Literatura académica sobre el tema "Piano – Physiologie"
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Artículos de revistas sobre el tema "Piano – Physiologie"
Sutulova, Nataliia. "Piano sound phenomenon in English-language scientific discourse". Aspects of Historical Musicology 27, n.º 27 (27 de diciembre de 2022): 24–39. http://dx.doi.org/10.34064/khnum2-27.02.
Texto completoTworko, Paulina. "Fizjologia i ergonomia gry na fortepianie". Kwartalnik Młodych Muzykologów UJ, n.º 47 (4) (2020): 229–54. http://dx.doi.org/10.4467/23537094kmmuj.20.025.13211.
Texto completoProbst, Stephanie. "From Machine to Musical Instrument". Journal of Musicology 38, n.º 3 (2021): 329–63. http://dx.doi.org/10.1525/jm.2021.38.3.329.
Texto completoPascual-Leone, A., D. Nguyet, L. G. Cohen, J. P. Brasil-Neto, A. Cammarota y M. Hallett. "Modulation of muscle responses evoked by transcranial magnetic stimulation during the acquisition of new fine motor skills". Journal of Neurophysiology 74, n.º 3 (1 de septiembre de 1995): 1037–45. http://dx.doi.org/10.1152/jn.1995.74.3.1037.
Texto completoFerrario, Virgilio F., Chiara Macrì, Emilia Biffi, Paolo Pollice y Chiarella Sforza. "Three-Dimensional Analysis of Hand and Finger Movements during Piano Playing". Medical Problems of Performing Artists 22, n.º 1 (1 de marzo de 2007): 18–23. http://dx.doi.org/10.21091/mppa.2007.1004.
Texto completoTseng, Yu-Ting, Chia-Liang Tsai y Fu-Chen Chen. "Wrist proprioceptive acuity is linked to fine motor function in children undergoing piano training". Journal of Neurophysiology 124, n.º 6 (1 de diciembre de 2020): 2052–59. http://dx.doi.org/10.1152/jn.00282.2020.
Texto completoNakahara, Hidehiro, Shinichi Furuya, Peter R. Francis y Hiroshi Kinoshita. "Psycho-physiological responses to expressive piano performance". International Journal of Psychophysiology 75, n.º 3 (marzo de 2010): 268–76. http://dx.doi.org/10.1016/j.ijpsycho.2009.12.008.
Texto completoWinges, Sara A., Shinichi Furuya, Nathaniel J. Faber y Martha Flanders. "Patterns of muscle activity for digital coarticulation". Journal of Neurophysiology 110, n.º 1 (1 de julio de 2013): 230–42. http://dx.doi.org/10.1152/jn.00973.2012.
Texto completoDraucker, Shannon. "Music Physiology, Erotic Encounters, and Queer Reading Practices in Teleny". Victorian Literature and Culture 50, n.º 1 (18 de octubre de 2021): 141–72. http://dx.doi.org/10.1017/s1060150320000145.
Texto completoKostyuk, Aleksei A. y Galina V. Alekseeva. "Emotions as a Phenomenon of Vocal and Opera Music". Problemy muzykal'noi nauki / Music Scholarship, n.º 1 (2023): 168–77. http://dx.doi.org/10.56620/2782-3598.2023.1.168-177.
Texto completoTesis sobre el tema "Piano – Physiologie"
Gentet, Maroussia. "Au cœur de l’expérience du sens dans l’interprétation pianistique. Construire la temporalité par la présence au mouvement". Electronic Thesis or Diss., Sorbonne université, 2023. http://www.theses.fr/2023SORUL111.
Texto completoMy research is grounded in an essential question for the musician: how do you construct a lively performance that seems meaningful to him ? Some artists describe an experience of being played that combines understanding of the musical text with its embodiment in the playing: musical elements are sensitively connected and delimited across different time scales by a gesture that makes sense. Firstly, the study of practical issues of pianistic experience brings into question a model of the body as object, and a way of using imaginaries to motivate gesture, that underlie traditional musicological analysis and pedagogy. The segmentation of musical text into articulated elements in a quantified space, and the succession of movements aimed at producing sound segments, appear insufficient for experiencing the meaning and continuity of musical experience. Secondly, theatrical anthropology, dance, psychomotricity, phenomenology and practical experience provide insights into the emergence of meaning through the notion of corporeity. The notions of premovement and presence open up the quest for a quality of attention aimed at perceiving variations in body tonicity in interaction with its environment, in order to shape the quality of gesture. These practices explore the relationship to alterity, the construction of spatiality and the connection between different parts of the body by engaging the imaginary. Applied to the performance of a musical work, they enable us to articulate musical elements in our own relation to the world, and to develop an embodied temporality
Lipke-Perry, Tracy Donna. "Integrating Piano Technique, Physiology, and Motor Learning: Strategies for Performing the Chopin Etudes". Diss., The University of Arizona, 2008. http://hdl.handle.net/10150/193854.
Texto completoLibros sobre el tema "Piano – Physiologie"
translator, Chen Yunru, ed. Ren ti xue xi shi dian: Ji rou gu ge yun dong jie pou pian. Xinbei Shi Banqiao Qu: Feng ye she wen hua shi ye you xian gong si, 2016.
Buscar texto completoRoberta, Gary, Miles Thom y Conable Barbara, eds. What every pianist needs to know about the body: A manual for players of keyboard instruments : piano, organ, digital keyboard, harpsichord, clavichord. Chicago: GIA Publications, 2003.
Buscar texto completoSandor, Gyorgy. On Piano Playing: Motion, Sound, and Expression. Schirmer, 1995.
Buscar texto completoSandor, Gyorgy. On Piano Playing: Motion, Sound, and Expression. Schirmer, 1995.
Buscar texto completoDeVan, William, Norman Rosen, Gail Berenson, Jacqueline Csurgai-Schmitt, Mitchell Elkiss, Phyllis Alpert Lehrer, Barbara Lister-Sink, Robert Mayerovitch, Dylan Savage y Seymour Fink. A Symposium for Pianists and Teachers: Strategies to Develop the Mind and Body for Optimal Performance. Heritage Music Press, 2002.
Buscar texto completoMark, Thomas, Roberta Gary y Thom Miles. What Every Pianist Needs to Know about the Body. G I A Publications, Incorporated, 2021.
Buscar texto completoMark, Thomas, Roberta Gary y Thom Miles. What Every Pianist Needs to Know About the Body. Gia Publications, 2004.
Buscar texto completoCapítulos de libros sobre el tema "Piano – Physiologie"
Tarchynska, Yulia. "WAYS OF FORMING THE TECHNIQUE OF SOUND PRODUCTION IN THE INTERPRETATION OF MULTI-STYLE PIANO MUSIC". En Integration of traditional and innovative scientific researches: global trends and regional as. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-001-8-1-9.
Texto completoAllchin, Douglas. "Monsters and the Tyranny of Normality". En Sacred Bovines. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190490362.003.0025.
Texto completoActas de conferencias sobre el tema "Piano – Physiologie"
Popov, Vladimir. "PIANO TOUCH PARADOX FROM THE POINT OF VIEW OF TUNER AND PHYSIOLOGIST". En XV International interdisciplinary congress "Neuroscience for Medicine and Psychology". LLC MAKS Press, 2019. http://dx.doi.org/10.29003/m517.sudak.ns2019-15/334.
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