Bibliografías temáticas / Print and Picture Collection

Literatura académica sobre el tema "Print and Picture Collection"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 26 de julio de 2024

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Artículos de revistas sobre el tema "Print and Picture Collection"

1

Doіar, Larysa. "Collections of prints in the Book Chamber of Ukraine: assembly, processing, content analysis of the picture (poster) fund State Printing Archive". Вісник Книжкової палати, n.º 12 (29 de diciembre de 2022): 41–49. http://dx.doi.org/10.36273/2076-9555.2022.12(317).41-49.

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The presented article begins a new scientific project of the Book Chamber of Ukraine, dedicated to the formation of print collections. This intelligence raises the problem of the collection, processing and content analysis of the materials of the pictorial (poster) fund of the State Print Archive. Relying on the theoretical principles of domestic archival science in the matter of compilation of archival collections, the author proposes to adhere to a system of rules that provides for comprehensiveness, complexity, clear classification, definition of main and secondary features, creation of favorable conditions for storage and replenishment of collection expositions, provision of technical (compilation of descriptions) and scientific (research work) processing of archival collection materials. The purpose of the presented author's intelligence is to study the problem of creating thematic collections on the basis of the visual (poster) fund of the State Print Archive of the Book Chamber of Ukraine. Taking into account the peculiarities of the functioning of the only archive of prints in Ukraine, which involves the compilation of chronological databases for all types of printed products of Ukraine, the basis of the creation of collections, according to the author, should be historical-epochal, historical-plot, historical-industry and historically-personalized approaches. The author also does not rule out that, based on the content capabilities of visual prints, in the organization of collections based on them, it is possible to focus on the parameters of the theory of fine art, in particular, genres, styles, manners of execution, materials, tools, etc. The author proposes to create collections of pictorial (poster) prints that would reflect the key positions of the functioning of Ukraine, namely: "Industry", "Agriculture", "Social and political life", "Social and economic life", "Culture of Ukraine: science, education, literature, art, sports". The article provides examples of the development of annual collection expositions of poster products of Ukraine.
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2

Dane, William J. "John Cotton Dana: a contemporary appraisal of his contributions and lasting influence on the library and museum worlds 60 years after his death". Art Libraries Journal 15, n.º 2 (1990): 5–9. http://dx.doi.org/10.1017/s0307472200006684.

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John Cotton Dana, who died in 1929, had been Librarian of the Newark Public Library since 1902. Among many other achievements, he was responsible for the development of remarkable art collections in the Library, including a collection of prints, and of a Picture Collection of visual images; the programme of art exhibitions he organised in the Library led to the founding of the Newark Museum. The collections Dana initiated continued to grow after his death, guided by his inspiration: they are of regional and even national importance and, via library networking, serve the whole state of New Jersey; the scope of the print collection has been extended to include several categories of printed ephemera, including shopping bags.
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3

Paczuska, Katarzyna. "Shini-e, japońska forma upamiętnienia wybitnych artystów". Art of the Orient 1, n.º 1 (2012): 89–100. http://dx.doi.org/10.15804/aoto201205.

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The Regional Museum of Toruń has in its Far East Collection a woodblock print – a portrait of kabuki actor Matsumoto Kōshirō V by Utagawa Kunisada. This print falls into the shini-e (“death print”) category, commemorating the death of an actor, artist, or musician. The vast majority of shini-e depicted actors. Typical shini-e portrayed memorialized persons in blue court robes called shini sōzoku (“death dresses”) or ceremonial attire called mizu kamishimo. Many of these prints included the dates of death, age, posthumous Buddhist name (kaimyō), and temple burial site, while some had death poems (jisei) by the deceased or memorial poems written by family, friends, colleagues, or fans. A term used at least by the 1850s. The first datable single-sheet shini-e were probably issued in the 1790s, although ehon (“picture books”) commemorating the deaths of celebrated actors appeared as early as 1709, and more regularly by the 1770s. The shini-e genre appears to have nearly disappeared by the beginning of the 20th century and with the rise of other media such as photography and lithography, shini-e were no longer viable options for memorializing actors and artists. Only a small handful of examples are known from the 1910s–1920s. Matsumoto Kōshirō V was the one of many kabuki actors, who were display on shini-e. Besides actors, the ukiyo-e artist where also portrayed on commemorate prints.
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4

Bradford, Clare, Catherine Sly y Xu Daozhi. "Ubby’s Underdogs: A Transformative Vision of Australian Community". Papers: Explorations into Children's Literature 24, n.º 1 (1 de enero de 2016): 101–31. http://dx.doi.org/10.21153/pecl2016vol24no1art1112.

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In Black Words White Page (2004), his seminal study of Aboriginal cultural production in Australia, Adam Shoemaker notes that ‘when Oodgeroo Noonuccal’s first collection of poetry appeared in print in 1964, a new phase of cultural communication began in Australia’ (2004, p. 5). The ‘new phase’ to which Shoemaker refers pertains to the many plays, collections of poetry and novels by Aboriginal authors published between 1964 and 1988 and directed to Australian and international audiences. Flying under the radar of scholarly attention, Aboriginal authors and artists also produced significant numbers of children’s books during this time, including Wilf Reeves and Olga Miller’s The Legends of Moonie Jarl, published by Jacaranda Press in 1964 (see O’Conor 2007), Oodgeroo Noonuccal’s Stradbroke Dreamtime (1972), and the picture books of Dick Roughsey and many other Aboriginal authors and artists (see Bradford 2001, pp. 159-90).
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5

Yuniati, Ira, Reni Kusmiarti, Abdi Kanizar y Hasmi Suyuthi. "Implikatur dalam Wacana Kampanye Pemilihan Legislatif 2019". Jurnal Kajian Bahasa, Sastra dan Pengajaran (KIBASP) 3, n.º 2 (16 de junio de 2020): 276–88. http://dx.doi.org/10.31539/kibasp.v3i2.1249.

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The purpose of this study is to describe a precise, detailed and in-depth understanding of the implicature in the campaign discourse in the 2019 legislative elections. The research method is a descriptive method. The data collection techniques of this research are, (1) collecting political discourse of the Legislative Candidates in print media such as advertisements, billboards, leaflets, banners, posters displayed on the roadside and public places, (2) reading political discourse in the media print such as advertisements, billboards, leaflets, banners, posters as a whole to get a general picture, (3) reread political discourse in print media such as advertisements, billboards, leaflets, banners, posters as well as mark the parts contained implicature, (4) collect the marked part into the data list. Data analysis techniques are (1) the data that has been identified and then classified based on the form of the implicature, (2) describes the data that has been classified, (3) the implicature data that has been described is then analyzed, (4) based on the results of the implicature analysis then provides interpretation, (5) ) draw conclusions of research. Based on the results of research and discussion on the language implicatures in the 2019 legislative election campaign discourse, it can be concluded that the implications in the 2019 legislative election campaign discourse found 36 data that include (1) conventional implications, 19 data found and (2) conversational / nonconventional implications found, 36 implicative data including (1) conventional implications, 19 data and (2) conversational / nonconventional implications; as many as 17 data. The dominant implicature that was found was conventional data as much as 19 data. The implication used by campaigners in attracting the attention of the public to choose them by means of speech is delivered in a certain setting and purpose, the information said tends to be different from what is intended. Keywords: Implicature, Campaign Discourse, Legislative Elections
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6

M'rani Alaoui, Malika. "Early Photography in the Rijksmuseum’s Collection: A Group of Glass Negatives from the Estate of Laurens Lodewijk Kleijn (1826-1909)". Rijksmuseum Bulletin 68, n.º 1 (15 de marzo de 2020): 5–29. http://dx.doi.org/10.52476/trb.9688.

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In 1999 a group of nineteenth-century glass negatives were transferred to the Rijksmuseum from the University of Leiden’s Print Room. The negatives came from the estate of the Dutch artist Laurens Lodewijk Kleijn (1826-1909), who also made them. Kleijn lived in Rome between 1851 and 1868, became interested in photography and began to experiment with the medium. While he was in Italy, he came into contact with Princess Marianne, who awarded him a number of commissions. He also looked after her sizeable collection, first in Rome, later in her museum in Erbach. As the curator, Kleijn photographed part of the collection and the museum’s interior. These photographs were used for a museum catalogue and for picture postcards. The Rijksmuseum’s glass negatives show a variety of artworks from the princess’s collection. There are more experimental shots, too, family photographs and portraits, and photographs of paintings by Kleijn and of his studio. Thanks to the surviving glass negatives – and the artist’s estate as a whole – it was possible to reconstruct his interesting life story and take a fresh look at the history of photography.
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7

Sassoon, Joanna. "The Politics of Pictures: A Cultural History of the Western Australian Government Print Photograph Collection". Australian Historical Studies 35, n.º 123 (abril de 2004): 16–36. http://dx.doi.org/10.1080/10314610408596270.

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Putri, Nindy Eka, Silfeni Silfeni y Feri Ferdian. "STRATEGI PROMOSI MELALUI MEDIA PERIKLANAN DESA WISATA KUBU GADANG KOTA PADANG PANJANG". JURNAL PENDIDIKAN DAN KELUARGA 9, n.º 2 (29 de junio de 2018): 113. http://dx.doi.org/10.24036/jpk/vol9-iss2/119.

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The purpose of this research is to analyze the promotion strategy through advertising media at Desa Wisata Kubu Gadang Kota Padang Panjang view from 3 indicator: print media, electronic media, outdoor media. The research is a descriptive qualitative with survey method. Determination of informant using purposive sampling and snowball sampling. The purposive sampling technique involving 2 informant from tourism govermant and 2 informant from desa wisata Kubu Gadang Kota Padang Panjang manager then snowball sampling technique involving 3 informant from desa wisata Kubu Gadang Kota Padang Panjang visitor. Technique of collecting data is done by interview, observation, and documentation. The results of this study indicate that: 1) the strength of promotion advertising are: news paper easy to get, the picture quality on brochure have a good and interesting, radio can be heard anywhere, television give information through sound and picture, desa wisata Kubu Gadang also have a website and a big billboard with a perfect lighting. 2) the weakness of promotion advertising are: there was no promotion through a brochure, there was no update on the Kubu Gadang’s website, the billboard was vulnerable of damage. 3) the opportunities of promotion advertising are: there are many people who still interest to read the newspaper and brochure, there are many people who interest of internet using, many people can see the outdoor media as if billboard and baliho. 4) the threats of promotion advertising are: there are competitor through print media, television and outdoor media. The conclusion of The promotion strategy through advertising media at Desa Wisata Kubu Gadang Kota Padang Panjang is 1) making use of print media for promotion, 2) to increase the promotion thourgh radio, television and website/internet, 3) making advertising through outdoor media as if billboard and baliho.
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9

Reddy, Sheshalatha. "THE COSMOPOLITAN NATIONALISM OF SAROJINI NAIDU, NIGHTINGALE OF INDIA". Victorian Literature and Culture 38, n.º 2 (6 de mayo de 2010): 571–89. http://dx.doi.org/10.1017/s1060150310000173.

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Sarojini Naidu (1879–1949), the English-language Indian poetess and politician, appears before the viewer in the frontispieces to her first two collections of poetry, The Golden Threshold (1905) and The Bird of Time: Songs of Life, Death and the Spring (1912). She presents herself in print, as in her oratory, as both a figure of nineteenth-century verse culture and a cosmopolitan nationalist. The Golden Threshold includes a now well-known introduction by Arthur Symons and a sketch of a young Naidu by J. B. Yeats (father of W. B. Yeats). [See Figure 1.] Arrayed in a voluminous and ruffled white dress, distinctly “Western” in style, with hands clasped together, Naidu's youthful yet grave face stares directly at the viewer. She appears here as a precocious, prepubescent Victorian poetess captured within a private setting. Yet when this volume was published in 1905, the picture, drawn during Naidu's sojourn in England in the mid-1890s when much of the poetry included in the collection was composed, must have been almost a decade old. The only sign of racial difference in the sketch is her lightly shaded skin and dark hair. The blurred sketch echoes Naidu's own ambiguous position at this time: she is neither wholly Indian nor wholly English, and she navigates uneasily between the roles of naïve student of poetry and accomplished poetess.
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10

Lewis, Ann. "Extra-illustrating Rousseau’s Julie, ou La Nouvelle Héloïse: The case of the Defer de Maisonneuve edition (1793–1800)". Journal of Illustration 8, n.º 2 (1 de diciembre de 2021): 251–80. http://dx.doi.org/10.1386/jill_00042_1.

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While scholarly treatments of extra-illustration have focused almost exclusively on the Anglo-American context, this article considers the phenomenon from a French perspective, by examining two contrasting but previously unstudied extra-illustrated copies of Rousseau’s bestselling novel Julie, ou La Nouvelle Héloïse (1761), each hosted within the large-scale Defer de Maisonneuve edition of Rousseau’s Œuvres (1793–1800). The present article compares these spectacular copies and situates them in the context of French traditions of bibliophilia and connoisseurship, thus nuancing the picture of extra-illustration, which has emerged from Anglo-American accounts, and adding a new dimension to the growing field of work on the iconography surrounding Julie. The two copies, held by the British Library (London, United Kingdom) and Bayerische Staatsbibliothek (Munich, Germany), contain multiple artists’ series of illustrations and individual prints depicting scenes from Julie originally intended for other editions. Each thus provides an intricate choreography of visual readings and configures new connections and possibilities for the reader/viewer, while breaking up the traditional relationship between text and image typically found in eighteenth-century illustrated editions. In their very different scale and presentation of prints (number, size, type, arrangement and binding), they suggest highly divergent practices of collecting, displaying and viewing/reading, inclining variously more to the arts of the book and literary culture in one case, or towards print connoisseurship in the other.
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Tesis sobre el tema "Print and Picture Collection"

1

Haight, Sarah M. "American Art Lending, 1895-1975". Thesis, School of Information and Library Science, 2006. http://hdl.handle.net/1901/344.

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This paper documents the range of art lending in the United States to individuals by libraries, museums, and other cultural institutions from roughly 1895-1975. The historical analysis includes the reasons and motivations behind the creation of each kind of lending scheme and what its proponents hoped to accomplish, as well as how these collections fit into the broader goals of each type of institution. Loans of originals and reproductions are discussed.
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2

Gallina, Dino. "RED TIDE: A FEATURE LENGTH MOTION PICTURE". Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2198.

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The following document provides insight into the uncharted process of producing a micro-budget feature length film. This paper aims to document my growth as an artist in terms of storytelling and filmmaking as well as the development and production process. Red Tide: A Feature Length Motion Picture includes elements from each phase of the production process, from story and script development to marketing and distribution. This document reflects on the obstacles we faced and the solutions we implemented during the process of creating a feature length motion picture on an undersized budget.
M.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
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3

Landmér, Rebecca. "Bildregistrering i teorin och praktiken : Mid-Manhattan Picture Collection och Kungliga biblioteket". Thesis, Högskolan i Borås, Institutionen Biblioteks- och informationsvetenskap / Bibliotekshögskolan, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-17792.

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This thesis presents a comparative study of image registration at two picture collection libraries. The two registration systems are analyzed as to the theoretical principles behind them and their practical application, and related to theoretical tools for subject analysis and bibliographic standards. While a growing number of picture collections now digitize their material, generally accepted standards and methods for the registration of digital images are still lacking. Many different systems coexist, often developed in-house in response to ad hoc needs and based on traditional registration tools created for textual documents, resulting in internationally incompatible mixed-format systems. The two picture collections examined here, however, have opted for similar, standardized tools for registration and subject analysis, and while there are differences in their application and focus, they have both considered issues of cross-system compatibility. The objective of this study is to benefit other ALM-related picture collections currently in the process of digitizing their visual materials and establishing standards for their handling.
Uppsatsnivå: D
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4

Kennedy, Ethan. "Between the Lines: Depictions of Transgender Victims in News Print Media". Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/968.

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This item is only available in print in the UCF Libraries. If this is your Honors Thesis, you can help us make it available online for use by researchers around the world by following the instructions on the distribution consent form at http://library.ucf.edu/Systems/DigitalInitiatives/DigitalCollections/InternetDistributionConsentAgreementForm.pdf You may also contact the project coordinator, Kerri Bottorff, at kerri.bottorff@ucf.edu for more information.
Bachelors
Arts and Sciences
Sociology
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5

Daneau, Daniel. "THE ATTIC DOOR: A FEATURE LENGTH MOTION PICTURE". Master's thesis, University of Central Florida, 2008. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2224.

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THE ATTIC DOOR is the feature-length film co-written and directed by Danny Daneau while pursuing a Master of Fine Arts at the University of Central Florida. Many challenges had to be met to produce a feature-length motion picture utilizing digital technology on an ultra-low budget as part of a graduate education. Beyond gaining a profound understanding of the physical, financial, and emotional strength it takes to complete a feature-length motion picture, Daneau experienced the creative challenges that all filmmakers must meet when applying the principles of filmmaking theory to an actual work of self-expression. The production process for an original narrative film under the guidelines established by the university has pushed him to make a motion picture that is both a highly personal work of film art and evidence of the educational journey he has taken for the past three years.
M.F.A.
School of Film and Digital Media
Arts and Humanities
Film and Digital Media MFA
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6

Gualtieri, Marie. "I'm every woman college women's perceptions of "real women" in print advertisements". Honors in the Major Thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/560.

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In the American capitalist society, the media is often an agent used to perpetuate ideals and to inform consumers of products that they can purchase by using multiple advertising techniques. In an attempt to counter the thin body ideal for women, some companies have begun advertising their products by using plus size models, such as the Dove Campaign for Real Beauty. The purpose of this research is to examine college women's perceptions of the Dove Campaign for Real Beauty, an advertising campaign whose goal is to reverse the stereotypical body ideal for women and broaden the definition of beauty. Some sociologists have criticized Dove for sending conflicting messages. This study is the first that focuses on women's perceptions about this potential conflict. Through the use of both quantitative and qualitative methods, this study examined if, how, and when women changed their initial perceptions toward the Dove Campaign for Real Beauty based on two separate scenarios brought to their attention. This is important because the findings suggest how consumers can change their perceptions regarding a company, in this case one that is a part of a multi-million dollar parent company, based on how a company advertises its products.
B.S.
Bachelors
Sciences
Sociology
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7

Schneck, Christie. "Between Words: Popular Culture and the Rise of Print in Seventeenth Century England". Master's thesis, University of Central Florida, 2012. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/5485.

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Seventeenth century England was forced to come to terms with events such as the Civil War and the regicide of King Charles I, in the midst of contending with the cultural changes brought upon by print culture, the effects of which appeared throughout all aspects of English society. These changes helped form a relationship between print and oral culture, one of negotiation among the producers and regulators of work and the society consuming the works. The discussion of this negotiation has led to varying conclusions concerning the true impact of printed materials on English society and culture, all of which tend to see the relationship in one of two ways: print's undeniable and unprecedented influence on culture, or its function as supplement to oral and visual communication. The latter conclusion helped form the foundation of this study, which aims to further understand the negotiation between print and English society. The close analysis of recurring themes of the supernatural, specifically prophecy, witchcraft, regicide, and the natural world, will show unmistakable similarities between popular entertainment and written works. Through the examination of these themes, this thesis will illustrate the extent to which common imagery and wording appeared in newsbooks and what this says about oral communication and culture in early modern England.
ID: 031001459; System requirements: World Wide Web browser and PDF reader.; Mode of access: World Wide Web.; Adviser: Peter Larson.; Title from PDF title page (viewed July 8, 2013).; Thesis (M.A.)--University of Central Florida, 2012.; Includes bibliographical references (p. 95- 104).
M.A.
Masters
History
Arts and Humanities
History
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8

Owens, Eileen Grace. "VISUALIZING MASCULINITY: MEN, FAMILY, AND COUNTRY IN NINETEENTH-CENTURY FRENCH PRINT CULTURE". Master's thesis, Temple University Libraries, 2016. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/385190.

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Art History
M.A.
Focusing on satirical prints from illustrated newspapers, this thesis examines nineteenth-century French notions of masculinity in a culture that linked its reputation for success to the productivity of its male citizens. I will focus on man’s connection to marriage and family life, as these institutions were so closely connected to perceptions of masculinity. Specifically, I look at portrayals of the cuckold and the bachelor—tropes of male identity that deviated from the ideal notions of the French man—and how printed images reflected, commented on, and shaped the ways in which conventional French masculinity was imagined. Examining these lithographs in light of specific social and political shifts, including changing marriage and divorce laws, the rising feminist movement, and the loss of the Franco-Prussian war, will ground my project historically. Popular lithographic prints, from the 1840s to the early 1900s, remarked not only on masculinity itself—the ways in which men should act and look—but also on the ways in which any departures from the norm threatened the French family and nation. Although medical journals and etiquette manuals expounded on the ‘natural’ qualities of men, satirical cartoons that were most often published weekly, were immediately pertinent in their commentary. Using prints to decode these ever-prevalent issues of masculinity, my project makes clear why representations and notions of certain types of masculinity were so alarming to French audiences. Although much of the scholarship around nineteenth-century French lithography deals with the censorship issues and political implications of the illustrated newspapers, I focus instead on the social ramifications of such images. I emphasize the distinctive nature of such prints—the audience, the circulation, and the cultural impact of printed images themselves. Looking to both art and social historical texts, I concentrate on the everyday realm of printed images, and what it meant for Parisian men and women to be surrounded by such tropes. My thesis connects the growing concerns over family and marriage to issues of failed masculinity and the ways in which they were addressed in the print culture across the century. It explores how these satirical cartoons provided a humorous, yet urgent, visual attempt to illuminate the tricky and conflicting expectations of French men in the nineteenth century.
Temple University--Theses
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9

Maddox, Ashley. "WHEN LOVE TURNS LETHAL: A CONTENT ANALYSIS OF INTIMATE PARTNER VIOLENCE IN PRINT MEDIA". Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/4038.

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The current study conducted a content analysis of newspaper articles in a Florida newspaper, the Orlando Sentinel. The study spanned across a five-year time period from 2004-2009, featuring 198 articles on domestic violence homicide. The current study is a replication of previous research conducted using the same newspaper during 1995-2000. Victim blame, tone, and descriptions of the perpetrator and victim were among several items of interest. Findings reveal a slight increase in victim blaming statements and a larger increase in positive portrayals of the victims of domestic violence homicide.
M.A.
Department of Sociology
Sciences
Applied Sociology MA
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10

Hoeschen, Jessica. "THE ENGLISH REFORMATION IN IMAGE AND PRINT: CULTURAL CONTINUITY, DISRUPTIONS, AND COMMUNICATIONS IN TUDOR ART". Master's thesis, University of Central Florida, 2010. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2244.

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In the sixteenth century, Martin Luther s Protestant Reformation generated multiple reform movements and political transformations in Europe. Within this general period of reform, political and cultural changes from the Tudor era (1485-1603) created a separate English Reformation. The English Reformation evolved from the different agendas of the early Tudor monarchs and occurred in two distinct waves: an initial, more moderate Henrician Reformation and a later, more complete Edwardian Reformation. Henry VIII and Edward VI s attempts to redefine monarchy through a new State and Church identity drove English church reform during this period, giving these religious shifts distinct political roots. Cultural artifacts were prominent indicators of these differing political goals, and Henry VIII and Edward VI adjusted and removed images and texts according to their propaganda methods. These royal manipulations of culture are well-documented, but historians have overlooked important components in the communication process. Lay responses to imagery changes ranging from compliance to rebellion demonstrate the complex relationship of images, monarchy, and reform. Examining images function as propaganda with questions of intent, reception, and comprehension in royal communication is imperative for assessing the impact of royal messages on Tudor culture. Analyzing Tudor art as a form of political communication that disseminated idealized political representation reveals a strong visual discourse between the King and the English people. Images held key powers within royal discourse to create and disseminate propaganda of a kingship.
M.A.
Department of History
Arts and Humanities
History MA
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Libros sobre el tema "Print and Picture Collection"

1

R, Niver Kemp y Bergsten Bebe, eds. Early motion pictures: The paper print collection in the Library of Congress. Washington: Motion Picture, Broadcasting, and Recorded Sound Division, Library of Congress, 1985.

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2

Loughney, Patrick. A descriptive analysis of the Library of Congress Paper Print Collection and related copyright materials. Ann Arbor, MI (300 N. Zeeb Rd., Ann Arbor 48106): U.M.I., 1988.

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Tuttle, Richard. Richard Tuttle: Replace the abstract picture plane : projekt sammlung = collection project. Ostfildern-Ruit: Hatje Cantz, 2001.

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K, Byrd Cecil y Moore Ward W, eds. Abraham Lincoln in print and photograph: A picture history from the Lilly Library. Mineola, N.Y: Dover Publications, 1997.

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Museum of Fine Arts, Boston. A picture book: Figure compositions of China and Japan, from the collection of the Museum of Fine Arts, Boston. Boston: Museum of Fine Arts, Boston, 2003.

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6

Bijutsukan, Sumida Hokusai. Kaikan kinenten, Hokusai no kikan: Maboroshi no emaki to meihin korekushon = Opening exhibition, Hokusai returns : a long-lost picture scroll and masterpieces from the Collection. Tōkyō: Sumida Hokusai Bijutsukan, 2016.

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Vendelin, Carmen. American scenes: WPA-era prints from the 1930s and 1940s : featuring artwork from the collections of La Salle University Art Museum and the Free Library of Philadelphia. Philadelphia, Pa: La Salle University Art Museum, 2014.

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Gallery, Delhi Art, ed. The printed picture: Four centuries of Indian printmaking. New Delhi: Delhi Art Gallery, 2012.

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Freeman, Joanne B. The life of a city: Early films of New York from the paper print collection, 1898-1906 : an American Memory Collection from the Library of Congress : user's guide. Washington, [D.C.]: Library of Congress, 1992.

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Roberts, Michael. The print collection. London: Conran Octopus, 1992.

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Capítulos de libros sobre el tema "Print and Picture Collection"

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Janzen, Daryl. "A Critical Look at the Standard Cosmological Picture". En The Frontiers Collection, 103–30. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-13045-3_7.

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Tang, Yi-Kun, Heyan Huang, Xuewen Shi y Xian-Ling Mao. "Picture News Collection: A Dataset for Automatic Picture News Thumbnail Selection". En Web Information Systems Engineering – WISE 2019, 458–72. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-34223-4_29.

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Gillett, Carl. "Scientific Emergentism and the Mutualist Revolution: A New Guiding Picture of Nature, New Methodologies and New Models". En The Frontiers Collection, 79–98. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-92192-7_6.

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McDonald, Mark P. "The Lost Print Collection of Ferdinand Columbus (1488–1539)". En Profane Arts of the Middle Ages, 285–300. Turnhout: Brepols Publishers, 2009. http://dx.doi.org/10.1484/m.pama-eb.3.859.

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Ali, Ameera. "Discursive representations of disability in children's picture books on disabled parents". En Disability Representation in Film, TV, and Print Media, 180–97. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003035114-10.

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Buchner, Ralf. "The Historical Picture Collection of the Department of Botany and Biodiversity Research". En Academic Showcases, 37–40. Wien: Böhlau Verlag, 2015. http://dx.doi.org/10.7767/9783205201519-009.

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Byström, Karin. "Collection management collaborations in Sweden". En Beyond the Library Collections. Liège: ULiège Library, 2023. http://dx.doi.org/10.25518/978-2-87019-313-6.03.

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This paper will describe the background and progress on two collection management projects—the digitization of Swedish print materials and a collaboration on shared print. The author has many years’ experience of working on both projects, and the paper gives a detailed picture of the ambitions, work and results. It concludes with some potential long-term effects of the projects that go beyond the initial scope, like the need for a shift from a local to a national and global perspective and for shared infrastructure.
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Haywood, Ian. "Mired in Print: Romantic Writers and Caricature". En The Edinburgh Companion to Romanticism and the Arts, 313–34. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474484176.003.0018.

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This chapter presents a radically new perspective on the Romantic-era visual portrayal of writers and writing. Instead of focusing on the familiar genre of the individual literary portrait and its static iconography of authorship (the carefully placed pen or book, the inspired expression, the classical or pastoral setting), the chapter turns to the rumbustious imagery of caricature to locate a more dynamic and collective picture of literary print culture in action. The chapter shows that caricature undermined the Romantic cult of genius and celebrity by focussing on the material difficulties of writing and the networks of print and patronage which determined an author’s reputation and success. Caricatures are therefore illuminating historical documents which cast new light on the Romantic idea of solitary and transcendent genius, and on the highly conflicted political, social and cultural contexts within which this new and enduring ideology of authorship emerged. The careers of Romantic authors including Robert Southey, Lord Byron and Walter Scott are re-examined and re-framed through a series of close readings of caricatures by James Gillray, George and Robert Cruikshank, and Charles Williams.
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"REPRODUCTIONS". En Motion Pictures from the Library of Congress Paper Print Collection, 1894-1912, 330–39. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8501551.18.

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"DRAMA". En Motion Pictures from the Library of Congress Paper Print Collection, 1894-1912, 165–229. University of California Press, 2023. http://dx.doi.org/10.2307/jj.8501551.13.

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Actas de conferencias sobre el tema "Print and Picture Collection"

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Vinogradova, Tatiana. "“DEPEND ON HEAVEN FOR FOOD”: A WELL-KNOWN PROVERB IN LITERATURE, ILLUSTRATIONS AND COMMENTS". En 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.16.

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“Depend on Heaven for food” (kao tian chi fan, 靠天吃飯) is a well-known Chinese proverb. The presumed author of this expression was Wen Kang (文康), his novel Legend of Heroes and Heroines (儿女英雄傳) Ernü Yingxiong Zhuan first published in late 1870s became very popular. The expression “depend on Heaven for food” is from the 33rd chapter of the novel. Yet, the image under the title Picture Depend on Heaven for Food (kao tian chi fan tu, 靠天吃飯圖) appeared earlier than novel: two stone steles dated 1813 with the same picture, but different commentary text. In the academician Vasyli M. Alekseev’s collection of Chinese popular prints nianhua there are several engravings on this subject, the explanations for which are in the notebooks of the Chinese xiansheng mentors V. M. Alekseev to his collections of folk art (St. Petersburg Branch of the Archive of the Russian Academy of Sciences, fund 820, inv. 1, files 473, 479a). And finally we can compare xiansheng comments to (kao tian chi fan tu, 靠天吃飯圖) with the essay on the same subject by Lu Xun in his Qie Jie Ting Essay Collection (雜文集: 且介亭雜文二 集, 1935).
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Schoolar, Brian y Fred Rowland. "Transforming a Print Collection". En Charleston Conference. Against the Grain, 2014. http://dx.doi.org/10.5703/1288284315263.

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Powers, Audrey, Matt Torrence, Cheryl McCoy y Jared Hoppenfeld. "Reconfiguring Collection Development: A Faculty Print Serials Review". En Charleston Conference. Against the Grain Press, 2012. http://dx.doi.org/10.5703/1288284314747.

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Vinogradova, Tatiana. "A HALF BOTTLE OF VINEGAR OR ZHANG THE DRAUGHTSMAN’S LITERARY OPINIONS". En 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.12.

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“A half bottle of vinegar” is a Chinese idiom academician Vasily Alekseev characterized the artists of Chinese popular prints nianhua. As a rule, these artisans were half-educated people without full complex of classical Confucian knowledge. These people were the conductors of ideas and images of high culture to the broad masses of consumers of folk pictures. One of them “the Draughtsman” Zhang Haoru (章浩如, 1870–?) helped V. M. Alekseev to disassemble his enormous collection of popular prints. We have at our disposal many comments belong to the Zhang Hao-ru’s brush, preserved at the Archive of the Russian Academy of Sciences, St. Petersburg branch (Stock 820, inventory 1) and we can get an idea of his education level and literary preferences.
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Donaldson, Channing y James Pope. "Data Collection and Analysis of Print and Fan Fiction Classification". En 11th International Conference on Pattern Recognition Applications and Methods. SCITEPRESS - Science and Technology Publications, 2022. http://dx.doi.org/10.5220/0010774100003122.

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Li, Li-Jia, Gang Wang y Li Fei-Fei. "OPTIMOL: automatic Online Picture collecTion via Incremental MOdel Learning". En 2007 IEEE Conference on Computer Vision and Pattern Recognition. IEEE, 2007. http://dx.doi.org/10.1109/cvpr.2007.383048.

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Scherlen, Allan y Alex McAllister. "The Print Book Purging Predicament: Qualitative Techniques for a Balanced Collection". En Charleston Conference. Purdue University Press, 2018. http://dx.doi.org/10.5703/1288284316669.

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Jahnke, Lori M. y Chris Palazzolo. "Collections Data, Tools, and Strategy: Applying R, Tableau, and Excel to Print Assessment". En Charleston Library Conference. Purdue Univeristy, 2020. http://dx.doi.org/10.5703/1288284317141.

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As is the case at most academic libraries, collection assessment has become an essential component of collection management and development work. Although much of the assessment focus has disproportionately fallen on e-resources, print collections remain fruitful areas for evaluation and review. At Emory, print collections, including a complex approval plan, continue to be a significant component of our overarching collection strategy (in volume and expenditure). However, shifting priorities for library space and the growth of interdisciplinary programs and centers within the University are placing a higher demand on subject librarians for communication and coordinated decision-making regarding print acquisitions. As a result, we are currently preparing for a comprehensive print collection review, of which the approval plan is an integral component. This assessment will inform a more coherent print strategy, which effectively and efficiently meets research and teaching requirements as well as administrative needs. Using data cleaning and visualization tools, such as R, Excel, and Tableau, we have enriched our local usage data with detailed Gobi approval data (e.g., series, publisher, subject, etc.) and profile parameters. Merging these data types and enriching local use data will allow us to analyze the print collection in a more nuanced fashion and ask questions that do not require the LC classification framework. This analysis considers the development of additional tools and approaches that facilitate subject specialist communication with collection management and overall collaborative decision-making, especially in cross disciplinary areas.
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Chen, Huihui, Bin Guo, Zhiwen Yu y Liming Chen. "CrowdPic: A Multi-coverage Picture Collection Framework for Mobile Crowd Photographing". En 2015 IEEE 12th Intl. Conf. on Ubiquitous Intelligence and Computing, 2015 IEEE 12th Intl. Conf. on Autonomic and Trusted Computing and 2015 IEEE 15th Intl. Conf. on Scalable Computing and Communications and its Associated Workshops (UIC-ATC-ScalCom). IEEE, 2015. http://dx.doi.org/10.1109/uic-atc-scalcom-cbdcom-iop.2015.34.

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Tebbe, Heidi y Mira Waller. "O Brave New Print Collection, That Has Such Data Science Books in It!" En Charleston Conference. Purdue University Press, 2018. http://dx.doi.org/10.5703/1288284316691.

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Informes sobre el tema "Print and Picture Collection"

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Tobin, K. W., D. B. Allen, J. S. Goddard, J. P. Jones, D. N. Sitter, E. R. Tapp y J. C. Turner. RGB field system data collection and testing for textile print finishing. Office of Scientific and Technical Information (OSTI), septiembre de 1995. http://dx.doi.org/10.2172/10116014.

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Kangave, Jalia, Giovanni Occhiali y Ishmail Kamara. How Might the National Revenue Authority of Sierra Leone Enhance Revenue Collection by Taxing High Net Worth Individuals? Institute of Development Studies, marzo de 2023. http://dx.doi.org/10.19088/ictd.2023.008.

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In the wake of the Covid-19 pandemic, increasing domestic revenue mobilisation has become even more of a priority for low-income countries. One of the commonly untapped sources of revenue across many of these countries are high net worth individuals, who usually manage to avoid contributing their fair share of taxes. This is also the case in Sierra Leone, which signalled its intention to develop a strategy to increase compliance of this taxpayer segment in 2019. In this paper we provide an initial assessment of how fit for purpose the current legal setting is, as well as give a general picture of the most likely characteristics of high net worth individuals in the country. Our analysis is based on semi structured interviews with stakeholders from both the public and private sector, and currently available administrative data, and provides a series of suggestions for next steps in the development of a dedicated strategy.
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Giles Álvarez, Laura y Jeetendra Khadan. Mind the Gender Gap: A Picture of the Socioeconomic Trends Surrounding COVID-19 in the Caribbean with a Gender Lens. Inter-American Development Bank, diciembre de 2020. http://dx.doi.org/10.18235/0002961.

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This paper provides an insight on the gender impact of the COVID-19 pandemic in the Caribbean. The analysis makes use of the April 2020 online COVID-19 survey that the Inter-American Development conducted in all six Caribbean Country Department member countries. We find that the pandemic is having different effects on men and women. For example, job losses have been more prevalent amongst single-females, whilst business closures have been more prevalent amongst single-males. Quality of life also seems to have worsened more for single-females than for single-males and partners (married or common law partnership) and domestic violence against women has been on the rise. Although the coverage of social assistance programs has increased substantially during the pandemic, we find that more targeting of households with single females could be beneficial, particularly as they show lower levels of financial resilience. Going forward, we recommend further gender targeting in social assistance programs and the collection of gender-disaggregated data that will allow for more thorough investigation of the gender effects of these types of shocks.
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Alansari, Mohamed, Cathy Wylie, Rose Hipkins, Sinead Overbye, Renee Tuifagalele y Sophie Watson. Secondary teachers' Perspectives from NZCER's 2021 National Survey of Secondary Schools. NZCER, junio de 2022. http://dx.doi.org/10.18296/rep.0022.

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The long-running National Survey of Schools project is part of the New Zealand Council for Educational Research’s (NZCER’s) Te Pae Tawhiti programme of research. NZCER has run a national survey of secondary schools every 3 years since 2003. For the 2021 National Survey of Secondary Schools, we surveyed a sample of 5,376 teachers, randomly chosen from a stratified sample of Years 9–13 and Years 7–13 secondary schools to ensure national representation of schools across all deciles. A total of 1,093 teachers responded to the survey over two data collection waves, giving a nationally representative picture in terms of school decile.
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Youdelis, Megan, Kim Tran y Elizabeth Lunstrum. Indigenous-Led Conservation Reading List. Boise State University, Albertsons Library, noviembre de 2021. http://dx.doi.org/10.18122/environ.8.boisestate.

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This list compiles literature relevant to the bourgeoning Indigenous-led conservation movement, be that through Indigenous Protected and Conserved Areas (IPCAs, Canada), Indigenous and Community Conserved Areas (ICCAs, global), or various other forms of Indigenous-led governance or co-governance mechanisms that elevate Indigenous rights, responsibilities, and legal traditions. The introductory Colonial Conservation section is not exhaustive, but rather provides context for the main import of the collection, which is to highlight the possibilities, successes, and challenges associated with decolonizing conservation through Indigenous-led governance. The list is global in scope but has been shaped by the Indigenous Circle of Experts’ (2018) report, We Rise Together, which provides recommendations for facilitating IPCAs in Canada. The majority of the pieces are peer-reviewed, however some print media has also been included.
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Martin, Kathi, Nick Jushchyshyn y Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.

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The URL links to a website page in the Drexel Digital Museum (DDM) fashion image archive containing a 3D interactive panorama of an evening gown by French fashion designer Christian Lacroix with related text. This evening gown by Christian Lacroix is from his Fall 1990 collection. It is constructed from silk plain weave, printed with an abstract motif in the bright, deep colors of the local costumes of Lacroix's native Arles, France; and embellished with diamanté and insets of handkerchief edged silk chiffon. Ruffles of pleated silk organza in a neutral bird feather print and also finished with a handkerchief edge, accentuate the asymmetrical draping of the gown. Ruching, controlled by internal drawstrings and ties, creates volume and a slight pouf, a nod to 'le pouf' silhouette Lacroix popularized in his collection for Patou in 1986. Decorative boning on the front of the bodice reflects Lacroix's early education as a costume historian and his sartorial reinterpretation of historic corsets. It is from the private collection of Mari Shaw. The panorama is an HTML5 formatted version of an ultra-high resolution ObjectVR created from stitched tiles captured with GigaPan technology. It is representative the ongoing research of the DDM, an international, interdisciplinary group of researchers focused on production, conservation and dissemination of new media for exhibition of historic fashion.
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Marguet, Natalie. Detect, reflect and adapt: factors influencing critical project decisions. Association for Project Management, abril de 2021. http://dx.doi.org/10.61175/vinp8647.

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This report takes the first step in building a clear picture of the ways that critical project decisions are made in practice. The intention is to suggest ways to enhance practitioner understanding of how decision-making effectiveness can be improved through simple techniques that can be embedded into daily practices. The study asks: what are the factors that influence decision-making in practice and how can project professionals ensure that critical project decisions are as effective as they can be. The research results from several data collection methods that sought to understand how decisions are made in practice from the perspective of project professionals these include: a survey of 430 responses that captured decision-making styles and perceptions of UK project professionals, 30 semi-structured interviews to further understand the experiences of project professionals and three simulation workshops to validate the previous findings and provide in-depth practical insights.
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White, Rickie, Carl Nordman, Lindsey Smart, Teresa Leibfreid, Bill Moore, Regan Smyth y Tom Govus. Forest vegetation monitoring protocol for the Cumberland Piedmont Network: Protocol Narrative?Version 2.1. National Park Service, 2024. http://dx.doi.org/10.36967/2302353.

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In 2003, ?vegetation communities? were selected as one of the highest priority vital signs of importance across the Cumberland Piedmont Network (CUPN) parks (Leibfreid et al. 2005). The protocol described in this document will address all aspects of monitoring this vital sign. The primary monitoring goal is to assess status and trends of ecological health for park forest vegetation communities, including key communities of management concern where possible. By assessing status and trends for key metrics, we can obtain a more complete picture of the status of forest vegetation communities in the parks and the trends in ecological health for these communities. For instance, by repeatedly measuring one key metric of plant species composition within the same plots over the years, we can determine how quickly and profoundly invasive plant species are affecting the native vegetation and whether specific species are appearing or disappearing from plots. This information can be critical in helping land managers detect trends before they are visible qualitatively and setup more specific studies to determine the root causes of such trends. This protocol is intended for use by the Cumberland Piedmont Network and was designed to efficiently collect, analyze, and disseminate scientifically credible information to help park managers and researchers understand how the forest vegetation communities of the parks are changing. To fully implement this protocol, read the entire document and all appendices, as well as the standard operating procedures (SOPs; published separately). The appendices and SOPs contain detailed information on implementation not provided in the main body of the document. Datasheets have been designed so data collection is sequential starting with SOP 3: Site Selection and Plot Establishment?Version 1.48 (CUPN 2023a) and ending with SOP 10: Soil Measurements?Version 1.1 (CUPN 2023b). The SOPs are intended to serve as a reference for field teams implementing this protocol. It is anticipated field teams will be knowledgeable of their content and maintain a copy for reference as part of the required field equipment.
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Warrick, Arthur W., Gideon Oron, Mary M. Poulton, Rony Wallach y Alex Furman. Multi-Dimensional Infiltration and Distribution of Water of Different Qualities and Solutes Related Through Artificial Neural Networks. United States Department of Agriculture, enero de 2009. http://dx.doi.org/10.32747/2009.7695865.bard.

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The project exploits the use of Artificial Neural Networks (ANN) to describe infiltration, water, and solute distribution in the soil during irrigation. It provides a method of simulating water and solute movement in the subsurface which, in principle, is different and has some advantages over the more common approach of numerical modeling of flow and transport equations. The five objectives were (i) Numerically develop a database for the prediction of water and solute distribution for irrigation; (ii) Develop predictive models using ANN; (iii) Develop an experimental (laboratory) database of water distribution with time; within a transparent flow cell by high resolution CCD video camera; (iv) Conduct field studies to provide basic data for developing and testing the ANN; and (v) Investigate the inclusion of water quality [salinity and organic matter (OM)] in an ANN model used for predicting infiltration and subsurface water distribution. A major accomplishment was the successful use of Moment Analysis (MA) to characterize “plumes of water” applied by various types of irrigation (including drip and gravity sources). The general idea is to describe the subsurface water patterns statistically in terms of only a few (often 3) parameters which can then be predicted by the ANN. It was shown that ellipses (in two dimensions) or ellipsoids (in three dimensions) can be depicted about the center of the plume. Any fraction of water added can be related to a ‘‘probability’’ curve relating the size of the ellipse (or ellipsoid) that contains that amount of water. The initial test of an ANN to predict the moments (and hence the water plume) was with numerically generated data for infiltration from surface and subsurface drip line and point sources in three contrasting soils. The underlying dataset consisted of 1,684,500 vectors (5 soils×5 discharge rates×3 initial conditions×1,123 nodes×20 print times) where each vector had eleven elements consisting of initial water content, hydraulic properties of the soil, flow rate, time and space coordinates. The output is an estimate of subsurface water distribution for essentially any soil property, initial condition or flow rate from a drip source. Following the formal development of the ANN, we have prepared a “user-friendly” version in a spreadsheet environment (in “Excel”). The input data are selected from appropriate values and the output is instantaneous resulting in a picture of the resulting water plume. The MA has also proven valuable, on its own merit, in the description of the flow in soil under laboratory conditions for both wettable and repellant soils. This includes non-Darcian flow examples and redistribution and well as infiltration. Field experiments were conducted in different agricultural fields and various water qualities in Israel. The obtained results will be the basis for the further ANN models development. Regions of high repellence were identified primarily under the canopy of various orchard crops, including citrus and persimmons. Also, increasing OM in the applied water lead to greater repellency. Major scientific implications are that the ANN offers an alternative to conventional flow and transport modeling and that MA is a powerful technique for describing the subsurface water distributions for normal (wettable) and repellant soil. Implications of the field measurements point to the special role of OM in affecting wettability, both from the irrigation water and from soil accumulation below canopies. Implications for agriculture are that a modified approach for drip system design should be adopted for open area crops and orchards, and taking into account the OM components both in the soil and in the applied waters.
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Yatsymirska, Mariya. SOCIAL EXPRESSION IN MULTIMEDIA TEXTS. Ivan Franko National University of Lviv, febrero de 2021. http://dx.doi.org/10.30970/vjo.2021.49.11072.

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The article investigates functional techniques of extralinguistic expression in multimedia texts; the effectiveness of figurative expressions as a reaction to modern events in Ukraine and their influence on the formation of public opinion is shown. Publications of journalists, broadcasts of media resonators, experts, public figures, politicians, readers are analyzed. The language of the media plays a key role in shaping the worldview of the young political elite in the first place. The essence of each statement is a focused thought that reacts to events in the world or in one’s own country. The most popular platform for mass information and social interaction is, first of all, network journalism, which is characterized by mobility and unlimited time and space. Authors have complete freedom to express their views in direct language, including their own word formation. Phonetic, lexical, phraseological and stylistic means of speech create expression of the text. A figurative word, a good aphorism or proverb, a paraphrased expression, etc. enhance the effectiveness of a multimedia text. This is especially important for headlines that simultaneously inform and influence the views of millions of readers. Given the wide range of issues raised by the Internet as a medium, research in this area is interdisciplinary. The science of information, combining language and social communication, is at the forefront of global interactions. The Internet is an effective source of knowledge and a forum for free thought. Nonlinear texts (hypertexts) – «branching texts or texts that perform actions on request», multimedia texts change the principles of information collection, storage and dissemination, involving billions of readers in the discussion of global issues. Mastering the word is not an easy task if the author of the publication is not well-read, is not deep in the topic, does not know the psychology of the audience for which he writes. Therefore, the study of media broadcasting is an important component of the professional training of future journalists. The functions of the language of the media require the authors to make the right statements and convincing arguments in the text. Journalism education is not only knowledge of imperative and dispositive norms, but also apodictic ones. In practice, this means that there are rules in media creativity that are based on logical necessity. Apodicticity is the first sign of impressive language on the platform of print or electronic media. Social expression is a combination of creative abilities and linguistic competencies that a journalist realizes in his activity. Creative self-expression is realized in a set of many important factors in the media: the choice of topic, convincing arguments, logical presentation of ideas and deep philological education. Linguistic art, in contrast to painting, music, sculpture, accumulates all visual, auditory, tactile and empathic sensations in a universal sign – the word. The choice of the word for the reproduction of sensory and semantic meanings, its competent use in the appropriate context distinguishes the journalist-intellectual from other participants in forums, round tables, analytical or entertainment programs. Expressive speech in the media is a product of the intellect (ability to think) of all those who write on socio-political or economic topics. In the same plane with him – intelligence (awareness, prudence), the first sign of which (according to Ivan Ogienko) is a good knowledge of the language. Intellectual language is an important means of organizing a journalistic text. It, on the one hand, logically conveys the author’s thoughts, and on the other – encourages the reader to reflect and comprehend what is read. The richness of language is accumulated through continuous self-education and interesting communication. Studies of social expression as an important factor influencing the formation of public consciousness should open up new facets of rational and emotional media broadcasting; to trace physical and psychological reactions to communicative mimicry in the media. Speech mimicry as one of the methods of disguise is increasingly becoming a dangerous factor in manipulating the media. Mimicry is an unprincipled adaptation to the surrounding social conditions; one of the most famous examples of an animal characterized by mimicry (change of protective color and shape) is a chameleon. In a figurative sense, chameleons are called adaptive journalists. Observations show that mimicry in politics is to some extent a kind of game that, like every game, is always conditional and artificial.
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