Artículos de revistas sobre el tema "Parisian theaters"
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White, Kimberly. "Female Singers and the maladie morale in Parisian Lyric Theaters, 1830-1850". Women and Music: A Journal of Gender and Culture 16, n.º 1 (2012): 57–85. http://dx.doi.org/10.1353/wam.2012.0027.
Romey, John. "Songs That Run in the Streets". Journal of Musicology 37, n.º 4 (2020): 415–58. http://dx.doi.org/10.1525/jm.2020.37.4.415.
Pesic, Andrei. "The Flighty Coquette Sings on Easter Sunday". French Historical Studies 42, n.º 4 (1 de octubre de 2019): 563–93. http://dx.doi.org/10.1215/00161071-7689170.
Noordegraaf, Julia, Loes Opgenhaffen y Norbert Bakker. "Cinema Parisien 3D". Alphaville: Journal of Film and Screen Media, n.º 11 (17 de agosto de 2016): 45–61. http://dx.doi.org/10.33178/alpha.11.03.
Schumacher, Claude. "Would You Splash Out on a Ticket to Molièe's Palais Royal?" Theatre Research International 25, n.º 3 (2000): 248–54. http://dx.doi.org/10.1017/s0307883300019702.
Williford, Christa. "A Computer Reconstruction of Richelieu's Palais Cardinal Theatre, 1641". Theatre Research International 25, n.º 3 (2000): 233–47. http://dx.doi.org/10.1017/s0307883300019696.
Kang, Yingzheng. "Jean Rémusat's Musical and Educational Activity in the Context of Forming European Orchestral Traditions in Shanghai". Часопис Національної музичної академії України ім.П.І.Чайковського, n.º 1(54) (21 de marzo de 2022): 91–104. http://dx.doi.org/10.31318/2414-052x.1(54).2022.255430.
Ustinov, A. B. "Mstislav Dobuzhinsky and His Cabaret Companions: 1926 Parisian Season of the “La Chauve Souris”". Studies in Theory of Literary Plot and Narratology 15, n.º 2 (2020): 490–595. http://dx.doi.org/10.25205/2410-7883-2020-2-490-595.
Smith, Frances. "Femininity, ageing and performativity in the work of Amy Heckerling". Alphaville: Journal of Film and Screen Media, n.º 10 (16 de diciembre de 2015): 49–63. http://dx.doi.org/10.33178/alpha.10.03.
EVERIST, MARK. "Theatres of litigation: Stage music at the Théâtre de la Renaissance, 1838–1840". Cambridge Opera Journal 16, n.º 2 (julio de 2004): 133–61. http://dx.doi.org/10.1017/s095458670400182x.
Sala, Emilio. "Verdi and the Parisian boulevard theatre, 1847–9". Cambridge Opera Journal 7, n.º 3 (noviembre de 1995): 185–205. http://dx.doi.org/10.1017/s0954586700004560.
CONNON, DEREK. "Music in the Parisian Fair Theatres: Medium or Message?" Journal for Eighteenth-Century Studies 31, n.º 1 (marzo de 2008): 119–35. http://dx.doi.org/10.1111/j.1754-0208.2008.00007.x.
Chekalov, Kirill A. "Rocambole’s theatrical mission". Vestnik of Kostroma State University, n.º 3 (2019): 72–78. http://dx.doi.org/10.34216/1998-0817-2019-25-3-72-78.
Mazzoleni, Elena. "Les fourberies de la Foire : une révolution sociopolitique et théâtrale". Romanica Wratislaviensia 67 (23 de julio de 2020): 159–69. http://dx.doi.org/10.19195/0557-2665.67.12.
Connon, Derek. "The Theatre of the Parisian Fairs and Reality". Romance Studies 30, n.º 3-4 (julio de 2012): 186–92. http://dx.doi.org/10.1179/0263990412z.00000000017.
Jensen, Claudia R. y John S. Powell. "‘A Mess of Russians left us but of late’: Diplomatic Blunder, Literary Satire, and the Muscovite Ambassador's 1668 Visit to Paris Theatres". Theatre Research International 24, n.º 2 (1999): 131–44. http://dx.doi.org/10.1017/s0307883300020757.
Lavoie, Bernard. "Theatre in Translation in Montreal: Respecting the Playwright, Challenging the Audience". Canadian Theatre Review 102 (marzo de 2000): 5–10. http://dx.doi.org/10.3138/ctr.102.001.
Russell, Barry. "The Form That Fell to Earth: Parisian Fairground Theatre". L'Esprit Créateur 39, n.º 3 (1999): 56–63. http://dx.doi.org/10.1353/esp.2010.0448.
Jeong, Dong-Jun. "Historical Research on the Parisian Café Procope". Korea Association of World History and Culture 64 (30 de septiembre de 2022): 179–206. http://dx.doi.org/10.32961/jwhc.2022.09.64.179.
Day, David A., Nicole Wild y Philip H. Highfill. "Dictionnaire des theatres parisiens au XIXe siecle". Notes 48, n.º 1 (septiembre de 1991): 111. http://dx.doi.org/10.2307/941801.
Kristinsdóttir-Urfalino, Guðrún. "The Popular and the Academic: The Status of the Public’s Pleasure in the Quarrel of Le Cid." Nordic Theatre Studies 29, n.º 2 (5 de marzo de 2018): 28. http://dx.doi.org/10.7146/nts.v29i2.104604.
Hargrove, Nancy D. "T. S. Eliot and the Parisian Theatre World, 1910-1911". South Atlantic Review 66, n.º 4 (2001): 1. http://dx.doi.org/10.2307/3202059.
Quitin, José. "Le théâtre liégeois de Jean-Noël Hamal, feu d'artifice ou comète périodique ?" Bulletin de la Classe des Beaux-Arts 2, n.º 1 (1991): 121–32. http://dx.doi.org/10.3406/barb.1991.20080.
Kaltenecker, Martin. "Festival d'Automne 2013". Tempo 68, n.º 268 (20 de marzo de 2014): 85–88. http://dx.doi.org/10.1017/s0040298213001782.
Doe, Julia. "Opéra-comique on the Eve of Revolution: Dalayrac's Sargines and the Development of “Heroic” Comedy". Journal of the American Musicological Society 68, n.º 2 (2015): 317–74. http://dx.doi.org/10.1525/jams.2015.68.2.317.
Sherr, Richard. "Offenbach, Pépito and the Théâtre des Variétés: Politics and Genre in the First Year of the Second Empire". Cambridge Opera Journal 32, n.º 2-3 (julio de 2020): 154–86. http://dx.doi.org/10.1017/s0954586721000033.
Levenson, Erica P. "‘Theatre as a Nursery of Language’: Learning French through Vaudeville Tunes in Eighteenth-Century England". Eighteenth Century Music 20, n.º 1 (8 de febrero de 2023): 13–31. http://dx.doi.org/10.1017/s1478570622000343.
Milchina, Vera A. "1817: Parisian Everyday Life in Vaudeville and in the Novel". LITERARY FACT, n.º 1 (27) (2023): 131–56. http://dx.doi.org/10.22455/2541-8297-2023-27-131-156.
Lewis, Hannah. "The singing film star in early French sound cinema". Soundtrack 12, n.º 1 (1 de noviembre de 2020): 21–37. http://dx.doi.org/10.1386/ts_00010_1.
Scott, Virginia. "Saved by the Magic Wand of Circé". Theatre Survey 28, n.º 2 (noviembre de 1987): 1–16. http://dx.doi.org/10.1017/s0040557400000454.
Needell, Jeffrey D. "Rio de Janeiro and Buenos Aires: Public Space and Public Consciousness in Fin-de-Siècle Latin America". Comparative Studies in Society and History 37, n.º 3 (julio de 1995): 519–40. http://dx.doi.org/10.1017/s0010417500019794.
Hemmings, F. W. J. "Applause for the Wrong Reasons: The Use of Applications for Political Purposes in Paris Theatres, 1780–1830". Theatre Research International 14, n.º 3 (1989): 256–70. http://dx.doi.org/10.1017/s0307883300008968.
Bajagić, Dušan. "Serbia and other participants in the Balkan theatre of war according to French newspaper Le Petit Parisien in 1917". Зборник радова Филозофског факултета у Приштини 50, n.º 2 (2020): 215–33. http://dx.doi.org/10.5937/zrffp50-26818.
Underwood, Nick. "The Yiddish Art Theatre in Paris after the Holocaust, 1944–1950". Theatre Survey 61, n.º 3 (27 de julio de 2020): 351–71. http://dx.doi.org/10.1017/s0040557420000277.
Wellmann, Janina. "Science and Cinema". Science in Context 24, n.º 3 (26 de julio de 2011): 311–28. http://dx.doi.org/10.1017/s0269889711000135.
Rauer, Selim. "The Racial Unconsciousness of the Parisian Public Theatre: Borders and Demotions in Francophone Contemporary Drama". Modern Drama 61, n.º 3 (septiembre de 2018): 411–35. http://dx.doi.org/10.3138/md.s0918.
Philips, Dougal. "Capitalist Realism and the Refrain: The Libidinal Economies of Degas". Synthesis: an Anglophone Journal of Comparative Literary Studies, n.º 3 (1 de mayo de 2011): 69. http://dx.doi.org/10.12681/syn.16921.
Heathcote, Owen. "Balzac Between Work and Play: Les Comédiens sans le savoir". Nottingham French Studies 51, n.º 2 (julio de 2012): 136–46. http://dx.doi.org/10.3366/nfs.2012.0015.
Newark, Cormac y Ingrid Wassenaar. "Proust and music: The anxiety of competence". Cambridge Opera Journal 9, n.º 2 (julio de 1997): 163–83. http://dx.doi.org/10.1017/s0954586700005243.
Stilwell, J. "A New View of the Eighteenth-Century 'Abduction' Opera: Edification and Escape at the Parisian 'TheaTres de la foire'". Music and Letters 91, n.º 1 (29 de enero de 2010): 51–82. http://dx.doi.org/10.1093/ml/gcp080.
Van Drie, Melissa. "Hearing through the théâtrophone: Sonically constructed spaces and embodied listening in the late nineteenth-century French theatre". SoundEffects - An Interdisciplinary Journal of Sound and Sound Experience 5, n.º 1 (9 de marzo de 2016): 73–90. http://dx.doi.org/10.7146/se.v5i1.23310.
Kreft, Lev. "Hook to the Chin". Physical Culture and Sport. Studies and Research 46, n.º 1 (1 de diciembre de 2009): 70–78. http://dx.doi.org/10.2478/v10141-009-0005-1.
HIBBERD, SARAH. "‘Dormez donc, mes chers amours’: Hérold's La Somnambule (1827) and dream phenomena on the Parisian lyric stage". Cambridge Opera Journal 16, n.º 2 (julio de 2004): 107–32. http://dx.doi.org/10.1017/s0954586704001818.
Blaszkiewicz, Jacek. "Chez Paul Niquet: Sound, Spatiality, and Sociability in the Paris Cabaret". 19th-Century Music 45, n.º 2 (2021): 147–66. http://dx.doi.org/10.1525/ncm.2021.45.2.147.
Johnson, Janet. "Donizetti's first ‘affare di Parigi’: an unknown rondò-finale for Gianni da Calais". Cambridge Opera Journal 10, n.º 2 (julio de 1998): 157–77. http://dx.doi.org/10.1017/s0954586700004912.
Kiebuzinski, Ksenya. "Dancing theKolomyikaat the Opéra-Comique: Léo Delibes's Galician OperaKassya". Austrian History Yearbook 46 (abril de 2015): 134–62. http://dx.doi.org/10.1017/s0067237814000149.
Dutsch, Dorota. "Gestures in the manuscripts of Terence and late revivals of literary drama". Gesture 7, n.º 1 (18 de abril de 2007): 39–71. http://dx.doi.org/10.1075/gest.7.1.04dut.
Callaway, David W., Christopher R. Peabody, Ari Hoffman, Elizabeth Cote, Seth Moulton, Amado Alejandro Baez y Larry Nathanson. "Disaster Mobile Health Technology: Lessons from Haiti". Prehospital and Disaster Medicine 27, n.º 2 (abril de 2012): 148–52. http://dx.doi.org/10.1017/s1049023x12000441.
Polovinkina, Olga I. "The “Montage of Attractions” in T.S. Eliot’s The Waste Land". Literature of the Americas, n.º 13 (2022): 207–23. http://dx.doi.org/10.22455/2541-7894-2022-13-207-223.
Bischin, Maria-Roxana. "Choreographing Kandinsky’s ‘Spiritual’ in Sergei Diaghilev’s Ballets Russes". Sæculum 47, n.º 1 (1 de julio de 2019): 153–67. http://dx.doi.org/10.2478/saec-2019-0015.