Bibliografías temáticas / Print

Literatura académica sobre el tema "Print"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 22 de junio de 2024

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Artículos de revistas sobre el tema "Print"

Box, Louise Voll. "Enlightened “Museums of Images” or Decorative Displays? Elizabeth Seymour Percy and the Eighteenth-Century Print Room". Eighteenth-Century Life 45, n.º 3 (1 de septiembre de 2021): 135–57. http://dx.doi.org/10.1215/00982601-9273027.

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In the second half of the eighteenth century, “print rooms”—created by pasting prints and paper ornaments directly onto walls—were a short-lived mode of fashionable English interior decoration. Concurrently, collections of prints continued to be bound into albums or stored in portfolios in private libraries. Although they took different forms, print rooms and print albums shared characteristics that marked them as “enlightened” cultural practices: both featured prints arranged in preconceived aesthetic or intellectual schemes that presented elite, pan-European cultural subjects, imagery, and ideas. Prints in albums or prints on walls could therefore operate as “museums of images”—each format ostensibly encouraged viewers to respond emotionally or intellectually to prints. Yet there is strong evidence to suggest that prints in print rooms and in print collections were perceived differently. This essay draws on the predominantly unpublished journals and correspondence of English collector Elizabeth Seymour Percy, first Duchess of Northumberland (1716–76), to reveal the very different ways in which she described prints in each setting. For her, albums or portfolios of prints were edifying “spaces of enlightenment,” while prints in print rooms performed merely a decorative function.

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Johnson, Derek W. "Time to Print, Print, Print". CFA Digest 40, n.º 4 (noviembre de 2010): 23–24. http://dx.doi.org/10.2469/dig.v40.n4.12.

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Zalewski, Leanne M. "Pioneering print collector: Samuel Putnam Avery (1822–1904)". Journal of the History of Collections 31, n.º 2 (16 de octubre de 2018): 403–10. http://dx.doi.org/10.1093/jhc/fhy034.

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Abstract Pioneering print collector and curator, Samuel P. Avery (1822–1904), donated a collection of 17,775 prints, including works by Cassatt, Whistler, Turner and Manet, to establish the Print Collection of the New York Public Library in 1900. Prior to his donation, Avery curated print exhibitions at the Library, Metropolitan Museum of Art, Grolier Club, and Union League Club. Through an examination of Avery’s persistent efforts to exhibit exemplary prints in museum and gallery settings – including an unusual collection of prints by women – this article provides evidence that Avery’s ground-breaking curatorial efforts led to the institutionalization of print display in New York.

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Toshikj, Emilija y Bojan Prangoski. "Grey level co-occurrence matrix (GLCM) for textile print analysis". Tekstilna industrija 70, n.º 4 (2022): 34–40. http://dx.doi.org/10.5937/tekstind2204034t.

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Print mottle is a print defect. This print defect has great attention in print quality assessment. Print mottle is determined by the grey level co-occurrence matrix (GLCM). An important parameter in the GLCM processing is the direction angle of pixels in the digitalized print image. This research aimed to investigate the influence of the direction angle, which is an important input parameter in GLCM processing, on the output parameters, such as entropy, energy, contrast, correlation, and homogeneity. Hence, prints were generated in four different colors (cyan, magenta, yellow and black) on white polyester elastase fabric by sublimation printing. The non-uniformity of the print for each color was processed at different direction angles, such as 0° (horizontal), 90° (vertical), 45° (right-diagonal), and 135° (left-diagonal). Values for GLCM parameters obtained at different direction angles were slightly different regardless of print color. The choice of direction angle influenced the values of GLCM parameters. The average of all four directional angle values obtained for each GLCM parameter was taken. The GLCM processing method can be used for prints of different colors, patterns, and different quality levels to evaluate their print uniformity.

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Das, Arit, Jocelyn A. Riet, Michael J. Bortner y Claire McIlroy. "Rheology, crystallization, and process conditions: The effect on interlayer properties in three-dimensional printing". Physics of Fluids 34, n.º 12 (diciembre de 2022): 123108. http://dx.doi.org/10.1063/5.0128660.

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Semicrystalline polymers are an attractive feedstock choice for material extrusion (MatEx)-based three-dimensional printing processes. However, the printed parts often exhibit poor mechanical properties due to weak interlayer strength thereby limiting the widespread adoption of MatEx. Improved interlayer strength in the printed parts can be achieved through a combination of process parameter selection and material modification but a physics-based understanding of the underlying mechanism is not well understood. Furthermore, the localized thermal history experienced by the prints can significantly influence the strength of the interlayer welds. In this work, a combined experimental and modeling approach has been employed to highlight the relative impact of rheology, non-isothermal crystallization kinetics, and print geometry on the interlayer strength of printed parts of two semicrystalline polymers, namely, polylactic acid (PLA) and polypropylene (PP). Specifically, the print properties have been characterized as a function of print temperature and print speed. In the case of single road width wall (SRWW) PLA prints, the total crystalline fraction increases due to the broadening of the crystallization window at higher print temperatures and lower print speeds. The results are substantiated by the constitutive modeling results that account for the effects of quiescent crystallization. However, SRWW PP prints display a reduction in the interlayer properties with temperature likely due to significant flow-induced crystallization effects, as suggested by the model. Interestingly, in the case of multilayer PP prints, the repeated heating/cooling cycles encountered during printing counteracts the flow-induced effects leading to an increase in mechanical properties with print temperature consistent with SRWW PLA prints.

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Adeloye, Adebayo, Omotunde Jeje, Tope Kayode y Olusegun Kolade. "Comparative Analysis of Consumer Preferences for African Prints in Southwest Nigerian States". NIU Journal of Social Sciences 10, n.º 1 (31 de marzo de 2024): 235–41. http://dx.doi.org/10.58709/niujss.v10i1.1809.

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This research investigates the diverse perceptions and preferences of consumers towards African prints in Southwest Nigeria across various age groups. The study examined the interplay of cultural, social, and economic factors shaping consumer choices in of African print fabric usage. Survey research design was adopted for the study using questionnaire as the data gathering tool. Samples were selected across the six states in Southwest Nigeria. A total of three hundred and eighty-four (384) African print consumers were sampled using random sampling technique. The data was subjected descriptive analysis, using frequency distribution, percentage, and mean score. The study revealed that users of African print fabrics across age groups have their unique perceptions and preferences in African print fabrics. It was therefore recommended that African print designers should adopt user-centred design process and focus on consumer preferences during the design process of African print fabrics. Keywords: African prints, Preference, Southwest, Nigeria.

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A. Anai, Tamara, Muthenna Sh. Rajab, Sukaina Makki Mohammed y Malak Fadel Jasem. "Classification and Identification of Individuals Using Analysis Lip Prints". Tikrit Journal for Dental Sciences 10, n.º 1 (22 de octubre de 2023): 1–13. http://dx.doi.org/10.25130/tjds.10.1.1.

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Identifying individuals is a major challenge for forensic investigators, as DNA and fingerprints are highly valuable, but are not always readily available at crime scenes. Lip prints could be used in this context since they are unique to each individual. Lip-print study (Cheiloscopy) is a reliable biometric technology and is considered a unique parameter for identification. This study was determined lip print patterns among samples of the Salah El-Din population in Iraq and distribution their pattern type of lip print by using a program in MATLAB. In this study, it was established that there are significant differences between populations, countries, and genders when it comes to the distribution of lip prints. Materials and Methods: A total of participants was 100 (50 females & 50 males) their ages more than 10 years old. The lip print was divided into six quadrants on white copy paper then examined with technology using the program in MATLAB to determine the classification of lip print types for pattern distribution. Lip print was recorded by the usage of red natural color and healthy, white copy papers, and tissue paper, the obtained prints were first examined and later analyzed and interpreted.Results: This study discovered that no two samples from the same family have identical lip-print patterns. Females had the greatest recorded pattern of groove type I (long vertical grooves), whereas males had the highest recorded pattern of groove type II (branched grooves). This pattern was most observed in the lower middle region. The present study proved that lip prints of males and females are different types in different countries.Conclusion: lip prints are unique for every individual even in between the family. Hence, Lip prints play a vital role as a supplementary tool in the personal identification of suspects or unknown identity.

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Pushpa, N. B. y N. B. Prajwala. "A Scientific Analysis to Observe Uniqueness in Lip Print Pattern". International Journal of Innovative Technology and Exploring Engineering 10, n.º 4 (28 de febrero de 2021): 196–98. http://dx.doi.org/10.35940/ijitee.d8571.0210421.

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Every individual have their unique identification like palm print, signature, finger print, face recognition, lip print etc.. here in this research one such effort is made to analyses lip print and identify the individual using their lip print. The wrinkle and grooves pattern on the lips has individual characteristics like tongue prints, face recognition, iris pattern, fingerprints. Cheiloscopy is a forensic investigation technique that deals with identification of humans based on lips traces. Image processing technique is used, lip print of the individual is captured, processed and analyzed for conclusion.

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Krishnan, Nirmal. "Personal Identification through Lip Prints". International Journal of Forensic Sciences 7, n.º 4 (2022): 1–5. http://dx.doi.org/10.23880/ijfsc-16000279.

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Personal identification is one of the main aspects of criminal investigation. The study of lip prints known as cheiloscopy has helped to find and help in the identification of the perpetrators and victims. There is a need to study lip prints since according to the review of literature only mere studies are done over this topic. The present study focuses on different aspects of lip prints which includes the history and development of lip print patterns, various lip print patterns and its classifications, recording of the lip prints and the methods used in development of lip print patterns found in the crime scene. This descriptive paper inculcates the readers with a complete and brief knowledge about the lip prints and its importance as a tool for personal identification.v

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Chen, Siying, Ramin Farnood, Ning Yan, Sabina Di Risio y Jay Song. "PRINTING.Paper and printer effects on xerographic print quality". Nordic Pulp & Paper Research Journal 27, n.º 4 (1 de noviembre de 2012): 729–38. http://dx.doi.org/10.3183/npprj-2012-27-04-p729-738.

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Abstract This study examines the impact of paper and printer type on the quality of xerographic prints. Ten different uncoated paper substrates were printed using three different commercial xerographic printers. The print quality of the samples (print microgloss, print microgloss nonuniformity, print density, print and gloss mottle, and visual ranking) and the physical and surface characteristics of the papers were measured. It was found that relationship between print mottle and print gloss nonuniformity was dominated by the printer type. While for some printers, these two parameters were positively correlated, in other cases printer appeared to "mask" variations in the paper properties. Multivariate analysis also showed that brightness, opacity, basis weight, 7 5 ° Tappi gloss, and roughness were the top five paper properties that had the most significant effect on the visual ranking and print mottle. Finally, as expected, print roughness was found to be a better predictor of the perceived print quality, however, paper roughness was poorly correlated with the visual ranking of printed samples (R2 0.5).

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Tesis sobre el tema "Print"

Arnbert, Camilla. "Surfaced Print". Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-524.

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This bachelor degree work explores the interrelation between print and surface in fashion design and aims to investigate the expressional possibilities in merging of techniques. With focus on creating an irregular surface through embroidery and fringing, three-dimensional expressions are created, resulting in an illusion of depth and movement within the motifs. The work is textile-driven, hence the main focus has been to find materials, applicational techniques and motifs that interact with each other without conflicts. Through the use of heat sensitive yarns within the transfer printing process a clear relationship between texture and motif occur where the different aspects affect each other and are equally important for the final visual expression. It is the heat-press used to transfer print from paper to surface that is the most vital step of the process. This work strives to propose a transposed order of applying techniques within a design process. Whilst the act of embellishing existing prints has been investigated by a range of designers, this project propose an order where the print is added post additive surface-manipulation. Therefore this work is to be seen as a suggestion of new ways of approaching the use of prints within the fashion field. Balancing between fashion design and textile design, the collection is based on generic prints and shapes which are affected by the surface manipulations used.

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Ishikawa, Naoko. "The English clown : print in performance and performance in print". Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/2951/.

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This thesis examines how and why the English clown emerged and declined by focusing on jest-books and comic actors such as Tarlton, Kemp and Armin. The jest-book, Tarlton’s Jests is the key publication in the development of jester-clowns in Renaissance drama. This account traces the authoring, editing, and printing of jest-book publications, along with the transmission of their copy-texts to clarify the dissemination of theories of clownery. The thesis explores the English clown tradition based on the presences of Kemp and Armin, who in their writing practices link the development of clowning in print to the theatre stage. This study then offers a critical analysis of the influence of jesting heroes on comic characters in play-texts from Shakespeare to Dekker and Heywood. By considering the rich resources of jests appropriated by these playwrights, the various forms of the clowns’ development are clarified. The tradition and characteristics of the English clown resulted from a unique cultural synergy: the connection between the stage clowning of the time and its underlying theories. This interaction between societal change and the resultant cultural products is considered as an achievement of the Early Modern interdependence between print and performance.

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Isén, Daniel. "Mixi Print AB". Thesis, Blekinge Tekniska Högskola, Sektionen för teknokultur, humaniora och samhällsbyggnad, 2005. http://urn.kb.se/resolve?urn=urn:nbn:se:bth-5075.

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Detta projekt är en hemsida för Mixi Print AB. Den ska fungera som en framsida för företaget ur ett digitalt synsätt, en plats där det går att få fram information om företaget och dess produkter snabbt och enkelt. Jag har arbetat med programmet flash eftersom det ger möjlighet till bra och enkel men ändå fräsch design. Till detta så har jag kombinerat php och MySQL för att kunna koppla det till en databas. Som en del i projektet så har jag också reflekterat över grafiska bitar på Internet jämfört med hur det var innan.
Detta är en reflektionsdel till en digital medieproduktion.

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Westerberg, Julia. "Gal Pals in Print". Thesis, Konstfack, Textil, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-5955.

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Brown, Steve Royston. "The physicality of print". Thesis, Royal College of Art, 2010. http://researchonline.rca.ac.uk/1134/.

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Printmaking within the applied arts is an extremely diverse practice that can extend the concept of what a print can be. Rather than the dissemination of published images and text, in this context printed information is transformed into objects and materials, ceramics, textiles, tableware, clothing. Prints such as these are not ʻreproductionʼ they are ʻproductionʼ.Process is crucial to both printmaking and the applied arts and the determining aspect of production plays a vital part in defining the qualities of a work such as print-decorated ceramic objects. To work with a printmaking process in this sector requires interpretation, predictive foresight and a degree of ʻthinking-through-makingʼ to transpose an image into the physical world of materials and objects. Printmaking, specifically within the ceramic discipline, is often plagued by issues of integrity brought about by problems relating to ʻdivisionʼ, these issues include: - - The physical divisions between image and object - The divided tasks in production that can disrupt thinking and making - A division of perceptions surrounding the surface/form relationship that considers the surface as supplementary or artificial Commercial production has developed approaches and techniques to integrate surface and form, combat these negative perceptions and raise the value of this type of work. These methods are not, however, always appropriate or accessible to individual ceramist-printmakers working in the studio. How can this sector overcome these negative factors and adopt strategies that invest some value of visual integrity within production? The research project answers this question in two ways: A low-tech, accessible method was developed in the studio with the aim to offer a new practical approach that physically integrates complex ceramic forms with the printed image. The aim was to facilitate this unity at an early ʻraw-clayʼ stage, where the combined manipulation of surface and form can take place together, resulting in an aesthetic that has ʻvisual integrityʼ. The second aim of the research has been to identify the inherent qualities of working and thinking ʻwithinʼ the language of ceramics and print materials and processes. ʻSyntacticʼ qualities and factors have been determined through research into historical innovations and the observation of current commercial practice in the field of screenprinting and screenprinted ceramics. This has helped to establish approaches to overcome negative factors relating to the perception of division, and invest integrity in the work through principled approaches to practice. The project adopts a methodology of ʻthinking-through-makingʼ where iterative studio experimentation is undertaken through tacit understanding, gained from experiential knowledge combined with research of contemporary and historical precedents. This approach is reflected upon and informed by writers who discuss working within the inherent language of printmaking. The research contributes to the advancement of knowledge through the development of a new versatile technique that can be easily accessed by ceramists and printmakers who wish to produce integrated ceramics and print works. This contributes to the advancement of technology, perception and knowledge in the field of printed ceramic objects. My approach and the development of a value system also offers a tool to further the critical

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Norman, Natasha. "Further fictions in print". Master's thesis, University of Cape Town, 2011. http://hdl.handle.net/11427/11652.

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Includes bibliographical references (p. 36-40).
Further Fictions mediates a particular visual system - that of the screen. I have tried to unravel and grant materiality to this contemporary virtual coding of images using a process of translation: by evoking the inherent nature of the cinematic image in the medium of print.We live in an analogue reality. There is always a shift between an idea and its translation into a model, between the photograph and the reality of the event it references, between the drawing on a matrix and the print of that drawing on paper. In this project I have set myself the task of the translator by grappling with the elements of an image that defy translation from one medium to another.

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Cameron, Erin Marie. "The Body in Print". The Ohio State University, 2012. http://rave.ohiolink.edu/etdc/view?acc_num=osu1343775047.

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Arnbert, Camilla. "Scattered Print Gathered Form". Thesis, Högskolan i Borås, Akademin för textil, teknik och ekonomi, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:hb:diva-12370.

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The specific area of interest in this work is to explore decon- struction of printed motifs in relation to shape as a method of construction. One of the main objectives of this explo- ration is to change the traditional ways in which designers work with print and material in relation to form. This implies to question the structures currently present within the fashion industry as well as preconceived ideas of existing techniques, their limitations and visual appearances. What is presented in this work is how print and material can be brought forward and make out the foundation of the process. Please note that this does not imply that form comes secondary. Instead the idea is to present a method of working where these different factors have a vital connection and where form is a product of the construction and placement of print motifs. Resulting in form which is dependent on print and in turn, print which is dependent on form.

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Buchholz, James L. "Implementing and Evaluating A Bibliographic Retrieval System for Print and Non-Print Media Materials". NSUWorks, 1987. http://nsuworks.nova.edu/gscis_etd/434.

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A fast growing south Florida school district struggled with providing needed central cataloging and processing services to its 103 school centers for library books and non-print media materials. Previous methods employed involved the manual typing of spine labels, book/material check out cards and pockets, and either the original production of catalog cards, the duplication of cards held in the master file or the ordering of available cards from the Library of Congress by U.S. Mail. Prior analysis by the researcher indicated that a computer-based bibliographic retrieval system, properly configured to meet district and school specifications, might be implemented to eliminate the mail ordering of card sets from the Library of Congress and serve to simplify and expedite the "in-house" production of cards and processing of materials not cataloged by the Library of Congress. It was assumed by the researcher that the providing of district-wide cataloging services and full "shelf-ready" processing of media materials to 103 school centers was a significant study worthy of review and relevant to existing problems in the information science field. A comprehensive search of professional literature was conducted to obtain more information about currently used bibliographic retrieval systems - their merits and disadvantages. Media supervisors in selected colleges and other Florida school districts were queried for their input about research conducted and solutions they employed relative to the selection phase of the study. Based on the information gathering process, possible retrieval systems and/or ancillary products capable of solving the institutional problem were identified. Selected vendors were contacted for specific information about their individual products that was further analyzed for possible acquisition. Based on information received from all sources, the Biblio-File system was found to be the most cost-effective solution, and the one most capable of enhancing cataloging and processing operations. Its purchase was recommended to, and approved by, higher level district administrative personnel. Once the system was received, it had to configure to insure that produced materials were consistent with both existing institutional guidelines and the MARC, AACR II and ISBD formats. During this phase, existing personnel were trained to use the system and queried for input relative to its implementation. Care was taken during this phase to insure that existing cataloging and processing standards, etc. we’re not sacrificed by an inadvertent enthusiasm to effect positive implementation of the system. By the same token, safeguards were taken to insure that dislike of change, particularly, automated change, on the part of existing personnel, and did not adversely affect the implementation of the system. During the configuration and limited implementation stages, which lasted two months, many procedural changes were identified that would enhance the full implementation of the system. Configuration adjustments were made throughout the configuration and limited implementation stages until system produced materials were of the desired quality and format. Once the system was up and running and producing materials at a high level of staff satisfaction, system utilization moved into the full implementation stage. During this six month phase the system was used to produce processing materials for all books and audio visual materials cataloged by the Library of Congress. Additionally, the system was used for the in-house production of processing materials for books and audio visual materials for which there was no cataloging data either in the system database or in the district master file. During this phase, many procedural changes were identified and implemented, resulting in the writing of revised procedures for the Processing Section. Significant hardware changes were effected during this phase to enhance the production capabilities. Following the full implementation phase, it became necessary to evaluate the system for effect. In the researcher's opinion, system evaluation had to be based on both a survey of school media specialists relative to their needs and expectations and an in-house time-cost study effected at the institutional level to determine relative costs or savings of the new system as opposed to the preexisting procedures. In that regard, an evaluative instrument was constructed and distributed to district media personnel that facilitated the gathering of data about the effectiveness of the newly operational system from their point of view. Also, a time-cost study comparing the production of processing materials, under the old set of procedures and with the new system, was conducted by gathering direct time measurement data of the cataloging and processing functions. Results from both analyses strongly indicated that system production was viewed favorably from both the standpoint of district school media specialists and administratively from a cost-effectiveness point of view. Several recommendations from both staff and media specialists were analyzed and incorporated into the system production capability. Additionally, the researcher has considered several future measures that would facilitate the storage of cataloging data into a proposed district union catalog. The researcher was able to supervise the selection, installation, configuration, implementation and evaluation of the Biblio-File system.

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McGiven, Amy Ngo Jeanne. "Interactive print : the application of synergy to restore and enhance the value of print /". Click here to view, 2009. http://digitalcommons.calpoly.edu/grcsp/3.

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Thesis (B.S.)--California Polytechnic State University, 2009.
Project advisor: Michael Blum. Title from PDF title page; viewed on Jan. 13, 2010. Includes bibliographical references. Also available on microfiche.

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Más fuentes

Libros sobre el tema "Print"

Nicola, Wright y Dymond Chris, eds. Print. Hurstpierpoint: Zigzag, 1995.

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Nicola, Wright y Dymond Chris, eds. Print. Hurstpierpoint: Zigzag, 1995.

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1948-, Butler Roger, Virgo Anne y National Gallery of Australia, eds. Place made: Australian Print Workshop. Canberra: National Gallery of Australia, 2004.

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Fay, Andrew Folan Brian, ed. Milestones - Black Church Print Studio: 1982-2007. Dublin, Ireland: Black Church Print Studio, 2007.

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Turner, Silvie. Print collecting. New York, NY: Lyons & Burford, 1996.

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Paw print. [Place of publication not identified]: Pen Press, 2014.

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Gikić, Tea. Print grada. Osijek: Matica hrvatska Ogranak Osijek, 2012.

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Swedlund, Charles. Kwik-Print. Rochester, N.Y: Light Impressions, 1985.

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Print culture. Milton Park, Abingdon, Oxon: Routledge, 2013.

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Akiko, Busch, ed. Print casebooks. Rockville, MD: RC Publications, 1992.

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Capítulos de libros sobre el tema "Print"

Altendorfer, Otto. "Print". En Das Mediensystem der Bundesrepublik Deutschland, 272–95. Wiesbaden: VS Verlag für Sozialwissenschaften, 2004. http://dx.doi.org/10.1007/978-3-322-80372-6_49.

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Altendorfer, Otto. "Print". En Das Mediensystem der Bundesrepublik Deutschland, 249–55. Wiesbaden: VS Verlag für Sozialwissenschaften, 2001. http://dx.doi.org/10.1007/978-3-322-83342-6_44.

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Gooch, Jan W. "Print". En Encyclopedic Dictionary of Polymers, 588. New York, NY: Springer New York, 2011. http://dx.doi.org/10.1007/978-1-4419-6247-8_9451.

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Weik, Martin H. "print". En Computer Science and Communications Dictionary, 1327. Boston, MA: Springer US, 2000. http://dx.doi.org/10.1007/1-4020-0613-6_14603.

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Schmitt-Weidmann, Karolin. "Print". En Der Körper als Vermittler zwischen Musik und (all)täglicher Lebenswelt, 267–86. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839458457-029.

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Kraft, Friedrich. "Medienlehre Print". En Medienmanagement, 61–69. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-531-18815-7_3.

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Hickey, Raymond. "Vieweg Print". En Datenbanksoftware für Jedermann, 161–74. Wiesbaden: Vieweg+Teubner Verlag, 1993. http://dx.doi.org/10.1007/978-3-322-83961-9_6.

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Norris, Stephen y Linda M. Phillips. "Print Media". En Encyclopedia of Science Education, 1–5. Dordrecht: Springer Netherlands, 2014. http://dx.doi.org/10.1007/978-94-007-6165-0_304-2.

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Kao, Griffin, Jessica Hong, Michael Perusse y Weizhen Sheng. "print(“No.”)". En Turning Silicon into Gold, 127–32. Berkeley, CA: Apress, 2020. http://dx.doi.org/10.1007/978-1-4842-5629-9_18.

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Mayer, Joceli, Paulo V. K. Borges y Steven J. Simske. "Print Codes". En Fundamentals and Applications of Hardcopy Communication, 115–34. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-74083-6_4.

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Actas de conferencias sobre el tema "Print"

Tomazela, Bruno, Carmem S. Hara, Ricardo R. Ciferri y Cristina D. A. Ciferri. "Print". En the 19th ACM international conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1871437.1871618.

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Hailpern, Joshua, Rares Vernica, Molly Bullock, Udi Chatow, Jian Fan, Georgia Koutrika, Jerry Liu, Lei Liu, Steven Simske y Shanchan Wu. "To print or not to print". En EICS'15: ACM SIGCHI Symposium on Engineering Interactive Computing Systems. New York, NY, USA: ACM, 2015. http://dx.doi.org/10.1145/2774225.2774837.

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Hoelzel, Benjamin, Blake Herren, Mrinal C. Saha y Yingtao Liu. "Investigation of Selective Laser Sintering of High-Density Polyethylene Using Optimized 3D Printing Parameters". En ASME 2021 International Mechanical Engineering Congress and Exposition. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/imece2021-70865.

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Abstract In this paper the processing parameters for 3D printing of HDPE via SLS technology is explored. Five different print types are developed by varying the output power of laser, chamber temperature, and scanning speeds between 10 mm/s and 80 mm/s in order to determine the optimal printing parameters that are needed for the manufacturing of consistent porous HDPE parts. The porosity of each print type is investigated via scanning electron microscopy (SEM). Experimental results demonstrates that Print Types I – IV have significant melted regions on the top layers of the print likely due to the absorption of heat overtime. Therefore, Print Type V is developed to eliminate curling by progressively increasing the scanning speed at increments of 1 mm/s between each layer, which can result in the desired HDPE prints with consistent porosity and drastically increased printability of complex geometries. Print Type V printing parameters are used to produce various HDPE prints with high quality and complex geometries.

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Cormier, Lyne M. "Quantitative Mottle Measurement Based on a Physical Model of the Spatial Contrast Sensitivity of the Human Visual System". En Advances in Paper Science and Technology, editado por S. J. I’Anson. Fundamental Research Committee (FRC), Manchester, 2005. http://dx.doi.org/10.15376/frc.2005.2.1155.

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Print non-uniformity, or mottle, is an important factor in print quality. The ultimate judge of print quality is the printer or print buyer, so print quality measurement should be representative of human perception. Most methods that are currently available to systematically quantify print mottle do not consider eye response in the calculation. Instead, the user has to select appropriate scales for the analysis by comparing with separate visual ranking experiments for each new set of prints. We developed a method to process digital images of mottled black prints to provide a mottle index that takes into account eye response. The mottle indices obtained for a range of paper and board grades were compared with the results of separate visual rating experiments, and there was very good agreement between them. The mottle index outperformed other parameters also used for the quantification of mottle. Based on these results, the mottle index is deemed reliable enough to decrease the need for separate visual assessments by panels. The mottle index algorithm removes the need for the operator to make subjective choices on the appropriate analysis scales for sample sets where print uniformity is the dominant quality criterion. The proposed mottle measurement method allows systematic and objective quantification of mottle. The method can easily be implemented to analyze test prints using the analysis software we developed, and an appropriate desktop scanner that will require calibration to relate the greyscale to reflectance values.

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"Cover print". En 2015 IEEE 8th International Conference on Intelligent Data Acquisition and Advanced Computing Systems: Technology and Applications (IDAACS). IEEE, 2015. http://dx.doi.org/10.1109/idaacs.2015.7340679.

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Owens, Karl V., Alex Nagorski, Scott Myers, John Wezeman y Rob Pettigrew. "Print centers". En the 38th annual fall conference. New York, New York, USA: ACM Press, 2010. http://dx.doi.org/10.1145/1878335.1878350.

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"Mini print". En 2004 International Semiconductor Conference. CAS 2004 Proceedings. IEEE, 2004. http://dx.doi.org/10.1109/smicnd.2004.1402864.

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"Mini print". En 2004 International Semiconductor Conference. CAS 2004 Proceedings. IEEE, 2004. http://dx.doi.org/10.1109/smicnd.2004.1403065.

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Courtney, Thomas P., Reinhold E. Drews, Virgil J. Hull, Dale Ims y Michael P. O'Horo. "Print element for Xerox thermal ink-jet print cartridge". En IS&T/SPIE 1994 International Symposium on Electronic Imaging: Science and Technology, editado por Jan Bares. SPIE, 1994. http://dx.doi.org/10.1117/12.175297.

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Informes sobre el tema "Print"

Diggs-McGee, Brandy, Eric Kreiger, Megan Kreiger y Michael Case. Print time vs. elapsed time : a temporal analysis of a continuous printing operation. Engineer Research and Development Center (U.S.), agosto de 2021. http://dx.doi.org/10.21079/11681/41422.

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In additive construction, ambitious goals to fabricate a concrete building in less than 24 hours are attempted. In the field, this goal relies on a metric of print time to make this conclusion, which excludes rest time and delays. The task to complete a building in 24 hours was put to the test with the first attempt at a fully continuous print of a structurally reinforced additively constructed concrete (ACC) building. A time series analysis was performed during the construction of a 512 ft2 (16’x32’x9.25’) building to explore the effect of delays on the completion time. This analysis included a study of the variation in comprehensive layer print times, expected trends and forecasting for what is expected in future prints of similar types. Furthermore, the study included a determination and comparison of print time, elapsed time, and construction time, as well as a look at the effect of environmental conditions on the delay events. Upon finishing, the analysis concluded that the 3D-printed building was completed in 14-hours of print time, 31.2- hours elapsed time, a total of 5 days of construction time. This emphasizes that reports on newly 3D-printed constructions need to provide a definition of time that includes all possible duration periods to communicate realistic capabilities of this new technology.

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Meagher, S. y V. Dvornychenko. Defining AFIS latent print "Lights-Out. Gaithersburg, MD: National Institute of Standards and Technology, 2011. http://dx.doi.org/10.6028/nist.ir.7811.

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Gans, Joshua. The Fine Print in Smart Contracts. Cambridge, MA: National Bureau of Economic Research, enero de 2019. http://dx.doi.org/10.3386/w25443.

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Brown, Laura, Maya Dayan, Brenna McLaughlin, Roger Schonfeld, John Sherer y Erich van Rijn. Print Revenue and Open Access Monographs. Ithaka S+R, septiembre de 2023. http://dx.doi.org/10.18665/sr.319642.

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Masinter, L., D. Wing, A. Mutz y K. Holtman. Media Features for Display, Print, and Fax. RFC Editor, marzo de 1999. http://dx.doi.org/10.17487/rfc2534.

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Theofanos, Mary, Brian Stanton, Shahram Orandi, Ross Micheals y Nien-Fan Zhang. Usability testing of ten-print fingerprint capture. Gaithersburg, MD: National Institute of Standards and Technology, 2007. http://dx.doi.org/10.6028/nist.ir.7403.

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Wilkinson, R. Allen y Michael D. Garris. Comparison of massively parallel hand-print segmenters. Gaithersburg, MD: National Institute of Standards and Technology, 1992. http://dx.doi.org/10.6028/nist.ir.4923.

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Catlett, P. Process waste assessment: Color print processing (RA-4). Office of Scientific and Technical Information (OSTI), mayo de 1994. http://dx.doi.org/10.2172/10170294.

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Steeves, Brye. Print or order a LANSCE 50th anniversary poster. Office of Scientific and Technical Information (OSTI), julio de 2022. http://dx.doi.org/10.2172/1879334.

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Steeves, Brye. Test your Trinity knowledge, print a 75th anniversary poster. Office of Scientific and Technical Information (OSTI), julio de 2020. http://dx.doi.org/10.2172/1645047.

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