Artículos de revistas sobre el tema "Perceived musicality"
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Howard, David, Stuart Rosen y Victoria Broad. "Major/Minor Triad Identification and Discrimination by Musically Trained and Untrained Listeners". Music Perception 10, n.º 2 (1992): 205–20. http://dx.doi.org/10.2307/40285607.
Texto completoDalgarno, Gordon. "Improving on What is Possible with Hearing Aids for Listening to Music". British Journal of Music Education 7, n.º 2 (julio de 1990): 99–121. http://dx.doi.org/10.1017/s0265051700007610.
Texto completoTierney, Adam, Aniruddh D. Patel y Mara Breen. "Repetition Enhances the Musicality of Speech and Tone Stimuli to Similar Degrees". Music Perception 35, n.º 5 (1 de junio de 2018): 573–78. http://dx.doi.org/10.1525/mp.2018.35.5.573.
Texto completoMamonova, Yana A. y Denis V. Tsarev. "Advantages of Music Game As a Method of Teaching Junior Schoolchildren". Uchenye Zapiski RGSU 20, n.º 1 (30 de marzo de 2021): 148–55. http://dx.doi.org/10.17922/2071-5323-2021-20-1-148-155.
Texto completoBugaj, Katarzyna A., James Mick y Alice-Ann Darrow. "The Relationship Between High-Level Violin Performers’ Movement and Evaluators’ Perception of Musicality". String Research Journal 9, n.º 1 (25 de junio de 2019): 23–33. http://dx.doi.org/10.1177/1948499219851374.
Texto completoMonaci, Maria Grazia, Maya Gratier, Colwyn Trevarthen, Didier Grandjean, Pierre Kuhn y Manuela Filippa. "Parental Perception of Vocal Contact with Preterm Infants: Communicative Musicality in the Neonatal Intensive Care Unit". Children 8, n.º 6 (17 de junio de 2021): 513. http://dx.doi.org/10.3390/children8060513.
Texto completoMacenka, Svitlana. "Music as Metaphor and Music Metaphors in Belles-Lettres and Scientific Music-Literary Discourse". Pitannâ lìteraturoznavstva, n.º 101 (9 de julio de 2020): 88–108. http://dx.doi.org/10.31861/pytlit2020.101.088.
Texto completoCostes-Onishi, Pamela. "Negotiating the boundaries between the formal and the informal: An experienced teacher's reflective adaptations of informal learning in a keyboard class for at-risk students". British Journal of Music Education 33, n.º 3 (30 de junio de 2016): 309–26. http://dx.doi.org/10.1017/s0265051716000140.
Texto completoCramer, Alfred W. "Of Serpentina and Stenography: Shapes of Handwriting in Romantic Melody". 19th-Century Music 30, n.º 2 (2006): 133–65. http://dx.doi.org/10.1525/ncm.2006.30.2.133.
Texto completoChybowski, Julia J. "Blackface Minstrelsy and the Reception of Elizabeth Taylor Greenfield". Journal of the Society for American Music 15, n.º 3 (agosto de 2021): 305–20. http://dx.doi.org/10.1017/s1752196321000195.
Texto completoAndermann, Martin, Roy D. Patterson y André Rupp. "Transient and sustained processing of musical consonance in auditory cortex and the effect of musicality". Journal of Neurophysiology 123, n.º 4 (1 de abril de 2020): 1320–31. http://dx.doi.org/10.1152/jn.00876.2018.
Texto completoLockart, Rebekah y Sharynne McLeod. "Factors That Enhance English-Speaking Speech-Language Pathologists' Transcription of Cantonese-Speaking Children's Consonants". American Journal of Speech-Language Pathology 22, n.º 3 (agosto de 2013): 523–39. http://dx.doi.org/10.1044/1058-0360(2012/12-0009).
Texto completoSenchuk, Iryna. "Musical Code of Samuel Beckett’s Novel “Murphy”". Слово і Час, n.º 11 (15 de noviembre de 2019): 50–62. http://dx.doi.org/10.33608/0236-1477.2019.11.50-61.
Texto completoBarlow, Helen. "‘Praise the Lord! We are a Musical Nation’: The Welsh Working Classes and Religious Singing". Nineteenth-Century Music Review 17, n.º 3 (14 de abril de 2020): 445–72. http://dx.doi.org/10.1017/s1479409819000570.
Texto completoHoeschele, Marisa, Hugo Merchant, Yukiko Kikuchi, Yuko Hattori y Carel ten Cate. "Searching for the origins of musicality across species". Philosophical Transactions of the Royal Society B: Biological Sciences 370, n.º 1664 (19 de marzo de 2015): 20140094. http://dx.doi.org/10.1098/rstb.2014.0094.
Texto completoRothenberg, David y Michael Deal. "A New Morphological Notation for the Music of Humpback Whales". Art & Perception 3, n.º 3 (2015): 347–58. http://dx.doi.org/10.1163/22134913-00002040.
Texto completoCommodari, Elena y Jasmine Sole. "Music education in junior high school: Perception of emotions conveyed by music and mental imagery in students who attend the standard or musical curriculum". Psychology of Music 48, n.º 6 (21 de marzo de 2019): 824–35. http://dx.doi.org/10.1177/0305735619832962.
Texto completoBowles, Chelcy, Teryl Dobbs y Janet Jensen. "Self-Perceived Influences on Musically Active Nonmusic Majors Related to Continued Engagement". Update: Applications of Research in Music Education 33, n.º 1 (27 de junio de 2014): 11–20. http://dx.doi.org/10.1177/8755123314540657.
Texto completoPoluboyaryna, Irina. "MUSICAL TALENT IN THE WORKS OF FOREIGN RESEARCHERS". 1 1, n.º 1 (septiembre de 2020): 17–22. http://dx.doi.org/10.34142/27091805.2020.1.01.03.
Texto completoPetrović, Milena, Gordana Ačić y Vera Milanković. "Sound of picture vs picture of sound: Musical palindrome". New Sound, n.º 50-2 (2017): 217–28. http://dx.doi.org/10.5937/newso1750217p.
Texto completoThompson, William F. y Lola L. Cuddy. "Sensitivity to Key Change in Chorale Sequences: A Comparison of Single Voices and Four-Voice Harmony". Music Perception 7, n.º 2 (1989): 151–68. http://dx.doi.org/10.2307/40285455.
Texto completoEpstein, Shulamit, Cochavit Elefant y Grace Thompson. "Music Therapists’ Perceptions of the Therapeutic Potentials Using Music When Working With Verbal Children on the Autism Spectrum: A Qualitative Analysis". Journal of Music Therapy 57, n.º 1 (9 de diciembre de 2019): 66–90. http://dx.doi.org/10.1093/jmt/thz017.
Texto completoHaas, F., S. Distenfeld y K. Axen. "Effects of perceived musical rhythm on respiratory pattern". Journal of Applied Physiology 61, n.º 3 (1 de septiembre de 1986): 1185–91. http://dx.doi.org/10.1152/jappl.1986.61.3.1185.
Texto completoRasch, Rudolf A. "Perception of Melodic and Harmonic Intonation of Two-Part Musical Fragments". Music Perception 2, n.º 4 (1985): 441–58. http://dx.doi.org/10.2307/40285312.
Texto completoKokotsaki, Dimitra. "Musical involvement outside school: How important is it for student-teachers in secondary education?" British Journal of Music Education 27, n.º 2 (2 de junio de 2010): 151–70. http://dx.doi.org/10.1017/s0265051710000069.
Texto completoSzilâgyi, Ana. "A theory of piano interpretation based on cybernetics". New Sound, n.º 46 (2015): 107–15. http://dx.doi.org/10.5937/newso1546107s.
Texto completoKrumhansl, Carol L., Gregory J. Sandell y Desmond C. Sergeant. "The Perception of Tone Hierarchies and Mirror Forms in Twelve-Tone Serial Music". Music Perception 5, n.º 1 (1987): 31–77. http://dx.doi.org/10.2307/40285385.
Texto completoBehne, Klaus-Ernst y Clemens Wöllner. "Seeing or hearing the pianists? A synopsis of an early audiovisual perception experiment and a replication". Musicae Scientiae 15, n.º 3 (15 de agosto de 2011): 324–42. http://dx.doi.org/10.1177/1029864911410955.
Texto completoWierød Borčak, Lea. "Community as a discursive construct in contemporary Danish singing culture". SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 9, n.º 1 (22 de enero de 2020): 81–97. http://dx.doi.org/10.7146/se.v9i1.113023.
Texto completoPARK, JUYONG, OSCAR CELMA, MARKUS KOPPENBERGER, PEDRO CANO y JAVIER M. BULDÚ. "THE SOCIAL NETWORK OF CONTEMPORARY POPULAR MUSICIANS". International Journal of Bifurcation and Chaos 17, n.º 07 (julio de 2007): 2281–88. http://dx.doi.org/10.1142/s0218127407018385.
Texto completoCOCHRAN, TIMOTHY B. "‘Crying Out With Life and Truth’: Simulating Immersion in Messiaen'sDes Canyons aux étoiles. . ." Twentieth-Century Music 14, n.º 2 (junio de 2017): 179–207. http://dx.doi.org/10.1017/s1478572217000202.
Texto completoBIRBAUMER, N., W. LUTZENBERGER, H. RAU, C. BRAUN y G. MAYER-KRESS. "PERCEPTION OF MUSIC AND DIMENSIONAL COMPLEXITY OF BRAIN ACTIVITY". International Journal of Bifurcation and Chaos 06, n.º 02 (febrero de 1996): 267–78. http://dx.doi.org/10.1142/s0218127496000047.
Texto completoFarbood, Morwaread M. "Memory of a Tonal Center After Modulation". Music Perception 34, n.º 1 (1 de septiembre de 2016): 71–93. http://dx.doi.org/10.1525/mp.2016.34.1.71.
Texto completoYong-Hee Kim. "A Survey of the Backgrounds of Musically-talented Students’ Parents and Their Perceived Environments for the Musical Development of Their Children". Journal of Research in Curriculum Instruction 16, n.º 2 (junio de 2012): 461–80. http://dx.doi.org/10.24231/rici.2012.16.2.461.
Texto completoClark, Maribeth. "The Quadrille as Embodied Musical Experience in 19th-Century Paris". Journal of Musicology 19, n.º 3 (2002): 503–26. http://dx.doi.org/10.1525/jm.2002.19.3.503.
Texto completoBalkwill, Laura-Lee y William Forde Thompson. "A Cross-Cultural Investigation of the Perception of Emotion in Music: Psychophysical and Cultural Cues". Music Perception 17, n.º 1 (1999): 43–64. http://dx.doi.org/10.2307/40285811.
Texto completoAlessandri, Elena, Dawn Rose, Olivier Senn, Katrin Szamatulski, Antonio Baldassarre y Victoria Jane Williamson. "Consumers on Critique: A Survey of Classical Music Listeners’ Engagement with Professional Music Reviews". Music & Science 3 (1 de enero de 2020): 205920432093133. http://dx.doi.org/10.1177/2059204320931337.
Texto completoCastro, São Luís y César F. Lima. "Age and Musical Expertise Influence Emotion Recognition in Music". Music Perception 32, n.º 2 (1 de diciembre de 2014): 125–42. http://dx.doi.org/10.1525/mp.2014.32.2.125.
Texto completoRepp, Bruno H. "Metrical Subdivision Results in Subjective Slowing of the Beat". Music Perception 26, n.º 1 (1 de septiembre de 2008): 19–39. http://dx.doi.org/10.1525/mp.2008.26.1.19.
Texto completoMadsen, Clifford K. y Katia Madsen. "Perception and Cognition in Music: Musically Trained and Untrained Adults Compared to Sixth-Grade and Eighth-Grade Children". Journal of Research in Music Education 50, n.º 2 (julio de 2002): 111–30. http://dx.doi.org/10.2307/3345816.
Texto completoKaiser, Ramona y Peter E. Keller. "Music's Impact on the Visual Perception of Emotional Dyadic Interactions". Musicae Scientiae 15, n.º 2 (julio de 2011): 270–87. http://dx.doi.org/10.1177/102986491101500208.
Texto completoKaiser, Ramona y Peter E. Keller. "Music’s impact on the visual perception of emotional dyadic interactions". Musicae Scientiae 15, n.º 2 (julio de 2011): 270–87. http://dx.doi.org/10.1177/1029864911401173.
Texto completoHuang, Jennifer y Carol Lynne Krumhansl. "What does seeing the performer add? It depends on musical style, amount of stage behavior, and audience expertise". Musicae Scientiae 15, n.º 3 (29 de julio de 2011): 343–64. http://dx.doi.org/10.1177/1029864911414172.
Texto completoHuron, David. "Voice Denumerability in Polyphonic Music of Homogeneous Timbres". Music Perception 6, n.º 4 (1989): 361–82. http://dx.doi.org/10.2307/40285438.
Texto completoGold, Benjamin P., Ernest Mas-Herrero, Yashar Zeighami, Mitchel Benovoy, Alain Dagher y Robert J. Zatorre. "Musical reward prediction errors engage the nucleus accumbens and motivate learning". Proceedings of the National Academy of Sciences 116, n.º 8 (6 de febrero de 2019): 3310–15. http://dx.doi.org/10.1073/pnas.1809855116.
Texto completoSkinner, Ryan Thomas. "Civil taxis and wild trucks: the dialectics of social space and subjectivity in Dimanche à Bamako". Popular Music 29, n.º 1 (enero de 2010): 17–39. http://dx.doi.org/10.1017/s0261143009990365.
Texto completoZavadska, Galina. "CRITERIA AND INDICATORS OF THE DEVELOPMENT OF MUSICIAN’S TIMBRE HEARING". SOCIETY. INTEGRATION. EDUCATION. Proceedings of the International Scientific Conference 1 (28 de mayo de 2021): 787–95. http://dx.doi.org/10.17770/sie2021vol1.6191.
Texto completoBattcock, Aimee y Michael Schutz. "Acoustically Expressing Affect". Music Perception 37, n.º 1 (1 de septiembre de 2019): 66–91. http://dx.doi.org/10.1525/mp.2019.37.1.66.
Texto completoPetersen, Erik Alan, Tom Colinot, Philippe Guillemain y Jean Kergomard. "The link between the tonehole lattice cutoff frequency and clarinet sound radiation: a quantitative study". Acta Acustica 4, n.º 5 (2020): 18. http://dx.doi.org/10.1051/aacus/2020018.
Texto completoRothfarb, Lee. "August Halm on Body and Spirit in Music". 19th-Century Music 29, n.º 2 (2005): 121–41. http://dx.doi.org/10.1525/ncm.2005.29.2.121.
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