Literatura académica sobre el tema "Patrimoine culturel – Restitution – Afrique"
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Artículos de revistas sobre el tema "Patrimoine culturel – Restitution – Afrique"
Onyeji, Elizabeth y Christian Onyeji. "Archiving Indigenous Igbo Musical Heritage in Human Memories: Sustainability Challenges and Digital Transfer as Strategy for Future Recovery of Extinct Musical Forms". Fontes Artis Musicae 70, n.º 4 (octubre de 2023): 314–33. http://dx.doi.org/10.1353/fam.2023.a915319.
Texto completoThorleifsen, Daniel. "La restitution du patrimoine culturel Groenlandais". Museum International (Edition Francaise) 61, n.º 1-2 (mayo de 2009): 26–31. http://dx.doi.org/10.1111/j.1755-5825.2009.01033.x.
Texto completoCoremans, Paul. "La conservation du patrimoine culturel en Afrique tropicale". Museum International (Edition Francaise) 18, n.º 3 (24 de abril de 2009): 168–82. http://dx.doi.org/10.1111/j.1755-5825.1965.tb01932.x.
Texto completoSoro, Kassoum Batjeni. "La restitution du patrimoine culturel africain, une chance à saisir". Nectart N°10, n.º 1 (2020): 138. http://dx.doi.org/10.3917/nect.010.0138.
Texto completoMartinet, Lily. "La restitution du patrimoine culturel africain : règles internationales applicables et pratiques nationales". Annuaire français de droit international 65, n.º 1 (2019): 675–96. http://dx.doi.org/10.3406/afdi.2019.5331.
Texto completoCousin, Saskia. "Jean-Marie Breton (dir.), Patrimoine culturel et tourisme alternatif (Europe - Afrique - Caraïbe - Amériques)". Mondes du tourisme, n.º 3 (1 de junio de 2011): 97–98. http://dx.doi.org/10.4000/tourisme.533.
Texto completoKola, Étienne. "Faire de la philosophie avec les enfants africains à partir du fond culturel endogène". Articles spéciaux 72, n.º 2 (6 de abril de 2017): 261–71. http://dx.doi.org/10.7202/1039297ar.
Texto completoGalitzine-Loumpet, Alexandra. "e-matériel". Ethnologies 35, n.º 2 (10 de septiembre de 2014): 77–100. http://dx.doi.org/10.7202/1026549ar.
Texto completoSavoy, Bénédicte y Sabine Cassard. "Bénédicte Savoy. Co-auteur avec Felwine Sarr d’un rapport sur la restitution du patrimoine culturel africain". La lettre du Collège de France, n.º 44 (1 de marzo de 2019): 32–33. http://dx.doi.org/10.4000/lettre-cdf.4336.
Texto completoLanglois, Suzanne. "Réflexions autour du film The Monuments Men (2014)". Ethnologies 39, n.º 1 (30 de agosto de 2018): 139–54. http://dx.doi.org/10.7202/1051055ar.
Texto completoTesis sobre el tema "Patrimoine culturel – Restitution – Afrique"
Losch, Flora. "Technopolitiques post-coloniales : radiotélévisions, archives audiovisuelles et retour du passé en Afrique (XXe-XXIe siècles)". Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0024.
Texto completoAt a time of debates on digital imperialism, the decolonization of heritage organizations, and the renewal of the relations between European and African states, this thesis seeks to survey a “slow-moving history” with lasting historiographic and cultural impacts: that of media technopolitics and of the accumulation of an audiovisual “documentary mass” by contemporary states.During the first 20th century, audiovisual technologies were introduced to Africa to serve imperial projects. Expanded to television during the decolonization, this techno-imperial investment was redeployed in the post-colonial context through cooperation between European and African states. Over the century, these technologies have generated a mass of analogue audiovisual archives. Produced exclusively by the former, and then by the latter after their independence, these archives are subject to obsolescence and destruction. Since the turn of the 21st century, they have been saved thanks to digital technologies, which radically change the terms and conditions of their preservation. Holding a monopoly on the continent’s audiovisual past, European states have assisted those of Africa, and this assistance, like that provided for their digital migration, forms part of the same post-colonial technopolitics.Lying at the intersection of relational histories, science studies, critical archival studies and critical heritage studies, this thesis reconstructs this puzzle using paper and audiovisual archives, semi-directive interviews and technical audits. It makes these media archives, which have remained outside of the reflection on the colonial archive and the “archive-subject”, an object of research in their own right. Centered on the analysis of the French imperial project and the agency of African actors, particularly in Côte d’Ivoire and Senegal, it consists of two volumes, the first of which, “Rewinding time to understand the collections (20th century)”, situates these archives in a long-term history. This volume studies the structuring of radio networks during the colonial period and their reconfiguration after the introduction of television and the coeval independence, post-1960 (part 1). By following two actors, it shows the intertwining of humans and non-humans in these socio-technical networks while also highlighting the polycentric nature of audiovisual technologies (part 2). By reconstructing the concomitant production of a legal instrument within UNESCO, it analyzes the standardization of audiovisual heritage preservation while retracing the first, now largely forgotten, debates on the restitution of the audiovisual heritage accumulated by the imperial states (part 3).These histories converge in the contemporary period, explored in the second volume “New issues in African audiovisual archives (21st century)”. This volume analyzes the implications of the change in the technical system on the audiovisual archives of the Ivorian and Senegalese public broadcasters and on the international preservation activity (part 4). Part 5 focuses on the reconfiguration of Franco-African cooperation and French investment in the safeguarding of African audiovisual archives. It also studies the African collections held on French territory, especially in the Institut national de l’audiovisuel, one of the main organizations holding African audiovisual past, bringing out the need for their restitution. At the end of these developments, it appears that the preservation activity is historically situated and a space where resources of the past, technologies, states, markets, knowledge and powers intermingle, this question being thus brought back into the field of politics
Kante, Bocar Oumar. "Droit du patrimoine culturel en Afrique". Paris 1, 2010. http://www.theses.fr/2010PA010312.
Texto completoFraoua, Ridha. "Le trafic illicite des biens culturels et leur restitution : analyse des réglementations nationales et internationales, critiques et propositions /". Fribourg : Eds. universitaires de Fribourg, 1985. http://catalogue.bnf.fr/ark:/12148/cb41020795g.
Texto completoTurner, Stefan. "Das Restitutionsrecht des Staates nach illegaler Ausfuhr von Kulturgütern : Eigentumsordnung und völkerrechtliche Zuordnung /". Berlin : De Gruyter, 2002. http://catalogue.bnf.fr/ark:/12148/cb399501203.
Texto completoLambert, Aurélien. "Les objets d'ailleurs, ici et là-bas : perceptions, usages et significations des objets africains". Thesis, Université de Lorraine, 2012. http://www.theses.fr/2012LORR0373.
Texto completoThis research aims to analyze, through ethnographic inquiry, the phenomenon of qualification of the "African objects" as well as the personal and institutional problems that justify their appropriation and appreciation. Based on a field survey conducted in France and Mali, the study seeks to identify the spectrum of individual and collective practices that are organized around and with these productions. Europeans or Africans, amateurs, collectors, carvers, tourists and merchants, a multiplicity of individual actors, sometimes coming from areas totally strangers to each other, revolve around this object class and consider them from various perspectives. Based on a dynamic approach and on a historical viewpoint to draw a symmetrical anthropology of these objects - symmetry Africa/West, objects/people, expert/layperson - the goal is to build an observation framework which allows to respect the diversity of appropriation forms of these material productions. In other words, this work wants to analyze the physical, semantic or conceptual transformations which objects are subject for their circulation and because of their transit between geographical areas, national cultures and different economic worlds. The observation of socio-technical devices on which lean on the tastes, practices and worldviews of these actors allows to identify the stakes that unite them or divide them
Meyer, Elise Grussenmeyer Pierre Perrin Jean-Pierre. "Acquisition 3D, documentation et restitution en archéologie proposition d'un modèle de Système d'Information dédié au patrimoine /". S. l. : S. n, 2007. http://www.scd.uhp-nancy.fr/docnum/SCD_T_2007_0109_MEYER.pdf.
Texto completoBezy, Eva-Mattea. "La restitution des oeuvres d'art. : Influence du droit international en France et en Italie". Electronic Thesis or Diss., Toulon, 2021. http://www.theses.fr/2021TOUL0143.
Texto completoThe restitution of works of art is more relevant than ever. Indeed, although international law seizes on this question after the end of the Second World War in 1954, cultural trafficking in wartime as in peacetime continues and generates several requests for cultural restitutions especially involving France and Italy.In addition to this illegal artistic scattering, since the 2000s there have been ethical claims concerning cultural properties taken before the ban on looting. “Legally” displaced thanks to the custom of war prizes, works of art could then be taken away by the former Western powers to largely enrich their museums. The formerly dominated countries of Africa, Asia and Latin America, which have suffered this “carving up”, now have the will to recover this heritage. The problem of war trophies is challenging and shining a light on identity, moral, political, economic and cultural issues. European states, in particular France, are increasingly questioning these past war practices and they are contributing to the establishment of a new “relational ethic”. This approach results in the acceptance of some cultural returns to their territory of origin. The restitution of works of art is at the heart of conflicting interests. It first of all raises questions about the mechanisms of restitution provided in the event of an illegal situation but also about their limits. Such a reflection then leads to another essential question. Can and should all of these limits be overcome in order to achieve a generalization of restitutions? This proposal would then require a systematization of cultural restitution, even ethical ones. Hardly conceivable, this thesis therefore proposes the innovative concept of “legitimate” restitutions which would be a compromise on which States could agree
Varano, Sandro. "Proposition d'un espace de navigation hypermédia fondé sur des parcours heuristiques comme aide à la compréhension du patrimoine culturel bâti. SPASM : Système de Parcours d'Apprentissage, de Scénarisation et de Mémorisation". Phd thesis, Institut National Polytechnique de Lorraine - INPL, 2010. http://tel.archives-ouvertes.fr/tel-00547475.
Texto completoMeyer, Elise. "Acquisition 3D, documentation et restitution en archéologie : proposition d'un modèle de Système d'Information dédié au patrimoine". Thesis, Nancy 1, 2007. http://www.theses.fr/2007NAN10109/document.
Texto completoThe documentation of archaeological heritage is an activity that evolves with the development of the New Information and Communication Technologies (NICT). Traditionally associated with recording, the documentation of an archeological site is also today synonym of publication, because it can be disseminated on-line both to other professionals and to the general public. This PhD thesis proposes a model of Information System dedicated to the documentation on Internet of patrimonial sites. It allows to record, to manage and to represent traditional documents, data coming from bi-and three-dimensional surveys, but also results of restitution and imagery works. At first, the study establishes a state of the art that allows knowing the current means and the needs of the heritage professionals in terms of conservation, visualization and publication of their data. Then, our approach considers these preoccupations to define the features of the Information System that we propose. On the basis of examples stemming from the Luxemburg heritage (the Castle of Vianden and the Villa of Echternach), we describe the way we keep the data and the associated metadata, as well as the tools developed for the representation of this information. We also present our principles of data management, based on the spatiotemporal connections that may exist between the various documents. These connections allow us to propose the use of bi-dimensional graphics or three-dimensional models as privileged supports of navigation and interaction with all other preserved documents. A global modeling of the Information System, being able to serve as a metamodel of system of on-line documentation, allows us finally to open our scope to other domains like architecture or civil engineering
Vaillant, Clémence. "La réparation des dommages causés au patrimoine artistique et culturel français au cours de la Première Guerre mondiale : restitution et compensation". Thesis, Université de Lorraine, 2021. http://www.theses.fr/2021LORR0107.
Texto completoCultural heritage suffered from many ravages during conflicts that have shaped History (destructions, transfers, wartime plunders). Despite punctuated attempts to protect it and restitutions of goods of which it was composed, it was not until the beginning of the 20th century that a global and restorative mechanism in international law was enacted.Thus, at the end of World War I came a time for assessment, involving the necessity for Allied et Associated Powers to settle a peace agreement. Once the principle of integral repair was agreed on by consensus, its implementation had to be defined. This study considers the extent of the German reparation obligation and its allies in its cultural aspect according to the treaty of Versailles. This text highlights the presence of favorable provisions towards the heritage ruined by confrontations and the passage of troops, thereby underlining the transition from a compensatory system to a restorative one, based on the combination of financial compensation, the systematic obligation of restitution and especially the recourse to artistic compensations, which represents, at the time, an innovation.These reports lead us to wonder about the reasons and the perspectives caused by this change. It is then essential to figure out the legal nature of the processes used, and the justification of infringements of the property right, aiming at the reconstruction of artistic sets. Furthermore, ought we to deduce that, at that moment, the protection of the cultural heritage - or simply the related duty of penalty - switched from the action field of a national legal system to an international one? We will focus on the roles of the administrations setting up and on the concepts which may have inspired the settlement of later conflicts (calculation of art damages, seizures of artistic guarantees)
Libros sobre el tema "Patrimoine culturel – Restitution – Afrique"
Jean-Marie, Breton, ed. Patrimoine culturel et tourisme alternatif: Afrique, Amériques, Caraïbe, Europe. Paris: Karthala, 2009.
Buscar texto completoYi, Ki-ch'ŏl. Munhwajae chŏnjaeng: Chŏnjaeng kwa yakt'al kŭrigo hoebok. Sŏul-si: Chisŏngsa, 2021.
Buscar texto completo1957-, Smith Claire y Wobst Hans Martin 1943-, eds. Indigenous archaeologies: Decolonising theory and practice. London: Routledge, 2005.
Buscar texto completo1969-, Fforde Cressida, Hubert Jane y Turnbull Paul 1954-, eds. The dead and their possessions: Repatriation in principle, policy, and practice. New York: Routledge, 2002.
Buscar texto completoL, Bray Tamara, ed. The future of the past: Archaeologists, Native Americans, and repatriation. New York: Garland Pub., 2001.
Buscar texto completoRestitution: The Return of Cultural Artefacts. Lund Humphries Publishers, Limited, 2021.
Buscar texto completoHerman, Alexander. Restitution: The Return of Cultural Artefacts. Lund Humphries Publishers, Limited, 2021.
Buscar texto completoThe restitution of African cultural heritage: Toward a new relational ethics. Paris]: Ministère de la Culture, 2018.
Buscar texto completoLosson, Pierre. Return of Cultural Heritage to Latin America. Taylor & Francis Group, 2022.
Buscar texto completoReturn of Cultural Heritage to Latin America: Nationalism, Policy, and Politics in Colombia, Mexico, and Peru. Taylor & Francis Group, 2023.
Buscar texto completoCapítulos de libros sobre el tema "Patrimoine culturel – Restitution – Afrique"
Belghiti El Alaoui, Nadia. "Chapitre 10 : Le paysage linguistique au Maroc entre politiques publiques et réalité sociale". En Re-penser les politiques linguistiques en Afrique à l’ère de la mondialisation, 259–78. Observatoire européen du plurilinguisme, 2023. http://dx.doi.org/10.3917/oep.bigir.2023.01.0259.
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