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Libros sobre el tema "Photographic Practice"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 20 de febrero de 2023

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1

Ray, Sidney F. Photographic enlarging in practice. Newton Abbot: Element, 1985.

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2

Michael, Mack, Browning Simon y Perkins Sean, eds. Surface: Contemporary photographic practice. London: Booth-Clibborn Editions, 1996.

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3

Newbury, Darren. Towards a new practice in photographic education. Birmingham: University of Central Englandin Birmingham, 1995.

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4

Sroka, Iris E. Young children's photographic practice: Representation and world knowledge. Ann Arbor, Mich: UMI Dissertation Services, 2002.

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5

Hamilton College (Clinton, N.Y.), ed. In context: The portrait in contemporary photographic practice. Clinton, New York: Ruth and Elmer Wellin Museum of Art, Hamilton College, 2014.

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6

Laney, Dennis H. Leica, lens practice: Choosing and using Leica lenses. Hove, East Sussex, U.K: Hove Foto Books, 1985.

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7

Filippo, Maggia, Opera Bevilacqua La Masa (Venice, Italy) y Museo di fotografia contemporanea (Cinisello Balsamo, Italy), eds. Victor Burgin: Components of a practice. Milano: Skira, 2008.

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8

Arancio, Salvatore. The new Victorians: Delineating a new trend in modern photographic practice. London: LCP, 2003.

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9

Arancio, Salvatore. The new Victorians: Delineating a new trend in modern photographic practice. London: LCP, 2001.

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10

MRCP 2 practice papers: Case histories, data interpretations and photographic material. 3a ed. Knutsford, Cheshire: PasTest, 2003.

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11

Solomon-Godeau, Abigail. Photography at the dock: Essays on photographic history, institutions, and practices. Minneapolis: University of Minnesota Press, 1997.

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12

Photography at the dock: Essays on photographic history, institutions, and practices. Minneapolis: University of Minnesota Press, 1991.

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13

Crow, Judith. Digital photography: Developing an alliance between photographic and computer technologies and practices. [London]: Middlesex Polytechnic, 1988.

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14

Allen, Mary. Portrait photographyin practice. Newton Abbot: David & Charles, 1985.

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15

Portrait photography in practice. Newton Abbot: David & Charles, 1985.

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16

Nusairi, Sara El. Hashem El Madani: Studio practices. Beirut: Arab Image Foundation, 2004.

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17

Stevie, Bezencenet y Corrigan Philip Richard D, eds. Photographic practices: Towards a diffrent image. London: Comedia Pub. Group, 1986.

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18

Bill, Anthes, ed. Reframing photography: Theory and practice. Abingdon, Oxon: Routledge, 2010.

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19

Sundt, Christine L. Conservation practices for slide and photograph collections. [United States]: Visual Resources Association, 1989.

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20

McNider, Barksdale. Assistant's marketing handbook: A photographic assistant's guide to marketing & business practices. [Dallas, Tex: Dallas ASMP Assistant Committee, 1987.

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21

Simpson, Larry. Commercial photography: Secrets, theories & practices. Georgetown, Texas: Armadillo Pub. Corp, 2001.

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22

AG+ Photographic (Darkroom Practice & Photography). Timothy Benn Publishing Ltd, 2000.

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23

Photographic Exposure in Practice (Photography in Practice). Trafalgar Square Publishing, 1988.

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24

AG plus Photographic: Darkroom practice & photography. Richmond: Working Books Ltd., 1994.

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25

AG plus Photographic: Darkroom practice & photography. Taunton: Working Books Ltd., 1995.

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26

AG plus Photographic: Darkroom practice & photography. London: Silverprint manual, 1991.

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27

AG plus Photographic: Darkroom practice & photography. Richmond: Working Books Ltd., 1993.

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28

AG plus photographic: Darkroom practice & photography. London: Timothy Benn, 1997.

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29

Eddie, Ephraums, ed. AG plus Photographic: Darkroom practice & photography. London: AG plus Photographic, 1992.

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30

Attridge, Geoffrey. Photographic Developing in Practice. David & Charles, 1987.

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31

Mack, Michael C. Surface: Contemporary Photographic Practice. Booth-Clibborn Editions, 2000.

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32

Surface Contemporary Photographic Practice. Gingko Press, 1997.

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33

Photographic Case Studies in Family Practice. Corey Kupersmith, RPh, 1994.

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34

Hardwich, T. Frederick. Manual of Photographic Chemistry: Including the Practice of the Collodion Process. Independently Published, 2022.

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35

Finnegan, Cara A. The Presence of Unknown Soldiers and Imaginary Spirits. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039263.003.0002.

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This chapter analyzes close readings of photographs of the battlefield dead at Antietam, published accounts of photographs of unknown soldiers, and public commentary and trial transcripts related to the practice of spirit photography. Such photographs posed considerable reading problems for viewers who were unaccustomed to the idea of photographic representations of death and the afterlife. In a time of national crisis, grief, and trauma, viewers made sense of such images by drawing on their recognition of photography's capacity to produce presence. The chapter first provides an overview of Civil War photography before turning to photographs of unknown soldiers at the Battle of Antietam. It also considers how the most permanent of absences were seemingly erased by the mysterious appearance of the apparent spirits of deceased family and friends in photographic portraits. During a period in which the collective grief of the “republic of suffering” vividly animated public life, those who read both war and spirit photographs recognized the medium's capacity for producing presence in the face of the most traumatic of absences.
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36

Hardwich, Thomas Frederick. Manual of Photographic Chemistry, Including the Practice of the Collodion Process. HardPress, 2020.

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37

Hardwich, T. Frederick. Manual of Photographic Chemistry, Including the Practice of the Collodion Process. Independently Published, 2021.

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38

Simmons, Mike y Shirley Read. Photographers and Research: The Role of Research in Contemporary Photographic Practice. Taylor & Francis Group, 2016.

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39

Simmons, Mike y Shirley Read. Photographers and Research: The Role of Research in Contemporary Photographic Practice. Taylor & Francis Group, 2016.

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40

Simmons, Mike y Shirley Read. Photographers and Research: The Role of Research in Contemporary Photographic Practice. Taylor & Francis Group, 2016.

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41

Photographers and Research: The Role of Research in Contemporary Photographic Practice. Taylor & Francis Group, 2016.

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42

Photographic case studies in family practice: Diagnostic tests for the practitioner. Greenwich, Conn: Clinical Communications, 1994.

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43

Simmons, Mike y Shirley Read. Photographers and Research: The Role of Research in Contemporary Photographic Practice. Taylor & Francis Group, 2017.

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44

Simmons, Mike y Shirley Read. Photographers and Research: The Role of Research in Contemporary Photographic Practice. Taylor & Francis Group, 2016.

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45

A Manual of Photographic Chemistry: Including the Practice of the Collodion Process. Franklin Classics, 2018.

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46

Hardwich, Thomas Frederick. A Manual of Photographic Chemistry, Including the Practice of the Collodion Process. Franklin Classics Trade Press, 2018.

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47

Hardwich, T. Frederick. A Manual of Photographic Chemistry, Including the Practice of the Collodion Process. Arkose Press, 2015.

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48

Hardwich, Thomas Frederick. A Manual of Photographic Chemistry: Including the Practice of the Collodion Process. Franklin Classics, 2018.

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49

Hardwich, Thomas Frederick. A Manual of Photographic Chemistry, Including the Practice of the Collodion Process. Franklin Classics, 2018.

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50

Hardwich, Thomas Frederick. A Manual of Photographic Chemistry: Including the Practice of the Collodion Process. Franklin Classics Trade Press, 2018.

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