Bibliografías temáticas / Palestinian arabs – fiction

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Literatura académica sobre el tema "Palestinian arabs – fiction"

Autor: Grafiati
Publicado: 26 de julio de 2024

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Artículos de revistas sobre el tema "Palestinian arabs – fiction"

1

Koptileuova, D. T., and A. E. Zhumadilova. "Identification of Palestinian national identity (based on selected literary works)." Bulletin of the L.N. Gumilyov Eurasian National University. Political Science. Regional Studies. Oriental Studies. Turkology Series. 134, no. 1 (2021): 100–108. http://dx.doi.org/10.32523/2616-6887/2021-134-1-100-108.

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This article examines the phenomenon of the division of Palestinian national identity in relation to Israel based on the literary works of Palestinian writers. To conduct the study, there were used a specific historical method of analysis and interpretation of original literary works to work with the sources. There were selected such works of fiction for the study as Sahar Khalifa’s Wild Thorns (1974), Gharib Haifaoui’s Snatcher of Sleep (2012) and Ibtisam Azim’s The Book of Disappearance (2014) and Said Kashua’s Dancing Arabs (2002). Based on these materials, it is concluded that the Palestin
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2

Djohar, Hasnul Insani. "FOLKTALES AND RITES OF PASSAGE IN RANDA JARRAR'S A MAP OF HOME." Poetika 7, no. 2 (2019): 148. http://dx.doi.org/10.22146/poetika.v7i2.51160.

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This paper examines the struggle of American-Muslim women to negotiate their identities in literary works published after the invasion of Iraq (20 March-1 May 2003). In this case, I examine Randa Jarrar’s A Map of Home (2008) in order to investigate how Jarrar both negotiates her identity through folktales, naming, and rites of passages. By engaging with postcolonial studies, and working within the frameworks of cultural studies, this paper aims to investigate aesthetic strategies that Jarrar (Egyptian-Palestinian-American) deploys in her writing. Jarrar also respects her Muslim intellectual f
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3

Hanscombe, Elisabeth. "A Plea for Doubt in the Subjectivity of Method." M/C Journal 14, no. 1 (2011). http://dx.doi.org/10.5204/mcj.335.

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Photograph by Gonzalo Echeverria (2010)Doubt has been my closest companion for several years as I struggle to make sense of certain hidden events from within my family’s history. The actual nature of such events, although now lost to us, can nevertheless be explored through the distorting lens of memory and academic research. I base such explorations in part on my intuition and sensitivity to emotional experience, which are inevitably riddled with doubt. I write from the position of a psychoanalytic psychologist who is also a creative writer and my doubts increase further when I use the autobi
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Tesis sobre el tema "Palestinian arabs – fiction"

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Embaló, Birgit. "Palästinenser im arabischen Roman Syrien, Libanon, Jordanien, Palästina 1948-1988 /." Wiesbaden : Reichert, 2000. http://catalog.hathitrust.org/api/volumes/oclc/47694365.html.

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Darwich, Tarek. "National identity in Sonia Nimr’s children’s book Wondrous Journeys in Strange Lands." Thesis, Malmö universitet, Fakulteten för kultur och samhälle (KS), 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-22822.

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In this thesis, depending on Benedict Anderson’s Studies of nationalism in his book The Imagined Communities, I will prove that in her historical fiction for children, Wondrous Journeys in Strange Lands, the Palestinian writer Sonia Nimr is reviving and reforming Arab national identity. Anderson identifies the nation as a group imagined by its members; the people who perceive and identify themselves as equal members in this group. For the people to imagine their nation, Anderson states three tools: the map as a representation of the geographical space, the census as a representation of populat
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Libros sobre el tema "Palestinian arabs – fiction"

1

1947-, Shlesinger Miriam, ed. Dancing Arabs. Grove Press, 2004.

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Qashu, Sayed. Dancing Arabs. Grove Press, 2004.

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3

Ghost songs: A Palestinian love story. Passeggiata Press, 2000.

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4

Read, MacDonald Margaret. A Palestinian folktale. Amazon Childrens Publishing, 2012.

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5

Ḥayāt muʻallaqah: Riwāyah = Life on hold. al-Ahlīyah, 2014.

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6

ha-Sodot shel Ibtisam: Ibtisam. Ḥalonot, 2014.

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7

Ṭifl al-mimḥāh: Riwāyah. al-Muʾassasah al-ʻArabīyah lil-Dirāsāt wa-al-Nashr, 2000.

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8

Guf sheni yaḥid. Keter, 2010.

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9

Khūrī, Ilyās. Gate of the sun =: Bab el shams. Harvill Secker, 2005.

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10

Shuqayr, Maḥmūd. Khubz al-ākharīn, wa-qiṣaṣ ukhrá. Dār al-Thaqāfah al-Jadīdah, 1990.

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Capítulos de libros sobre el tema "Palestinian arabs – fiction"

1

"Epilog “Trailed Travellers”: Between Fiction, Meta-Fiction, and History." In Palestinian and Arab-Jewish Cultures. Edinburgh University Press, 2023. http://dx.doi.org/10.1515/9781399503235-016.

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2

Snir, Reuven. "Epilogue “Trailed Travellers”: Between Fiction, Meta-Fiction, and History." In Palestinian and Arab-Jewish Cultures. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399503211.003.0010.

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The Epilogue refers to the two core issues around which the present book revolves, the Nakba as an ongoing process of uprooting, permanent persecution, and displacement of the Palestinians, on the one hand, and the contemporary demise of Arab-Jewish identity and culture, on the other hand. The aim is to look at both processes, but mainly the second one that suffers from a lack of scholarly attention, sometimes even denial out of populist considerations, through the examination of the relationship between fiction, meta-fiction, and history.
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3

Snir, Reuven. "Demise: The Last of the Mohicans." In Palestinian and Arab-Jewish Cultures. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781399503211.003.0008.

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The chapter deals with the activities of one of the most prominent among the Arab-Jewish writers, Isḥāq Bār-Moshe, whose literary works consist of two main branches with different generic, thematic, and stylistic preferences: for the expression of his general social, existential, and philosophical views, he employed the genre of the short story, with an obvious inclination toward psychological insights. His short stories generally reflect universal concepts and tend to reveal the inner nature of human beings; they are mostly well removed from any specific time and place, and when read in translation hardly point to the ethnic, religious, or national identity of the author. Bār-Moshe’s novels—the semi-autobiographical novels or memoirs—are used for the recollection of the author’s life in Iraq and for expressing his views regarding the last stage of the Iraqi-Jewish community. The fictional framework is constructed on solid historical material in a way that enables the reader to see the books as an alternative history to the events described from the point of view of an Iraqi Jew living in Israel. Bār-Moshe, whose literary career began in the early 1970s, was one of the last Jewish writers in Arabic.
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