Bibliografías temáticas / Prague. Cathedral of St. Vitus

Literatura académica sobre el tema "Prague. Cathedral of St. Vitus"

Autor: Grafiati
Publicado: 27 de julio de 2024
Última modificación: 28 de julio de 2024

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Artículos de revistas sobre el tema "Prague. Cathedral of St. Vitus"

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Bravermanová, Milena y Helena Březinová. "The Fate of the Remains and Funerary Equipment of Czech Rulers and Their Family Members". Acta Universitatis Lodziensis. Folia Archaeologica, n.º 35 (30 de diciembre de 2020): 107–21. http://dx.doi.org/10.18778/0208-6034.35.07.

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Prague Castle was the most important burial site of the Czech rulers and their relatives. The graves are located in the Church of the Virgin Mary, in St. George Church and Convent, and, in the greatest numbers in the St. Vitus Cathedral. Reliquary tombs of the most important Czech patron saints are also located at Prague Castle – in St. George Basilica, in St. Vitus Cathedral and in All Saints Church. We also know the graves of 12 Prague bishops that are located in the St. Vitus Cathedral. The majority of the aforementioned graves have been opened several times in the past for a variety of reasons, that caused various problems, the most serious of which involved the confusion of relics. The first systematic anthropological investigations were conducted at the beginning of the 20th century. The remains of nearly all historical personalities buried at Prague Castle were available for another anthropological study conducted in the 1960s. Currently, the research continues with modern nature science analyzes. In the past, removed grave goods did not receive proper care for the most part, mainly due to a lack of understanding as to what constituted correct procedures for handling artefacts deposited for years in the unsuitable conditions of graves and tombs. The grave goods themselves were often restored in an inappropriate manner. The restoration situation improved significantly after the establishment of restoration and conservation workshops in 2000. The opening of graves is problematic and, from an ethical point of view, should be performer only to a very limited extent. Necessary construction work is a common reason for disruption, and in this case remains should be treated with respect. And if grave goods are removed, they must be cared for in a proper manner, as these artefacts are often irreplaceable heritage whose scientific study is a legitimate pursuit. The mere lust for knowledge, often connected with efforts to generate sensation, does not entitle us to disturb the resting place of our ancestors with ill-considered interventions.
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Palmitessa, James. "Revisiting the Habsburg Mausoleum in St. Vitus Cathedral in Prague". Austrian History Yearbook 52 (27 de abril de 2021): 102–17. http://dx.doi.org/10.1017/s0067237821000114.

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AbstractThe Habsburg Mausoleum in St. Vitus Cathedral in Prague, designed and constructed in the second half of the sixteenth century by Alexander Colin from Mecheln in the Low Countries, is often noted in modern scholarship as an early manifestation of the influence in Bohemia of the Habsburg dynasty, which had ascended the Bohemian throne in 1527 and ruled without interruption until 1918. Bridging both art historical and social cultural scholarship, this article explores the location and spatial features of the mausoleum, as well as its reception by contemporaries. It argues that while the style and size of the mausoleum is modest, its central location changed the dynastic symbolism in the cathedral, placing the Habsburgs at its center. And while it is less visible than other Habsburg cultural projects of its day, it—more than any single cultural project of the early Habsburg dynasty—demonstrates and symbolizes Habsburg ambitions in and commitment to Bohemia and is an important element in both the transformation of Prague into a Habsburg residential city and in long-term Catholic renewal efforts.
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Justa, Petr, Tatjana Bayerová y Karol Bayer. "A new look at the St Wenceslas sculpture in St Vitus Cathedral, Prague, Czech Republic". Studies in Conservation 57, sup1 (agosto de 2012): S165—S172. http://dx.doi.org/10.1179/2047058412y.0000000045.

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Kocour, Vladimir, Veronika Petranova y Jaroslav Valach. "COMPARISON OF OPTICAL METHODS FOR CHARACTERIZATION OF GLASS MOSAIC WEATHERING". Acta Polytechnica CTU Proceedings 3 (11 de febrero de 2016): 30–34. http://dx.doi.org/10.14311/app.2016.3.0030.

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The work presented in this paper is a part of research project supported by Ministry of Culture and devoted to conservation of precious mosaic of "Last Judgement" on St. Vitus Cathedral in Prague. The aim of the project is to enhance external protective polymeric coating on glass tesserae of mosaic and also to develop optical method for assessment of coating’s surface conditions. The paper concentrates on comparison of various methods for surface evaluation assesses their advantages and disadvantages and also discusses their suitability for long term monitoring of coating state, namely reflectometry, scanning probe microscopy, nanoindentation, white-light interferometry, and scanning electron microscopy. It is found that white-light interferometry and reflectometry methods are the most suitable ones for monitoring purposes.
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Oles, Kamila. "Transept zachodni w romańskiej katedrze św. św. Wita, Wacława i Wojciecha na Praskim Grodzie". PRAEHISTORICA 35, n.º 1 (7 de septiembre de 2021): 39–58. http://dx.doi.org/10.14712/25707213.2021.2.

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The Romanesque Cathedral of Saints Vitus, Wenceslaus and Adalbert in Prague was erected as a double-chancel basilica with western transept. Occidental transverse nave and two choirs is intrinsic and distinctive feature of this basilica that indicates architectural ideas from which the Cathedral had originated. Alas, the basilica has, hitherto, been rather interpreted in isolation and without considering the broader European architecture context and by detaching the western transept from its topographic context. This has discouraged scholars from rigorous analysis of the origins of the form, which resulted in the creation of arbitrary and stereotypical narrative instead. This paper presents new interpretation of the Cathedral which tracks the links between the basilica and double-choir churches with western transept in Central Europe. In addition, this research builds on spatial analysis which identifies the relationships between the Cathedral and the landform of Prague Castle.
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Frinta, Ondřej y Dita Frintová. "Cathedral of Sts. Vitus, Wenceslas, and Adalbert—The Melting Pot of Czech Religious, National, and State Identity and Its Legal Status". Laws 12, n.º 2 (7 de marzo de 2023): 25. http://dx.doi.org/10.3390/laws12020025.

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The article first focuses on the significance of the Cathedral of Sts. Vitus, Wenceslas, and Adalbert to the Czech religious, national, and state identity. The importance of the cathedral is given primarily by its location (Prague Castle), as well as by the thinking of its founder, Charles IV, about the foundations of Czech statehood. On the basis of these findings, the significance and symbolism of the cathedral for the present can be understood. Following this, the legal status of the cathedral, which was the subject of the so-called “cathedral dispute” in its modern history, is examined. The current legal status of the cathedral is the result of an amicable solution to this dispute and the subsequent application of the right of superficies in Czech private law.
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Kovalev, Mikhail. "“This is the Unique Capital of the Middle Ages... That Has Survived to Our Time in Comparative Integrity”: Historical Images of Prague Through the Eyes of Russian Émigrés in the 1920s and 1930s". ISTORIYA 14, n.º 7 (129) (2023): 0. http://dx.doi.org/10.18254/s207987840026934-6.

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In the interwar period of 1920—1930s Prague was a recognized intellectual center of the Russia Abroad. The article analyzes the place occupied by the images of Prague and its historical heritage in the minds of Russian émigrés, how they constructed this images, how it was reflected in memoirs, letters, diaries, periodicals, scientific literature and fiction. The space of Prague was a special cultural text, formed at the intersection of various ethnic, religious and linguistic boundaries. For Russians, it was not just an urban space, but an active participant and witness to the historical process. In this regard, according to émigrés, few European cities could compare with it. The Prague urban space was perceived by Russians as the center of cultural symbols, among which a special place was given to famous architectural monuments — Charles Bridge, Prague Castle and the Church of St. Vitus, medieval streets of Malá Strana, etc. A special place is given to the analysis of the image of the Charles Bridge, which took on various guises. The bridge became an active figure, a practically protagonist of both artistic and scientific reflections. The article analyzes the influence of Prague images on the work of Russian émigrés such as Marina Tsvetaeva, Gleb Struve, Igor Severyanin, Valentin Bulgakov, Antony Florovsky, Sergey Pushkarev, etc. At the same time, it is concluded that, despite the historical charm of Prague recognized by the majority of Russians, a considerable number of émigrés perceived it as a provincial city, inferior to Moscow and St. Petersburg. It is shown that in the émigré intellectual culture there was a contradictory perception of Prague. At the same time, they wrote about it both about the center of the Slavic world, with deep historical roots, and about the cultural province of Europe. Therefore, the image of Prague was complex and contradictory. There is no doubt that the historical images of the Czech capital left a noticeable mark on the intellectual culture of the Russian emigration.
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Beran, Pavel y Jir̆í Máca. "The influence of temperature on the deformation of columns in the nave of the Saint Vitus Cathedral at the Prague Castle". Journal of Building Appraisal 2, n.º 4 (febrero de 2007): 313–22. http://dx.doi.org/10.1057/palgrave.jba.2950056.

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Uličný, Petr. "Blood in Stone and the Second Coming: On the Meaning of the Wenceslas Chapel in St. Vitus's Cathedral in Prague and the Karlstein Chapels". Zeitschrift für Kunstgeschichte 86, n.º 2 (1 de junio de 2023): 145–94. http://dx.doi.org/10.1515/zkg-2023-2002.

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Abstract The essay attempts a new interpretation of the symbolic meaning of the chapel of St. Wenceslas in St. Vitus's Cathedral in Prague and the chapel of the Passion and Its Instruments, now St. Catherine's chapel, and the chapel of the Holy Cross, both at Karlstein Castle. They all feature a semiprecious stone dado, which was associated with the Passion of Christ due to its predominant red colour, while the upper part reflected the idea of the Heavenly Jerusalem and Christ's Second Coming. The chapels were either built to house the Passion relics or were probably planned for their storage, which in the case of the Wenceslas chapel perhaps influenced its unusual form, likely referring to Golgotha, the site of Christ's Passion.
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ULIČNÝ, PETR. "The Choirs of St Vitus’s Cathedral in Prague: A Marriage of Liturgy, Coronation, Royal Necropolis and Piety". Journal of the British Archaeological Association 168, n.º 1 (noviembre de 2015): 186–233. http://dx.doi.org/10.1179/0068128815z.00000000050.

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Tesis sobre el tema "Prague. Cathedral of St. Vitus"

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Ormrod, Lucy. "The Wenceslas chapel in St. Vitus' cathedral, Prague : the marriage of imperial iconography and Bohemian kingship". Thesis, Courtauld Institute of Art (University of London), 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302224.

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Maříková, Martina. ""Společná pokladna" pražské kapituly v 2. polovině 14. a na počátku 15. století". Doctoral thesis, 2014. http://www.nusl.cz/ntk/nusl-342240.

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The PhD thesis concerns the managment of so called communal treasury inside the Prague cathedral chapter. Its purpose was to provide cathedral clergy who was in residence and took part in the services with the additional payment (distributions). The study is based on a unique collection of account records from the years 1358-1418 which were kept by administrators of this section of the chapter economy. Beside a description and characteristics of the preserved account books, special attention is paid to the three particular points related to the role of finances in the everyday operation of the Prague chapter and in the life of its members: 1. administration of various types of possessions belonging to the Prague chapter, followed by comparison with the ways the administration was carried out in England, Germany and Poland; 2. Form and amount of emoluments of various groupes of cathedral clergy; 3. Link between amount of additional payment and the number of canons in residence. An integral part of PhD thesis is a transcription of the researched account books, name and local index and several tabular surveys of the income and expenses of communal teasury. Powered by TCPDF (www.tcpdf.org)
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Uličný, Petr. "Katedrála sv. Víta v Praze: Liturgie, symbolika a architektonická imitace ve středověkých Čechách". Doctoral thesis, 2020. http://www.nusl.cz/ntk/nusl-435984.

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St Vitus' Cathedral in Prague: Liturgy, Symbolism and Architectural Imitation in Medieval Bohemia In this thesis, the focus is put on the Wenceslas Chapel in St Vitus' Cathedral, the unusual design of which seems to have two levels of meanings: On the one hand, it was probably designed as a recreation of an earlier rotunda that had been founded by St Wenceslas. On the other hand, it seems that the intention was made the chapel and the whole cathedral would resemble the Church of the Holy Sepulchre in Jerusalem, where the Calvary Chapel occupied the same position as the Wenceslas Chapel. This was most likely inspired by presence of the Imperial insignia containing the valuable Passion relics that Charles had acquired in 1350 and placed in the basilica, probably near the Wenceslas Chapel. Perhaps from that reason Charles had the new Gothic chapel decorated with semi-precious stones, because its red spots were associated with the blood of Christ and the Passion. The Wenceslas Chapel together with two Passion chapels at Karlstein Castle, containing Charles IV's private passion treasure, gave rise to the "Passion" architecture of the Luxembourg period. It included the church of St Margaret in the Cistercian monastery in Zlatá Koruna and the Resurrection Chapel attached to the church of SS Peter and Paul at...
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Urbanová, Karolína. "Zvířata v katedrále. Architektonická skulptura zvířat a fantaskních tvorů parléřovské huti v katedrále sv. Víta, jejich symbolika a ikonografie". Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-346103.

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This Master Thesis "The animals in the cathedral. Architectural sculpture of animals and fantastical creatures by parlerian lodge in the St. Vitus Cathedral, their symbols and iconography" looks into the architectural sculpture of animal's motifs and motifs of fantastical Creatures. The goal of this work is to summarize recent aspects of research about this theme, explain in more detail individually motifs of animal's and their Iconography and their meaning for Cathedral of St. Vitus. Also this thesis want to explain how could this special animal's motifs fit into the places, where are they have been situated. Their Iconography is taken with larger perspective, by literature's reception from antique over czech medieval age. Concerning animals and fantastic Creatures in the southern vestibule - pelican and phoenix; an owl in the Crown Chamber; gryphon and fight between cat and dog in the inner triforium; an eagle, an unicorn, a horse with bird's legs, a phoenix, a pelican, a stag, a lion, a gryphon, a lioness, a bear, a "cat" and three chimera in the outer triforium; a lion, a dog, a dragon and an eagle in buttresses and at least a dragon and a goat on the Big Tower. Keywords Cathedral st. Vitus, animal's motifs, symbols, iconography, architektonical sculpture, sculptures, console, relief, gothic...
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Polášek, Vojtěch. "Jan František Novák (?-1771) a jeho mešní tvorba". Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-331372.

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This master's thesis concerns the extant masses of Jan František Novák (died 1771), kapellmeister of the cathedral of St. Vitus in Prague from 1737-1758. These masses and their copies are critically examined and subsequently analyzed by focusing on particular types of arrangement as well as in summary. Aspects of musical practice and of the collection of notated music of the metropolitan chapter during Novak's era are also discussed in this thesis.
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Veverka, Karel. "Mešní tvorba Antonia Caldary v Praze". Master's thesis, 2011. http://www.nusl.cz/ntk/nusl-314003.

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Each of the three parts of the present thesis treats one aspect of researching Antonio Caldara's masses written in Prague. Chapter One maps the current state of research and relevant basic sources on the Czech territory. Chapter Two focuses on a detailed description and following collations of Caldara's seven masses, quite exceptionally obtained from the musical collection of the Knights of the Cross with the Red Star, with other concordant sources. Examples of watermarks and manuscripts can be found in the Attachment. The partial analysis of selected masses described in Chapter Three serves as a complement to the research of sources. Much attention is given to the macro-structural division of mass compositions in relation to the liturgy.
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Libros sobre el tema "Prague. Cathedral of St. Vitus"

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1962-, Piqué Francesca, Stulik Dusan 1956- y Getty Conservation Institute, eds. Conservation of the Last Judgment mosaic, St. Vitus Cathedral, Prague. Los Angeles: Getty Conservation Institute, 2005.

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Karel, Neubert y Neubertová Jana, eds. Katedrála sv. Víta na Pražském hradě. 4a ed. Praha: Odeon, 1987.

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Klára, Benešovská, Hlobil Ivo 1942-, Kopřiva Jiří, Paul Prokop 1939- y Uher Vladimír, eds. Peter Parler & St. Vitus's Cathedral, 1356-1399. Prague: Prague Castle Administration, 1999.

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St. Vitus Cathedral at Prague Castle. Karolinum Press, 2016.

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Conservation of the Last Judgment mosaic, St. Vitus Cathedral, Prague. Los Angeles, CA: Getty Conservation Institute, 2005.

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Basul, Corky Engel. St. Vitus Cathedral. Blurb, Incorporated, 2021.

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Capítulos de libros sobre el tema "Prague. Cathedral of St. Vitus"

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Suchý, Marek. "St Vitus Building Accounts (1372–1378): The Economic Aspects of Building the Cathedral". En Money and Finance in Central Europe during the Later Middle Ages, 222–46. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137460233_15.

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