Literatura académica sobre el tema "Productive melancholia"
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Artículos de revistas sobre el tema "Productive melancholia"
Muliaee, Maryam. "Crossing a Productive Melancholia in Artistic Work Based on Xerography". Ekphrasis. Images, Cinema, Theory, Media 21, n.º 1 (27 de junio de 2019): 82–92. http://dx.doi.org/10.24193/ekphrasis.21.7.
Texto completoLiss, Barry. "Hot media, technological transformation and the plague of the dark emotions: Erich Fromm, Viktor Frankl and the recovery of meaning1". Explorations in Media Ecology 17, n.º 4 (1 de diciembre de 2018): 379–92. http://dx.doi.org/10.1386/eme.17.4.379_1.
Texto completoYeager, Stephen. "Empire, Shame, and Medieval Text Editing: The Case of Beowulf Line 1382a". Journal of Medieval and Early Modern Studies 53, n.º 2 (1 de mayo de 2023): 201–24. http://dx.doi.org/10.1215/10829636-10416571.
Texto completoDular, Sonja. "Gazing into Beauty, Gazing into Death". Maska 33, n.º 189 (1 de junio de 2018): 30–34. http://dx.doi.org/10.1386/maska.33.189-190.30_1.
Texto completoWolf-Meyer, Matthew. "Our Master’s Voice, the Practice of Melancholy, and Minor Sciences". Cultural Anthropology 30, n.º 4 (2 de noviembre de 2015): 670–91. http://dx.doi.org/10.14506/ca30.4.10.
Texto completoGRINAGE, JUSTIN. "Endless Mourning: Racial Melancholia, Black Grief, and the Transformative Possibilities for Racial Justice in Education". Harvard Educational Review 89, n.º 2 (1 de junio de 2019): 227–50. http://dx.doi.org/10.17763/1943-5045-89.2.227.
Texto completoJeong, Boram. "The Production of Indebted Subjects: Capitalism and Melancholia". Deleuze Studies 10, n.º 3 (agosto de 2016): 336–51. http://dx.doi.org/10.3366/dls.2016.0230.
Texto completoParikh, Crystal. "Blue Hawaii: Asian Hawaiian Cultural Production and Racial Melancholia". Journal of Asian American Studies 5, n.º 3 (2002): 199–216. http://dx.doi.org/10.1353/jaas.2003.0020.
Texto completoRosburg, Regan Suzanne. "The Relentless Memorial". International Journal of Civic Engagement and Social Change 4, n.º 1 (enero de 2017): 23–44. http://dx.doi.org/10.4018/ijcesc.2017010102.
Texto completoNavaro-Yashin, Yael. "Affective spaces, melancholic objects: ruination and the production of anthropological knowledge". Journal of the Royal Anthropological Institute 15, n.º 1 (marzo de 2009): 1–18. http://dx.doi.org/10.1111/j.1467-9655.2008.01527.x.
Texto completoTesis sobre el tema "Productive melancholia"
Silvestre, Joyce Scoralick. "“A minha vida é como se me batessem com ela”: a escrita e a(s) exigência(s) do desassossego". Universidade Federal de Juiz de Fora, 2014. https://repositorio.ufjf.br/jspui/handle/ufjf/620.
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Este trabalho tem como objetivo um exame da produção de literatura como uma resposta aos enfrentamentos e aos afetos experimentados pelo escritor. O artista, com seu caráter essencial de encontrar-se muito presente e próximo daquilo que o cerca, será aquele que percebe e recebe as mudanças que ocorrem, em especial na modernidade, e encara o desolamento que elas provocam por sua própria essência e transporta tais desassossegos para sua produção: arte. Na modernidade o homem vê-se lançado em uma globalização sem precedentes que, entre outras coisas, o lança a uma solidão em que é preciso mudar os valores tão rapidamente quanto a época o exige. No caso específico do livro estudado, Fernando Pessoa construiu no Livro do Desassossego aquilo que o heterônimo a quem é atribuída sua autoria (Bernardo Soares) chama de uma espécie de biografia “sem fatos”. É através dessa biografia sem fatos que Soares se coloca como um alguém que necessita escrever para dar conta das melancolias que o assaltam, mostrando, assim, que escrever funciona como clínica de suas dores: tais dores que são bastante próprias dele, e não se confundem com as dos outros heterônimos, nos denotando mais uma característica da modernidade: a fragmentação e a busca incessante por algo que seja possível chamar sempre de “eu”.
This paper aims at presenting an examination of the production of literature as a response to the confrontation and the affections experienced by the writer. The artist, with his essential characteristic to find himself very present and close to what surrounds him, will be the one who understands and receives the changes that occur, particularly in modernity, and face the overwhelming that these changes cause by their very essence and he carries such disquiet to his production: art. In modernity, man sees himself released in an unprecedented globalization, among other things, the launches him into a loneliness in that changings the values are needed as quickly as the moment requires. In the specific case of the studied book, Fernando Pessoa built in Livro do Desassossego what the heteronym to whom its authorship is attributed (Bernardo Soares) calls a kind of biography "without facts". It is through this biography without facts that Soares is placed as someone who needs to write to deal with melancholy that assaults him, showing thus that writing functions as a treatment for his pain: such pains that are quite his, and not to be confused with those of other heteronyms, show one more feature of modernity: fragmentation and the incessant search for something that would be possible to always call "I".
Wanless, Ann. "The silence of colonial melancholy : The Fourie collection of Khoisan ethnologica". Thesis, 2008. http://hdl.handle.net/10539/5710.
Texto completoLibros sobre el tema "Productive melancholia"
Gill, Denise. Separation, the Sound of the Rhizomatic Ney, and Sacred Embodiment. Oxford University Press, 2017. http://dx.doi.org/10.1093/acprof:oso/9780190495008.003.0003.
Texto completoMilbank, Alison. Cain’s Castles. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.003.0002.
Texto completoPlatte, Nathan. “Our Valedictory to Wild Extravagance”. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199371112.003.0013.
Texto completoMilbank, Alison. God & the Gothic. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198824466.001.0001.
Texto completoCapítulos de libros sobre el tema "Productive melancholia"
Harack, Katrina y Aitor Ibarrola-Armendariz. "Trauma, Screen Memories, Safe Spaces and Productive Melancholia in Toni Morrison’s Home". En Traumatic Memory and the Ethical, Political and Transhistorical Functions of Literature, 279–310. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-55278-1_12.
Texto completoMcInnes, David. "Melancholy and the Productive Negotiations of Power in Sissy Boy Experience". En Youth and Sexualities, 223–41. New York: Palgrave Macmillan US, 2004. http://dx.doi.org/10.1057/9781403981912_11.
Texto completoMcIntyre, Anthony P. "Irish Female Comedic Voices, Diasporic Melancholy, and Productive Irritation: Sharon Horgan, Aisling Bea and Maeve Higgins". En Contemporary Irish Popular Culture, 153–201. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-94255-7_5.
Texto completoFerreira, Carolin Overhoff. "A melancholic outlook on 40 years of Lusophone audiovisual production and Guinea – the two faces of the war as case study". En Contemporary Lusophone African Film, 159–78. Abingdon, Oxon ; New York, NY : Routledge, 2021. | Series: Remapping world cinema: regional tensions and global transformations: Routledge, 2020. http://dx.doi.org/10.4324/9780429026836-10.
Texto completoBernard, J. F. "The Philosophical Afterlives of Shakespearean Melancholy". En Shakespearean Melancholy, 213–33. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474417334.003.0006.
Texto completoMussell, Simon. "Feeling blue: melancholic dispositions and conscious unhappiness". En Critical Theory and Feeling. Manchester University Press, 2017. http://dx.doi.org/10.7228/manchester/9781526105707.003.0003.
Texto completoPero, Allan. "“Sunshades will usurp their space”". En The Many Facades of Edith Sitwell. University Press of Florida, 2017. http://dx.doi.org/10.5744/florida/9780813054421.003.0005.
Texto completoLópez González, Luis F. "Melancholia and Its Evolution in Thirteenth-Century Iberia". En The Aesthetics of Melancholia, 1–20. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192859228.003.0001.
Texto completoLópez González, Luis F. "Mystical Lovesickness in Cantiga 188". En The Aesthetics of Melancholia, 214–28. Oxford University PressOxford, 2022. http://dx.doi.org/10.1093/oso/9780192859228.003.0010.
Texto completoSingleton, Jermaine. "Renegotiating Racial Discourse". En Black Cultural Production after Civil Rights, 165–82. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042775.003.0008.
Texto completoInformes sobre el tema "Productive melancholia"
Klengel, Susanne. Pandemic Avant-Garde Urban Coexistence in Mário de Andrade’s Pauliceia Desvairada (1922) after the Spanish Flu. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, diciembre de 2020. http://dx.doi.org/10.46877/klengel.2020.30.
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