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1

Glen, Carla J. A network of signs: (an exploration of the part semiotics has to play in the making of meanings : comparing theatre signing and creative drama signing using examples from the work of Kaleidoscope's Story Theatre Co. and Dorothy Heathcote's drama teaching practice with a view of cross-fertilization between the two art forms). Birmingham, UK: University of Central England in Birmingham Library Press, 1995.

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2

service), ScienceDirect (Online, ed. Professional penetration testing: Creating and operating a formal hacking lab. Rockland, Mass: Syngress, 2010.

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3

Orlova, Dar'ya, Sergey Kochedykov, Vyacheslav Chertov y Viktor Novosel'cev. LANGUAGE TOOLS FOR CREATING INFORMATION TECHNOLOGIES FOR INTELLIGENT DECISION-MAKING SUPPORT. ru: INFRA-M Academic Publishing LLC., 2024. http://dx.doi.org/10.12737/2129777.

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The monograph deals with the problem of choosing language tools for the creation of information technologies of intellectual decision support in the management of critical objects of the social sphere. It includes seven chapters: introductory chapter - system understanding of information technology of intellectual decision support; language of matrices; logical languages (calculus of statements and predicate calculus); language of semantic networks; language of fuzzy sets; language of frames; language of artificial neural networks; language of mathematical optimization. Examples of using these language tools to create information technologies for intellectual support of decision-making in various problem areas are given. It is oriented on students studying on the educational program of higher education: 09.03.02 - "Information systems and technologies" on a profile "Applied information systems and technologies", and also postgraduate students, oriented on protection of dissertations on a specialty: 1.2.3 - "Management in organizational systems". The material of the monograph will be useful for specialists dealing with practical issues of development and implementation of information technologies.
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4

Grasskamp, Anna Katharina. Art and Ocean Objects of Early Modern Eurasia. NL Amsterdam: Amsterdam University Press, 2021. http://dx.doi.org/10.5117/9789463721158.

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During the early modern period, objects of maritime material culture were removed from their places of origin and traded, collected and displayed worldwide. Focusing on shells and pearls exchanged within local and global networks, this monograph compares and connects Asian, in particular Chinese, and European practices of oceanic exploitation in the framework of a transcultural history of art with an understanding of maritime material culture as gendered. Perceiving the ocean as mother of all things, as womb and birthplace, Chinese and European artists and collectors exoticized and eroticized shells’ shapes and surfaces. Defining China and Europe as spaces entangled with South and Southeast Asian sites of knowledge production, source and supply between 1500 and 1700, the book understands oceanic goods and maritime networks as transcending and subverting territorial and topographical boundaries. It also links the study of globally connected port cities to local ecologies of oceanic exploitation and creative practices.
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5

SAVEL'EVA, Ekaterina, Anna Fedchenko y Ol'ga Gegechkori. Fundamentals of labor organization in digital ecosystems. ru: INFRA-M Academic Publishing LLC., 2022. http://dx.doi.org/10.12737/1063619.

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The textbook comprehensively presents the regularities of the formation of the theory and practice of labor organization in digital ecosystems. The key issues of digital labor organization are considered: development and implementation of project-network forms of division and cooperation of labor; design of optimal labor processes based on modern information and communication technologies; formation of rational labor mobility and labor flows; development and implementation of sound norms and rules in the field of digital labor; training of labor agents to work in the digital space; creation of balanced remuneration systems, recruitment and retention of labor agents, etc. Methodological principles of digital labor organization are highlighted, as well as approaches for studying and solving theoretical and practical issues of modern labor organization. Meets the requirements of the federal state educational standards of higher education of the latest generation. For students studying in the areas of training 38.03.03 "Personnel Management", 38.03.02 "Management", 38.03.01 "Economics", studying labor organization issues, as well as project managers, HR specialists, labor organization engineers, ergonomists, production coordinators in distributed communities, community development program coordinators, course students, graduate students, teachers.
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6

Charon, Rita, Sayantani DasGupta, Nellie Hermann, Craig Irvine, Eric R. Marcus, Edgar Rivera Colsn, Danielle Spencer y Maura Spiegel. The Principles and Practice of Narrative Medicine. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199360192.001.0001.

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Narrative medicine is a clinical practice fortified by complex narrative skills that equip healthcare professionals to recognize, absorb, interpret, and be moved to action by patients’ and colleagues’ stories of illness. Founded in 2000 at Columbia University by the authors of this volume, narrative medicine provides rigorous conceptual frameworks and practical clinical methods to increase the accuracy and scope of clinicians’ knowledge of their patients and to deepen their therapeutic partnerships. This book presents the authors’ views, enriched by collaboration with a worldwide network of colleagues, of the workings of the narrative, relational, and reflexive processes of healthcare. Literary theory, narratology, continental philosophies, aesthetic theory, and cultural studies provide the intellectual foundations of narrative medicine, while primary care practice, patient-centered care, psychoanalysis, and interprofessional practice supply the clinical foundations.The book provides both principles and practices of the central tenets of the discipline—relationality and emotion, the philosophies of embodiment, ethicality, participatory pedagogy, close reading, creativity, and clinical practice. Each Part of this volume explains the conceptual foundations of its subject and demonstrates the pedagogic or clinical methods of putting those principles into action. Narrative medicine has grown since its inception into an international movement including many health professional disciplines, patients, families, and institutions.The overarching goal of narrative medicine is to improve the effectiveness of healthcare. This volume provides the standards of the field’s theory and practice as a guide to all who are now joining in this creative commitment to improve healthcare for all.
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7

Zurn, Perry y Dani S. Bassett. Curious Minds. The MIT Press, 2022. http://dx.doi.org/10.7551/mitpress/11009.001.0001.

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An exhilarating, genre-bending exploration of curiosity's powerful capacity to connect ideas and people. Curious about something? Google it. Look at it. Ask a question. But is curiosity simply information seeking? According to this exhilarating, genre-bending book, what's left out of the conventional understanding of curiosity are the wandering tracks, the weaving concepts, the knitting of ideas, and the thatching of knowledge systems—the networks, the relations between ideas and between people. Curiosity, say Perry Zurn and Dani Bassett, is a practice of connection: it connects ideas into networks of knowledge, and it connects knowers themselves, both to the knowledge they seek and to each other. Zurn and Bassett—identical twins who write that their book “represents the thought of one mind and two bodies”—harness their respective expertise in the humanities and the sciences to get irrepressibly curious about curiosity. Traipsing across literatures of antiquity and medieval science, Victorian poetry and nature essays, as well as work by writers from a variety of marginalized communities, they trace a multitudinous curiosity. They identify three styles of curiosity—the busybody, who collects stories, creating loose knowledge networks; the hunter, who hunts down secrets or discoveries, creating tight networks; and the dancer, who takes leaps of creative imagination, creating loopy ones. Investigating what happens in a curious brain, they offer an accessible account of the network neuroscience of curiosity. And they sketch out a new kind of curiosity-centric and inclusive education that embraces everyone's curiosity. The book performs the very curiosity that it describes, inviting readers to participate—to be curious with the book and not simply about it.
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8

Colangelo, Dave. The Building as Screen. Amsterdam University Press B.V., 2020. http://dx.doi.org/10.5040/9789048561520.

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The Building as Screen: A History, Theory, and Practice of Massive Media describes, historicizes, theorizes, and creatively deploys massive media -- a set of techno-social assemblages and practices that include large outdoor projections, programmable architectural façades, and urban screens -- in order to better understand their critical and creative potential. Massive media is named as such not only because of the size and subsequent visibility of this phenomenon but also for its characteristic networks and interactive screen and cinema-like qualities. Examples include the programmable lighting of the Empire State Building and the interactive projections of Montreal’s Quartier des spectacles, as well as a number of works created by the author himself. This book argues that massive media enables and necessitates the development of new practices of expanded cinema, public data visualization, and installation art and curation that blend the logics of urban space, monumentality, and the public sphere with the aesthetics and affordances of digital information and the moving image.
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9

Thomson, C. Claire. Mapping Messiness: The Informational Film Archive and Actor-Network Theory. Edinburgh University Press, 2018. http://dx.doi.org/10.3366/edinburgh/9781474424134.003.0004.

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This chapter offers Actor-Network Theory (ANT) as a toolkit for analysing the often messy and complex networks and relationships involved in the production and distribution of useful cinema. Stressing that ANT is employed in the book as a way of thinking rather than as an explicit framework, the chapter briefly outlines the key principles of ANT and relates them to documentary and informational filmmaking. In particular, the chapter discusses the potential of ANT for rendering visible or audible the many non-human actors in any instance of filmmaking, and for revealing how facts are constructed in documentary and related genres. The institutions, individuals, networks, technologies and other actors involved in mid-twentieth-century Danish informational filmmaking are then mapped. The chapter concludes with a discussion of the role of the archive and the researcher in the network of any given film, explaining how contemporary archival practices, especially digital technologies, are creating new dispositifs for historical informational film.
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10

Creating Empowerment in Communities: Theory and Practice from an International Perspective. Nova Science Publishers, Incorporated, 2019.

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11

Creating Empowerment in Communities: Theory and Practice from an International Perspective. Nova Science Publishers, Incorporated, 2019.

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12

Grzesiak, Mateusz. Personal Brand Creation in the Digital Age: Theory, Research and Practice. Palgrave Pivot, 2018.

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13

Grzesiak, Mateusz. Personal Brand Creation in the Digital Age: Theory, Research and Practice. Palgrave Pivot, 2019.

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14

Benton, Caroline, Frank-Jürgen Richter y Tohru Takai, eds. Meso-Organizations and the Creation of Knowledge. Greenwood Publishing Group, Inc., 2004. http://dx.doi.org/10.5040/9798400684951.

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Competitive advantage in today's complex and global marketplace is no longer created by the internal resources of a single organization or organizational group. Businesses must reach beyond the traditional boundaries of their organization, industry and market to form diverse networks that can create truly unique value. Japan is now in its longest recession of the post-World War II period. This failure stems from macroeconomic malfunctioning and—more important—from the country's cultural environment, which has been inhibiting domestic corporations' abilities to respond to dire socio-economic issues. As all traditional attempts to revitalize the economy have failed, creative ideas and purposeful interventions are necessary for survival. Past business assumptions must be discarded, the most important of which is the emphasis on insular business practices that focus on the internal environment of a single organization or corporate group. Unique value can no longer by created in a static and limited manner. To create unique value in the increasingly sophisticated, advanced and fragmented environment of the global marketplace, corporations are forming partnerships that cross all societal boundaries. The authors coin the term meso-organizations for such networks that go beyond the scope of traditional businesses and bring in individuals, organizations from different industries and not-for-profit organizations into their business processes, and that view their environments as extensions of themselves. This book pulls together and expands on various theories of networks and knowledge creation to present a framework that captures the complex nature of today's business domain and processes, and offers suggestions for wide-ranging collaboration.
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15

Napier, Nancy K. y Mikael Nilsson. The Creative Discipline. Greenwood Publishing Group, Inc., 2008. http://dx.doi.org/10.5040/9798400633447.

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Why are some organizations more creative than others? What sets innovative, high-performing organizations apart? Can creativity and innovation be learned and enhanced? The answer to the last question, say creativity experts Nancy Napier and Mikael Nilsson, is a resounding yes. And with general consensus that creativity and innovation drive business growth, fostering creativity couldn't be more important. In The Creative Discipline, Napier and Nilsson illustrate six key factors that power creative, high-achieving organizations, and they provide managers with guidelines for incorporating those factors into their own companies. Business people will learn how innovative organizations get superior results from employees not just through disciplined methods of thinking, but also through free-flowing work spaces and work practices that help supercharge the imagination. Combining research on creative organizations in several sectors, this book argues that innovative organizations known for doing things differently (and profitably) approach creativity and innovation in similar, disciplined ways, regardless of industry or field. That discipline fosters new ideas, solutions, and approaches, and it ensures that the flow of creativity is constant. The Creative Discipline demonstrates that: -Innovative, high-performing organizations have three disciplines in common: (1) within discipline mastery, (2) out of discipline thinking, and (3) a disciplined process that leads to innovation. -Innovative organizations also have three factors that strengthen the creative disciplines: faces (creative entrepreneurs, leaders, and teams); places (the physical and organizational infrastructure that is reflected in offices, buildings, and location); and traces (elements that act as catalysts for creativity—the culture, networks, and policies that support creative and innovative endeavors). The book explains each factor for creative success in detail. Best, Napier and Nilsson show creativity and innovation at work in a range of sectors from sports to software to theater and contemporary circus. They also show how innovative practices in developed countries like the U.S. and Sweden compare to those in developing countries like Vietnam. Companies can learn to innovate and in the process reap benefits like higher sales and profits, greater productivity—while regaining a valuable element missing in so many workplaces: fun.
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16

McLennan, Norman. Collaborative Principles for Better Supply Chain Practice: Value Creation up, down and Across Supply Chains. Kogan Page, Limited, 2018.

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17

McLennan, Norman. Collaborative Principles for Better Supply Chain Practice: Value Creation Up, Down and Across Supply Chains. Kogan Page, 2018.

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18

Paulus, Paul B. y Bernard A. Nijstad, eds. The Oxford Handbook of Group Creativity and Innovation. Oxford University Press, 2019. http://dx.doi.org/10.1093/oxfordhb/9780190648077.001.0001.

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Much creative work takes place in groups or teams, but also individual creative efforts cannot be seen as separate from a social context. In recent decades, the questions “What makes groups and teams creative?” and “How is creativity shaped by the social context?” have therefore received increasing research attention. This book provides a comprehensive overview of this work and is organized into five sections. After an introductory section, a second section (individuals and groups) discusses issues of group composition, diversity, newcomers, and conflict. The third section, on basic processes and theoretical approaches, discusses cognitive, motivational, and affective processes in groups as they relate to group creativity and provides theoretical approaches to group creativity based on information-processing theory, social identity theory, network theories, and decision-making theories. The fourth section focuses on the (social) context in which group creativity takes place and examines the role of norms and culture, the organizational context, and technology. The final section offers practical applications in terms of effective brainstorming, the role of leadership, and how group creativity plays a role in industry, science, and the arts. This Handbook of Group Creativity not only summarizes the state-of-the-science in group creativity research but also offers many suggestions on how this blossoming field may further develop and on how group creativity may be stimulated in practice.
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19

Bevington, Dickon, Peter Fuggle, Liz Cracknell y Peter Fonagy. Adaptive Mentalization-Based Integrative Treatment. Oxford University Press, 2017. http://dx.doi.org/10.1093/med-psych/9780198718673.001.0001.

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This book is for youth workers, social workers, mental health staff, specialist teachers, family support workers, and so on, whose clients present with comorbidity, risk, and difficulty accessing mainstream services. It describes inevitably stressful, unsettling work, providing effective help in complex helping systems. An innovative response emerges, building on adaptive (evidence-based) mentalization-based theory and practice. Uniquely, AMBIT applies mentalizing not only directly, in work with clients, but also in work: (a) with the team, (b) with wider (often “dis-integrated”) networks, and (c) creating cultures of learning and radical transparency. AMBIT is as much an improvement system for teams as a “therapy”—strengthening team identity and coherence, and supporting a wider community of practice. Linking evidence-based practice to practice-based evidence, the book concludes with impact descriptions from some of the nearly 200 AMBIT-trained teams, a client’s perspective, and a challenging analysis of systems of care pointing toward the need to create more mentalizing systems.
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20

Miriam, Goldby. Part I How Practices Become Norms: The Continued Development of Shipping Law, 3 Enforceability of ‘Spontaneous Law’ in England: Some Evidence from Recent Shipping Cases. Oxford University Press, 2016. http://dx.doi.org/10.1093/law/9780198757948.003.0003.

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This chapter analyses the process of rule-making in the maritime transport industry. It uses the term ‘spontaneous law’ to refer to norms that emerge as a result of regular and repeated interactions among participants in shipping networks, interactions that create common understandings as to how contractual obligations undertaken are to be performed. The rule-making activity results in a combination of articulated or expressed rules that are enforceable directly as a result of the formation of a valid and binding contract; and unexpressed (or implicit) understandings that form part of the contractual context and that supplement the expressed rules. The context within which these unarticulated rules come into existence is a commercial network of contractual relationships. The chapter engages with the pragmatic question of how and to what extent these unarticulated rules will be enforced by the courts in the resolution of a dispute, focusing on the courts of England and Wales.
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21

Prática de Ensino e Didática Pedagógica para Formação de Professores. Brazil Publishing, 2021. http://dx.doi.org/10.31012/978-65-5861-646-7.

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We present the Practical Collection of Teaching and Pedagogical Didactics for Teacher Training, consisting of 2 volumes, which expresses the production of articles by educators, in different thematic fields, to contribute to the learning process in teacher education. This is about three important contextualizations that the internship seeks to offer: Early Childhood Education, Elementary School and School Management. In the first volume we will be addressing about early childhood education and elementary school and the second volume related article teaching project. Teaching and, consequently, teacher education is a field of education that has raised countless reflections on teacher identity, practices and knowledge, since being a teacher today brings very complex challenges and thus there is a need for formative projects that prepare them to face them. We consider that the internship in question has a very large professional formative dimension, because this is a moment that provides to unite knowledge and do. Knowledge that will become a guide of action of the practice, and to contribute to the acquisition of professional and pedagogical skills in view of future professional performance. As organizers, we want this collection to become an incentive for teacher training and for this collection to find convergences capable of building living and creative proposals for quality education for all. We also hope that the joy lived by us in the production path of this material will be present between the lines of these texts, so as to weave, jointly and severally, a huge network of commitments to education on our planet.
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22

Wilhelm, Thomas. Professional Penetration Testing: Creating and Learning in a Hacking Lab. Elsevier Science & Technology Books, 2013.

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23

Klassen, Pamela. Medicine. Editado por Michael Stausberg y Steven Engler. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198729570.013.30.

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‘Nature,’ as cultural historian Raymond Williams asserted, is one of the most complex words in the English language. Just as its meanings have varied considerably over time, relations between religion belief/practice and the natural world have varied historically, geographically, and across multiple cultural contexts. ‘Nature’ and ‘religion’ have been co-articulated in different ways, and different interests and issues have been at stake in these changing constructions. Tropes of nature and the natural occur across a range of contexts: in Western study of non-Western religions, distinctions between ‘transcendent’ and ‘immanent’ cosmologies, and scholarly discourses of ‘religion and ecology,’ ‘nature religion,’ and debates over the ‘Lynn White thesis’; and in a series of popular religio-environmental developments including concepts and practices of Creation Care, eco-kosher livelihoods, sacred groves, the Green Pilgrims Cities network, the Earth Charter, and eco-paganism.
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24

Nooshin, Laudan. (Re-)imagining improvisation. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199355914.003.0019.

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What role does the concept of improvisation play in how we imagine ‘sameness’ and ‘difference’ in music? How do the verbal discourses around creative practice serve to mark musical boundaries? This chapter considers such questions in the context of Iranian music. Specifically, the chapter explores how the concept of improvisation has been understood, constructed and imagined in Iran, particularly in recent years as musicians have sought to position Iranian music within a global network of ‘improvised’ music through which the music accrues associations such as the idea of ‘improvisation as freedom’ or as a means of invoking cross-cultural universals. The chapter argues that in the context of Iran, the significance of improvisation as a concept lies less in its ability to describe musical process and more in its enabling musicians to position their music around particular understandings of ‘sameness’ and ‘difference’.
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25

Ash, Susan. Funding Philanthropy. Liverpool University Press, 2016. http://dx.doi.org/10.5949/liverpool/9781781381397.001.0001.

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This book investigates how Dr. Barnardo, the Victorian children’s philanthropist, operated as both story teller and showman, using mass media to create a globalised support network. His philanthropic ‘empire’ operated as an exceptional Victorian manifestation of promotional and branding mechanisms that are perceived as commonplace in the twentieth century. Metaphor and narrative modes normally associated with fiction such as Charles Dickens’s novels, as well as public spectacles associated with showmen such as P. T. Barnum, provide the organising principle for the book. Ultimately, however, the analysis reveals an overlapping concurrence of these three categories because, in practice, each tends to inflect the other. The book is also crucially concerned with affect, theorising how corporal responses such as excitement, shame and disgust operate in Barnardo’s figures of speech, ‘stories’ and spectacles to arouse sympathy and provoke ideological and financial support. Part One takes a long look at metaphor in order to tease out how ‘the open door’, Barnardo’s central institutional icon, operated as a multifaceted metaphor to characterize and promote his version of philanthropy in a crowded charity market. Part Two examines how Barnardo shaped perception of his brand by storytelling practices based on the ‘re-creation’ of direct, first-hand experience and feelings. Part Three considers how collective benevolence also depends upon spectacle for widespread success.
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26

Vilain, Michael, ed. Wege in die digitale Zukunft. Nomos Verlagsgesellschaft mbH & Co. KG, 2020. http://dx.doi.org/10.5771/9783748907008.

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Digitisation and mechanisation, in conjunction with network phenomena, are fundamentally changing the working and organisational world. They are both a complexity driver and a facilitator. The results of this for the social sector are accordingly multifaceted: new technology-based fields of work are emerging, powerful market players are appearing in changed value creation structures, and both management paradigms and specific requirements for employees and management are changing. Theory and practice are trying to conceptually grasp this new reality from a solution-oriented management perspective: exploration instead of exploitation, disruption instead of evolution or the contradictory concept of organisational ambidexterity. The contributions in this conference volume approach the facets of this complex phenomenon in an interdisciplinary manner, whereby theory and practice can meet on an equal footing, with the result that theoretical and empirical findings alternate with practical tests and findings. With contributions by Michael Vilain, Matthias Heuberger und Michael Vilain, Michael Beier und Sebastian Früh, René Linek, Thomas Klauß, Helmut Kreidenweis, Hartmut Kopf, Jens Runkehl, Christoph Minnig, Max Pascher, Andreas Schmidt, Philipp Köhler
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27

Vandenbroek, Alicia E. Bookmarking. ABC-CLIO, LLC, 2012. http://dx.doi.org/10.5040/9798400620416.

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With easy-to-follow tutorial guides, this book is your one-stop-shop for implementing creative activities for all ages on social bookmarking tools. Focusing on ways social bookmarking can impact academic and public libraries and increase collaborations with both patrons and faculty, Bookmarking: Beyond the Basics introduces a variety of social bookmarking websites with helpful tutorials and activities for a wide range of users. It addresses social bookmarking sites such as Delicious/Avos, LaterThis, Jog the Web, Sqworl, LiveBinders, Diigo, and covers shared bookmarking with QR codes. The description of each website is accompanied by practical information on how to use this bookmarking tool in the classroom, school library, or public library to create personal learning networks and provide resources for patrons. The book describes ways classroom teachers can work collaboratively with librarians to incorporate social bookmarking into the classroom. Included activities are developmentally appropriate for primary grade students up to adult patrons.
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28

Mendes, Kaitlynn, Jessica Ringrose y Jessalynn Keller. Digital Feminist Activism. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190697846.001.0001.

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In recent years, feminists have turned to digital technologies and social media platforms to dialogue, network, and organize against contemporary sexism, misogyny, and rape culture. The emergence of feminist campaigns such as #MeToo, #BeenRapedNeverReported, and Everyday Sexism are part of a growing trend of digital resistances and challenges to sexism, patriarchy, and other forms of oppression. Although recent scholarship has documented the ways digital spaces are often highly creative sites where the public can learn about and intervene in rape culture, little research has explored girls’ and women’s experiences of using digital platforms to challenge misogynistic practices. This is therefore the first book-length study to interrogate how girls and women negotiate rape culture through digital platforms, including blogs, Twitter, Facebook, Tumblr, and mobile apps. Through an analysis of high-profile campaigns such as Hollaback!, Everyday Sexism, and the everyday activism of Twitter feminists, this book presents findings of over 800 pieces of digital content, and semi-structured interviews with 82 girls, women, and some men around the world, including organizers of various feminist campaigns and those who have contributed to them. As our study shows, digital feminist activism is far more complex and nuanced than one might initially expect, and a variety of digital platforms are used in a multitude of ways, for many purposes. Furthermore, although it may be technologically easy for many groups to engage in digital feminist activism, there remain emotional, mental, or practical barriers that create different experiences, and legitimate some feminist voices, perspectives, and experiences over others.
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29

Saunders, Jennifer B. Imagining Religious Communities. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780190941222.001.0001.

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Based on ethnographic research with a transnational Hindu family and its social networks, this book examines the ways that middle-class Hindu communities are engaged actively in creating and maintaining their communities. Imagination as a social practice has been a crucial component of defining a transnational life in the moments between actual contact across borders, and the narratives community members tell are key components of communicating these social imaginaries. Narrative performances shape participants’ social realities in multiple ways: they define identities, they create connections between community members living on opposite sides of national borders, and they help create new homes amid increasing mobility. The narratives are religious and include both epic narratives, such as excerpts from the Rāmāyaṇ, and personal narratives with dharmic implications. The book argues that this Hindu community’s religious narrative performances significantly contribute to shaping their transnational lives. The analysis combines scholarly understandings of the ways that performances shape the contexts in which they are told, indigenous comprehension of the power that reciting certain narratives can have on those who hear them, and the theory that social imaginaries define new social realities through expressing the aspirations of communities.
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30

Halegoua, Germaine. The Digital City. NYU Press, 2020. http://dx.doi.org/10.18574/nyu/9781479839216.001.0001.

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The Digital City focuses on the interface of people, urban place, and the role that digital media play in placemaking endeavors. Critics have understood digital media as forces that alienate and disembed users from space and place. This book argues that the exact opposite processes are observable: many different actors are consciously and habitually using digital technologies to re-embed themselves within urban space. Five case studies from cities around the world illustrate the concept of “re-placeing” by showing how different populations employ urban broadband networks, social and locative media platforms, digital navigation technologies, smart cities, and creative placemaking initiatives to reproduce abstract urban spaces as inhabited places with deep meanings and emotional attachments. Through clear and accessible language and timely narratives of everyday urban life, the author argues that a sense of place is integral to understanding contemporary relationships with digital media while highlighting our own awareness of the places where we find ourselves and where our technologies find and place us. Through ethnographic and discourse analysis of everyday digital media practices and technologies, this book expands practical and theoretical understandings of the ways urban planners envision and plan connected cities, the role of urban communities in shaping and interpreting digital architectures, and the tales of the city produced through mobile and web-based platforms. Digital connectivity is reshaping the city and the ways we navigate through it and belong within it. How this happens and the types of places we produce within these networked environments are what this book addresses.
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31

Beckstrom, Matthew. Protecting Patron Privacy. ABC-CLIO, LLC, 2015. http://dx.doi.org/10.5040/9798216002277.

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Protect patron privacy and safeguard Internet usage using this how-to manual for creating a secure environment in your library. You'll learn how simple changes to your policies, procedures, and computer settings can ensure a private and safe research space for users. In a world where almost anyone with computer savvy can hack, track, and record the online activities of others, your library can serve as a protected haven for your visitors who rely on the Internet to conduct research―if you take the necessary steps to safeguard their privacy. This book shows you how to protect patrons' privacy while using the technology that your library provides, including public computers, Internet access, wireless networks, and other devices. Logically organized into two major sections, the first part of the book discusses why the privacy of your users is of paramount importance, explains the applicable laws and regulations related to patron privacy, and delves into the mechanics of security breaches on public computers. The second half outlines the practical steps you can take to preserve the rights of library visitors by working with computer and mobile device configurations, network security settings, and special applications.
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32

Franks, Hallie M. Conclusion. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190863166.003.0007.

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Drawing in particular from Henri Lefebvre’s theory of space and its production—according to which space is conceived as a network of relations between perceived, conceived, and lived experiences—the conclusion situates the arguments of the previous chapters in relationship to the function of the symposium as a social practice. The mosaics, by actively participating in the construction of spatial metaphors, played a crucial role in facilitating the intellectual transformation central to the symposium experience and in creating and solidifying social bonds among the participants. These conclusions suggest that the andron served as a social space in more complex ways than previously understood.
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33

Bächtiger, Andre, John S. Dryzek, Jane Mansbridge y Mark Warren, eds. The Oxford Handbook of Deliberative Democracy. Oxford University Press, 2018. http://dx.doi.org/10.1093/oxfordhb/9780198747369.001.0001.

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Deliberative democracy has been the main game in contemporary political theory for two decades and has grown enormously in size and importance in political science and many other disciplines, and in political practice. The Oxford Handbook of Deliberative Democracy takes stock of deliberative democracy as a research field, as well as exploring and creating links with multiple disciplines and policy practice around the globe. It provides a concise history of deliberative ideals in political thought while also discussing their philosophical origins. It locates deliberation in a political system with different spaces, publics, and venues, including parliament and courts but also governance networks, protests, mini-publics, old and new media, and everyday talk. It documents the intersections of deliberative ideals with contemporary political theory, involving epistemology, representation, constitutionalism, justice, and multiculturalism. It explores the intersections of deliberative democracy with major research fields in the social sciences and law, including social and rational choice theory, communications, psychology, sociology, international relations, framing approaches, policy analysis, planning, democratization, and methodology. It engages with practical applications, mapping deliberation as a reform movement and as a device for conflict resolution. It documents the practice and study of deliberative democracy around the world, in Asia, Latin America, Africa, Europe, and global governance. And it provides reflections on the field by pioneering thinkers.
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34

Hannell, Briony. Feminist Fandom. Bloomsbury Publishing Inc, 2023. http://dx.doi.org/10.5040/9798765101797.

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Examines how fannish and feminist modes of cultural consumption, production, and critique are converging and opening up informal spaces for young people to engage with feminism. Adopting an interdisciplinary theoretical framework, bringing together media and communications, feminist cultural studies, sociology, internet studies, and fan studies, Hannell locates media fandom at the intersection of the multi-directional and co-constitutive relationship between popular feminisms, popular culture, and participatory networked digital cultures. Using a layered methodological approach comprising participant observation, surveys and interviews, Feminist Fandom constructs a multifaceted ethnographic account of how feminist identities are constructed, lived, and felt through digital fannish spaces on the micro-blogging and social networking platform Tumblr. It captures the richness and diversity of young people’s creative engagement with the competing meanings and representations of digital feminism, locating Tumblr as a fruitful site for young people to engage in interest-based feminist activism, community building, and knowledge sharing. The experiences of over 300 feminist fans captured throughout the book speak to how broader shifts within feminist practice, theory, and activism over the past decade have shaped and informed the social and cultural practices of media fandom, while also complicating utopian framings of these practices to reveal the contradictory and ambivalent processes of inclusion and exclusion at work within them.
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35

Arneil, Barbara. The Turn Inward. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198803423.003.0010.

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The concluding chapter shows how domestic colonies deepen and complicate our understanding of colonization and colonialism. The analysis in the preceding chapters provides three new theoretical contributions to colonial and postcolonial scholarship. First, the colonial and imperial are fundamentally distinct historically in Western political theory and practice. Second, domestic and external colonies are not so much a binary as common nodes within transnational colonial networks, constituted materially and conceptually through the transit of people and ideas across borders. Third, these networks were justified by intersecting colonialisms—domestic colonialism intersects with both other ideologies (racism, paternalism, socialism, anarchism, republicanism, and liberalism) to create specific kinds of colonies and other kinds of colonialisms (settler and radical) to create contradictory colonial spaces. Thus, ‘the colonial’ is larger, more complicated, and more contradictory than is currently understood, and can only be understood if we include domestic colonies within our understanding of colonialism and colonization.
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36

Eldridge, Alice. Reflection. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199351411.003.0011.

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I see music as a very human means of creating, exploring and communicating abstract ideas and emotions. I believe this is made possible through the capacity of organized sound to recruit and coordinate dynamic patterns of interaction across a network of diverse objects and processes distributed across the brains, bodies and worldly objects of musicians and listeners. Reflecting my personal practice as an improvising cellist and my academic interest in digital music, I offer a particular account of some of the roles shape plays in framing and supporting these processes in both acoustic and digital music-making. My own experiences are accompanied by those of other improvisers...
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37

Vogan, Travis. Cable, NFL Media, and NFL Films’ Dinosaur Television. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038389.003.0007.

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This chapter examines how the development of cable television and NFL Media enhanced the production and circulation of NFL Films content. As NFL Films' programming set the stage for the development of twenty-four-hour sports channels like ESPN, it established a starting point from which the National Football League (NFL) formed its own network, the NFL Network. In 2004 NFL Films was designated part of NFL Media, a multiplatform subsidiary run by former ESPN president Steve Bornstein that now includes the NFL Network, NFL.com, and offshoots like the RedZone specialty seasonal cable channel and the NFL Mobile smartphone application. This chapter explores how NFL Films, which established a foundation for the development of cable sports television and the transformation of the NFL into a multiplatform media institution, has been constrained to adjust its practices to maintain a place within the contemporary sports media landscape and league it helped create. It also considers how the Internet created new opportunities for the NFL to build and circulate its image.
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38

Funk, Tom. Web 2.0 and Beyond. www.praeger.com, 2008. http://dx.doi.org/10.5040/9798216034278.

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Web 2.0 has taken on buzzword status. It's now shorthand for everything that is new, cutting-edge, and gaining momentum online. Web 2.0 can describe particular Web sites; cultural trends like social networking, blogging, or podcasting; or the underlying technology that makes today's coolest Web applications possible. Many Web 2.0 innovations were pioneered by behemoths like Google, Amazon, Apple, YouTube, and MySpace. But even the smallest, leanest companies can take advantage of the new trends, new and open-source programming tools, and new networks. This book presents a wealth of ideas that will enable any business to quickly and affordably deploy Web 2.0 best practices to gain customers and maximize profits. Web 2.0 is more a series of trends than a basket of things: —More and more, power is in the hands of individual users and their networks. —Web content is distributed, sorted, combined, and displayed across the Web in formats and places not anticipated by the content creators. —New technology now makes rich online experiences and complex software applications possible, and at a low cost. —Integration is breaking down walls between PCs and mobile devices. Web 2.0 is a landscape in which users control their online experience and influence the experiences of others. Business success on the Web, therefore, now comes from harnessing the power of social networks, computing networks, media and opinion networks, and advertising networks. Web 2.0 takes advantage of higher bandwidth and lighter-weight programming tools to create rich, engaging online experiences that compete with television and other offline activities. With examples and case studies from real businesses, this book demonstrates what makes a successful Web 2.0 company, regardless of its size or resources. A non-technical guide, it is aimed squarely at the marketer or business manager who wants to understand recent developments in the online world, and to turn them into practical, competitive advantages.
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39

Clavio, Galen. Social Media and Sports. Human Kinetics, 2017. http://dx.doi.org/10.5040/9781718221000.

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Social media communications play a huge role in the day-to-day operations of sport teams and organizations. Both current and aspiring sport business professionals need to know how to best leverage social media to meet their organizational goals, and Social Media and Sports With HKPropel Access will help pave the way by emphasizing the strategic, creative, and logistical elements of effective social media practices. Beginning with foundational concepts, students will first examine the history of social media and its impact on sports. They will learn about the categories of content used, including written content, images, produced video, live video, audio, graphics, dynamic visuals, and responses. They will then gain a better understanding of the social media environment by learning how to think about audiences and networks, evaluating how online communities act and interact, and considering key issues that may be encountered. The final chapters of the text assemble the building blocks from previous chapters into practical application, covering brand management strategies and overall social media presence from the perspective of a member of the sports media, a representative of a team or league, or an individual athlete. Related online learning aids, delivered via HKPropel and reviewed annually to stay current with evolving trends, provides a detailed look into major social networks and their technological elements, plus best practices, tips, and tricks for utilizing a variety of social media platforms. It also examines content methodologies, including podcasting, live video, and prerecorded video, and it discusses the use of social management software. Markers throughout the text refer students to the web resource when additional related content is available. Learning aids for students include Professional Insights, sidebars containing interviews with industry insiders; these real-world examples and professional advice provide depth and context to each chapter's content. Key Points highlight important points, end-of-chapter review questions promote practical application and ensure content comprehension, and bolded key terms are defined in an easy-to-reference glossary. Social Media and Sports offers a practical approach to understanding social media communications in the sports industry, with application extending to those working in journalism, public relations, broadcasting, advertising, and other sport business careers where knowledge of effective social media usage will maximize career potential.
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40

Currie, Jan, Richard Deangelis, Harry deBoer, Jeroen Huisman y Claude Lacotte. Globalizing Practices and University Responses. Greenwood Publishing Group, Inc., 2003. http://dx.doi.org/10.5040/9798400658051.

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Investigates the impact that certain globalizing practices have on European and American universities. Due to dwindling resources and the ideology of privatization, universities are becoming more corporatized and managerial. The authors investigate the consequences of these changes on the lives of academics and analyze how globalizing practices such as managerialism, accountability, and employment flexibility penetrate different universities. Globalization is a contested term. It exists in the form of an integrated world economy and global communication networks. Along with this material world, politicians have created a neoliberal ideology that exhorts nation states to open up their economies to free trade, reduce their public sector, and allow market forces to reshape their public agencies. In effect, this means a reduced role for government, lower taxes, and diminishing funds for public institutions like universities. The underlying thesis of this book is that globalization is not an inexorable force. All nations need to debate its consequences. The authors analyze how globalizing practices are penetrating universities. Are they creating a certain uniformity? Are academics adapting to or resisting particular globalizing practices? The premise at the beginning of the study was that European universities were responding differently to globalizing practices than Anglo-American universities. This premise was confirmed as some universities saw certain globalizing practices as inevitable and other universities resisted them. The authors asked academics and key managers how their funding had changed, and which accountability mechanisms their universities adopted. They also investigated the use of the Internet in their teaching. They found differences between European and American universities in their approach to permanent employment. The French and Norwegian universities were maintaining many of their traditional values and only the Dutch university showed some movement towards the globalizing practices, which American universities were more readily adopting.
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41

Fedosov, Anton. Supporting the Design of Technology-Mediated Sharing Practices. Carl Grossmann, 2020. http://dx.doi.org/10.24921/2020.94115943.

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Online social networks have made sharing personal experiences with others mostly in form of photos and comments a common activity. The convergenceof social, mobile, cloud and wearable computing expanded the scope of usergeneratedand shared content on the net from personal media to individual preferencesto physiological details (e.g., in the form of daily workouts) to informationabout real-world possessions (e.g., apartments, cars). Once everydaythings become increasingly networked (i.e., the Internet of Things), future onlineservices and connected devices will only expand the set of things to share. Given that a new generation of sharing services is about to emerge, it is of crucialimportance to provide service designers with the right insights to adequatelysupport novel sharing practices. This work explores these practices within twoemergent sharing domains: (1) personal activity tracking and (2) sharing economyservices. The goal of this dissertation is to understand current practices ofsharing personal digital and physical possessions, and to uncover correspondingend-user needs and concerns across novel sharing practices, in order to map thedesign space to support emergent and future sharing needs. We address this goalby adopting two research strategies, one using a bottom-up approach, the otherfollowing a top-down approach.In the bottom-up approach, we examine in-depth novel sharing practices within two emergent sharing domains through a set of empirical qualitative studies.We offer a rich and descriptive account of peoples sharing routines and characterizethe specific role of interactive technologies that support or inhibit sharingin those domains. We then design, develop, and deploy several technology prototypesthat afford digital and physical sharing with the view to informing the design of future sharing services and tools within two domains, personal activitytracking and sharing economy services.In the top-down approach, drawing on scholarship in human-computer interaction (HCI) and interaction design, we systematically examine prior workon current technology-mediated sharing practices and identify a set of commonalitiesand differences among sharing digital and physical artifacts. Based uponthese findings, we further argue that many challenges and issues that are presentin digital online sharing are also highly relevant for the physical sharing in thecontext of the sharing economy, especially when the shared physical objects havedigital representations and are mediated by an online platform. To account forthese particularities, we develop and field-test an action-driven toolkit for designpractitioners to both support the creation of future sharing economy platformsand services, as well as to improve the user experience of existing services.This dissertation should be of particular interest to HCI and interaction designresearchers who are critically exploring technology-mediated sharing practicesthrough fieldwork studies, as well to design practitioners who are building and evaluating sharing economy services.
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42

López López, Mónica, Rodrigo González Álvarez, Mijntje ten Brummelaar, Kevin R. O. van Mierlo y Leo Wieldraaijer-Vincent, eds. Working with LGBTQIA+ youth in the child welfare system: Perspectives from youth and professionals. University of Groningen Press, 2021. http://dx.doi.org/10.21827/60e5a36110a93.

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Written through a constant exchange between LGBTQIA+ young people, researchers, professionals and foster families, this book offers a valuable tool to improve the practice with LGBTQIA+ youth at a personal, organizational, and policy levels. This book shows the powerful influence of relationships and networks for the LGBTQIA+ young person growing up in child protection and welfare systems. LGBTQIA+ youth need meaningful connections with individuals within their communities in order to be able to heal, learn, and be authentically themselves. Child welfare professionals have a crucial role in creating these connections and cultivating supportive environments, free of additional trauma, where LGBTQIA+ young people can feel valued and loved.
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43

Yunhwa Rao, Nancy. From Lun On and Lun Hop to the Great China Theater, 1922–1925. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252040566.003.0008.

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In 1922, the Lun On troupe arrived in Seattle from Canada. It was quickly joined by other Cantonese opera groups moving across national borders, creating a network spanning the hemisphere from Vancouver to Los Angeles, New York, Havana, Mexico City, Mexicali, and even Lima, Peru. Through detailed primary source analysis Rao describes the financial and artistic accomplishments of these troupes even as they faced stigmatism and resistance from anti-Chinese organizations and exclusionary immigration policies. The interaction between the opera troupe/performers and local community was lively, reflected by the ritual practice, the publication of anthology for amateur, the opening of new theater, fund-raising performances, etc. In addition the chapter chronicles a series of distinctive actors, actresses and playwrights, as well as their signature repertoire that became most popular during this time.
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44

VanCour, Shawn. Making Radio. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190497118.001.0001.

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The opening decades of the twentieth century witnessed a profound transformation in the history of modern sound media, with workers in US film, radio, and record industries developing pioneering production methods and performance styles tailored to emerging technologies of electric sound reproduction that directly shaped dominant forms and experiences of modern sound culture. Focusing on broadcasting’s initial expansion period during the 1920s, Making Radio explores the forms of creative labor pursued for the medium before the better-known network era of the 1930s and 1940s, assessing their role in shaping radio’s own identity and identifying affinities with parallel practices pursued for conversion-era film and phonography. Tracing programming forms adopted by early radio writers and programmers, production techniques developed by studio engineers, and performance styles cultivated by on-air talent, it shows how radio workers negotiated a series of broader industrial and cultural pressures to establish best practices for their medium. In the process, it argues, these sound workers shaped not only the future of broadcasting, but also contributed to much broader shifts in popular forms of music, drama, and public oratory, ushering in a new era of electric sound entertainment.
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45

Vogan, Travis. Conclusion. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252038389.003.0008.

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This concluding chapter examines the continued presence of NFL Films' traditional practices—and the values they deliver—at a time when the National Football League (NFL) evidences less support for programming that displays these conventions. Despite its decreased importance to the contemporary league, the cultural and aesthetic significance of NFL Films productions exceeds the realm of pro football and even sports media. Despite their increased scarcity on venues like ESPN and NFL Network, NFL Films' traditional aesthetic practices and the values they convey circulate independently of the company's depictions of pro football. It is now virtually impossible to watch TV for very long during the football season without witnessing at least one commercial that evokes NFL Films' conventions. This chapter discusses the legacy of NFL Films, including the establishment of a league-owned media infrastructure upon which the NFL continues to expand and that all other major sports organizations have since emulated, along with the creation of a framework from which contemporary sports television developed its formal practices and enhanced its presence on the medium.
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46

Harik, Ramy y Joseph Elias Khoury. Manufacturing versus Corruption: Who Wins? SAE International, 2021. http://dx.doi.org/10.4271/9781468603590.

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The objective of Manufacturing versus Corruption: Who Wins? is to use scientific methodologies and recommendations to motivate young people to participate in rendering the manufacturing ecosystem successful, by creating a socio-political stability amongst communities, counties, states, and nations in an unprecedented way. This book presents the reader with a practical approach and understanding of key scientific, industrial & managerial concepts that constitute a common policy narrative to be embraced, implemented, and executed across all governmental sectors. As a tool for policy makers, the authors demonstrate the need for a digital manufacturing economy grounded in complete transparency. With over 50 years of experience in engineering and manufacturing, Ramy Harik and Joseph Khoury are on a mission to bring together science, economics, technology, and policy making so all work in tandem for the greater good. Topics include digital manufacturing economies, manufacturing ring, importance of infrastructure and power for successful manufacturing, networks and internet, manufacturing policies, economic policies, education systems, water, importance of data in the manufacturing process, good manufacturing practices, and free-market manufacturing.
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47

Aljunied, Khairudin. Muslim Cosmopolitanism. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474408882.001.0001.

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Cosmopolitan ideals and pluralist tendencies have been employed creatively and adapted carefully by Muslim individuals, societies, and institutions in modern Southeast Asia to produce the necessary contexts for mutual tolerance and shared respect between and within different groups in society. Organised around six key themes that interweave the connected histories of three countries in Southeast Asia — Singapore, Malaysia and Indonesia — this book shows the ways in which historical actors have promoted better understanding between Muslims and non-Muslims in the region. Case studies from across these countries of the Malay world take in the rise of the network society in the region in the 1970s up until the early 21st century, providing a panoramic view of Muslim cosmopolitan practices, outlook, and visions in the region.
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48

Borgo, David. The Ghost in the Music, or the Perspective of an Improvising Ant. Editado por George E. Lewis y Benjamin Piekut. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195370935.013.005.

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One of the particular joys of improvising music together is not knowing precisely the relationship between one’s own actions and thoughts (one has to surprise oneself, after all) or between one’s actions and those of other improvisers (did you do that because I did that? Or did I do that because you did that?). Drawing on research in social psychology, actor-network theory, and the extended mind thesis in cognitive science, this chapter argues that one’s experience of musical “authorship” can be enhanced or undermined rather easily by social, material, and technological forms of agency in the environment. It concludes that musical improvisation offers simultaneously a situated practice for exploring interagency—and thereby exorcising the humanistic ghost of a “self-luminous” will—and the possibility of creating some provisional closure, some fleeting reduction of complexity, in a world increasingly characterized by relentless machinic heterogenesis.
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49

Diprose, Kristina, Gill Valentine, Robert Vanderbeck, Chen Liu y Katie McQuaid. Climate Change, Consumption and Intergenerational Justice. Policy Press, 2019. http://dx.doi.org/10.1332/policypress/9781529204735.001.0001.

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This book examines lived experiences and perceptions of climate change, changing consumption practices, and intra- and intergenerational justice with urban residents in China, Uganda, and the United Kingdom. The book draws on an interdisciplinary research programme called INTERSECTION, which was funded by the Arts and Humanities Research Council from 2014 to 2017. INTERSECTION was an innovative, cross-national programme that employed participatory arts and social research methods with urban residents in three cities: Jinja in Uganda, Nanjing in China, and Sheffield in the United Kingdom. Drawing together a unique dataset from these three cities -- which are very differently positioned in relation to global networks of production and consumption, (de)industrialisation and vulnerability to climate change -- the research demonstrates how people engage selectively with the ‘global storm’ and the ‘intergenerational storm’ of climate change. The research reveals a ‘human sense of climate’ that clouds its framing as an issue of either international and intergenerational justice. Its chapters focus on the global and intergenerational dimensions of climate change, local narratives of climate change, moral geographies of climate change, intergenerational perspectives on sustainable consumption, and imaging alternative futures through community based and creative research practices.
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50

Clark, David. Specialty recognition and global development. Oxford University Press, 2016. http://dx.doi.org/10.1093/med/9780199674282.003.0006.

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The growing number of doctors working in hospices began to seek formal recognition for the specialist nature of their work. Discussions began with the Royal Colleges about how this could be achieved. There were workforce issues to be considered, as well as matters of training, development, and accreditation. The creation of specialist journals to disseminate research and clinical practice, the endorsement of the World Health Organization, and the growth of international networks of collaboration, all began to define a new field of activity. Formal recognition for palliative medicine happened first in the United Kingdom—100 years after the publication of Munk’s classic work. In time, other countries followed suit. This chapter shows how the field was now poised for an expanding role, with global dimensions. However, at the same time it faced challenges about boundaries, definition, and focus.
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