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Libros sobre el tema "Pointing gestures"

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Autor: Grafiati
Publicado: 4 de mayo de 2024

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1

Bejarano, Teresa. Becoming human: From pointing gestures to syntax. Amsterdam: John Benjamins Pub. Company, 2011.

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2

Minger, Beatrice. "Hier sass er". Zürich: Edition Patrick Frey, 2018.

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3

Pitrè, Giuseppe. Il linguaggio dei gesti in Sicilia. Palermo: Antares, 2003.

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4

Zeigen: Die Rhetorik des Sichtbaren. München: Fink, 2010.

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5

name, No. Pointing: Where language, culture, and cognition meet. Mahwah, NJ: L. Erlbaum Associates, 2003.

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6

Politik des Zeigens. München: Wilhelm Fink, 2010.

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7

Feldman, Robert S. Fundamentals of nonverbal behaviour. Cambridge: Cambridge University Press, 1991.

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8

1947-, Feldman Robert S. y Rimé Bernard, eds. Fundamentals of nonverbal behavior. Cambridge [England]: Cambridge University Press, 1991.

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9

Michelangelo's finger: An exploration of everyday transcendence. London: Atlantic, 2010.

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10

Tallis, Raymond. Michelangelo's finger: An exploration of everyday transcendence. New Haven [Conn.]: Yale University Press, 2010.

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11

Walliser-Wurster, Michaela. Fingerzeige: Studien zu Bedeutung und Funktion einer Geste in der bildenden Kunst der italienischen Renaissance. Frankfurt am Main: P. Lang, 2001.

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12

Schlapbach, Karin. The Grammar of Dance: Plutarch’s Table Talk 9.15 in Context. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198807728.003.0002.

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This chapter addresses the relationship between dance and language. Starting with a brief discussion of choral song-dance, it moves on to Plutarch’s Table Talk, examining the place of dance in this sympotic dialogue and in particular the dance theory with which the dialogue ends. A close reading teases out a basic distinction that underlies this theory, namely image-like gestures or movements as opposed to gestures or movements that bypass images, designated by the term deixis. The chapter defends the novel claim that deixis is not necessarily limited to ‘pointing’, but rather includes any type of direct showing or displaying. This alternative understanding of physical deixis implies that there is an element in dance that is not only non-pictorial but also non-referential altogether.
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13

Pointing. Routledge, 2013.

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14

1968-, Gfrereis Heike y Lepper Marcel 1977-, eds. Deixis: Vom Denken mit dem Zeigefinger. Göttingen: Wallstein, 2007.

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15

Kita, Sotaro. Pointing: Where Language, Culture, and Cognition Meet. Taylor & Francis Group, 2003.

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16

Kita, Sotaro. Pointing: Where Language, Culture, and Cognition Meet. Taylor & Francis Group, 2003.

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17

Kita, Sotaro. Pointing: Where Language, Culture, and Cognition Meet. Taylor & Francis Group, 2003.

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18

Kita, Sotaro. Pointing: Where Language, Culture, and Cognition Meet. Taylor & Francis Group, 2003.

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19

Kita, Sotaro. Pointing: Where Language, Culture, and Cognition Meet. Taylor & Francis Group, 2003.

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20

Kita, Sotaro. Pointing: Where Language, Culture, and Cognition Meet. Taylor & Francis Group, 2003.

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21

Tallis, Raymond. Michelangelo's Finger: An Exploration of Everyday Transcendence. Atlantic Books, Limited, 2010.

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22

Michelangelo's Finger: An Exploration of Everyday Transcendence. Yale University Press, 2012.

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23

Michelangelo's Finger: An Exploration of Everyday Transcendence. Atlantic Books, Limited, 2011.

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24

Sehen lassen: Die Praxis des Zeigens. Suhrkamp Verlag AG, 2013.

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25

Schwartz, Bennett L. y Michael J. Beran, eds. Primate Cognitive Studies. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108955836.

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Researchers have studied non-human primate cognition along different paths, including social cognition, planning and causal knowledge, spatial cognition and memory, and gestural communication, as well as comparative studies with humans. This volume describes how primate cognition is studied in labs, zoos, sanctuaries, and in the field, bringing together researchers examining similar issues in all of these settings and showing how each benefits from the others. Readers will discover how lab-based concepts play out in the real world of free primates. This book tackles pressing issues such as replicability, research ethics, and open science. With contributors from a broad range of comparative, cognitive, neuroscience, developmental, ecological, and ethological perspectives, the volume provides a state-of-the-art review pointing to new avenues for integrative research.
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26

Jellenik, Glenn. On the Origins of Adaptation, as Such. Editado por Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.2.

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Adaptation scholars frequently gesture toward a vague history of adaptation, pointing out that the repurposing of stories stretches back to the beginnings of storytelling. This essay offers a more specific history, arguing that adaptation rose as a simple abstraction in the late eighteenth century. It identifies George Colman’s Iron Chest, which adapts William Godwin’s Caleb Williams, as the first adaptation, as such. Colman’s play achieves this distinction not through adaptive innovation, but rather through the critical reaction to the play—specifically an essay by John Litchfield that functions as the first piece of fidelity criticism. Thus, the cultural concept of adaptation is a critical construction that rose with the fidelity urge. Unpacking this alternate history of both adaptation and the Romantic period reveals adaptation as a vital cultural reaction that catalyzed and shaped Romanticism’s critical shifting and redefining of notions of originality, which literary scholars subsequently used to marginalize adaptation.
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