Bibliografías temáticas / Poetics – history – 17th century

Literatura académica sobre el tema "Poetics – history – 17th century"

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Publicado: 25 de julio de 2024
Última modificación: 26 de julio de 2024

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Artículos de revistas sobre el tema "Poetics – history – 17th century"

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Phélippeau, Marie-Claire. "The Poetics of Water in 16th and 17th century Utopias: More, Bacon, Rabelais". Moreana 51 (Number 197-, n.º 3-4 (diciembre de 2014): 67–82. http://dx.doi.org/10.3366/more.2014.51.3-4.6.

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This paper intends to study the poetics of water in various 16th and 17th utopias or imaginary tales: Thomas More’s Utopia (1516), Francis Bacon’s New Atlantis (1627) and François Rabelais’s Gargantua (1534), Pantagruel (1532) and Quart Livre (1552). Based on Gaston Bachelard and Gilbert Durand’s research, the analysis intends to highlight the function of the aquatic element in the writing of fantastic tales inspired notably by Lucian (A True Story). Water being the infinitely malleable substance, endowed with plural metaphors and in turn positively and negatively valued, it plays multiple roles in poetic imagination, which this analysis attempts to determine.
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Galasheva, Tatiana. "POETICS OF THE LIFE OF ST. EPHRAIM OF TORZHOK". Проблемы исторической поэтики 21, n.º 2 (junio de 2023): 118–44. http://dx.doi.org/10.15393/j9.art.2023.12343.

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According to legend, the Venerable Ephraim of Torzhok was an 11th century ascetic, and the “ancient scripture” about him has been lost. The history of the saint was written anew: a Brief edition of his Life was created in the last quarter of the 16th century, an Extensive one — in the second quarter of the 17th century. The subject of research of this article is the poetics of the Life of St. Ephraim of Torzhok (mainly based on the material of the rhetorically adorned Extensive edition). The text’s highly complex structure is examined and attributed to the strong dependence of the Extensive edition on the Brief edition and to the special tasks that the compiler set for himself. The question of the place of the Life in the history of the hagiographic genre, and the ways in which traditional formulas and motifs, and biblical quotations work in the text is investigated along with the fragments of the composition marked by rhetorical means. The Life was probably created not so much with a focus on the hagiographic canon, but in the genre-appropriate language: the compiler of the Extensive edition approached the traditional elements of the hagiographic genre quite freely. One of the main events of the Life, both in the Brief and Extensive versions, was specifically the creation of the text about the saint. The fragmentary nature of the Life, which combines heterogeneous elements characteristic of folk and book lives, allows us to observe the process of formation of a new type of hagiographic text that took place in the 17th century.
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Keshavmurthy, Prashant. "Translating Rāma as a Proto-Muḥammadan Prophet: Masīḥ’s Mas̱navī-i Rām va Sītā". Numen 65, n.º 1 (1 de enero de 2018): 1–27. http://dx.doi.org/10.1163/15685276-12341486.

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AbstractHow have religious communities imagined the scriptures of other communities? In answering this question, this article aims to nuance our understanding of pre-colonial and self-consciously Islamic translations into Persian of Indic language texts understood to be Hindu by considering Masīḥ’s early 17th-century Mas̱navī-i Rām va Sītā, a Persian translation of Vālmīki’s Sanskrit epic, the Rāmāyaṇa (circa 2nd century bce). It opens by remarking on a shift in the study of the relations between poetics and politics in Persian translations of Indic texts. Then, attempting to refine our understanding of this relation, it takes issue with prior studies of this poem before answering the following questions these studies fail to pose: how does the prophetological metaphysics of the prefatory chapters relate to the poetics of emotion in the main body of the tale? And what does this relation let us infer of Masīḥ’s theological conception of translation?
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4

Tindemans, Klaas. "The Politics of the Poetics: Aristotle and Drama Theory in 17th Century France". Foundations of Science 13, n.º 3-4 (10 de julio de 2008): 325–36. http://dx.doi.org/10.1007/s10699-008-9131-1.

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Polilova, Vera S. "The Poetics of the Carnation: The Word and the Image in Russian Poetry From Trediakovsky to Brodsky (In the Context of European Tradition). Part One". Imagologiya i komparativistika, n.º 17 (2022): 7–36. http://dx.doi.org/10.17223/24099554/17/1.

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The research outlines the use of the word gvozdika (Eng. ‘carnation’, a species of Dianthus) in Russian poetry. The author takes the European tradition as a framework to describe and analyse diverse representations of the carnation in Russian, mainly poetic, texts of the 18th through 20th centuries, tracing the development and expansion of “carnation-driven” contexts and associations. Part One opens with a retrospective insight into the history of the carnation in European culture, debunking several popular misconceptions, related to the flower’s history and name, which had been uncritically repeated over many decades. The ubiquity of wild carnations has contributed to the belief that, like the rose and the lily, the carnation has a two-thousand-year cultural history. Thus, it might be assumed that the carnation’s beauty and spicy aroma should have set it apart from other flowers, so that it might gradually acquire various symbolic meanings. Indeed, researchers and writers have often noted the ancient symbolism of the carnation. Moreover, both popular and academic writings place the carnation in the limited and well-defined set of plants cultivated in Antiquity. The research into the historical significance of the carnation shows that its oft-postulated antiquity is nothing but wishful thinking: the cultural history of the carnation as well as its symbolic meanings cannot be traced back as a single process from Antiquity to the Present. Until the 14th century, the carnation was referred to by many different names; its literary and symbolic genealogy can only be traced back to the 15 th or 16th century, i.e. when it was introduced into horticulture and when stable designations for it appeared in the new European languages. Our analysis draws on comparative material from Spanish, Italian, French, German, and English poetry (poems by Luis de Gongora y Argote, Francisco de Quevedo, Joachim du Bellay, Remy Belleau, Pierre de Ronsard, and others) and employs numerous multilingual sources to shed light on the history of the carnation in European languages and literatures. In addition, we briefly trace the horticultural history of the carnation in Russia. The garden carnation, or the clove pink, has been known in Russia at least since the 17th century. It was among the plants bought in Holland by the Flower Office of Peter the Great. In the 18th century, the carnation was already widespread in Russian gardens: numerous detailed articles about the carnation, its varieties and cultivations are found in botanical directories and various indexes of the late 18th century. The Alphabetical Catalogue of Plants <...> in Moscow in the Garden of the Active State Councillor Prokofy Demidov, published in 1786, lists 52 varieties of the carnation. Yet, however popular the carnation was in everyday life, it rarely appeared in Russian literature of the 17th and 18th centuries.
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6

Prat, Enric y Pep Vila Medinya. "«Casament de Nostra Senyora i la Nativitat del Senyor» (1627), de Rafel Ribella. Edició i estudi d’un plec solt poètic mai reimprès". SCRIPTA. Revista Internacional de Literatura i Cultura Medieval i Moderna 21, n.º 21 (22 de junio de 2023): 461. http://dx.doi.org/10.7203/scripta.21.26841.

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Resum: Editem i anotem un plec solt del segle xvii (Barcelona, Sebastià i Jaume Mathevat, 1627), de contingut poètic i tema nadalenc, que mai no havia estat reimprès malgrat la seva qualitat literària, i del qual existeixen almenys tres exemplars. És una obra firmada però d’autor desconegut, reelaboració culta, amb elements doctrinals i moralizadors, d’un gènere de caràcter essencialment tradicional.Paraules clau: plec solt poètic, refrany-bagatel·la, Rafel Ribella, segle xvii, poema nadalenc.Abstract: Annotated edition of a four page poetic chapbook from the 17th century (Barcelona, Sebastià i Jaume Mathevat, 1627), a Christmas poem, never reprinted despite its literary quality. At least three copies are known as preserved. It is a signed work but the author is completely unknown to us, a cultured reworking of a traditional genre, a cultured reworking of a traditional genre, with addition of doctrinal and moralizing elements. Keywords: Four page poetic chapbook, nonsense rhyming word, Rafel Ribella, 17th century, Christmas poem.
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Lavocat, Françoise. "Dido Meets Aeneas: Anachronism, Alternative History, Counterfactual Thinking and the Idea of Fiction". Journal of Literary Theory 14, n.º 2 (25 de septiembre de 2020): 194–214. http://dx.doi.org/10.1515/jlt-2020-2009.

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AbstractThe anachronistic character of the loving relationship between Dido and Aeneas was widely and commonly discussed among commentators, critics, and writers in the early modern period. From the 16th century onwards, when the word »anachronism« appeared in vernacular languages, its definition was even inseparable from the example borrowed from the Aeneid. The purpose of this article is to interrelate early modern debates on anachronism, reflections on the status of fiction and the history of fiction.Starting with the hypothesis that anachronism is a form of counterfactual, the questions posed in this article are: did forms of counterfactuals exist before the 19th century, to what extent did they differ from contemporary alternative histories and, if so, why? The story of Dido and Aeneas in the Aeneid can be considered »counterfactual«, because this version of the narrative about the queen of Carthage was opposed to another, which was considered to be historical and which made Dido a privileged embodiment of female virtue and value.Several important shifts are highlighted in this article. With the exception of St. Augustine (who saw in Vergil’s anachronism confirmation of the inanity of fiction), before the 16th century indifference towards anachronism prevailed: the two versions of Dido’s story were often juxtaposed or combined. If Vergil’s version of Dido’s story was condemned, it was for moral reasons: the exemplary version, considered more historically accurate, was favored throughout the Middle Ages, notably by Petrarch and Boccaccio.From the 16th century onwards, however, increased acquaintance with Aristotle’s Poetics promoted greater demand for rationality and plausibility in fables. This coincided with the appearance of the word »chronology« and its development, which led to a new understanding of historical time. Anachronism then appeared to be a fault against verisimilitude, and as such was strongly condemned, for example by the commentator on Aristotle, Lodovico Castelvetro. At the same time, the argument of poetic license was also often invoked: it actually became the most common position on this issue. Vergil’s literary canonization, moreover, meant that the version of Dido’s life in the Aeneid was the only story that was known and cited, and from the 17th century onwards it totally supplanted the exemplary version. Strangely enough, permissiveness towards anachronism in treatises, prefaces, or comments on literary works was not accompanied by any development of counterfactual literature in early modern period. Indeed, in both narrative and theatrical genres fiction owed its development and legitimization to the triumph of the criterion of plausibility.This article, however, discusses several examples that illustrate how the affirmation of fiction in the early modern period was expressed through minor variations on anachronism: the counterfictional form of Ronsard’s epic, La Franciade, which represents an explicit deviation from the Iliad; the metaleptic meeting of Vergil and Dido in the Underworld in Fontenelle’s Le dialogue des morts; and the provocative proposal for a completely different version of Dido’s life, which was made in an early 17th century Venetian operatic work by an author who claimed to be anti-Aristotelian. This study thus intends to provide an aspect of the story of fiction. The change of perspective on anachronism marks a retreat from moral argument, with privilege given to aesthetic criteria and relative independence with regard to history – while still moderated by the criterion of verisimilitude, as underlined by the abbé d’Aubignac, as well as Corneille.
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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice". Prospects 13 (octubre de 1988): 1–35. http://dx.doi.org/10.1017/s0361233300005226.

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Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.
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Caldwell, Patricia. "Why Our First Poet Was a Woman: Bradstreet and the Birth of an American Poetic Voice". Prospects 13 (octubre de 1988): 1–35. http://dx.doi.org/10.1017/s0361233300006670.

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Anne Bradstreet has come a long way since John Harvard Ellis hailed her over a century ago as “the earliest poet of her sex in America.” Today, more justly, we view Bradstreet simply as “the first authentic poetic artist in America's history” and even as “the founder of American literature.” At the same time, a more sensitive criticism is looking anew at Bradstreet's personal drama as a woman in the first years of the New England settlement: her life as a wife, as mother of eight children, as a frontier bluestocking (though still, in many critics' eyes, “restless in Puritan bonds”), and even as a feminist in the wilderness. Feminist critics in particular have revitalized our understanding of Bradstreet and her work by probing her subtle “subversion” of patriarchal traditions, both theological and poetical, and by placing her among contemporary 17th-Century women writers, making her no longer a phenomenon on the order of Doctor Johnson's dancing dog, but finally a participating voice in her age.
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10

Shpak, G. V. "Between History and Poetry: Defining the Genre of the Novel in England in the Mid-17th Century". Prepodavatel XXI vek, n.º 4/2 (30 de diciembre de 2023): 288–99. http://dx.doi.org/10.31862/2073-9613-2023-4-288-299.

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In the 17th century England, the problem of distinguishing between the imaginary (poetry) and documentary (history) was especially relevant due to the loss of the monopoly of the church and universities on the spread of knowledge about the world, as well as the increase in the number of printed books in the national language. F. Bacon distinguished three “faculties of the rational soul”: memory (history), imagination (poetry) and rational judgment (philosophy). In contrast to the Neoplatonists’ ideas, F. Bacon reserved for poetry the status of an instrument of heuristics, contributing to the spread of knowledge. In the context of the ambiguity of the boundaries of the “poetic” and “historical”, the novel occupies a special place. M. Cavendish pays attention to this “mixed” genre, defining it as a poetic text written in historical style. She attempts to revise the traditional view of the novel as a courtesan t
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Tesis sobre el tema "Poetics – history – 17th century"

1

Kershaw, Alison. "The poetic of the Cosmic Christ in Thomas Traherne's 'The Kingdom of God'". University of Western Australia. School of Social and Cultural Studies, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0085.

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[Truncated abstract] In this thesis I examine the poetics of Thomas Traherne’s often over-looked Christology through a reading of The Kingdom of God. This work, probably written in the early 1670s, was not discovered until 1997, and not published until 2005. To date, no extended studies of the work have been published. It is my argument that Traherne develops an expansive and energetic poetic expressive of the theme of the ‘Cosmic Christ’ in which Christ is understood to be the source, the sustaining life, cohesive bond, and redemptive goal, of the universe, and his body to encompass all things. While the term ‘Cosmic Christ’ is largely of 20th century origin, its application to Traherne is defended on the grounds that it describes not so much a modern theology, as an ancient theology rediscovered in the context of an expanding cosmology. Cosmic Christology lies, according to Joseph Sittler,“tightly enfolded in the Church’s innermost heart and memory,” and its unfolding in Traherne’s Kingdom of God is accomplished through the knitting together of an essentially Patristic and Pauline Christology with the discoveries and speculations of seventeenth century science: from the infinity of the universe to the workings of atoms. … The thesis concludes with a distillation of Traherne’s Christic poetic The Word Incarnate. The terms put forward by Cosmic Christology are used to explicate Traherne’s intrepid poetic. In his most remarkable passages, Traherne employs language not only as a rhetorical tool at the service of theological reasoning, but to directly body forth his sense of Christ at the centre of world and self. He promises to “rend the Vail” and to reveal “the secrets of the most holy place.” Scorning more “Timorous Spirits,” he undertakes to communicate and “consider it all.”
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2

Brammall, Sheldon. "Translating the Prince of Poets : the politics of the English translations of the Aeneid, 1558-1632". Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283905.

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Allsopp, Niall. "Turncoat poets of the English Revolution". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:72c956c3-ec8b-4b07-ad91-a05b0e72fd39.

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Edmund Waller, William Davenant, Andrew Marvell, and Abraham Cowley were royalist poets who changed sides following the English Revolution, attracted to Cromwellian military power, and the reforming aims of the Independents. This thesis contributes to existing scholarship by showing that the poets engaged strongly with theories of allegiance, self-consciously returning to first principles - the natures of sovereignty and obligation - to develop a concept of allegiance that was contingent and transferrable. Their crucial influence was Hobbes. Hobbes collapsed partisan perspectives into a general theory of sovereignty constituted by a de facto protective and coercive power; this was grounded on a psychological analysis of humans' restless appetite for power. The poets' approach to Hobbes was crucially mediated by Machiavelli, who provided a less abstract account of the relationship between individual agency and collective institutions, and whose concept of virtù offered a model for how restless ambition could be harnessed to political order. An introductory chapter sketches out the intellectual background to this body of theory and reflects on the methods used to show how the poets dramatized it in their works. Chapter two considers the disintegration of Waller's courtly poetry under the pressure of civil war, and his resulting turn to rationalist theory. Chapters three and four focus on the immediate aftermath of the revolution, considering the synthesis of Hobbes' and Machiavelli's theories of military power ventured by Davenant, and the influence of Davenant's ideas on Marvell's Machiavellianism. Chapter five focuses on Cowley and his more religiously-inflected account of Hobbesian psychology and political obligations. Chapter six asks how the poets responded to the Restoration of Charles II, and in particular charts their influence on the younger poet John Dryden. With their emphasis on materialist psychology, the turncoat poets abandoned allegory in favour of a mode of dramatization which observed the contingent circumstances in which allegiances could be generated, dissolved, and transferred. They possessed a political conservatism, but a conceptual radicalism which presented a serious challenge to Anglican and constitutionalist discourses of Stuart monarchy.
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4

Kokkomelis, Nicolas. "Narrations héroïques : des inventions romanesques du XVIIe siècle aux récits factuels du XVIIIe (1630-1760) : principes de composition, écriture et réécriture de la vie de Philippe de Macédoine, d’Épaminondas de Thèbes et de Scipion l’Africain". Thesis, Paris 4, 2015. http://www.theses.fr/2015PA040005.

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Le présent travail explore un ensemble de textes peu étudié. L’hétérogénéité générique et chronologique de cet ensemble étant évidente, l’objectif visé est d’aller au-delà des différences formelles et de se concentrer sur les interférences entre les deux grands genres narratifs du XVIIe et du XVIIIe siècle : le roman, premièrement, et l’histoire, en tant qu’élément constitutif de la codification du sous-genre des Vies, secondement. À ce titre, les outils analytiques de la théorie de l’écriture romanesque et de l’historiographie y sont mobilisés simultanément et, parfois même, se recouvrent. Ainsi, au lieu de privilégier une étude thématique, philologique ou historico-biographique, l’analyse menée consiste en une étude parallèle des deux genres narratifs, des principes de leur composition et de leur rapport avec la tradition écrite antique. Car il n’y a pas de doute que ce qui est homogène dans les textes tient essentiellement à leur ascendance gréco-romaine, voire à leur attachement à une vision du monde « traditionnelle » et « héroïque » – d’où, finalement, leur qualification en tant que « narrations héroïques ». Autosuffisants au niveau sémantique et symbolique, les protagonistes des textes étudiés obéissent à une vision du monde selon l’idée, accueillante à leur héroïsme ontologique. C’est la raison pourquoi, même si les Philippe, Épaminondas et Scipion mis en récit ne se fixent pas les mêmes objectifs, ils remplissent la même fonction
The present work explores a corpus of texts that has been very little studied. The generic and chronological heterogeneity of these texts being evident, the objective of this study is to go further than the mere formal differences and to focus on the interferences between the two prominent narrative genres of the 17th and 18th centuries: on the one hand, the novel and on the on the other, history as a constituent element of the codification of the subgenre of Lifes. For the accomplishment of this task, the analytical auxiliaries of Romanesque writing theory and historiography are simultaneously mobilised, in some cases overlapping each other. Hence, instead of a thematic study, philological or historico-biographical, the analysis followed consists in a parallel study of the two narrative genres, of their composition principles and their relations with the ancient writing tradition. For, most probably, what is homogeneous in these texts derives essentially, from their Greco-Roman ascendance, and more precisely from their attachment to a “traditional” and “heroic” vision of the world – from which their qualification as “heroic narratives” is finally derived. Self-sufficient as far as the semantic and symbolic levels are concerned, the texts studied here present heroes who obey to a vision of a world based on the idea of their ontological heroism. This is the reason why even though the tales of Philip, Epaminondas and Scipio do not set the same objectives, the heroes nevertheless do fulfil the same functions
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Ellwood, Mark Richard. "The Roman Catholic peerage and the Crown in late seventeenth-century Ireland". Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610232.

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Billinge, Richard. "Nature, grace and religious liberty in Restoration England". Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:18c8815b-4e57-45f5-b2c1-e31314a09d4f.

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This thesis demonstrates the importance of scholastic philosophy and natural law to the theory of religious uniformity and toleration in Seventeenth-Century England. Some of the most influential apologetic tracts produced by the Church of England, including Richard Hooker's Laws of Ecclesiastical Polity, Robert Sanderson's Ten lectures on humane conscience and Samuel Parker A discourse of ecclesiastical politie are examined and are shown to belong to a common Anglican tradition which emphasized aspects of scholastic natural law theory in order to refute pleas for ceremonial diversity and liberty of conscience. The relationship of these ideas to those of Hobbes and Locke are also explored. Studies of Seventeenth-Century ideas about conformity and toleration have often stressed the reverence people showed the individual conscience, and the weight they attributed to the examples of the magistrates of Israel and Judah. Yet arguments for and against uniformity and toleration might instead resolve themselves into disputes about the role of natural law within society, or the power of human laws over the conscience. In this the debate about religious uniformity could acquire a very philosophical and sometimes theological tone. Important but technical questions about moral obligation, metaphysics and theology are demonstrated to have played an important role in shaping perceptions of magisterial power over religion. These ideas are traced back to their roots in scholastic philosophy and the Summa of Aquinas. Scholastic theories about conscience, law, the virtues, human action and the distinction between nature and grace are shown to have animated certain of the Church's more influential apologists and their dissenting opponents. The kind of discourse surrounding toleration and liberty of conscience is thus shown to be very different than sometimes supposed. Perceptions of civil and ecclesiastical power were governed by a set of ideas and concerns that have hitherto not featured prominently in the literature about the development of religious toleration.
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Miyoshi, Riki. "Thomas Killigrew and Carolean stage rivalry in London, 1660-1682". Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0cf4bd8a-041c-47a9-b82f-bb38ce159dd7.

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This thesis has two aims: to make an original contribution to knowledge by demonstrating the importance of theatrical rivalry to the development of drama in the Carolean period (the reign of Charles II), and to re-evaluate the managerial career of Thomas Killigrew (1612-1683). This is the first detailed survey of the circumstances in which the King's Company and the Duke's Company competed and an analysis of the troupes' devices of plotting and counter-plotting during their twenty-two years of stage rivalry from 1660 to 1682. As well as charting the stage rivalry between the two companies, my dissertation argues that Killigrew was a competent but unscrupulous and devious playhouse-manager. A close analysis of his managerial career will show how Thomas Killigrew was the central figure in the Carolean stage rivalry in London and how he helped to shape the future of English theatre. The survey starts from Killigrew's beginnings as the manager of the King's Company from 1660 and concludes in 1682 when the King's Company was effectively taken over by its rival, the Duke's Company, to make one United Company, thus ending the span of theatrical competition in the Carolean period. Each chapter is divided in accordance with the beginning and end of significant events of rivalry and are organised chronologically at different phases of the competition. The first chapter provides the historical background of the establishment of the patent grants and the gradual consolidation of the monopoly over dramatic entertainment in London. In charting the initial stages of the development of the King's Company and the Duke's Company from 1660 to 1663, this chapter argues that it was largely due to Thomas Killigrew's underhandedness that the King's Company began the competition in an advantageous position. The second chapter focuses on the theatrical competition from 1663 to 1668. Until 1663 both companies were busy consolidating their duopoly and the competition between the two managers ended abruptly with William Davenant's death in 1668. In the survey of the Killigrew-Davenant rivalry, this chapter's overall aim is to argue for narrowing of the wide chasm often described between the managerial skills of the two managers. Chapter three explores the period from when Mary Davenant, Thomas Betterton and Henry Harris took over the management of the Duke's Company to the burning of the King's Company's playhouse in 1672. It argues that the competition in this period was evenly matched. This chapter also revises the perceived style of management adopted by both Betterton and Killigrew. The chapter argues that Betterton was perhaps less involved in the most audacious project of the Duke's Company during these years: the building of three theatres including the Dorset Garden Theatre. In the case of the latter, this chapter argues that Killigrew continually took risks at other people's expense and was little concerned with the well being of his staff and shareholders as long as the company gained notoriety and retained its success. The penultimate chapter of the dissertation covers the time span from the Bridges Street Theatre's fire to the ousting of Killigrew as the manager by his own son, Charles Killigrew. It argues that this was the crucial period in which the Duke's Company began clearly to surpass its rival. This chapter qualifies the orthodox view that the King's Company simply lost its battle against the Duke's Company by demonstrating that the two companies also had to contend with a large number of foreign troupes and the rising popularity of music concerts. The final chapter explores the period from when Charles Killigrew took over the management of the King's Company to the amalgamation of the two acting troupes in 1682. It demonstrates the negative effects of the political turbulence of the Popish Plot and the Exclusion Crisis on both the troupes' plays and players. The chapter also argues that Charles Killigrew was not as charismatic or manipulative as his father, and that he greatly contributed to the demise of the King's Company. In conclusion, this is strictly a study of theatre history that looks at the importance of management and company rivalry to the development of Carolean drama. At its peak in the 1670s, the Carolean period produced on average twenty new plays per season. The highly competitive nature of the rivalry between the King's Company and the Duke's Company and how the respective managements responded to the success or the failure of the other theatre is the background against which one must read the plays of the Carolean period. Thomas Killigrew, whose managerial career spanned the longest in the Carolean years, was an influential figure in the period and whose innovations and difficulties as a manager had a direct effect not only on theatre history but also on the dramatic traditions of the seventeenth century.
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Henderson, Felicity 1973. "Erudite satire in seventeenth-century England". Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.

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Palmer, Thomas John. "Jansenism, holy living and the Church of England : historical and comparative perspectives, c. 1640-1700". Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:38a685c6-ce86-437d-a651-8e54b88976e9.

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This thesis examines the impact in mid- to later-seventeenth century England of the major contemporary religious controversy in France. The debates associated with this controversy, which revolved around the formal condemnation of a heresy popularly called Jansenism, involved fundamental questions about the doctrine of grace and moral theology, about the life of the Church and the conduct of individual Christians. In providing an analysis of the main themes of the controversy, and an account of instances of English interest, the thesis argues that English Protestant theologians in the process of working out their own views on basic theological questions recognised the relevance of the continental debates. It is further suggested that the theological arguments evolved by the French writers possess some value as a point of comparison for the developing views of English theologians. Where the Jansenists reasserted an Augustinian emphasis on the gratuity of salvation against Catholic theologians who over-valued the powers of human nature, the Anglican writers examined here, arguing against Protestant theologians who denied nature any moral potency, emphasised man's contribution to his own salvation. Both arguments have been seen to contain a corrosive individualism, the former through its preoccupation with the luminous experience of grace, the latter through its tendency to elide grace and moral virtue, and reduce Christianity to the voluntary ethical choices of individuals. These assessments, it is argued here, misrepresent the theologians in question. Nevertheless, their thought did encourage greater individualism and moral autonomy. For both groups, their opponents' theological premises were deficient to the extent that they vitiated morality; and in both cases their responses, centring on the transformation of the inner man by love, privileged the moral responsibility of the individual. Their moral 'rigorism', it is suggested, focusing on the affective experience of conversion, represented in both cases an attempt to provide a sound empirical basis for Christian faith and practice in the fragmented intellectual context of post-reformation Europe.
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Holbrook, Susan L. "A poetics of translation in twentieth-century writing". Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk3/ftp04/nq24540.pdf.

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Libros sobre el tema "Poetics – history – 17th century"

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The English Renaissance stage: Geometry, poetics, and the practical spatial arts 1580-1630. New York: Oxford University Press, 2006.

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(Netherlands), Rijksmuseum, ed. 17th-century cabinets. Amsterdam: Rijksmuseum, 2000.

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Calcutta in the 17th century. Calcutta: Firma KLM, 1986.

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Huggett, Robert. Early 17th century prices and wages. Bristol: Stuart, 1992.

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Perloff, Marjorie. 21st-century modernism: The new poetics. Malden, Mass: Blackwell Publishers, 2002.

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Perloff, Marjorie. 21st-century modernism: The new poetics. Malden, Mass: Blackwell Publishers, 2002.

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21st-century modernism: The "new" poetics. Malden, Mass: Blackwell, 2002.

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Joachim, Burmeister. Musical poetics. New Haven: Yale University Press, 1993.

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Parkinson, G. H. R. 1923-, ed. The Renaissance and 17th century rationalism. London: Routledge, 2003.

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Art at auction in 17th century Amsterdam. Amsterdam: Amsterdam University Press, 2002.

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Capítulos de libros sobre el tema "Poetics – history – 17th century"

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Szénássy, Barna. "17th century mathematical manuscripts". En History of Mathematics in Hungary until the 20th Century, 58–61. Berlin, Heidelberg: Springer Berlin Heidelberg, 1992. http://dx.doi.org/10.1007/978-3-662-02743-1_7.

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Kibbee, Douglas A. "Dictionaries and Usage in 17th-Century France". En History of Linguistics 1993, 167. Amsterdam: John Benjamins Publishing Company, 1995. http://dx.doi.org/10.1075/sihols.78.23kib.

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Dinneen, Francis P. "A 17th-Century Account of Mohawk". En North American Contributions to the History of Linguistics, 67. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.58.07din.

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Albritton, Claude C. "Obligatory catastrophism of the latter 17th century". En Catastrophic Episodes in Earth History, 7–17. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-010-9146-6_2.

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de Lourdes A. Ferraz, Maria. "Portuguese Poetics in the Eighteenth Century". En A Revisionary History of Portuguese Literature, 79–92. New York: Routledge, 2021. http://dx.doi.org/10.4324/9781003248897-5.

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Straub, Wolfgang. "The ophthalmology of Fabricius Hildanus in the 17th century". En History of Ophthalmology, 21–29. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-0641-9_3.

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Subbiondo, Joseph L. "Neo-Aristotelian Grammar in 17th-Century England". En North American Contributions to the History of Linguistics, 87. Amsterdam: John Benjamins Publishing Company, 1990. http://dx.doi.org/10.1075/sihols.58.08sub.

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Cram, David. "Language Universals and 17th-Century Universal Schemes". En Studies in the History of the Language Sciences, 191. Amsterdam: John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/sihols.67.14cra.

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Dibbets, Geert R. W. "Dutch philology in the 16th and 17th Century". En The History of Linguistics in the Low Countries, 39. Amsterdam: John Benjamins Publishing Company, 1992. http://dx.doi.org/10.1075/sihols.64.03dib.

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Veracini, Cecilia. "Natural History of Non-human Primates in the 17th Century". En Primates in History, Myth, Art, and Science, 211–32. Boca Raton: CRC Press, 2024. http://dx.doi.org/10.1201/b21963-13.

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Actas de conferencias sobre el tema "Poetics – history – 17th century"

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Teixeira, Igor de Lima e., Marina Battaglini, Tarcisio Alvarenga y Patrick Sousa Santos. "Descartes’ error”: evidences for the role of brain regions and their connections in introspective thoughts and self-identity". En XIV Congresso Paulista de Neurologia. Zeppelini Editorial e Comunicação, 2023. http://dx.doi.org/10.5327/1516-3180.141s1.668.

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Introduction: René Descartes was a French philosopher, considered the father of rationalism and one of the most important thinkers in history. Based on his methodical doubts’ technique, the author concluded that he exists as a thinking thing, that if “I think, therefore I am”. He establishes that he had no more doubts that he really existed as thought and as a body, however, he could not think that thought and body were two equal substances, since they had certain different properties, therefore, the author came to believe that mind and body were distinct substances. Since the 17th century, advances in neuroscience have helped to clarify which brain regions are involved in introspective and self-referential thinking. Methods: We reviewed through searches in PubMed, MEDLINE, SciELO and Scopus the brain regions involved in the self-referential and introspective thinking. Results: Recent studies show that self-referential and introspective thinking are located mainly in regions related especially to the Default Mode Network, mainly located in the frontal regions. Especially the “autobiographical self” shows greater activity in memory-related regions (hippocampus and posterior cingulate cortices), medial prefrontal cortex, and insula cortices, but the establishment of the “self” as the individual’s relationship to the world around it, uses regions related to exteroception, such as secondary and tertiary sensitive areas. For self-referenced thinking, there is greater engagement of the medial frontal cortex regions, more specifically in Brodmann’s area 10, and this structure is also related to the DMN. Conclusion: The advancement of neuroscience has allowed demonstrating that mental processes and thoughts happen as consequences of certain brain connections and processes. Thus, we ask poetic license to the great philosopher to say “the brain connections exist, therefore we think”.
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Bierganns, Morten. "The Creative Process in 18th Century Poetics: A Prologue to Psychological Conceptualisations of the 20th Century". En 14th European Conference on Creativity in Innovation. AIJR Publisher, 2023. http://dx.doi.org/10.21467/proceedings.154.1.

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Since Rhodes’ 4P model, the creative process has been of great interest to the psychology of creativity. Although most psychologists were not aware of it, their conceptions of the creative process on a structural level reiterated those of 18th century poetics. To demonstrate this, the paper methodologically draws on the analytical tools of historical semantics. It proposes to broaden our approach to the creative process by studying poetic views of the past and encourages practitioners to consult these aesthetic texts as inspiration for the development of creativity techniques. Above all, the paper sees itself as a contribution to understanding the history of a concept that is inscribed in our contemporary culture.
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Budneva, Lyudmila V. "Problems of Spanish Literature of 17th Century Teaching in Russian High Schools". En Spain: Comparative Studies oт History and Culture. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1247-5-34-41.

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BARBOSA, Helena. "The signature of Portuguese posters from 17th Century to 20th Century: one history of identities". En Design frontiers: territories, concepts, technologies [=ICDHS 2012 - 8th Conference of the International Committee for Design History & Design Studies]. Editora Edgard Blücher, 2014. http://dx.doi.org/10.5151/design-icdhs-035.

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Moiseev, Maksim V. "Russian in Spain in the 17th Century: P. I. Potemkin’s Mission in 1667–1668". En Spain: Comparative Studies oт History and Culture. Novosibirsk State University, 2021. http://dx.doi.org/10.25205/978-5-4437-1247-5-96-103.

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"A Short History of Income Property Valuation Models - The 17th to 21st Century". En 16th Annual European Real Estate Society Conference: ERES Conference 2009. ERES, 2009. http://dx.doi.org/10.15396/eres2009_385.

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Hartatik, Hartatik, Eko Herwanto y Bambang S. W. Atmojo. "The Industry and Iron Trade on Barito Watershed in 17th-19th Century AD". En 9th Asbam International Conference (Archeology, History, & Culture In The Nature of Malay) (ASBAM 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220408.007.

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Sokolovsky, Ivan R. "Studying the history of Russian trade in Siberia in the 17th century through the prism of digital history: thematic aspect". En Торговля, купечество и таможенное дело в России в XVI–XX веках. ИПЦ НГУ, 2023. http://dx.doi.org/10.31518/tktdr-35-2023-05.

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The article discusses such a necessary stage of research as the formation of a research program. It is obvious that over time, more and more different kinds of electronic copies of documents of the 17th century will appear. Currently, researchers approach this rapidly growing electronic corpus of sources from a traditional position. In contrast to this, we propose an “objectivist” approach, based on the vocabulary used in a particular source. A dictionary of non-lemmatized (i.e. not reduced to a single meaning) word forms is easy to obtain by using a script written in any programming language. The advantages and disadvantages of this technique are considered. Another approach may be the formation of databases, for which the creation of a dictionary of non-lemmatized word forms will be only an intermediate stage.
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Bogatyrev, Arseniy. "Two New Examples from Vasily Tyapkin’s Reports Concerning the History of Polish-Russian Cultural Ties of the 17th Century". En Slavic World: Commonality and Diversity. Institute of Slavic Studies, Russian Academy of Sciences, 2022. http://dx.doi.org/10.31168/2619-0869.2022.2.11.

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Abelès, Florin. "A Short History of Optical Coatings". En Optical Interference Coatings. Washington, D.C.: Optica Publishing Group, 1997. http://dx.doi.org/10.1364/oic.1998.tuh.1.

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The history of optical coatings is an interesting one that spans hundreds of years. The modem phase could be said to begin as long ago as the 17th Century with careful observations of colors and angular effects in thin films, but it was in the middle of the 20th Century that the subject was rapidly propelled from what had been largely peripheral to what became immediately a mainstream subject of critical importance to the development of the entire field of optics. In 1950, Florin Abelès published the text of his doctoral thesis and in it defined and demonstrated the matrix calculation techniques that we still use even in our most advanced computer programs. Until then, laborious iterative techniques had been the norm. Although the use of matrices in applying these iterative techniques had been suggested, it was Florin Abelès who developed the modem matrix method and enabled us to focus our attention in coating design on the layers of the structure rather than the interfaces. This, of course, is well understood today, because it is the method that all of us use, but at that time it was revolutionary. Since then, Florin Abelès has had a constant and major influence on the field both in terms of scientific and technical advances and in terms of the numerous students that he has educated at the University of Paris. He has been recognized in many ways and I mention particularly the award of the 1991 C. E. K. Mees Medal of the Optical Society of America. We are fortunate indeed to have someone to talk to us about the history of optical coatings who has played such an important part in creating it.
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