Artículos de revistas sobre el tema "Popular voice"
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Karande, Pramod, Shubham Borchate, Bhavesh Chaudhary y Prof Deveshree Wankhede. "Virtual Desktop Assistant". International Journal for Research in Applied Science and Engineering Technology 10, n.º 3 (31 de marzo de 2022): 1916–20. http://dx.doi.org/10.22214/ijraset.2022.41024.
Texto completoFerragne, Emmanuel, Anne Guyot Talbot, Margaux Cecchini, Martine Beugnet, Emmanuelle Delanoë-Brun, Laurianne Georgeton, Christophe Stécoli, Jean-François Bonastre y Corinne Fredouille. "Forensic Audio and Voice Analysis: TV Series Reinforce False Popular Beliefs". Languages 9, n.º 2 (2 de febrero de 2024): 55. http://dx.doi.org/10.3390/languages9020055.
Texto completoKamps, Ivo, Annabel Patterson y Michael D. Bristol. "Shakespeare and the Popular Voice." MLN 105, n.º 5 (diciembre de 1990): 1085. http://dx.doi.org/10.2307/2905173.
Texto completoKinney, Arthur F. y Annabel Patterson. "Shakespeare and the Popular Voice." Shakespeare Quarterly 42, n.º 2 (1991): 234. http://dx.doi.org/10.2307/2870551.
Texto completoCummings, Brian. "Martin Marprelate and the Popular Voice". Studies in Church History 42 (2006): 225–39. http://dx.doi.org/10.1017/s0424208400003971.
Texto completoAttig, R. Brian. "The Gay Voice in Popular Music:". Journal of Homosexuality 21, n.º 1-2 (13 de mayo de 1991): 185–202. http://dx.doi.org/10.1300/j082v21n01_13.
Texto completoAuner, Joseph. "‘Sing it for Me’: Posthuman Ventriloquism in Recent Popular Music". Journal of the Royal Musical Association 128, n.º 1 (2003): 98–122. http://dx.doi.org/10.1093/jrma/fkg004.
Texto completoDeng, Rong Gen y Wei Ming Liao. "The Subjective Assessment of Soundscape in Campus — Taking YaoHu Campus of Jiangxi Normal University for Example". Advanced Materials Research 518-523 (mayo de 2012): 3792–95. http://dx.doi.org/10.4028/www.scientific.net/amr.518-523.3792.
Texto completoPLASTINO, GOFFREDO. "Lazzari felici: Neapolitan song and/as nostalgia". Popular Music 26, n.º 3 (octubre de 2007): 429–40. http://dx.doi.org/10.1017/s0261143007001365.
Texto completoStrumbl, Melanie. "Voice, Affect, Grain: Their Relevance in Bodily Aesthetic Experience and Popular Singing Styles". Cultural History 7, n.º 2 (octubre de 2018): 205–25. http://dx.doi.org/10.3366/cult.2018.0174.
Texto completoMansoori, Naveed. "Things Unheard: Popular Silence and the Popular Voice in Revolutionary Iran". Theory & Event 24, n.º 2 (2021): 483–510. http://dx.doi.org/10.1353/tae.2021.0023.
Texto completoBoling, T. Edwin y Erling Jorstad. "Popular Religion in America: The Evangelical Voice". Review of Religious Research 35, n.º 3 (marzo de 1994): 276. http://dx.doi.org/10.2307/3511895.
Texto completoGuth, James L. y Erling Jorstad. "Popular Religion in America: The Evangelical Voice". Sociology of Religion 55, n.º 2 (1994): 213. http://dx.doi.org/10.2307/3711861.
Texto completoSat, Batu y Benjamin W. Wah. "Analyzing Voice Quality in Popular VoIP Applications". IEEE Multimedia 16, n.º 1 (enero de 2009): 46–59. http://dx.doi.org/10.1109/mmul.2009.2.
Texto completovan Leer, Eva. "Using Popular Mobile Devices in Voice Therapy". Perspectives on Voice and Voice Disorders 23, n.º 3 (noviembre de 2013): 82–87. http://dx.doi.org/10.1044/vvd23.3.82.
Texto completoEskidere, Ömer y Ahmet Gürhanlı. "Voice Disorder Classification Based on Multitaper Mel Frequency Cepstral Coefficients Features". Computational and Mathematical Methods in Medicine 2015 (2015): 1–12. http://dx.doi.org/10.1155/2015/956249.
Texto completoWatkins, Heather y Richard Pak. "Investigating Underrepresented Perceptions of Inclusively Designed Voiced Automation". Proceedings of the Human Factors and Ergonomics Society Annual Meeting 66, n.º 1 (septiembre de 2022): 290–94. http://dx.doi.org/10.1177/1071181322661228.
Texto completoMeng, Jinhao. "Reasearch of Current Popular Meme --- "otto"". International Journal of Education and Humanities 11, n.º 3 (30 de noviembre de 2023): 59–61. http://dx.doi.org/10.54097/ijeh.v11i3.14456.
Texto completoMitchell, Liam. "Damsels Who Distress". Camera Obscura: Feminism, Culture, and Media Studies 35, n.º 2 (1 de septiembre de 2020): 63–93. http://dx.doi.org/10.1215/02705346-8359518.
Texto completoEidsheim, Nina S. "An analytical framework and model for de-racializing vocal perception". Journal of the Acoustical Society of America 151, n.º 4 (abril de 2022): A99. http://dx.doi.org/10.1121/10.0010782.
Texto completoCoupland, Nikolas. "Voice, place and genre in popular song performance1". Journal of Sociolinguistics 15, n.º 5 (noviembre de 2011): 573–602. http://dx.doi.org/10.1111/j.1467-9841.2011.00514.x.
Texto completoCrozier, Michael P. y Adrian Little. "Democratic Voice: Popular Sovereignty in Conditions of Pluralisation". Australian Journal of Political Science 47, n.º 3 (septiembre de 2012): 333–46. http://dx.doi.org/10.1080/10361146.2012.704002.
Texto completoNoble, Fiona. "New feminist voices in Spanish audio-visual cultural production: Vis a vis (Locked Up) (Antena 3 and Globomedia, 2015–19) and La casa de papel (Money Heist) (Antena 3 and Netflix, 2017–21)". Journal of European Popular Culture 13, n.º 2 (1 de octubre de 2022): 83–102. http://dx.doi.org/10.1386/jepc_00044_1.
Texto completoSharma, Khushboo, Disha Bahal, Aman Sharma, Ankita Garg y Neeta Verma. "REVIEW ON ARA- A VOICE ASSISTANT FOR DISABLED PERSONALITIES". International Journal of Engineering Applied Sciences and Technology 7, n.º 1 (1 de mayo de 2022): 172–75. http://dx.doi.org/10.33564/ijeast.2022.v07i01.026.
Texto completoSharma, Khushboo, Disha Bahal, Aman Sharma, Ankita Garg y Neeta Verma. "ARA- A Voice Assistant for Disabled Personalities". International Journal of Engineering Applied Sciences and Technology 7, n.º 1 (1 de mayo de 2022): 106–9. http://dx.doi.org/10.33564/ijeast.2022.v07i01.015.
Texto completoGlazer, Lee y Susan Key. "Carry Me Back: Nostalgia for the Old South in Nineteenth-Century Popular Culture". Journal of American Studies 30, n.º 1 (abril de 1996): 1–24. http://dx.doi.org/10.1017/s0021875800024294.
Texto completoFerrell, Tara, Aaron Crowson y Christopher Mayhorn. "How We Perceive and Trust Advice from Virtual Humans: The Influence of Voice Quality". Proceedings of the Human Factors and Ergonomics Society Annual Meeting 66, n.º 1 (septiembre de 2022): 1189–93. http://dx.doi.org/10.1177/1071181322661440.
Texto completoPfleiderer, Martin. "Vocal pop pleasures. Theoretical, analytical and empirical approaches to voice and singing in popular music <br> doi:10.5429/2079-3871(2010)v1i1.7en". IASPM Journal 1, n.º 1 (8 de abril de 2010): 1–16. http://dx.doi.org/10.5429/301.
Texto completoJafari, Belgheis Alavi y Liza Schuster. "Representations of exile in Afghan oral poetry and songs". Crossings: Journal of Migration & Culture 10, n.º 2 (1 de octubre de 2019): 183–203. http://dx.doi.org/10.1386/cjmc_00002_1.
Texto completoHodgetts, William, Qi Song, Xinyue Xiang y Jacqueline Cummine. "On a Vector towards a Novel Hearing Aid Feature: What Can We Learn from Modern Family, Voice Classification and Deep Learning Algorithms". Applied Sciences 11, n.º 12 (18 de junio de 2021): 5659. http://dx.doi.org/10.3390/app11125659.
Texto completoAppleyard, Bryan. "Popular Culture and Public Affairs". Royal Institute of Philosophy Supplement 45 (marzo de 2000): 97–104. http://dx.doi.org/10.1017/s1358246100003337.
Texto completoStackhouse,, John G. "Popular Religion in America: The Evangelical Voice. Erling Jorstad". Journal of Religion 75, n.º 1 (enero de 1995): 173. http://dx.doi.org/10.1086/489562.
Texto completoSalverson, Julie. "“Playing With Tension” What ‘voice’ does popular theatre speak?" Canadian Theatre Review 78 (marzo de 1994): 4–7. http://dx.doi.org/10.3138/ctr.78.001.
Texto completoSconce, Jeffrey. "The Voice from the Void". International Journal of Cultural Studies 1, n.º 2 (agosto de 1998): 211–32. http://dx.doi.org/10.1177/13678779980010020401.
Texto completoBylkova, Svetlana V. "Models of representing an astronomer’s voice in a journalist’s popular judgment". Current Issues in Philology and Pedagogical Linguistics, n.º 2(2021) (25 de junio de 2021): 199–211. http://dx.doi.org/10.29025/2079-6021-2021-2-199-211.
Texto completoBakić-Mirić, Nataša, Anita Janković y Nadežda Stojković. "Popular culture and intercultural communication: The voice and the echo". Zbornik radova Filozofskog fakulteta u Pristini 52, n.º 2 (2022): 13–28. http://dx.doi.org/10.5937/zrffp52-33920.
Texto completoMasi, Leonardo. "Fellini and Popular Music". Załącznik Kulturoznawczy, n.º 9 (2022): 447–62. http://dx.doi.org/10.21697/zk.2022.9.22.
Texto completoMonod, David. "DOUBLE-VOICED: MUSIC, GENDER, AND NATURE IN PERFORMANCE". Journal of the Gilded Age and Progressive Era 14, n.º 2 (abril de 2015): 173–93. http://dx.doi.org/10.1017/s1537781414000784.
Texto completoFink, Steven y Nancy Ruttenberg. "Democratic Personality: Popular Voice and the Trial of American Authorship". New England Quarterly 73, n.º 1 (marzo de 2000): 163. http://dx.doi.org/10.2307/366751.
Texto completoHamelman, Steven. "Democratic Personality: Popular Voice and the Trial of American Authorship". Studies in American Fiction 27, n.º 2 (1999): 245–47. http://dx.doi.org/10.1353/saf.1999.0000.
Texto completoHigginson, Pim. "Popular perceptions: voice and genre in Félix Couchoro’s crime fiction". Journal of Postcolonial Writing 49, n.º 1 (febrero de 2013): 87–99. http://dx.doi.org/10.1080/17449855.2012.743736.
Texto completoWani, Aijaz Ashraf. "The Popular Voice: Secular-Progressive Discourse in Kashmir (1932–47)". Indian Historical Review 34, n.º 1 (enero de 2007): 244–69. http://dx.doi.org/10.1177/037698360703400110.
Texto completoShannon, Dennis M., Nancy Ruttenberg y Edward Watts. "Democratic Personality: Popular Voice and the Trial of American Authorship". Journal of the Early Republic 20, n.º 1 (2000): 148. http://dx.doi.org/10.2307/3124839.
Texto completoBuell, Lawrence y Nancy Ruttenburg. "Democratic Personality: Popular Voice and the Trial of American Authorship". South Atlantic Review 64, n.º 2 (1999): 170. http://dx.doi.org/10.2307/3201992.
Texto completoGeorgakarakou, Maria. "The Impact of Blindness on the Physical and Vocal Development of Visually Impaired Singers". Journal of Singing 80, n.º 1 (15 de agosto de 2023): 35–41. http://dx.doi.org/10.53830/sqsg7980.
Texto completoMATIUSHCHENKO, Oleh y Ganna ZAVOLODKO. "EXPERIENCE USING VOICE ASSISTANTS". ITSynergy, n.º 1 (30 de noviembre de 2021): 5–9. http://dx.doi.org/10.53920/its-2021-1-1.
Texto completoFadlallah, Hussein y Robert A. Phillips. "Governance of Voice in Digital Platforms". Proceedings of the International Association for Business and Society 31 (2020): 24–36. http://dx.doi.org/10.5840/iabsproc2020314.
Texto completoRahmi, Mauliddhea Sakina, Nandang Rahmat y Amaliatun Saleha. "POSTHUMAN IN JAPANESE POPULAR CULTURE: VIRTUAL IDOL HATSUNE MIKU". AICLL: ANNUAL INTERNATIONAL CONFERENCE ON LANGUAGE AND LITERATURE 1, n.º 1 (17 de abril de 2018): 81–86. http://dx.doi.org/10.30743/aicll.v1i1.12.
Texto completoGiudice, Christian. "‘The Master’s Voice’". Aries 20, n.º 1 (22 de enero de 2020): 55–80. http://dx.doi.org/10.1163/15700593-02001003.
Texto completoKirkbride, Jasmin. "Cohesive Plurality". Logos 31, n.º 2 (4 de septiembre de 2020): 52–56. http://dx.doi.org/10.1163/18784712-03102005.
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