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Libros sobre el tema "Performance"

Autor: Grafiati

Publicado: 4 de junio de 2021

Última modificación: 30 de noviembre de 2024

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1

C, Peeps Claire V. y Photographic Resource Center (Boston, Mass.), eds. Photography & performance: Exhibitions, performances and lectures. Boston: The Center, 1989.

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2

Oort, Bart van. To speak or to sing: Mozart and Beethoven on the fortepiano. [Lincoln, Neb.]: Hixson-Lied College of Fine and Performing Arts, University of Nebraska--Lincoln, 2007.

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3

Hilton, Julian. Performance. London: Macmillan Education UK, 1987. http://dx.doi.org/10.1007/978-1-349-18953-3.

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4

David, Rowland, Howard Patricia, Herbert Trevor, Philip Robert, Tucker Mark y Middleton Richard, eds. Performance. 2^a ed. Milton Keynes: Open University, 2010.

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5

Dale, Timpe A., ed. Performance. New York: Facts on File Publications, 1988.

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6

Moreno, Jorge. Performance. Oviedo: Krk Ediciones, 2005.

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7

Jan, Lewis. Performance. Swindon: Child's Play (International) Ltd., 2012.

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8

Stiffler, Mark A. Performance. New York: John Wiley & Sons, Ltd., 2006.

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9

Hilton, Julian. Performance. Houndmills, Basingstoke, Hampshire: Macmillan, 1987.

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10

Clark, Douglas. Performance. London: V. Gollancz, 1985.

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11

Clark, Douglas. Performance. Bath: Chivers, 1987.

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12

Clark, Douglas. Performance. Bath, England: Chivers Press, 1987.

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13

Campbell, George. Performance. Thunder Bay, Ont: Link Publishing Co, 1985.

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14

Peter, Halter y International Conference on Performance (1997 : Université de Lausanne), eds. Performance. Tübingen: G. Narr, 1999.

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15

Hölling, Hanna B., Jules Pelta Feldman y Emilie Magnin. Performance. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003309987.

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16

Majewski, Mirosław G. Performance. Warszawa: Ludowa Spółdzielnia Wydawnicza, 2009.

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17

Avedon, Richard. Performance. New York: Abrams, 2008.

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18

Jakubowska-Fijałkowska, Genowefa. Performance. Poznań: Wydawnictwo Wojewódzkiej Biblioteki Publicznej i Centrum Animacji Kultury, 2011.

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19

Hölling, Hanna B., Jules Pelta Feldman y Emilie Magnin. Performance. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003467809.

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20

Heckman, James J. The performance of performance standards. Cambridge, MA: National Bureau of Economic Research, 2002.

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21

Union, Shotokan Karate. Shotokan Karate Union Performance: Performance. Culcheth, Cheshire: Yudansha Press, 1985.

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22

Koca, Gary A. Performance management: Performance standards & you. 2^a ed. Huntsville, AL: FPMI Communications, Inc., 2002.

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23

Bond, Peter. Locating performance: Performance related text. London: b light more light, 2003.

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24

1946-, Nelson Brian, Freadman Anne 1944- y Anderson Philip 1949-, eds. Telling performances: Essays on gender, narrative, and performance. Newark: University of Delaware Press, 2001.

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25

Double, Oliver. Popular Performance. Bloomsbury Publishing Plc, 2017.

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26

Double, Oliver, Louise Peacock y Adam Ainsworth. Popular Performance. Bloomsbury Publishing Plc, 2018.

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27

Double, Oliver. Popular Performance. Bloomsbury Publishing Plc, 2017.

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28

Double, Oliver. Popular Performance. Bloomsbury Publishing Plc, 2017.

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29

Aircraft Performance. VDM Verlag, 2009.

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30

Wagner et Lyon: Chronique d'un grand siecle. Lyon: [Éditions lyonnaises d'Art et d'Histoire, 2002.

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31

Performance Hoof, Performance Horse. The Crowood Press, 2017.

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32

Barker, Nic. Performance Hoof, Performance Horse. Independently Published, 2017.

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33

Aircraft Performance: An Engineering Approach. Taylor & Francis Group, 2017.

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34

Dumitrascu, Sorin. Appraising Performance: Performance Reviews and Continual Performance Assessments. Independently Published, 2016.

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35

Performance: Live Art Since the '60s. Thames & Hudson, 2004.

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36

Childers, Jana y Clayton J. Schmit. Performance in Preaching: Bringing the Sermon to Life. Baker Publishing Group, 2008.

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37

Stiffler, Mark A. Performance. Wiley & Sons, Incorporated, John, 2006.

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38

Wickerson, Erica. Performance. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198793274.003.0003.

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Considering moments of theatrical and social performance in narrative is not an obvious way of shedding light on the experience of time. But this chapter suggests that it is a particularly useful theme for consideration because it involves tensions between self and other, between artifice and authenticity. Since we are all always in some sense performing and since performance always involves two distinct yet simultaneous experiences—that of the performer and that of their audience—it poses an interesting challenge for the narration of time. Mann’s The Confessions of Felix Krull, Doctor Faustus, Blood of the Walsungs, and Oscar Wilde’s The Picture of Dorian Gray are compared in an exploration of the narration of simultaneity, ways in which the changing prioritization of multiple perspectives affects the overall flow of time in a given scene, and the effect on time of moments of sexual performance and performative sexuality.

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39

Michaels, Axel y William S. Sax. Performance. Editado por Michael Stausberg y Steven Engler. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780198729570.013.21.

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This chapter reviews prominent theories of ‘performance’ and ‘performativity’ and compares them to theories of ritual. It begins with important theories of performativity in language, and moves on to discussions of the relation between performativity in theatre and in ritual. This chapter argues shows how a focus on performativity in religion and ritual emphasizes embodiment over cognition, situated communication over linguistic structure, and contextual meaning over propositional content. This chapter considers the example of Indian popular theatre and its relation to Indian theology. It also reviews important theories of performativity associated with Austin, Goffman, Schechner, Tambiah, and Turner, arguing that a performative approach to religion and ritual sees them as emergent, contingent, creative, dynamic, embodied, open-ended, and above all context-dependent.

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40

Klein, Gabriele y Wolfgang Sting, eds. Performance. transcript-Verlag, 2005. http://dx.doi.org/10.14361/9783839403792.

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41

Pelias, Ronald J. Performance. Routledge, 2016. http://dx.doi.org/10.4324/9781315422770.

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42

Performance. Bloomsbury Publishing Plc, 1998. http://dx.doi.org/10.5040/9781838712433.

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43

MacCabe, Colin. Performance. Bloomsbury Publishing Plc, 2020. http://dx.doi.org/10.5040/9781838719456.

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44

Klein, Gabriele y Wolfgang Sting, eds. Performance. transcript Verlag, 2005. http://dx.doi.org/10.1515/9783839403792.

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45

Lowrie, Michèle. Performance. Oxford University Press, 2010. http://dx.doi.org/10.1093/oxfordhb/9780199211524.013.0019.

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46

Ranger, Dr P. V. y P. Ranger, eds. Performance. Taylor & Francis, 2003. http://dx.doi.org/10.4324/9780203473030.

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47

Performance. FINANCIAL TIMES PREN, 2006.

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48

Performance. Te Herenga Waka University Press, 2024.

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49

Performance. Rankin Photography, 2021.

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50

Performance. GRASSET, 2022.

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