Bibliografías temáticas / Piccinini

Literatura académica sobre el tema "Piccinini"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 1 de febrero de 2022

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Artículos de revistas sobre el tema "Piccinini"

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Prelevic, Dusko. "Access granted to Zombies". Theoria, Beograd 60, n.º 1 (2017): 58–68. http://dx.doi.org/10.2298/theo1701058p.

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In his ?Access Denied to Zombies?, Gualtiero Piccinini argues that the possibility of zombies does not entail the falsity of physicalism, since the accessibility relation can be understood so that even in S5 system for modal logic worlds inaccessible from our world are allowed (in the case in which the accessibility relation is understood as an equivalence rather than as universal accessibility). According to Piccinini, whether the zombie world is accessible from our world depends on whether physicalism is true in our world, which is something that cannot be answered in a non-question-begging way. In order to show this, he recalls a well known strategy of making a parody of the zombie argument. After pointing out that Piccinini?s strategy of parodying the zombie argument renders his former strategy, based on the distinguishing between the two notions of accessibility, redundant, I recall the two ways of handling parodies of the zombie argument. In addition, I argue that persisting on the distinction between accessibility understood as an equivalence and universal accessibility in dealing with the zombie argument relies upon accepting modal dualism (a view that there are two spaces of possibilities rather than one), which is something usually dismissed for methodological reasons (simplicity in particular). Given that Piccinini has not provided new arguments neither in favour of modal dualism nor in favour of parodying the zombie argument, the conclusion he infers remains unsupported by the premises he uses.
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Colombo, Matteo. "Gualtiero Piccinini: Physical Computation: A Mechanistic Account". Minds and Machines 26, n.º 3 (20 de agosto de 2016): 307–12. http://dx.doi.org/10.1007/s11023-016-9397-y.

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Machery, Édouard. "Replies to Lombrozo, Piccinini, and Poirier and Beaulac". Dialogue 50, n.º 1 (marzo de 2011): 195–212. http://dx.doi.org/10.1017/s0012217311000199.

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Fresco, Nir. "Physical Computation: A Mechanistic Account, by Gualtiero Piccinini". Australasian Journal of Philosophy 95, n.º 3 (21 de julio de 2016): 625–26. http://dx.doi.org/10.1080/00048402.2016.1207692.

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Ricciardi, Tonia. "A sharp Hölder estimate for elliptic equations in two variables". Proceedings of the Royal Society of Edinburgh: Section A Mathematics 135, n.º 1 (febrero de 2005): 165–73. http://dx.doi.org/10.1017/s0308210500003826.

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We prove a sharp Hölder estimate for solutions of linear, two-dimensional, divergence-form, elliptic equations with measurable coefficients, such that the matrix of the coefficients is symmetric and has unit determinant. Our result extends some previous work by Piccinini and Spagnolo. The proof relies on a sharp Wirtinger type inequality.
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Piloni Petri, Malena, Shalimar Gallon y Elem Duarte Vaz. "OS SENTIDOS DO TRABALHO PARA DOCENTES DE PÓS-GRADUAÇÃO STRICTO SENSU: UM ESTUDO COM DOCENTES DAS ÁREAS DE ADMINISTRAÇÃO E EDUCAÇÃO". Revista Alcance 25, n.º 3(Set/Dez) (28 de febrero de 2019): 366. http://dx.doi.org/10.14210/alcance.v25n3(set/dez).p366-380.

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O objetivo da pesquisa é analisar os sentidos do trabalho para docentes de pós-graduação stricto sensu das áreas de Administração e Educação do Estado do Rio Grande do Sul. A pesquisa realizada é de natureza descritiva com abordagem qualitativa. A coleta de informações foi realizada por meio de 27 entrevistas com roteiro semiestruturado e as informações analisadas com base na técnica de análise de conteúdo. Para os entrevistados, um trabalho que tem sentido proporciona satisfação pessoal, realização e identidade, está organizado de forma que apresente objetivos claros e resultados úteis, que proporcione possibilidades de estabelecer relações interpessoais, inserção social e que seja moralmente aceitável. Os resultados mesclam os sentidos do trabalho encontrados por Morin (2001), Morin, Tonelli e Pliopas (2003), Oliveira, Piccinini, Fontoura e Schuweig (2004) e Piccinini, Oliveira, Fontoura e Schweig (2005), apresentando as características de um trabalho que tem sentido. Gerencialmente, os resultados alcançados podem auxiliar as IES em questões referentes à organização do trabalho docente, como a burocracia, os excessos de reuniões, a carga excessiva de trabalho e a má divisão dos cargos de gestão.
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Machery, Edouard. "How to Split Concepts: A Reply to Piccinini and Scott*". Philosophy of Science 73, n.º 4 (octubre de 2006): 410–18. http://dx.doi.org/10.1086/516812.

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Hutta, Jan S. "Andere Geborgenheiten: Topophilie jenseits des Authentizitätsdiskurses". sub\urban. zeitschrift für kritische stadtforschung 3, n.º 2 (14 de agosto de 2015): 109–24. http://dx.doi.org/10.36900/suburban.v3i2.194.

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Der Beitrag unterzieht Gaston Bachelards Poetik des Raumes einer kritischen Lektüre hinsichtlich ihres humanistischen Essentialismus. Dabei werden zugleich die methodologischen Impulse einer ‚Topo-Analyse‘ hervorgehoben, welche poetische Ausdrucksformen in ihrem konstitutiven Bezug zu ‚Subjektivität-im-Raum‘ zur Geltung bringt. Bachelards Fokus auf ‚topophile‘ Verhältnisse von Subjekt und Raum wird anschließend, mit konzeptionellem Bezug auf Walter Benjamin und Donna Haraway, im Rahmen eines de-essentialisierten Ansatzes nachgegangen. Im Zusammenhang mit Skulpturen der Künstlerin Patricia Piccinini werden so Möglichkeiten ‚anderer Geborgenheiten‘ aufgezeigt.
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Iacob, Anisia. "Human vs. Non-human in Art: the Posthuman Sculptures of Patricia Piccinini". Journal for Social Media Inquiry 2, n.º 1 (6 de julio de 2020): 87–99. http://dx.doi.org/10.18662/jsmi/2.1/8.

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Alves, Flávio Macedo y Ângela Lúcia Bagnatori Sartori. "Nectandra Rol. ex Rottb. (Lauraceae) no Mato Grosso do Sul, Brasil". Acta Botanica Brasilica 23, n.º 1 (marzo de 2009): 119–29. http://dx.doi.org/10.1590/s0102-33062009000100015.

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O trabalho apresenta o estudo taxonômico das espécies do gênero Nectandra no Mato Grosso do Sul, Brasil. Baseados na análise morfológica dos espécimes coletados em diferentes regiões do Estado são confirmados oito espécies de Nectandra: N. amazonum Nees, N. cissiflora Nees, N. cuspidata Nees, N. falcifolia (Nees) J.A. Castigl. ex Mart. Crov. & Piccinini, N. gardneri Meisn., N. hihua (Ruiz & Pav.) Rohwer, N. megapotamica (Spreng.) Mez e N. psammophila Nees. É fornecida uma chave de identificação para as espécies e apresentados descrições morfológicas, dados de distribuição geográfica, habitat, aspectos fenológicos, comentários taxonômicos e ilustrações para cada espécie.
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Tesis sobre el tema "Piccinini"

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Chkhaidze, I. "Posthumanism in the works of Patricia Piccinini, Matthew Barney and Charles Avery". Thesis, University College London (University of London), 2015. http://discovery.ucl.ac.uk/1468812/.

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This thesis conceptualises instances of posthumanism in contemporary art. As an interdisciplinary critique in the humanities and social sciences, posthumanism is set against the anthropocentric discourse of humanism and its speciesist structures that reproduce the normative human subject through the dichotomy of humanity/animality. The analysis focuses on Patricia Piccinini's video work The Gathering, Matthew Barney's Cremaster cycle and Charles Avery's ongoing multimedia project The Islanders. The otherwise diverse works of these three artists similarly combine media such as film, sculpture, drawing and photography to generate complex fictional universes inhabited by various animal or animal-human hybrids, alongside morphs, blobs, machine-organisms and amalgams of plant and inorganic matter, so as to negotiate a space of continuity and rupture between human and animal, animate and inanimate, living and dead, natural and artificial. While examining how posthumanism plays out in the above-mentioned artistic projects and discussing its implications for the wider culture, I argue that these works engage with the destabilisation of anthropocentrism, the reconsideration of ethics based on species membership, and more generally interrogate animal-human distinctions. These themes are explored in relation to Cary Wolfe's theorisation of posthumanism and anti-speciesism, Giorgio Agamben's writing on potentiality and human-nonhuman relations, Niklas Luhmann's notions (following Humberto Maturana and Francisco Varela) of autopoiesis, the "blind spot" and form-medium distinctions, and Jacques Derrida's rethinking, under the pressing "question of the animal", of humanist ethical postulates based on ability and power.
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Sasse, Julie Rae. "Blurred Boundaries: A History of Hybrid Beings and the Work of Patricia Piccinini". Diss., The University of Arizona, 2013. http://hdl.handle.net/10150/311191.

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Hybrid beings have been a part of the artistic imagination since art was first made on cave walls and rock faces. Yet their visual makeup and symbolic meanings have changed over time from deities, demons, and oddities of nature to unconscious states of being and the socially and culturally marginalized. This dissertation will examine a history of hybrid beings and the work of Australian artist Patricia Piccinini. Her silicone sculptures, photographs, installations, and videos are hyperrealistic representations of composite beings that appear to have blended rather than fragmented characteristics of human and animal, which sets them apart from their historic precedents. Piccinini suggests that her hybrids are products of genetic engineering, ostensibly created to serve human beings as comforters, nurturers, protectors, and surrogates for humans and endangered species alike. I argue that Piccinini's hybrids shed light on the hubris and commercialism inherent in bioscientific advances, yet they also reveal a kind of societal ambivalence regarding the posthuman era. Her works suggest utopian aspirations for the future while mourning the loss of humanity as it has been known. Examining Piccinini's art through the lens of liminality and the body, I will contextualize her hybrids within cultural and art historical models from ancient Egypt and Greece through the Victorian eras. In particular, I will establish common ground with Mary Shelley's Frankenstein (1818), which served as an early inspiration for Piccinini's images and conceptual aims. I will also highlight hybrid imagery in Dada and Surrealism and feminist art to reveal the similarities and differences in their approaches and intent. Piccinini's works operate within Donna J. Haraway's notion of the cyborg; therefore, I will also analyze her art within that theoretical model. In addition, I will compare and contrast Piccinini's art to early hyprerrealist sculptors and contemporary artists working in this manner. Piccinini's hybrids establish that both humans and animals are social constructs, and that society has a responsibility for the life forms it creates. Ultimately, this project demonstrates that Piccinini's hybrids are not cautionary tales of a dystopian future but representations of the biotechnological sublime.
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Kidd, Verity. "Perfection? - Recreating the human : an exhibition of works by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman". University of Western Australia. School of Architecture, Landscape and Visual Arts, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0036.

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Perfection? - Recreating the Human is an exhibition of recent works of art by Orlan, Patricia Piccinini, Margi Geerlinks and Jake and Dinos Chapman. Each of the artists engages, in various ways, with issues relating to biotechnology and the body. The convergence of technology and the body arouses both utopian desires and dystopian nightmares; many of these desires and fears are prefigured in ancient myth and legend. The artists and artworks are therefore discussed with reference to reoccurring tropes from both ancient myth and science fiction.
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Thienenkamp, Heike [Verfasser]. "Patricia Piccininis plastisches Werk im Kontext der Biowissenschaften / Heike Thienenkamp". Bielefeld : Universitätsbibliothek Bielefeld, 2014. http://d-nb.info/1046670719/34.

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Piccininni, Marco [Verfasser]. "Herausforderungen der Wahrscheinlichkeitsschätzung in Health Data Science: methodische Überlegungen und Anwendungen / Marco Piccininni". Berlin : Medizinische Fakultät Charité - Universitätsmedizin Berlin, 2021. http://d-nb.info/1241541027/34.

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Maxson, Brian Jeffrey. "Florence, Pius II, and Jacopo Piccinino in 1458: A Case-Study of Gifts and Status in Diplomacy". Digital Commons @ East Tennessee State University, 2017. https://www.amzn.com/2503540384.

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Book Summary: The essays in this collection explore the languages - artistic, symbolic, and ritual, as well as written and spoken - in which power was articulated, challenged, contested, and defended in Italian cities and courts, villages, and countryside, between 1300 and 1600. Topics addressed include court ceremonial, gossip and insult, the performance of sanctity and public devotions, the appropriation and reuse of imagery, and the calculated invocation (and sometimes undermining) of authoritative models and figures. The collection balances a broad geographic and chronological range with a tight thematic focus, allowing the individual contributions to engage in vigorous and fruitful debate with one another even as they speak to some of the central issues in current scholarship. The authors recognize that every institutional action is, in its context, a political act, and that no institution operates disinterestedly. At the same time, they insist on the inadequacy of traditional models, whether Marxian or Weberian, as the complex realities of the early modern state pose tough problems for any narrative of modernization, rationalization, and centralization. The contributors to this volume trained and teach in various countries - Italy, the United States, Canada, the United Kingdom, and Australia - but share a common interest in cultural expressions of power.
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Piccini, GiovanniMaria [Verfasser], Joachim [Akademischer Betreuer] Sauer y Claudia [Akademischer Betreuer] Draxl. "Ab initio free energies of adsorption from anharmonic vibrations / GiovanniMaria Piccini. Gutachter: Joachim Sauer ; Claudia Draxl". Berlin : Mathematisch-Naturwissenschaftliche Fakultät, 2015. http://d-nb.info/1073197611/34.

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Piccini, Davide [Verfasser], Joachim [Akademischer Betreuer] Hornegger y Matthias [Akademischer Betreuer] Stuber. "Respiratory Self-Navigation for Whole-Heart Coronary Magnetic Resonance Imaging / Davide Piccini. Gutachter: Joachim Hornegger ; Matthias Stuber". Erlangen : Friedrich-Alexander-Universität Erlangen-Nürnberg (FAU), 2014. http://d-nb.info/1064996965/34.

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Di, Rienzo Margherita. "DIVULGAZIONE SCIENTIFICA E TRADUZIONE Il caso di: Alla scoperta del microbioma umano. Flora batterica, nutrizione e malattie del progresso” di Fabio Piccini". Bachelor's thesis, Alma Mater Studiorum - Università di Bologna, 2017. http://amslaurea.unibo.it/14163/.

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Ogni testo di divulgazione scientifica ha come suo obiettivo principale la diffusione tra un pubblico di non specialisti delle conoscenze ottenute attraverso la ricerca. Per ottenere questo risultato, un testo di divulgazione scientifica deve necessariamente utilizzare un linguaggio accessibile al pubblico al quale è destinato, un linguaggio che renda meno oscuro, meno incomprensibile il linguaggio utilizzato per la comunicazione tra gli scienziati. Esso trasforma il discorso scientifico modificandone il linguaggio, traducendolo nei termini del linguaggio comune . Un testo di divulgazione scientifica può essere a sua volta oggetto di traduzione; la traduzione di questo genere di testi presenta caratteristiche particolari, in primo luogo in ragione del fatto che si tratta di un secondo grado di traduzione, poiché il testo di partenza costituisce già un adattamento in un linguaggio diverso di un altro o altri testi . Questa traduzione “di secondo grado” costituisce l’oggetto delle pagine che seguono: cercheremo di fornire una descrizione che ne metta in luce le caratteristiche peculiari, di enumerare le difficoltà che essa può comportare e, nei limiti delle nostre possibilità, di proporre alcune strategie per risolverle. Come fondamento di questa descrizione proponiamo la traduzione in francese di un testo di divulgazione in lingua italiana, dedicato a un tema di attualità scientifica: la ricerca relativa al microbioma umano.
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Koullapi, Christina. "Le modèle dramaturgique de la Grèce antique dans la tragédie lyrique des Lumières : regards sur la tragédie-opéra de Gluck à la Révolution (1774-1789)". Thesis, Lyon 2, 2015. http://www.theses.fr/2015LYO20064.

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La tragédie-opéra de Christoph-Willibald Gluck réalise les aspirations esthétiques des philosophes des Lumières dont l’influence de l’esthétique de la sensibilité, et la quête des origines en constituent la matrice poétique. Derrière les nouveautés introduites par la tragédie lyrique réformée dans les rapports qu’entretient le texte poétique à l’élément musical, s’émancipe un objet lyrique global qui, se fondant sur la construction organique de la tragédie grecque, s’érige en modèle poétique unitif. Souhaitant se placer au service d’une pluridisciplinarité exigée par les affinités qui s’établissent entre la tragédie grecque et le drame lyrique dès son origine, la présente contribution académique vise à apporter des éclaircissements sur le rôle du modèle antique dans l’élaboration théorique et la réalisation scénique de la tragédie-opéra pré-révolutionnaire de 1774 à 1789. Alors que le recours à la tragédie grecque répond à la fois aux nouvelles idées philosophiques et à la poétique globalisante de l’œuvre lyrique réformée, des inspirations textuelles et des liens de l’ordre de la construction formelle et poétique, notamment dans la réalisation des tableaux dramatiques, revendiquent une parenté composite et immédiate. Le lien intrinsèque établi dorénavant entre le théâtre déclamé antique et le théâtre lyrique réforme, met en lumière des questions inédites ou provenant du passé sur le rôle de la musique, aussi bien dans son rapport avec le poème que dans la corrélation avec le modèle global, faisant, ainsi ressortir le concept de musique « dramatique » sous fond de querelle musicale. Le recours à la tragédie grecque, derrière une apparence de légitimation du nouveau drame lyrique, fait apparaître l’émancipation de la forme antique, dont est reproduite surtout la finalité poétique. Entre le parcours d’un compositeur-dramaturge qui s’achève avec la tragédie d’Iphigénie en Tauride (1779) et celui d’un librettiste dont les poèmes ultérieurs s’inspirent de la forme antique, la tragédie-opéra, fondée sur une conception de théâtre « éprouvé », trouve pleinement sa place dans le mouvement du néo-classicisme des Lumières
Christophe-Willibald Gluck’s tragédie-opéra, accomplishes the aesthetic inspirations of the Enlightenment based on the new aesthetic of sensibility and the quest of origins, its federal matric elements. Behind novelties introduced by the new relation between text and music, the emancipation of a global lyric project is founded in the organic structure of Greek tragedy, becoming, therefore, a poetic and unity model. The present academic contribution, based on a bi-disciplinary exigency due to early affinities between ancient Greek tragedy and opera, comes to enlighten the role of ancient model played on the tragédie-opéra’s theoretical elaboration and stage performance from 1774 to 1779. Although ancient tragedy responds not only to new ideas introduced by the Enlightenment but to the poetics of reformed opera, textual, formal and poetic inspirations, up to generating dramatic tableaux, mark a composite and immediate affiliation. New relation between ancient dramatic and lyric theatre is established on two fundamental directions: music’s new role as a poems interpreter, a collaborator to global result and as an art claiming its autonomy. On the other hand, the references to Greek tragedy to legitimize the reformed opera, reveals the emancipation of ancient Greek tragedy. The parallel itinerary of a composer-dramatist and a librettist, finishing, for the first, and, starting, for the second, with Iphigénie en Tauride, demonstrates that the global model, based on a felt conception of Greek tragedy, finds its place in the neo-classical movement
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Libros sobre el tema "Piccinini"

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Patricia Piccinini: Nearly beloved. Dawes Point, N.S.W: Piper Press, 2012.

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Piccinini, Patricia. Patricia Piccinini: In another life. Editado por Brennan Stella, Winship Ingrid, Bugden Emma 1973- y City Gallery Wellington. Wellington, N.Z: City Gallery Wellington, 2006.

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Art Gallery of South Australia, ed. Patricia Piccinini: Once upon a time--. Adelaide: Art Gallery of South Australia, 2011.

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Messenger, Jane. Patricia Piccinini: Once upon a time--. Adelaide: Art Gallery of South Australia, 2011.

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Piccinini, Raffaele. La guida naturalistica del Monte Catria di don Raffaele Piccinini. [Cagli?]: Provincia di Pesaro e Urbino, Assessorato beni e attività ambientali, 2002.

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Zacchè, G. Lo stile su misura: La sartoria Piccinini, creatività e maestria nella città del premio. Mantova: Editoriale Sometti, 2013.

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Piccinini, Giovan Francesco. Cronaca della Mirandola di Giovan Francesco Piccinini, 1682-1720: La fine di un ducato nelle memorie del chirugo di corte. Mirandola: Gruppo studi Bassa Modenese, 2010.

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Sand, George. Le Piccinino. Grenoble: Editions Glénat, 1994.

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Ginguené, Pierre Louis. Niccolò Piccinni: Vita e opere. Bari: M. Adda, 1999.

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Ginguené, Pierre Louis. Niccolò Piccinni: Vita e opere. Bari: M. Adda, 1999.

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Capítulos de libros sobre el tema "Piccinini"

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Gambirasio, Giuseppe. "Büro- und Wohnhaus Bergamo, Rotonda Dei Mille, Via Piccinini, 1969–71". En Italomodern, 278–79. Vienna: Springer Vienna, 2012. http://dx.doi.org/10.1007/978-3-7091-0852-9_73.

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Grehan, Helena. "Otherness and Responsibility in Three Tales by Steve Reich and Beryl Korot and Nature’s Little Helpers by Patricia Piccinini". En Performance, Ethics and Spectatorship in a Global Age, 139–71. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230234550_7.

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Oschmann, Susanne. "Piccinni, (Vito) Niccolò (Marcello Antonio Giacomo)". En Komponisten Lexikon, 464–65. Stuttgart: J.B. Metzler, 2003. http://dx.doi.org/10.1007/978-3-476-05274-2_231.

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Oschmann, Susanne. "Piccinni, (Vito) Niccolò (Marcello Antonio Giacomo)". En Metzler Komponisten Lexikon, 591–93. Stuttgart: J.B. Metzler, 1992. http://dx.doi.org/10.1007/978-3-476-03421-2_229.

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"Patricia Piccinini – Vertraute Monster". En Von Monstern und Menschen, 173–86. transcript-Verlag, 2009. http://dx.doi.org/10.14361/9783839412350-008.

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Orning, Sara E. S. "Staging Humanimality: Patricia Piccinini and a Genealogy of Species Intermingling". En Animalities. Edinburgh University Press, 2017. http://dx.doi.org/10.3366/edinburgh/9781474400022.003.0005.

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Orning raises questions about the provocative work of Patricia Piccinini, a contemporary sculptor and artist. Piccinini’s work often stages encounters between what look like human figures and what look like hybrid creatures with both human and nonhuman characteristics. Orning’s focus in these “humanimal” encounters is on the potential they hold for questioning easy distinctions between “the human” and “the animal”, while also drawing attention to the fact that human beings today can already be seen as hybrid, whether we have tissues or organs implanted from nonhuman beings or we recognize that human bodies are made up of cells and micro-organisms that are not necessarily human. Orning connects the uneasiness associated with unsettling what it means to be human to a longer genealogy of putting “monstrous” or “freakish” bodies on display, whether in the form of humans with animal-like features, or animals with human features, particularly in nineteenth-century circus sideshows. But the “species intermingling” that is staged by Piccinini, according to Orning, holds more potential for ethical engagement with “others” of various kinds or species than earlier settings such as freak shows.
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Dubois-Joucla, Leïla. "La figure de l’hybride dans les pratiques de Keith Cottingham, Orlan et Patricia Piccinini : de la reproduction du même au radicalement autre". En Le Monstrueux et l’Humain, 369–74. Presses Universitaires de Bordeaux, 2012. http://dx.doi.org/10.4000/books.pub.12876.

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"The Hybrid: A Conversation with Margarita Zires, Raymundo Mier, and Mabel Piccini". En The Postmodernism Debate in Latin America, 77–92. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382683-007.

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Bartlett, Alison. "Encountering public art: monumental breasts and the Skywhale". En Social Experiences of Breastfeeding, 205–18. Policy Press, 2018. http://dx.doi.org/10.1332/policypress/9781447338499.003.0015.

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This chapter is grounded in the idea that more visual imagery of breastfeeding will contribute to its normalisation, and counter the commercial sexualisation of breasts. It suggests, however, that this strategy is not just about seeing but also about feeling. To demonstrate this the chapter turns to a controversial piece of public art — Patricia Piccinini's Skywhale — which was launched in Australia in 2013 and has been touring internationally. The Skywhale is a hot-air balloon in the shape of a fantastical creature of the imagination, which features five giant breasts on each side. This unexpected flying mammal provokes responses wherever it goes, and arguably provides productive ways of engaging public responses to breastfeeding and maternity. This chapter examines responses to Skywhale through broadsheet and social media, and then analyses its affective domain through psychoanalytic concepts and its materiality through the tradition of public art and monuments. The extremes of intimacy and monumentality configured through Skywhale offer an object par excellence for seeing breastfeeding writ large in the public domain, and for feeling the return of the maternal. The chapter argues that this is fundamental to a shift in perceiving breasts as maternal, and breastfeeding as normative.
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Żórawska-Witkowska, Alina. "A Granted Royal Wish, or Carlo Goldoni’ s La buona figliuola with Music by Niccolò Piccinni and Il mercato di Malmantile with Music by Domenico Fischietti, Staged in Warsaw in 1765". En Operatic Pasticcios in 18th-Century Europe, 527–38. transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839448854-025.

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Actas de conferencias sobre el tema "Piccinini"

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Jesus, Anderson Avelino, Felicson Leonardo Oliveira Lima, Alanna Evangelista Santos y Bruna Rayanne Viana Brito. "AMOSTRA FECAL COMO ESPÉCIME DIAGNÓSTICA PARA A COVID-19 E O RISCO DE CONTAMINAÇÃO PARA OS PROFISSIONAIS DAS ANÁLISES CLÍNICAS". En I Congresso Brasileiro de Parasitologia Humana On-line. Revista Multidisciplinar em Saúde, 2021. http://dx.doi.org/10.51161/rems/752.

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Introdução: A infecção do vírus SARS-CoV-2 está progressivamente sendo objeto de estudo para que haja principalmente, a elaboração de métodos analíticos para a sua detecção, além da interrupção dos meios de contágio. A reação em cadeia da polimerase em tempo real (RT-PCR) tem sido o padrão para o diagnóstico, sob uso de amostras da orofaringe e nasofaringe. Em contrapartida, pesquisas estão sendo realizadas com amostras advindas de outros excrementos, como as fezes ou técnicas utilizando o swab retal. A presença de fezes na rotina de laboratório expõem os profissionais ao risco, com o manuseio de amostras para a análise, visto que o hospedeiro susceptível, pode por via oral, entrar em contato com amostras contaminadas. Objetivo: Relatar a possibilidade de contaminação pelo SARS-CoV-2, ao âmbito laboratorial, a partir do manuseio de amostras fecais de pacientes infectados. Material e métodos: Trata-se de um estudo bibliográfico com abordagem descritiva e qualitativa, onde foram levantados materiais com abordagens destinadas ao título e objetivo propostos, mediante análise nas plataformas: SciELO e ScienceDirect. Resultados: Em um estudo realizado por Michelon e Piccinini (2020), 369 pacientes de uma população, dentre eles, sintomáticos e assintomáticos, foram submetidos a testagens de RT-PCR com amostras da nasofaringe e fezes. Em um total de 53,6% (198) foi detectada a presença do RNA viral nas amostras fecais em pelo menos uma amostra. Deste grupo, 52,5% (104) elucidaram negatividade na RT-PCR de material nasofaríngico, enquanto as amostras fecais reagiram positivamente uma porcentagem menor, para a mesma população investigada demonstrou positividade pela amostra nasofaríngea, o que explana a possibilidade do vírus está contido nas fezes. Além de afirmar esse importante fato, de que as amostras de fezes podem ser úteis para o diagnóstico da COVID-19, expõe-se o real perigo de contágio vivido pelos profissionais que manuseiam esse espécime. Conclusão: Conclusão: Diante do exposto, pode-se afirmar a presença do vírus SARS-CoV-2 contido nas amostras de fezes, além de apontar a RT-PCR fecal como uma opção de grande sensibilidade e especificidade. Entretanto, melhores investigações sobre a possibilidade de contágio para profissionais que a manuseiam precisam ser realizadas, além do estudo sobre possível transmissão fecal-oral.
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