnt͡siklopedii͡a. Kompʹi͡uter i Internet, 2015. Moskva: OLMA Media Grupp, 2014.

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16

Stafford, Nikki. Finding Lost. Chicago: ECW Press, 2008.

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17

Littlefield, Warren. Top of rock: Inside the rise and fall of must see tv. Waterville, Maine: Thorndike Press, 2012.

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18

Campbell, Sandra. Positive action : gender and violence in children's entertainment . Toronto: MediaWatch, 1995.

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19

Ontario Institution for the Blind., ed. Ontario Institution for the Blind: Christmas concert and entertainment, Friday, December 19th, 1884. [S.l: s.n., 1987.

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20

Dukakis, Olympia. Ask Me Again Tomorrow: A Life in Progress. Harper Paperbacks, 2004.

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21

Dukakis, Olympia. Ask Me Again Tomorrow: A Life in Progress. Tandem Library, 2004.

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22

Dukakis, Olympia. Ask Me Again Tomorrow: A Life in Progress. Harper Paperbacks, 2004.

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23

Bodroghkozy, Aniko. Propaganda Tool for Racial Progress? University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252036682.003.0002.

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This chapter examines early discourses on the relationship between television and the developing black freedom movement, with particular emphasis on optimistic hopes that television could be a progressive tool for African American advancement and racial justice. Unlike radio, early network television appeared to take seriously obligations to present African Americans in respectful ways. In the early 1950s, for example, NBC's politically progressive chief censor worked to eradicate offensive black stereotypes from programming by scrubbing references to “darkies,” images of Stepin Fetchit–style characters. This chapter first considers the National Association for the Advancement of Colored People's protest against the Amos 'n' Andy and response to the Beulah radio shows before discussing the role of entertainment television in the pre-civil rights period. It looks at the ABC program The Beulah Show. While Beulah exemplifies early television's initial foray into the arena of race relations and black representation, this chapter argues that it did not give viewers a concept of black and white on equal terms.
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24

Franta, Connor. Work in Progress: A Memoir. Simon & Schuster Australia, 2015.

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25

Franta, Connor. Work in Progress: A Memoir. Simon & Schuster, Limited, 2015.

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26

A Work in Progress: A Memoir. Keywords Press, 2016.

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27

Clos, Jeremy. Honorable Entertainment Given to the Queen's Majesty in Progress, at Elvetham in Hampshire, by the Right Honorable, the Earl of Hertford. Lulu Press, Inc., 2012.

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28

Scragg, Leah y Martin White. Five Elizabethan Progress Entertainments. Manchester University Press, 2021.

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29

Five Elizabethan Progress Entertainmen. Manchester University Press, 2018.

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30

Hone, Joseph. Royal Progress. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198814078.003.0004.

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Chapter 3 addresses the hitherto neglected political dimension of Anne’s first royal progress to Oxford and the West Country. The contention of this chapter is that the sophisticated rhetorical displays and entertainments associated with Elizabethan progresses persisted into the eighteenth century. By unpicking the partisan messages embedded into entertainments and verse addresses performed to Anne on her first progress, the chapter demonstrates how royal hosts attempted to guide the queen and government on policy matters. But they also hoped to garner patronage from prominent local and national politicians. Anne also used the progress as an opportunity to revive older modes of sacral monarchy.
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31

Gough, Peter y Peggy Seeger. Introduction. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039041.003.0001.

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This introductory chapter provides an overview of the Federal Music Project (FMP). Initiated in 1935 as a part of President Franklin Roosevelt's New Deal plan for fiscal recovery, the FMP composed one of several cultural programs—designated Federal Project Number One, or Federal One—of the Works Progress Administration (WPA). California and dozens of other states reaped the benefits of New Deal music—including the employment of performance groups, music teachers, folksong collectors, and others—for nearly eight years. Indeed, federal funding continued well after the United States entered World War II, providing musical entertainment for the military troops through the summer of 1943. By January 1936, music programs were being presented in larger metropolitan areas; by September of the next year, the FMP was operating in forty-two of the forty-eight states.
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32

Campbell, Vincent. Science, Entertainment and Television Documentary. Palgrave Macmillan, 2016.

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33

Campbell, Vincent. Science, Entertainment and Television Documentary. Palgrave Macmillan Limited, 2016.

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34

Chalaby, Jean K. Format Age: Television's Entertainment Revolution. Polity Press, 2015.

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35

Television Specials: 5,336 Entertainment Programs, 1936-2012. McFarland, 2013.

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36

Entertainment yearbook, 2000. Des Moines, IA: Entertainment Weekly Books, 2000.

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37

Richard, Fox y Mark Hobart. Entertainment Media in Indonesia. Taylor & Francis Group, 2007.

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38

Richard, Fox y Mark Hobart. Entertainment Media in Indonesia. Taylor & Francis Group, 2007.

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39

Rowen, Beth. A and E Entertainment Almanac. Houghton Mifflin Harcourt Publishing Company, 1997.

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40

Adrian, John Mark. Fêting the Queen: Civic Entertainments and the Elizabethan Progress. University of Massachusetts Press, 2021.

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41

Adrian, John Mark. Fêting the Queen: Civic Entertainments and the Elizabethan Progress. University of Massachusetts Press, 2021.

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42

Adrian, John M. Fêting the Queen: Civic Entertainments and the Elizabethan Progress. University of Massachusetts Press, 2022.

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43

Richard, Fox y Mark Hobart. Entertainment Media in Indonesia. Taylor & Francis Group, 2007.

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44

Richard, Fox y Mark Hobart. Entertainment Media in Indonesia. Taylor & Francis Group, 2007.

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45

Richard, Fox y Mark Hobart. Entertainment Media in Indonesia. Taylor & Francis Group, 2016.

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46

(Editor), Mark Hobart y Richard Fox (Editor), eds. Entertainment Media in Indonesia. Routledge, 2008.

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47

Richard, Fox y Mark Hobart. Entertainment Media in Indonesia. Taylor & Francis Group, 2007.

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48

Hackman, Sue y Wink Hackman. Entertainment on Television (Introducing Media Studies). Hodder Arnold H&S, 1990.

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49

Andronicus. Key to the Pilgrim's Progress: Designed to Assist the Admirers of That Excellent Book to Read It with Understanding and Profit, As Well As Pleasing Entertainment. in a Series of Letters to a Friend. Creative Media Partners, LLC, 2022.

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50

Law & Order: Special Victims Unit. New York: Benbella Books, 2009.

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