Artículos de revistas: "Plants in art"

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Gökalp, D. D. y M. E. Yazgan. "ORNAMENTAL PLANTS IN MINIATURE ART". Acta Horticulturae, n.º 1002 (julio de 2013): 277–82. http://dx.doi.org/10.17660/actahortic.2013.1002.35.

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Hofsess, Brooke Anne. "Follow the Plants". Departures in Critical Qualitative Research 9, n.º 2 (2020): 85–91. http://dx.doi.org/10.1525/dcqr.2020.9.2.85.

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Through poetic glimpses of an ongoing participatory art process, Tree Memory Gathering, this essay considers the special issue theme by questioning, “How might the concept of ‘social warming’ invite new possibilities for creative-relational inquiry?” Responses unfold through three variations of social warming inspired by socially engaged art and ecopoetry. These variations—gathering, participatory bookmaking, and perforating—unsettle residual boundaries between tree bodies and human bodies, generating ecological wisdom for living and inquiring differently in the world. Perforating is theorized as an alternative to research findings in post-qualitative approaches to inquiry.

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María I, Dinolfo, Castañares Eliana y Stenglein Sebastián A. "Fusarium–plant interaction: state of the art – a review". Plant Protection Science 53, No. 2 (10 de febrero de 2017): 61–70. http://dx.doi.org/10.17221/182/2015-pps.

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One of the most important genera able to develop diseases in cereals is Fusarium which not only produces losses by the fungal presence but also mycotoxin production harmful to human and animal consumers. In the environment, plants are continuously threatened by abiotic and biotic stresses. Among the latter, pathogens gained importance mainly due to their ability to affect the plant fitness. To protect against potential attacks, plants have developed strategies in which phytohormones have an essential role. In plant–pathogen interactions, salicylic acid, ethylene, and jasmonates are the most important, but there are also auxins, gibberellins, abscisic acid, cytokinins, brassinosteroids, and peptide hormones involved in plant defence. The interaction between Fusarium species and plants used as models has been developed to allow understanding the plant behaviour against this kind of pathogen with the aim to develop several strategies to decrease the Fusarium disease effects.

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Karavasiles, Nina. "NATIVE PLANTS ENHANCE ART: TRANSFORMING PUBLIC TRANSPORTATION". Native Plants Journal 7, n.º 2 (julio de 2006): 114–20. http://dx.doi.org/10.2979/npj.2006.7.2.114.

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Çetinkaya Karafakı, F. y M. E. Yazgan. "USE OF PLANTS IN OTTOMAN ORNAMENTATION ART". Acta Horticulturae, n.º 1002 (julio de 2013): 283–87. http://dx.doi.org/10.17660/actahortic.2013.1002.36.

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Ledford, Heidi. "The lost art of looking at plants". Nature 553, n.º 7689 (enero de 2018): 396–98. http://dx.doi.org/10.1038/d41586-018-01075-5.

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YOUNG-MASON, JEANINE. "Plants, Art, and the Healing of Cancer". Clinical Nurse Specialist 24, n.º 3 (mayo de 2010): 177. http://dx.doi.org/10.1097/nur.0b013e3181d828a6.

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Youngman, Angela. "Gardens and children: Using plants for art". Practical Professional Child Care 4, n.º 7 (julio de 2007): 16–17. http://dx.doi.org/10.12968/ppcc.2007.4.7.38236.

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Prokhorov, Alexey Anatolievich. "Mechanisms available for cooling plants’ surfaces". HORTUS BOTANICUS 11, n.º 11 (enero de 2016): 34–37. http://dx.doi.org/10.15393/j4.art.2016.3862.

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Prokhorov, Alexey Anatolievich. "Active condensation of water by plants". Principles of the Ecology 7, n.º 3 (octubre de 2013): 72–76. http://dx.doi.org/10.15393/j1.art.2013.2921.

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Cisneros, Adriana E. y Alberto Carbonell. "Artificial Small RNA-Based Silencing Tools for Antiviral Resistance in Plants". Plants 9, n.º 6 (26 de mayo de 2020): 669. http://dx.doi.org/10.3390/plants9060669.

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Artificial small RNAs (art-sRNAs), such as artificial microRNAs (amiRNAs) and synthetic trans-acting small interfering RNAs (syn-tasiRNAs), are highly specific 21-nucleotide small RNAs designed to recognize and silence complementary target RNAs. Art-sRNAs are extensively used in gene function studies or for improving crops, particularly to protect plants against viruses. Typically, antiviral art-sRNAs are computationally designed to target one or multiple sites in viral RNAs with high specificity, and art-sRNA constructs are generated and introduced into plants that are subsequently challenged with the target virus(es). Numerous studies have reported the successful application of art-sRNAs to induce resistance against a large number of RNA and DNA viruses in model and crop species. However, the application of art-sRNAs as an antiviral tool has limitations, such as the difficulty to predict the efficacy of a particular art-sRNA or the emergence of virus variants with mutated target sites escaping to art-sRNA-mediated degradation. Here, we review the different classes, features, and uses of art-sRNA-based tools to induce antiviral resistance in plants. We also provide strategies for the rational design of antiviral art-sRNAs and discuss the latest advances in developing art-sRNA-based methodologies for enhanced resistance to plant viruses.

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Velivelli, Siva Linga Sasanka. "The art of conversation between plants and bacteria". Boolean: Snapshots of Doctoral Research at University College Cork, n.º 2012 (1 de enero de 2012): 102–5. http://dx.doi.org/10.33178/boolean.2012.23.

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Plant pests and pathogens have been a serious problem for farmers for many years and have been a major threat to plant health and food production. Farmers use synthetic chemicals to improve crop yields and to control plant pathogens from destroying their crops. Chemical-based fertilizers provide immediate relief, but their excessive use also causes severe environmental problems and can have adverse effects on groundwater, plants, animals and even entire ecosystems. Many countries have banned highly toxic chemicals which are harmful to the environment. One of the key challenges facing plant biologists is the development of new technologies and environmentally friendly alternatives to chemicals for combating crop diseases. An increase in world population has resulted in a reduction in agricultural land area. However, this area will be required to produce 50% more food by 2050 to feed the 10 billion people living on the planet. Biological control plays an important role ...

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Pudelska, Krystyna y Anna Mirosław. "The richness of plants in Art Nouveau gardens". Acta Agrobotanica 32, n.º 2 (2015): 99–108. http://dx.doi.org/10.5586/aa.2014.055.

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The turn of the 19th and the 20th centuries signified the appearance of a new trend in art called Art Nouveau in England, Stile floreale in Italy, and in Poland – secesja. It was an attempt to escape from the style that copied historical forms and set a new direction of development. The main inspiration for the creators of this period became nature, its asymmetry, variety of textures, subtle colors or smooth, and wavy lines. Artistic motifs were drawn from the richness of native flora and fauna. Flowering shrubs, perennials and creepers were especially inseparable decorative and compositional elements of a garden. Secession had a significant impact on painting, sculpture, architecture, and garden design. The space surrounding people was treated comprehensively by blurring the boundaries between different arts. A multitude of shrubs – especially roses and lots of perennials such as Lilium, Iris, and Phlox, gave the impression of architecture immersing in the surrounding garden.The aim of the paper was to briefly analyze the Art Nouveau style and present the diversity of species used in the gardens of that period.

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Al-Shammiri, M. y M. Safar. "Multi-effect distillation plants: state of the art". Desalination 126, n.º 1-3 (noviembre de 1999): 45–59. http://dx.doi.org/10.1016/s0011-9164(99)00154-x.

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15

Antipina, Galina Stanislavovna y Elena Leonidovna Rochlova. "Checklist of herbaceous plants in South Karelia". HORTUS BOTANICUS 10, n.º 10 (enero de 2015): 107–49. http://dx.doi.org/10.15393/j4.art.2015.2601.

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Tkachenko, Kirill. "Beautiful flowering woody plants for urban landscape". HORTUS BOTANICUS 18, n.º 18 (enero de 2023): 332–72. http://dx.doi.org/10.15393/j4.art.2023.8925.

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17

Katayama, Errol G. "Aristotle'sPhysicsII 1 and Cultivated Plants". Science in Context 31, n.º 4 (diciembre de 2018): 405–19. http://dx.doi.org/10.1017/s0269889718000339.

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ArgumentThe aim of this paper is two-fold: to offer an interpretation that preserves the natural reading ofPhysicsII 1 – that Aristotle is drawing a stark distinction between what is natural and what is artificial; and to show how there is logical room for atertium quid– a category for things that are products of both nature and art. This aim is attained by highlighting two important qualifications Aristotle makes about the products of art in relation to an innate internal principle of change and pointing out that the proper understanding of the significance of the essential-accidental distinction that Aristotle draws must be viewed in the context where he identifies two kinds of nature – form and matter. Based on these analyses, the following three logical categories are shown to be consistent with the passage: 1) purely natural things; 2) essentially artificial objects; and 3) essentially natural things with artificial aspects.

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18

Kul`nev, Vadim Vyacheslavovich, Andrey Nikolaevich Nasonov, Ilya Viktorovich Tsvetkov, Tatyana Stepanovna Korol` y Kira Aleksandrovna Shakhovskaya. "Soil biotesting based on fractal characteristics of plants". Principles of the Ecology 38, n.º 4 (diciembre de 2020): 40–53. http://dx.doi.org/10.15393/j1.art.2020.10662.

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19

Abbasova, Z. H. "Results introduction wood-bushes plants in Mardakan arboretum". HORTUS BOTANICUS 7, n.º 7 (enero de 2012): 5. http://dx.doi.org/10.15393/j4.art.2012.1603.

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20

Sachdev, Geetanjali. "Developing pedagogy for plant study in art and design¹". Art, Design & Communication in Higher Education 20, n.º 2 (1 de octubre de 2021): 201–22. http://dx.doi.org/10.1386/adch_00039_1.

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This practice-based research project involved creating and using a set of teaching resources to engage undergraduate art and design students with plants. The resources addressed learner preferences for engaging with different modes of representations and involved three types of visual encounters with plants. Students engaged with realistic representations, botanically accurate illustrations and actual plants themselves. The use of these resources drew attention to the distinction between botanical and artistic understandings of plants and highlighted the relevance of considering multiple modes of engagements while designing pedagogical initiatives to study plants through art and design.

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21

Ferriman, Annabel. "Science meets art in exhibition of plants and medicines". BMJ 332, n.º 7552 (25 de mayo de 2006): 1232.3. http://dx.doi.org/10.1136/bmj.332.7552.1232-b.

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22

Armstrong, Evelyn A. "When Plants Become Precious: Art, Culture, and Environmental Crises". Universal Journal of Plant Science 3, n.º 4 (julio de 2015): 77–86. http://dx.doi.org/10.13189/ujps.2015.030404.

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23

Dubey, Kumud. "PLANT SYMBOLISM IN PAINTING". International Journal of Research -GRANTHAALAYAH 7, n.º 11 (30 de noviembre de 2019): 92–94. http://dx.doi.org/10.29121/granthaalayah.v7.i11.2019.3707.

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The great flower artists have been those who have found beauty in truth, who have understood plants scientifically and who have yet seen and described them with eye and hand of the artist. Plants, flowers and other foliage symbolize emotions, ideas and actions. Each plant has its own meaning. Painting art and plant illustration is beneficial for modern society because nature inspiring art and art preserving nature.

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24

Pouperová, Olga, Ondřej Vícha y Filip Dienstbier. "Specificities of the Garden Architecture Monuments from the Legal Point of View". Acta Universitatis Agriculturae et Silviculturae Mendelianae Brunensis 63, n.º 4 (2015): 1345–55. http://dx.doi.org/10.11118/actaun201563041345.

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The article deals with legal specificity of garden art. First, it explains some specifics of garden art (namely historic gardens and parks), which arise from its character, as they are created by humans but consist of plants and woody plants interconnected with various ecosystems. The authors present legal regimes, within which garden art may be protected, and on the example of garden art monuments they focus on the issue of conflict of varied public interests, in particular heritage preservation interest and interests in the preservation of nature and landscape, waters and forest.

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Snieskiene, V., V. Juronis y A. Stankeviciene. "Pathogenesis of pot-plants imported from abroad into Lithuania". HORTUS BOTANICUS 4, n.º 4 (enero de 2006): 4. http://dx.doi.org/10.15393/j4.art.2006.1642.

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26

Zalibekov, Marat, Habagin Aliev, Djalaludin Anatov, Zagirbeg Asadulaew, Aminat Gabibova, Magomed Gadzhiataev, Makhatch Gaziev et al. "Catalogue of wood plants of the Mountain Botanical Garden". HORTUS BOTANICUS 12, n.º 12 (enero de 2017): 217–68. http://dx.doi.org/10.15393/j4.art.2017.4662.

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Guseynova, Zijarat, Ramazan Murtazaliev, Dzhalaludin Anatov, Fazina Vagabova, Magomed Dibirov, Shumaisat Zubairova, Magomed Kuramagomedov et al. "Catalogue of herbaceous plants of the Mountain Botanic Garden". HORTUS BOTANICUS 13, n.º 13 (enero de 2018): 313–55. http://dx.doi.org/10.15393/j4.art.2018.5242.

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Firsov, Gennady Afanas`evich y Inna Vadimovna Fadeeva. "Year seasons duration and arboreal plants at Saint-Petersburg". HORTUS BOTANICUS 17, n.º 17 (enero de 2022): 247–61. http://dx.doi.org/10.15393/j4.art.2022.8365.

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Shoemaker, Candice A. "PLANTS AND HUMAN CULTURE". HortScience 25, n.º 9 (septiembre de 1990): 1174G—1174. http://dx.doi.org/10.21273/hortsci.25.9.1174.

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Plants are a part of many rituals and celebrations and they influence our language, art, and literature. At the First National Symposium on The Role of Horticulture in Human Well-Being and Social Development, a session on Plants and Human Culture was held. A review will be given of the seven oral presentations from this session and the discussion which followed. Some of the topics presented included the role of the corporate garden in the cultural activities of the community, the role of horticulture in holiday celebrations, the role of flowers in the bereavement process, and floral symbolism in paintings. Actions which horticulturists can take to promote horticulture within the cultural setting will be presented.

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Shoemaker, Candice A. "PLANTS AND HUMAN CULTURE". HortScience 25, n.º 9 (septiembre de 1990): 1174g—1174. http://dx.doi.org/10.21273/hortsci.25.9.1174g.

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Plants are a part of many rituals and celebrations and they influence our language, art, and literature. At the First National Symposium on The Role of Horticulture in Human Well-Being and Social Development, a session on Plants and Human Culture was held. A review will be given of the seven oral presentations from this session and the discussion which followed. Some of the topics presented included the role of the corporate garden in the cultural activities of the community, the role of horticulture in holiday celebrations, the role of flowers in the bereavement process, and floral symbolism in paintings. Actions which horticulturists can take to promote horticulture within the cultural setting will be presented.

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31

Yakovleva, Evgenia y Dmitriy Gabov. "Polycyclic aromatic hydrocarbons in plants of natural frost mound bogs". Principles of the Ecology 32, n.º 2 (junio de 2019): 119–28. http://dx.doi.org/10.15393/j1.art.2019.8822.

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32

Firsov, Gennady. "1989 expedition for new plants to the Russian Far East". HORTUS BOTANICUS 12, n.º 12 (enero de 2017): 466–84. http://dx.doi.org/10.15393/j4.art.2017.4323.

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Mitina, Lyubov Viktorovna, Elena Nikolaevna Vinogradova y Ludmila Valerievna Kharkhota. "Woody plants of the Caucasus in the Donetsk Botanical Garden". HORTUS BOTANICUS 12, n.º 12 (enero de 2017): 339–47. http://dx.doi.org/10.15393/j4.art.2017.4406.

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34

Tkachenko, Kirill. "On creating specialized botanical gardens of traditional Chinese medicinal plants". HORTUS BOTANICUS 14, n.º 14 (enero de 2019): 156–63. http://dx.doi.org/10.15393/j4.art.2019.6084.

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35

Gulmammadova, Shalala Adil y Tofik Sadig Mammadov. "The Study of Ornamental Plants in the Philharmonic Absheron Garden". HORTUS BOTANICUS 16, n.º 16 (enero de 2021): 273–81. http://dx.doi.org/10.15393/j4.art.2021.7885.

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36

Karpun, Natalya y Elena Shoshina. "Introduction of ornamental plants as a vector of phytophagous invasion". HORTUS BOTANICUS 18, n.º 18 (enero de 2023): 373–94. http://dx.doi.org/10.15393/j4.art.2023.9046.

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37

Agarwal, Pradeep K., Pushp Sheel Shukla, Kapil Gupta y Bhavanath Jha. "Bioengineering for Salinity Tolerance in Plants: State of the Art". Molecular Biotechnology 54, n.º 1 (27 de abril de 2012): 102–23. http://dx.doi.org/10.1007/s12033-012-9538-3.

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38

Einset, John. "Botany: The State of the Art. Listening to Thirsty Plants". Arnoldia 46, n.º 2 (1986): 42–45. http://dx.doi.org/10.5962/p.258536.

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Einset, John. "Botany: The State of the Art. Chemicals That Regulate Plants". Arnoldia 45, n.º 2 (1985): 28–34. http://dx.doi.org/10.5962/p.259885.

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40

Kulikov, Aleksandr V. y Ilya Yu Zheleznyak. "Problems of Qualification of Trafficking in Plants and Plant Parts Containing Psychoactive Substances and Mushrooms Containing Psilocybin and (or) Psilocin". Drug control 1 (14 de marzo de 2024): 23–26. http://dx.doi.org/10.18572/2072-4160-2024-1-23-26.

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Purpose: research of such items of illicit drug trafficking as plants and plant parts containing psychoactive substances. Methodology: study and analysis of judicial practice of higher courts and scientific research of natural science specialists; formal legal and technical legal methods. Conclusions: there is a lack of due attention to the problem of selling narcotic plants and their parts, as well as narcotic mushrooms using information and telecommunication networks (including the Internet); the question is raised about the selection of mushrooms containing psilocybin and (or) psilocin from the List of plants containing psychoactive substances, since mushrooms are not plants. Scientific and practical significance: the authors propose the dispositions of art. 228, part 1 art. 228.1, art. 229.1 and art. 231 of the Criminal Code of the Russian Federation, as well as the dispositions of the relevant articles of the Code of Administrative Offenses of the Russian Federation, after the words ‘...or their parts containing narcotic drugs or psychotropic substances’, add the words ‘mushrooms containing psilocybin and (or) psilocin’. Also part 2 of art. 228 of the Criminal Code of the Russian Federation should be supplemented with the words: ‘Acquisition of items specified in Part 1 of this article using the media or electronic or information and telecommunication networks (including the Internet)’, which in general will make it possible to suppress their illegal trafficking.

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41

Abbasi, Tabassum, S. A. Abbasi, R. Rajalakshmi, Pratiksha Patnaik y Tasneem Abbasi. "Biomimetic Synthesis of Nanoparticles: State-of-the-Art". Nature Environment and Pollution Technology 22, n.º 2 (1 de junio de 2023): 593–608. http://dx.doi.org/10.46488/nept.2023.v22i02.005.

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A state-of-the-art review of biomimetic nanoparticle synthesis is presented. The technique’s origin has been traced to the studies, started over 150 years ago, on the hyperaccumulation of certain metals by different species of plants. How the initial intracellular method of nanoparticle synthesis evolved into the now widely used extracellular route has been described. The review then covers the gist of all the studies reported on the biomimetic synthesis of nanoparticles of different metals using extracts of different botanical species (plants). The synthesis mechanism is discussed, and the factors influencing the nanoparticles’ extent, shapes, and sizes are identified.

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Fasani, Elisa, Mingai Li, Claudio Varotto, Antonella Furini y Giovanni DalCorso. "Metal Detoxification in Land Plants: From Bryophytes to Vascular Plants. STATE of the Art and Opportunities". Plants 11, n.º 3 (18 de enero de 2022): 237. http://dx.doi.org/10.3390/plants11030237.

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Potentially toxic elements are a widespread concern due to their increasing diffusion into the environment. To counteract this problem, the relationship between plants and metal(loid)s has been investigated in the last 30 years. In this field, research has mainly dealt with angiosperms, whereas plant clades that are lower in the evolutive scale have been somewhat overlooked. However, recent studies have revealed the potential of bryophytes, pteridophytes and gymnosperms in environmental sciences, either as suitable indicators of habitat health and elemental pollution or as efficient tools for the reclamation of degraded soils and waters. In this review, we summarize recent research on the interaction between plants and potentially toxic elements, considering all land plant clades. The focus is on plant applicability in the identification and restoration of polluted environments, as well as on the characterization of molecular mechanisms with a potential outlet in the engineering of element tolerance and accumulation.

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Czegledy, Nina. "Eco art: Art is life and life is embedded in nature". Ubiquity: The Journal of Pervasive Media 7, n.º 1 (1 de diciembre de 2020): 17–23. http://dx.doi.org/10.1386/ubiq_00012_1.

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Nature may be considered as the world of living organisms and their environment; in a larger sense, the shape of nature can also be understood to include particular extents of space and time. The visual perspectives of nature form a particular course that begins with the earliest historical depictions and might be currently expressed by a variety of cross-disciplinary contributions. The diverse perspectives form eclectic threads that today are frequently manifested within the eco-activist art movement. Several of the contemporary ecological art projects are grounded in explicit experiences and connections to specific spaces relevant to where the work is created. The local or international ecological labs, experimental urban gardens, projects on the migration of plants and the creation of new species included here are all new models contributing to a speculative future culture.

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Antipina, G. S., E. A. Shuyskaja, E. P. Gnatiuk y E. L. Rokhlova. "Annotated list of introduced species of herbaceous plants cultivated in Petrozavodsk". HORTUS BOTANICUS 7, n.º 7 (enero de 2012): 6. http://dx.doi.org/10.15393/j4.art.2012.1604.

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Talibov, Tariel y Anvar Ibrahimov. "Economically valuable woody plants of the Nakhchivan Autonomous Republic of Azerbaijan". HORTUS BOTANICUS 10, n.º 10 (enero de 2015): 150–55. http://dx.doi.org/10.15393/j4.art.2015.1861.

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Roguleva, Natalia. "Collection of greenhouse plants in the Botanical Garden of Samara University". HORTUS BOTANICUS 12, n.º 12 (enero de 2017): 187–216. http://dx.doi.org/10.15393/j4.art.2017.4363.

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Ermakov, Maksim Aleksandrovich. "History of "New, rare and uncommon fruit and berry plants" exposition". HORTUS BOTANICUS 14, n.º 14 (enero de 2019): 20–29. http://dx.doi.org/10.15393/j4.art.2019.6144.

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Prokhorov, Alexey Anatolievich y Yuriy Nikolaevich Karpun. "Characteristics of plants distribution in botanical gardens outside the ecological optimum". Principles of the Ecology 3, n.º 3 (octubre de 2012): 74–81. http://dx.doi.org/10.15393/j1.art.2012.1402.

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Alasmari, Mushabab. "The Reality of Social Relations and Humanitarian Situation in Industrial Plants." مجلة جامعة الملك عبدالعزيز-الآداب والعلوم الإنسانية 19, n.º 2 (2011): 57–111. http://dx.doi.org/10.4197/art.19-2.2.

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Gulmammadova, Shalala Adil y Tofik Sadiq Mammadov. "Expositions of Plants in the Park of Sameda Vurgun on Absheron". HORTUS BOTANICUS 17, n.º 17 (enero de 2022): 302–8. http://dx.doi.org/10.15393/j4.art.2022.8346.

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Artículos de revistas sobre el tema "Plants in art"

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