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1

1917-, Carlsen G. Robert y Carlsen Ruth Christoffer, eds. Perception. New York: Webster Division, McGraw-Hill, 1985.

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2

Marie, Florence, Françoise Buisson y Christelle Lacassain-Lagoin. Perception, perspective, perspicacité: Perception, perspective and perspicacity. Paris: L'Harmattan, 2014.

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3

Silke, Horstkotte y Leonhard Karin, eds. Seeing perception. Newcastle, UK: Cambridge Scholars Pub., 2007.

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4

Silke, Horstkotte y Leonhard Karin, eds. Seeing perception. Newcastle, UK: Cambridge Scholars Pub., 2007.

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5

Michael, Martin. ESP: Extrasensory perception. Mankato, Minn: Edge Books, 2006.

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6

Catherine, Phillips, ed. The perception of English literature in Russia: Investigations and materials. Nottingham, England: Astra, 1994.

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7

Freese, Joan. Patterns on parade. Milwaukee: Weekly Reader Early Learning Library, 2007.

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8

Steffora, Tracey. Patterns at the museum. Chicago, Ill: Heinemann Library, 2011.

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9

Hilke, Meyer-Bahlburg y Universität Hamburg. Institut für Afrikanistik und Aẗhiopistik., eds. Levels of perception and reproduction of reality in modern African literature. Leipzig: Institut für Afrikanistik, 1997.

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10

Black, J. L. Soviet perception of Canada, 1945-1987: An overview of the literature. Toronto: Centre for Russian and East European Studies, University of Toronto, 1990.

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11

Walter, Pape y Burwick Frederick, eds. Reflecting senses: Perception and appearance in literature, culture, and the arts. Berlin: W. de Gruyter, 1995.

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12

Bruzan, Adinel, Raluca Mocan y Roxana Vicovanu. La perception, entre cognition et esthétique. Paris: Classiques Garnier, 2015.

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13

Carr, Aaron. Big and small. New York: AV2, 2012.

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14

Netzley, Patricia D. ESP. San Diego: Lucent Books, 2001.

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15

Rivera, Sheila. In and out. Minneapolis, MN: Lerner Publications Co., 2005.

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16

Near and far. Minneapolis: Lerner Publications, 2005.

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17

Rivera, Sheila. Over and under. Minneapolis: Lerner Publications, 2005.

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18

ill, Horne Fiona, ed. What's the difference? New York: Putnam, 1986.

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19

Aslanoğlu, Äli. Muğam poetikası va idrak: Mugam poetry and perception. Bakı: Elm, 2004.

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20

Brivic, Sheldon. The veil of signs: Joyce, Lacan, and perception. Urbana: University of Illinois Press, 1991.

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21

Brockbank, Philip. The creativity of perception: Essays in the genesis of literature and art. Oxford, UK: B. Blackwell, 1991.

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22

Mineo, Tyrone. Near and far with birds. New York: Gareth Stevens Pub., 2012.

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23

ill, Nihoff Tim, ed. Teddy bear patterns. Watertown, MA: Charlesbridge, 2013.

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24

Deen, Marilyn. Finding patterns. Mankato, Minn: Capstone Press, 2012.

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25

Carr, Aaron. Animal patterns. New York: AV2, 2012.

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26

Buuren, Maarten van. De innerlijke ervaring: Essays over waarneming, beeld en geheugen. Groningen: Historische Uitgeverij, 2007.

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27

Suzuki, Laura. David Suzuki asks Did you know-- about shapes and sizes. Don Mills, Ont: General Paperbacks, 1991.

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28

Buuren, Maarten van. De innerlijke ervaring: Essays over waarneming, beeld en geheugen. Groningen: Historische Uitgeverij, 2007.

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29

Perception Literature/Grade 8/Student. 5a ed. Glencoe/Mcgraw-Hill, 1989.

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30

Landscape perception in early Celtic literature. Aberystwyth: Celtic Studies Publications, 2004.

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31

Perspectives on perception: Philosophy, art, and literature. New York: P. Lang, 1989.

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32

Anderson, Louise. Perception of Death. Bantam, 2009.

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33

Anderson, Louise. Perception of Death. Penguin Random House, 2016.

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34

Anderson, Louise. Perception of Death. Penguin Random House, 2012.

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35

Carlsen, G. Robert y Ruth Christoffer Carlsen. Perception (The Mcgraw-Hill Literature Series) Treasury Edition. Macmillan/Mcgraw-Hill School, 1985.

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36

Carlsen, G. Robert. Perception: Teacher's Resource Guide (Mcgraw-Hill Literature Series). Glencoe/Mcgraw-Hill, 1989.

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37

Carlsen, G. Robert y Ruth Christoffer Carlsen. Perception (The Mcgraw-Hill Literature Series) Treasury Edition. Macmillan/Mcgraw-Hill School, 1985.

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38

Sawada, Tadamasa, Yunfeng Li y Zygmunt Pizlo. Shape Perception. Editado por Jerome R. Busemeyer, Zheng Wang, James T. Townsend y Ami Eidels. Oxford University Press, 2015. http://dx.doi.org/10.1093/oxfordhb/9780199957996.013.12.

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This chapter provides a review of topics and concepts that are necessary to study and understand 3D shape perception. This includes group theory and their invariants; model-based invariants; Euclidean, affine, and projective geometry; symmetry; inverse problems; simplicity principle; Fechnerian psychophysics; regularization theory; Bayesian inference; shape constancy and shape veridicality; shape recovery; perspective and orthographic projections; camera models; as well as definitions of shape. All concepts are defined and illustrated, and the reader is provided with references providing mathematical and computational details. Material presented here will be a good starting point for students and researchers who plan to study shape, as well as for those who simply want to get prepared for reading the contemporary literature on the subject.
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39

Logue, Heather. Perception First? Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198716310.003.0009.

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Heather Logue, like Williamson, investigates an analogy—in her case, an analogy between knowledge and perception. This chapter asks if knowledge is unanalysable, might also perception be? After all, the history of attempts to analyse the perceptual relation have been subject to counterexamples in such as way as to broadly mirror the track record of the post-Gettier literature. To the extent that the failure of the post-Gettier project motivates a knowledge-first approach, it is natural to wonder whether an analogous sort of failure to analyse (in a fashion that avoids counterexamples) the perceptual relation motivates a perception-first approach. However, this chapter argues that even if the perceptual relation turns out to be unanalysable, this does not necessarily mean that we should embrace a perception-first approach. Finally, it suggests that there might, nonetheless, be an alternative motivation for a perception-first approach.
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40

Sense perception in Dante's Commedia. Lewiston [N.Y.]: E. Mellen Press, 1996.

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41

Essays on audience perception in Elizabethan and Jacobean literature. Salzburg: Universität Salzburg, 1997.

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42

executive, Health and safety. Risk Perception and Risk Communication - A Review of Literature. Health and Safety Executive (HSE), 1999.

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43

Russkoe vosprii︠a︡tie: Russian perception : literaturnyĭ sbornik. Aleksandrov: [publisher not identified], 2006.

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44

Audi, Robert. Moral Perception Defended. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198786054.003.0004.

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This chapter extends Robert Audi's theory of moral perception and answers some objections from the literature. It distinguishes the perceptible from the perceptual; develops a structural analogy between perception and action; explains how moral perception can be causal; clarifies respects in which moral perception is representational; and indicates how it can ground moral knowledge. The presentational character of moral perception is described, particularly the phenomenological integration between moral sensibility and non-moral perception of the natural properties that ground moral properties. The question whether moral perception is inferential is approached by clarifying the notion of inference and pursuing an analogy between moral perception and perception of emotion. Aesthetic perception is also considered as instructively analogous to moral perception. The final sections explore cognitive penetration in relation to moral perception, conceptual and developmental aspects of moral perception, and the latitude Audi’s account of it allows in the epistemology and ontology of ethics.
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45

Wesling, Donald. Animal Perception and Literary Language. Palgrave Macmillan, 2018.

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46

Boyde, Patrick. Perception and Passion in Dante's Comedy. Cambridge University Press, 2009.

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47

Boyde, Patrick. Perception and Passion in Dante's Comedy. Cambridge University Press, 2011.

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48

Boyde, Patrick. Perception and Passion in Dante's Comedy. Cambridge University Press, 2006.

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49

Teacher's Resource Guide for PERCEPTION (The McGraw-Hill Literature Series). McGraw-Hill, 1985.

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50

Making sense: Animal perception and communication. New York: Farrar Straus Giroux in association with Thirteen/WNET, 1993.

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