Bibliografías temáticas / Pre-Columbian artefacts

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Literatura académica sobre el tema "Pre-Columbian artefacts"

Autor: Grafiati
Publicado: 25 de mayo de 2024

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Artículos de revistas sobre el tema "Pre-Columbian artefacts"

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Gassmann, Guntram, Sabine Klein, Andreas Schäfer, Elias Welk y Katrin Wester. "Investigating Pre-Columbian Gold and Copper in Costa Rica – Ores, Mines and Artefact Production". METALLA 27, n.º 2 (22 de enero de 2024): 149–66. http://dx.doi.org/10.46586/metalla.v27.2023.i2.149-166.

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The wealth of pre-Columbian gold, copper and guanín (an alloy consisting mainly of gold and copper; also tumbaga) artwork of Costa Rica suggests that exploitation of its abundant ore deposits goes back way before the Spanish conquest. The name of Costa Rica itself in fact alludes to the large numbers of golden metal objects worn by the indigenous peoples upon arrival of the conquistadors. Up to now, however, very little is known about pre-Columbian mining in the country or the raw material provenance of these artefacts.In a transdisciplinary project, we aim to reconstruct the metallurgical process chain by combining (mining) archaeological research with geochemical analysis of local ores and metal artefacts using a combination of different techniques. We identified four major gold and copper districts with different mineralisation types, which are the focus of our fieldwork-based research. They are surveyed for potential signs of pre-Columbian metal production and sampled for ores and their processing remains. On the other side of the process chain, we focus on the metal artefacts in museum collections. They are systematically registered in a database, which serves as a basis to identify correlations with the geochemical signatures of the artefacts, and to retrace potential links to possible areas of origin or different workshops. Once the necessary basic data have been collected, we will focus on economic and socio-cultural aspects of metal production and circulation. The results from Costa Rica will be put into perspective of New World early metallurgy and can provide a starting point for future research between Mesoamerica and the Isthmo-Colombian region.
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GÄNGER, STEFANIE. "DISJUNCTIVE CIRCLES: MODERN INTELLECTUAL CULTURE IN CUZCO AND THE JOURNEYS OF INCAN ANTIQUITIES, C.1877–1921". Modern Intellectual History 10, n.º 2 (11 de julio de 2013): 399–414. http://dx.doi.org/10.1017/s1479244313000073.

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This essay explores the journeys of Andean pre-Columbian antiquities across the Americas and the Atlantic during the late nineteenth century along the veins of intellectual networks, between Andean communities and European, North American and Creole collectors and museums. Centred on the studies and collection of José Lucas Caparó Muñíz, the essay focuses on the Creole and European practice of lifting pre-Columbian objects preserved or “still” in use in Andean communities out of their context and taking them to European and Creole private and public collections. Intellectual history has long paid scant attention to the many voices that its authors silenced, disfigured and suppressed. By looking at the journeys of Andean artefacts—at their owners, their brokers and their losers—this erssay traces the systemic hierarchies and the chasms of an expanding modern intellectual culture.
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Lazzari, Marisa. "Stones to Build a World: Circulation and Value of Materials in Pre-Columbian Northwestern Argentina". Cambridge Archaeological Journal 26, n.º 1 (12 de mayo de 2015): 1–22. http://dx.doi.org/10.1017/s0959774315000074.

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This article presents a contextual analysis of stone materials from northwestern Argentina, produced at a time when sedentary life was unfolding throughout the region. It examines the circulation and use practices of everyday obsidian tools, as well as the technical and semantic relationships they established within the wider field of materials and artefacts that characterized the period. Arguing for a sensitive approach to the classificatory logic of past societies, it is proposed here that a particular hierarchy of stone artefacts of regional significance emerged during this period. After discussing anthropological value perspectives and their relevance to Andean archaeology, the article explores Andean conceptualizations of stone that can provide a culturally specific framework for understanding ancient stone materials. The final sections examine the technical and contextual practices involving with domestic stone tools, as well as how these were embedded in a wider landscape of physical and semantic relationships. It is hoped that this article will contribute to ongoing discussions on non-Western models of value and their relevance for understanding social interaction and complexity, both in the south-central Andes and beyond.
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Periferakis, Argyrios. "A Review of Obsidian Source Exploitation in pre-Columbian South America". Bulletin of the Geological Society of Greece 55, n.º 1 (15 de octubre de 2019): 65. http://dx.doi.org/10.12681/bgsg.20997.

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The focus of this paper is the obsidian quarries of the Pacific coast of pre-Columbian South America, which were exploited by the indigenous populations since ca. 11000 BC. The importance of obsidian in geoarchaeology and palaeoanthropology has already been demonstrated in sites from all around the world. In this paper, the presence of obsidian in correlation to tectonic activity and volcanism of South America is presented, along with the main sources in their regional geological context. Obsidian artefacts were the mainstay of everyday life of indigenous populations and obsidian was also used in manufacturing weapons. Despite advances in metallurgy, which were comparable with those of contemporary European states, obsidian was never supplanted by metal implements and weapons, until the Spanish conquest. Obsidian is as useful today, as it was to these civilisations, albeit in the different role, of discerning interactions between local societies, elucidating aspects of everyday life, and tracing palaeomobility and trade networks.
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Ammari, Faten, Nino Del-Solar-Velarde, Rémy Chapoulie y Bruno Bousquet. "Chemometrics applied to cathodoluminescence images: a new approach to classify pre-Columbian artefacts from northern Peru". Environmental Science and Pollution Research 24, n.º 3 (12 de noviembre de 2016): 2205–9. http://dx.doi.org/10.1007/s11356-016-7992-3.

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COOPER, J. y K. D. THOMAS. "CONSTRUCTING CARIBBEAN CHRONOLOGIES: COMPARATIVE RADIOCARBON DATING OF SHELL AND WOOD ARTEFACTS FROM PRE-COLUMBIAN SITES IN CUBA". Archaeometry 54, n.º 2 (22 de julio de 2011): 401–25. http://dx.doi.org/10.1111/j.1475-4754.2011.00622.x.

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Vieri, Jasmine, María Alicia Uribe-Villegas y Marcos Martinón-Torres. "Of forming, gilding and intentionality in pre-Columbian goldwork: Analytical characterisation of artefacts from the Museo del Oro, Bogotá". Journal of Archaeological Science: Reports 34 (diciembre de 2020): 102626. http://dx.doi.org/10.1016/j.jasrep.2020.102626.

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Thuillard, Marc. "Analysis of the Worldwide Distribution of the ‘Man or Animal in the Moon’ Motifs". Folklore: Electronic Journal of Folklore 84 (diciembre de 2021): 127–44. http://dx.doi.org/10.7592/fejf2021.84.thuillard.

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For millennia, people have seen a man, an animal, or an object as they look at the moon. The motif of the ‘frog/toad in the Moon’ was recorded in writing in the Book of Changes (I Ching) over 2400 years ago. The ‘man in the Moon’ theme is found in old Norse literature in the Younger Edda. In Mesoamerica, the story of the ‘rabbit in the Moon’ is pre-Columbian. This study analyses the different versions by combining areal studies as well as structural and statistical analyses with information from ancient texts and archaeological artefacts. In particular, I compare the geographic distribution of the main motifs to the 2,278 motifs in Yuri Berezkin’s database. In this context, I report on the observed similarities between the geographic distribution of the ‘man or animal in the Moon’ motifs and the two of the most widespread earth creation myths.
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Maldonado, Blanca, Thilo Rehren, Ernst Pernicka, Lautaro Núñez y Alexander Leibbrandt. "Early copper metallurgy in Northern Chile". Open Journal of Archaeometry 1, n.º 1 (31 de diciembre de 2013): 26. http://dx.doi.org/10.4081/arc.2013.e26.

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The Central Andean region of South America has a long tradition of mining and metallurgy. Such activities were fundamental to the economic, socio-political and ideological dynamics of the pre-Columbian cultures that inhabited this area. In spite of their importance, few archaeological investigations of metallurgy have been carried out in the Central Andes in general, and in current Chilean territory in particular. The present project investigates archaeometallurgical sites in northern Chile using scientific analysis, as a first step towards a large-scale map of prehistoric copper production and exchange across South America. This research involves documentation and sampling of already excavated archaeological materials from a number of copper-producing sites located in the Atacama District. Preliminary results of XRF analysis of artefacts from the collection of the R. P. Gustavo Le Paige Archaeological Museum, San Pedro de Atacama, have been obtained and enabled us to characterise the different elements present in the metal objects. These results might provide information on the nature of the raw materials used.
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de Ágredos-Pascual, María Luisa Vázquez, Clodoaldo Roldán-García, Sonia Murcia-Mascarós, David Juanes Barber, María Gertrudis Jaén Sánchez, Brigitte Faugère y Véronique Darras. "Multianalytical characterization of pigments from funerary artefacts belongs to the Chupicuaro Culture (Western Mexico): Oldest Maya blue and cinnabar identified in Pre-Columbian Mesoamerica". Microchemical Journal 150 (noviembre de 2019): 104101. http://dx.doi.org/10.1016/j.microc.2019.104101.

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Tesis sobre el tema "Pre-Columbian artefacts"

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Stüssi, Garcia Susana. "Les arts méconnus des Anciens Américains : discours savants, goût privé et évolutions dans le commerce en France au XIXe siècle". Electronic Thesis or Diss., Paris 1, 2023. http://www.theses.fr/2023PA01H090.

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Cette thèse étudie plusieurs moments marqués par un intérêt et engouement forts pour les artefacts et monuments précolombiens – ou pensés comme tels – pour comprendre leur présence et usages en France durant le long 19ème et avant leur appréhension esthétique de la première moitié du 20ème siècle. Suivant surtout des objets provenant du Mexique et de l’Amérique Centrale, cette étude privilégie deux aspects jusqu’alors moins explorés : le goût, les espaces et les usages privés d’une part; leur place dans le commerce de l’antiquité, de la curiosité et de l’art de l’autre. Le dépouillement de catalogues de collections et de ventes, de publications savantes artistiques et des enquêtes archivistiques en France et aux États-Unis ont permis de relever des moments où créativité érudite, intérêt amateur et marché ont évolués ensemble. Après suivre la formulation d’une valeur d’«antiquité» pour les «objets anciens» des Amériques à la fin du 18ème siècle, l’arrivée de nouvelles collections mexicaines à Paris et le projet de publication des Antiquités mexicaines (1834-1840) permettent d’identifier un nouveau foyer d’intérêt pour l’antiquité américaine et ses œuvres d’art au sein de la Société Libre des Beaux-Arts de Paris. A partir des années 1830 et en parallèle à l’intensification des échanges avec l’Amérique Latine, il est dès lors possible d’identifier des marchands et offrant des artefacts des Amériques et de suivre l’émergence des premiers «experts» de ce marché. La Deuxième Intervention Française au Mexique (1861-1867) permet d’explorer l’idée d’une relation privilégiée entre la France et le Mexique. L’étude des mutations du marché et des sensibilités montre comment cet épisode et l’engouement contemporain pour l’univers du «primitif» se sont traduits par un développement considérable du commerce et du collectionnisme d’artefacts des Amériques. Deux études de cas sur le marchand Eugène Boban et le collectionneur Eugène Goupil permettent de recontextualiser ces développements structuraux à l’échelle de l’individu. Enfin, l’étude d’un réseau de collectionneurs franco-mexicains et nord-américains, sous le double prisme de l’affirmation de discours patrimoniaux patriotiques et d’un marché de l’art transnational, éclairent la nouvelle valeur marchande et la mutation en «ouvre d’art» de ces objets partir des années 1920
This thesis examines different moments characterized by a strong interest for and fascination with Pre-Columbian artefacts – or though as such – to better understand their place in 19th century France, before their aesthetic “rediscovery” in the 20th century. Focusing on artefacts from Mexico and Central America and drawing from sales catalogues, scholarly and artistic publications and archival research, this thesis explores the role played by personal taste and private usages in collecting as well as the place occupied by these objects in the developping art and antiquities market. In the 1830s, the arrival of new collections in Paris and the publication of Antiquités mexicaines serve as the starting point from which to consider the Société Libre des Beaux-Arts as one of the main centres structuring interest for American Antiquity. It is now also possible to identify the first merchants and “experts” to offer Pre-Columbian artefacts for sale. We then examine the aftermath of the Second Franco-Mexican War (1861-67) : how it contributed to articulate the idea of a privileged relationship between France and Mexico and how the emergence of a new taste for all things “primitive” affected the commerce of Pre-Columbian artefacts. Finally, through the study of dealer Eugène Boban and collector Eugène Goupil we analyse these structural changes at the level of the individual and follow a network of Franco- Mexican and North American collectors whose activity, considered in terms of patriotic heritage discourses and the emergence of a transnational art market, contribute to understanding the transformation of Pre-Columbian material culture into “artworks” in the 1920s
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Libros sobre el tema "Pre-Columbian artefacts"

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Tracing traces from present to past: A functional analysis of pre-Columbian shell and stone artefacts from Anse à la Gourde and Morel, Guadeloupe, FWI. [Leiden]: Leiden University Press, 2008.

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Lammers-Keijsers, Yvonne. Tracing Traces from Present to Past: A Functional Analysis of Pre-Columbian Shell and Stone Artefacts from Anse à la Gourde and Morel, Guadeloupe, FWI. Amsterdam University Press, 2007.

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Lammers, Yvonne. Tracing Traces from Present to Past: A Functional Analysis of Pre-Columbian Shell and Stone Artefacts from Anse a la Gourde and Morel, Guadeloupe, Fwi. Archaelogical Studies Leiden University, Volume 15. Amsterdam University Press, 2009.

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Capítulos de libros sobre el tema "Pre-Columbian artefacts"

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Stüssi Garcia, Susana. "The ‘Unknown Arts’ of Ancient America: Challenging Classical Art Canons in 19th-Century France The Reception of Pre-Columbian Art before the Primitivist and Surrealist Avant-gardes". En Taking and Denying Challenging Canons in Arts and Philosophy. Venice: Fondazione Università Ca’ Foscari, 2020. http://dx.doi.org/10.30687/978-88-6969-462-2/001.

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Pre-Columbian artefacts have been collected and exhibited in Europe since the 16th century. For a long time, they were considered exotic curiosities, ‘grotesque’ attempts at art by inferior peoples. This was a judgement stemming from a Eurocentric definition of art and, during the 19th century, indissociable from colonial and imperialist ideology. We present some views held in scholarly circles about pre-Columbian art in nineteenth-century France and focus on two artists, Jean Frédéric de Waldeck (1766-1875) and Emile Soldi (1846-1906), who drew from contemporary ethnographic and archaeological research, and pre-Columbian history to challenge the limits of academicism and the Beaux-Arts system.
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Johnson, Danielle M. "Rahon, Alice (1904-1987)". En Routledge Encyclopedia of Modernism. London: Routledge, 2018. http://dx.doi.org/10.4324/9781135000356-rem2121-1.

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Alice Rahon (1904-1987) was a French-born artist and poet associated with the Surrealist movement and Mexican art. Rahon was born Alice Marie Yvonne Philppot in Chenecey-Buillon in the east of France and spent most of her childhood in Paris. In 1931, she met Wolfgang Paalen (1905–59), whom she would marry in 1934, and the two became involved in the Surrealist movement. Under the name Alice Paalen she published several volumes of poetry that were praised by Surrealist leader André Breton (1896–1966). In 1939, Rahon and Paalen joined a group of exiled Surrealists in Mexico, and Rahon changed her focus from poetry to visual art. Her work shows an abiding interest in the symbols and textures of pre-historic, pre-Columbian, and indigenous art and artefacts, which she often merged with her experience of the physical landscape. She lived the rest of her life in Mexico and contributed to the development of modern art in that country.
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"Huaca Salango". En Andean Ontologies, editado por María Cecilia Lozada, 49–78. University Press of Florida, 2019. http://dx.doi.org/10.5744/florida/9780813056371.003.0002.

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Pre-Columbian sacred sites are complex phenomena that present a distinct challenge to rationalism. Accordingly, huaca and other Quechua concepts concerning the sacred not only provide alternative keys to the interpretation of Andean sites of Inca date, but may also be usefully applied to earlier sites that lie beyond the Andes proper. From 600 BC to 600 AD, architecture, human burials and artefact offerings all contributed to the making of a ceremonial complex associated with a natural landform and its spirit owner at Salango, on the central coast of Ecuador. Salango thus allows study both of the different means by which an ancient non-Andean huaca was constructed, and of its various functions. It also shows how the structure, substance and symbolism of individual huacas can provide direct evidence for localized ontologies that need to be understood on their own terms.
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