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Literatura académica sobre el tema "Premovement"
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Artículos de revistas sobre el tema "Premovement"
Sarwary, A. M. E., D. F. Stegeman, L. P. J. Selen y W. P. Medendorp. "Generalization and transfer of contextual cues in motor learning". Journal of Neurophysiology 114, n.º 3 (septiembre de 2015): 1565–76. http://dx.doi.org/10.1152/jn.00217.2015.
Texto completoPadgett, C., A. Biggs y F. Scott-Park. "Premovement testing of cattle". Veterinary Record 158, n.º 12 (25 de marzo de 2006): 418–19. http://dx.doi.org/10.1136/vr.158.12.418-a.
Texto completoHuang, Ying-Zu, Yao-Shun Chang, Miao-Ju Hsu, Alice M. K. Wong y Ya-Ju Chang. "Restoration of Central Programmed Movement Pattern by Temporal Electrical Stimulation-Assisted Training in Patients with Spinal Cerebellar Atrophy". Neural Plasticity 2015 (2015): 1–9. http://dx.doi.org/10.1155/2015/462182.
Texto completoScott-Park, F. y A. Biggs. "Premovement testing for bovine TB". Veterinary Record 158, n.º 16 (22 de abril de 2006): 571. http://dx.doi.org/10.1136/vr.158.16.571.
Texto completoGriffin, Darcy M. y Peter L. Strick. "The motor cortex uses active suppression to sculpt movement". Science Advances 6, n.º 34 (agosto de 2020): eabb8395. http://dx.doi.org/10.1126/sciadv.abb8395.
Texto completoSingh, Jaswinder, Robert T. Knight, N. Rosenlicht, Joan M. Kotun, D. J. Beckley y D. L. Woods. "Abnormal premovement brain potentials in schizophrenia". Schizophrenia Research 8, n.º 1 (octubre de 1992): 31–41. http://dx.doi.org/10.1016/0920-9964(92)90058-d.
Texto completoLebedev, M. A., J. M. Denton y R. J. Nelson. "Vibration-entrained and premovement activity in monkey primary somatosensory cortex". Journal of Neurophysiology 72, n.º 4 (1 de octubre de 1994): 1654–73. http://dx.doi.org/10.1152/jn.1994.72.4.1654.
Texto completoVoorn, Frans J. "A negative premovement potential in the rat". Psychobiology 16, n.º 1 (marzo de 1988): 70–74. http://dx.doi.org/10.3758/bf03327302.
Texto completoMushiake, H., M. Inase y J. Tanji. "Neuronal activity in the primate premotor, supplementary, and precentral motor cortex during visually guided and internally determined sequential movements". Journal of Neurophysiology 66, n.º 3 (1 de septiembre de 1991): 705–18. http://dx.doi.org/10.1152/jn.1991.66.3.705.
Texto completoWischnewski, Miles, Greg M. Kowalski, Farrah Rink, Samir R. Belagaje, Marc W. Haut, Gerald Hobbs y Cathrin M. Buetefisch. "Demand on skillfulness modulates interhemispheric inhibition of motor cortices". Journal of Neurophysiology 115, n.º 6 (1 de junio de 2016): 2803–13. http://dx.doi.org/10.1152/jn.01076.2015.
Texto completoTesis sobre el tema "Premovement"
Murase, Nagako. "Abnormal premovement gating of somatosensory input in writer's cramp". Kyoto University, 2001. http://hdl.handle.net/2433/151458.
Texto completoGentet, Maroussia. "Au cœur de l’expérience du sens dans l’interprétation pianistique. Construire la temporalité par la présence au mouvement". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL111.
Texto completoMy research is grounded in an essential question for the musician: how do you construct a lively performance that seems meaningful to him ? Some artists describe an experience of being played that combines understanding of the musical text with its embodiment in the playing: musical elements are sensitively connected and delimited across different time scales by a gesture that makes sense. Firstly, the study of practical issues of pianistic experience brings into question a model of the body as object, and a way of using imaginaries to motivate gesture, that underlie traditional musicological analysis and pedagogy. The segmentation of musical text into articulated elements in a quantified space, and the succession of movements aimed at producing sound segments, appear insufficient for experiencing the meaning and continuity of musical experience. Secondly, theatrical anthropology, dance, psychomotricity, phenomenology and practical experience provide insights into the emergence of meaning through the notion of corporeity. The notions of premovement and presence open up the quest for a quality of attention aimed at perceiving variations in body tonicity in interaction with its environment, in order to shape the quality of gesture. These practices explore the relationship to alterity, the construction of spatiality and the connection between different parts of the body by engaging the imaginary. Applied to the performance of a musical work, they enable us to articulate musical elements in our own relation to the world, and to develop an embodied temporality