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Literatura académica sobre el tema "Palais ducal"

Autor: Grafiati

Publicado: 25 de mayo de 2024

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Artículos de revistas sobre el tema "Palais ducal"

Fontan, François. "Le palais ducal de Nevers (1467-1480)". Histoire de l'art 54, n.º 1 (2004): 19–32. http://dx.doi.org/10.3406/hista.2004.3045.

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Costantini, Frédérique. "Le chantier du palais ducal de Riom". Bulletin Monumental 152, n.º 2 (1994): 228–31. http://dx.doi.org/10.3406/bulmo.1994.3465.

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Koering, Jérémie. "La ville par le détail : la sala di Manto au palais ducal de Mantoue". Revue de l'art N° 200, n.º 2 (1 de febrero de 2018): 35–44. http://dx.doi.org/10.3917/rda.200.0035.

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Moore, R. I. "Anti-Semitism and the Birth of Europe". Studies in Church History 29 (1992): 33–57. http://dx.doi.org/10.1017/s0424208400011207.

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In August 1976 the remains of a substantial building were uncovered in the courtyard of the Palais de Justice at Rouen, by the street which has been called at least since 1116 the rue aux Juifs (see plate I). That it was a Jewish building is confirmed by the Hebrew graffiti on its interior walls. It can be dated firmly to the years around 1100 by its scale, style, and workmanship, which are strongly reminiscent of the so-called ‘Norman exchequer’ in the ducal castle at Caen. The quality of its masonry is as good as may be found anywhere in northern Europe at this time. The function of the building is not altogether certain. At 14.14 X 9.46 metres, with at least one storey above the ground floor, it seems too large for a private dwelling, and indeed it is bigger than any known synagogue of this date north of the Alps. Not only the graffiti, but the lions of Judah finely carved at the base of one column, and the dragon from Psalm 91 on another, strongly suggest a religious purpose. The synagogue was on this street, but it is usually thought to have been on the south side, opposite the Palais de Justice site. This has led Norman Golb, the author of a major study of the Jewish community at Rouen, to suggest that the building unveiled in 1976 was a school, which acted as a centre of advanced study, not only for the Jewry of Rouen, but for a much larger region in which educational and scholarly activity is attested throughout the twelfth century by a rich crop of surviving manuscripts and other references, including many from places like Pont-Audemer, Touques, Falaise, Evreux, and Coutances, which were by no means major urban centres at this time.

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Hickson, Sally. "Jérémie Koering. Le prince en représentation: Histoire des décors du palais ducal de Mantoue au XVIe siècle. Paris: Actes Sud, 2013. 416 pp. 34. ISBN: 978-2-330-02237-2." Renaissance Quarterly 67, n.º 3 (2014): 952–54. http://dx.doi.org/10.1086/678792.

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Galewski, Marek. "A new variational method for thep(x)-Laplacian equation". Bulletin of the Australian Mathematical Society 72, n.º 1 (agosto de 2005): 53–65. http://dx.doi.org/10.1017/s0004972700034870.

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Saint-Guillain, Guillaume. "«Tout mort que je suis, je suis doge de Venise» : les tombeaux de la famille Venier à San Giovanni e Paolo". Mélanges de l École française de Rome Moyen Âge 115, n.º 2 (2003): 931–85. http://dx.doi.org/10.3406/mefr.2003.9320.

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Dans l’église dominicaine de San Giovanni e Paolo, le monument du doge Antonio Venier et celui, voisin, de trois parentes témoignent des mutations de la fonction ducale, des engouements religieux et des tactiques de construction de l’identité au sein du patriciat vénitien vers 1400. Un document nouveau confirme l’attribution du premier tombeau à l’atelier de Pierpaolo dalle Masegne et la participation de son frère Jacobello à sa réalisation. Commande privée, il peut se lire en relation avec le grand chantier public confié simultanément au même atelier, celui de la fenêtre de la salle du Grand Conseil au palais des Doges : dans la tension entre honneur aristocratique et affirmation de l’État patricien, la figure du doge est le point d’articulation et le langage artistique assure une médiation. L’édification postérieure du second tombeau révèle une stratégie, peut-être vaine, d’exaltation du lignage et d’élaboration d’une memoria privée autour de la sépulture du prince défunt par l’exhibition du capital de gloire familial, spirituel et symbolique.

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Raggio, Olga. "The Liberal Arts Studiolo from the Ducal Palace at Gubbio". Metropolitan Museum of Art Bulletin 53, n.º 4 (1996): 3. http://dx.doi.org/10.2307/3262700.

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CANNONBROOKES, P. "The liberal arts studiolo from the ducal palace at Gubbio". Museum Management and Curatorship 16, n.º 3 (septiembre de 1997): 295–99. http://dx.doi.org/10.1016/s0260-4779(97)00049-6.

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Montes González, Francisco. "[SPA] UN PALACIO NOVOHISPANO EN LA CORTE MADRILEÑA. TESOROS VIRREINALES DE LA CASA DUCAL DE ALBURQUERQUE // A NEW SPANISH PALACE IN THE COURT OF MADRID. VICEREGAL TREASURES FROM THE DUCAL HOUSE OF ALBURQUERQUE". Librosdelacorte.es, n.º 5 (29 de mayo de 2017): 145–62. http://dx.doi.org/10.15366/ldc2017.9.m5.008.

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A través del análisis de una serie de inventarios de bienes artísticos localizadosen el Archivo Histórico de la Casa Ducal de Alburquerque se pone en valor laexistencia de ajuares de procedencia americana recogidos entre sus pertenenciasfamiliares. Más allá del gusto predominante en la época moderna por la acumulaciónde estas piezas exóticas, la principal razón residirá en el cargo que ostentaron dosmiembros del linaje como virreyes de la Nueva España a mediados del siglo XVII ycomienzos de la siguiente centuria. Este hecho supuso la circulación de cuantiososobjetos de diferente tipología para la decoración de sus casas principales en la Cortemadrileña, que según los testimonios aportados debieron plasmar a la perfección laapariencia de los suntuosos palacios novohispanos.PALABRAS CLAVE: Coleccionismo, Nueva España, Duque de Alburquerque, Madrid, Palacio ** Through an analysis of a series of inventories located in the historical archiveof the Ducal House of Alburquerque, this essay considers the presence of objects fromthe Spanish American viceroyalties among the belongings of this noble family. Beyondthe predominant taste in the early modern period for the accumulation of exotic objects,their presence here is in large part due to the posts of viceroy of New Spain held bytwo family members in the middle of the 17th century and the beginning of the followingcentury. Their positions caused the circulation of numerous and varied objects,especially for the decoration of their main houses at the court of Madrid, which,according to the sources analyzed here, aimed to reflect the appearance of thesumptuous palaces in New Spain.KEYWORDS: Collecting, New Spain, Duke of Alburquerque, Madrid, Palace

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Tesis sobre el tema "Palais ducal"

Koering, Jérémie. "Décors et lieu de pouvoir : l'exemple du palais ducal de Mantoue (1519-1587)". Paris 1, 2005. http://www.theses.fr/2005PA010631.

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Bien que constituant un ensemble majeur de l'histoire de l'art de la Renaissance, les décors du palais ducal de Mantoue n'ont jamais fait l'objet d'un catalogue analytique. L'établissement d'un tel outil scientifique pour tous les décors réalisés entre 1519 et 1587 a constitué la première étape de notre étude (vol. II). Sur cette base, nous avons mené une enquête (vol. I) visant à éclairer la production des grands décors dans les cours italiennes du XVIe siècle. Nous examinons d'abord le rôle de l'ornement dans la définition de l'espace palatial comme écrin de la magnificence des Gonzague pour interroger ensuite les relations entre iconographie et pensée politique. Ce questionnement se poursuit par l'analyse des langages (poétique, rhétorique, didactique) mis au point par les auteurs d'inventions et les artistes. En dernier lieu, nous nous intéressons à la question de la réception en particulier au travers d'une archéologie de la pratique de la visite commentée des décors.

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Debize, Abel. "Le palais ducal de la famille de Lorraine à Nancy, 1477-1739 : histoire, architecture, décor". Electronic Thesis or Diss., Université de Lorraine, 2023. http://www.theses.fr/2023LORR0258.

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Cette étude se consacre à l'analyse et à l'examen de l'histoire du palais ducal de Nancy en tant que résidence des ducs de Lorraine et de la famille de Lorraine pendant la période moderne. Elle s'appuie essentiellement sur l'examen de la comptabilité ducale conservée aux archives départementales de Meurthe-et-Moselle. La croissance et l'extension que prend peu à peu cette comptabilité à partir de la fin du XVe siècle et pendant tout le XVIe siècle permet effectivement de mieux connaître les développement de la cour de Nancy et son fonctionnement. Ce travail de recherche se concentre donc sur une vaste période commençant en 1477 avec la reprise en main du duché de Lorraine par Renée II jusqu'à l'abandon du site et des bâtiments du palais ducal à la ville de Nancy par Stanislas Stanislas Leszczynski en 1739.Bien que l'état de conservation du bâti subsistant de l'ancienne résidence, aujourd'hui transformée en musée, rende particulièrement hypothétique un exercice de reconstitution complet, la richesse de la comptabilité nous a permis de proposer un exercice d'analyse global contournant une partie des faiblesses du manque de données matérielles. De rares documents graphiques permettent également de mieux comprendre l'organisation et les formes de la résidence ducale. On s'est donc intéressé à l'observation du nouveau chantier au début du XVIe siècle qui participe à la transformation de l'ancien château en une résidence renaissance marquée par de nouveaux besoins et l'enrichissement du fonctionnement curial ainsi qu'aux développements importants commandés par les ducs Charles III et Henri II. Dans cette perspective, ce travail se consacre non seulement à l'architecture du site mais aussi à des aspects qui lui sont associés tels que l'évolution des jardins, l'intégration du complexe à l'intérieur de l'espace urbain de la ville de Nancy ou encore aux logiques d'ameublements et aux acquisitions réalisés par les ducs de Lorraine pour y servir.Notre attention s'est également portée sur le milieu de la construction en Lorraine, au sein de la capitale ducale, via les nombreux chantiers qui se déployèrent au palais ducal de Nancy pendant plus de deux siècles. On a pu ainsi jeter un regard inédit sur les différents corps de métiers essentiels au bon fonctionnement du palais et à l'entretien de son architecture. La présence régulière des maçons, des menuisiers, des charpentiers, des verriers, des serruriers, des plâtriers, des recouvreurs, des paveurs, des jardiniers et des fontainiers permet d'identifier certains profils d'artisans encore méconnus venant rejoindre ceux des architectes, des peintres et des sculpteurs ayant œuvré au service de la famille de Lorraine, pour dresser un panorama des profils et des collaborations sur les chantiers du palais
This study is dedicated to the analysis and examination of the history of the ducal palace of Nancy as residence of the Dukes of Lorraine and their family during the modern period. It is essentially based on the examination of the ducal accounts kept in the departmental archives of Meurthe-et-Moselle. Indeed, their progressive growth and extension from the end of the 15th century and throughout the 16th century allows a better undersstanding of the development of the court of Nancy and its functioning. This work, therefore, focuses on a vast period starting in 1477 with the resumption of the Duchy by Renée II, until the abandonment of the site by Stanislas Leszczynski in 1739.Although the conservation state of the remaining buildings of the old residence, now transformed into a museum, makes a complete reconstruction exercise particularly hypothetical, the wealth of accounting data allowed us to propose a global analysis exercise. Rare graphic documents also provide a better understanding of the organization and forms of the ducal residence. We were interested in observing the new construction site at the beginning of the 16th century which participated in the transformation of the old castle into a Renaissance residence marked by new needs and the enrichment of curial operations. From this perspective, this work is dedicated not only to the architecture of the site, but also to aspects associated with it, such as the gardens evolution, the integration of the complex within the urban space of the city of Nancy, or even to the logic of furnishings and acquisitions made by the Dukes of Lorraine.Our attention was also focused on the construction sector in Lorraine, within the ducal capital, through the numerous construction opérations deployed at the ducal palace of Nancy for more than two centuries. We were thus able to take a unique look at the different trades essential to the proper functioning of the palace and the maintenance of its architecture. The regular presence of masons, carpenters, glassmakers, locksmiths, plasterers, « roofers », gardeners and fountain workers makes it possible to identify some unknow craftsmen profils, joining those of architects, painters and sculptors who worked in the service of the Lorraine family to provide an overview of the identities and collaborations on the palace construction sites

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Condello, Celia. "Le château ducal de Moulins (Allier) de Louis II de Bourbon à Anne de France : étude historique et archéologique d'une résidence princière (XIVe - XVIe siècle)". Thesis, Lyon, 2016. http://www.theses.fr/2016LYSE2029.

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Le château ducal de Moulins, s’il a subi diverses destructions, comporte aujourd’hui encore des éléments qui méritent d’être étudiés de près, afin de restituer son état initial. On connaît d’après les sources écrites au moins deux grandes campagnes de construction, la première fut amorcée par le troisième duc de Bourbon, Louis II, à la toute fin du XIVe siècle. La tour maîtresse « Mal-Coiffée » étant datée par dendrochronologie vers 1399/1400. Un second chantier d’agrandissement et de réaménagements débute après 1488, commandité cette fois par le duc de Bourbon Pierre de Beaujeu et son épouse Anne de France, sœur de Charles VIII. Cet agrandissement se terminera au tout début du XVIe siècle avec la construction d’un portique d’architecture renaissante, très précoce en France. Cette thèse mêle l’histoire et l’histoire de l’art mais part surtout d’une réflexion archéologique des bâtiments subsistants. C’est en cumulant et en confrontant ces diverses approches que l’étude a pu être la plus complète
During his history, the ducal castle of Moulins has been subject to several destructions and improvements. Despite this, it still contains elements that should be studied carefully in order to restore its original state. From written sources, one knows at least two major buildings campaigns. First one was initiated by the third duke of Bourbon, Louis II, in the late fourteenth century. The remaining main tower, known as “Mal-Coiffée” ("Untidy Top"), has been dated by dendrochronology around 1399/1400. A second campaign of expansion and redevelopment begins after 1488, commissioned by the Duke of Bourbon, Pierre de Beaujeu and his wife Anne de France, Charles VIII’s sister. This expansion will be completed in the early sixteenth century with the construction of a renaissance architecture portico, very early in France. This thesis combines both History and art history, starting from an archaeological reflection of the remaining buildings. The aim of this work is to combine and compare these different approaches in order to obtain the most comprehensive and exhaustive study of this forgotten site which play a key role in History

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Kirkbride, Robert. "The renaissance studioli of Federico da Montefeltro and the architecture of memory /". Thesis, McGill University, 2002. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=82902.

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This investigation of the studioli, small contemplation chambers in the ducal palaces of Urbino and Gubbio, considers their position in the western tradition of the memory arts. Drawing upon select images in the studioli, as well as text sources readily available to Duke Federico da Montefeltro (1422--82) and the members of his court, this inquiry examines how the discipline of architecture equipped the late quattrocento mind with a bridge between the mathematical arts, which lend themselves to mechanical practices, and the art of rhetoric, a discipline central to the cultivation of memory and eloquence. As ramifications of material and mental craft, the studioli offered the Urbino court models for education and prudent governance.

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SINGERMAN, HEATHER DIANE. "INTERPERSONAL INTERACTIONS IN THE NEW CIRCUS". University of Cincinnati / OhioLINK, 2004. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1084368500.

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Libros sobre el tema "Palais ducal"

Claude, Ghivasky y Palais Ducal (Nevers France), eds. Franc-maçonnerie et faïences: Nevers, Palais Ducal. Nevers: C. Ghivasky, 2000.

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Deslignères, André. André Deslignères (1880 à 1968): Peintre et graveur : septembre-octobre 2009, Palais ducal. Nevers: Bibliothèque municipale de Nevers, 2009.

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Le prince en représentation: Histoire des décors du palais ducal de Mantoue au XVIe siècle. Arles]: Actes Sud, 2013.

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author, Even Pierre, ed. Die grossherzoglichen Residenzen neu entdeckt = Les résidences grand-ducales redécouvertes = The Grand Ducal residences newly discovered. Esch-sur-Alzette: Schortgen Editions, 2022.

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Renoux, Annie. Fécamp: Du Palais ducal au palais de Dieu : bilan historique et archéologique des recherches menées sur le site du château des ducs de Normandie, IIe siècle A.C.-XVIIIe siècle P.C. Paris: Editions du Centre national de la recherche scientifique, 1991.

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Wiener, René. René Wiener, relieur et animateur de la vie artistique au temps de l'Ecole de Nancy: Musée lorrain, Palais ducal, Nancy, 18 juin-4 octobre 1999. Nancy: Le Musée, 1999.

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Marche, Galleria nazionale delle. Il Palazzo Ducale di Urbino: The Ducal Palace of Urbino. Milan]: Electa, 2021.

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Aura, J. Emili. Palau Ducal dels Borja: Plan director. València: Vicerrectorat de Projecció Territorial i Societat, Universitat de València, 2021.

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Franzoi, Umberto. The ducal palace Venice. Roma: Istituto Poligrafico e Zecca dello Stato, Libreria dello Stato, 1990.

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The Ducal Palace of Mantua. Milano: Electa, 2002.

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Capítulos de libros sobre el tema "Palais ducal"

Freitas, Sara, José Luís Reis y Carlos Brochado de Almeida. "Museums and Digital Mobile Technologies: Proposal Application for the Ducal Palace of the Bragança". En Cultural Sustainable Tourism, 75–85. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-031-07819-4_7.

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Špoljarić, Luka. "Power and Subversion in the Ducal Palace: Dalmatian Patrician Humanists and Congratulatory Orations to Newly Elected Doges". En Neo-Latin contexts in Croatia and Tyrol: challenges, prospects, case studies, 81–106. Wien: Böhlau Verlag, 2018. http://dx.doi.org/10.7767/9783205204701.81.

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Clini, Paolo, Ramona Quattrini, Romina Nespeca, Renato Angeloni y Raissa Mammoli. "Digital Facsimiles of Architectural Heritage: New Forms of Fruition, Management and Enhancement. The Exemplary Case of the Ducal Palace at Urbino". En Graphical Heritage, 571–82. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47979-4_49.

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"4 Brussels Ducal Palace organ specification, 1861". En Autobiographical Recollections of Charles-Marie Widor, 155–56. Boydell and Brewer, 2024. http://dx.doi.org/10.1515/9781805432920-064.

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"The Palais-Smale Condition Around a Dual Set – Examples". En Duality and Perturbation Methods in Critical Point Theory, 147–65. Cambridge University Press, 1993. http://dx.doi.org/10.1017/cbo9780511551703.010.

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Tonini, Camillo. "6. The Light in the Venice Ducal Palace". En From Darkness to Light, 79–86. Open Book Publishers, 2019. http://dx.doi.org/10.11647/obp.0151.06.

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Kendrick, Robert L. "The Cathedral and the Shrine". En The Sounds of Milan, 1585–1650, 26–62. Oxford University PressNew York, NY, 2002. http://dx.doi.org/10.1093/oso/9780195135374.003.0002.

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Abstract Most documentation and compositions of city musicians stem from figures working at a variety of ecclesiastical institutions. Four churches with citywide audiences maintained large permanent ensembles, and some twelve others, largely belonging to religious orders, had some kind of musical life, employing at least an organist and some singers. In addition, the governor’s court supported both instrumentalists and vocalists for the ducal palace and its chapel, San Gottardo in Palazzo.

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Sarti, Raffaella. "Renaissance graffiti: the case of the Ducal Palace of Urbino*". En Domestic Institutional Interiors in Early Modern Europe, 51–81. Routledge, 2017. http://dx.doi.org/10.4324/9781315094847-3.

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Paolo Clini, Roberto Pierdicca, Ramona Quattrini, Emanuele Frontoni y Romina Nespeca. "Deep Learning for Point Clouds Classification in the Ducal Palace at Urbino". En Representation Challenges. Augmented Reality and Artificial Intelligence in Cultural Heritage and Innovative Design Domain. FrancoAngeli srl, 2021. http://dx.doi.org/10.3280/oa-686.28.

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Barclay, David E. "Political trends and movements, 1830–1850". En Germany 1800–1870, 46–68. Oxford University PressOxford, 2004. http://dx.doi.org/10.1093/oso/9780199258376.003.0003.

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Abstract The challenge of revolution and the recovery of popular politics, 1830–1840 . On the evening of 7 September 1830, the ducal palace in the central German city of Braunschweig burned to the ground. It had been set alight by a large crowd of handicraft workers and members of the city’s ‘lower orders’ who were outraged that the arrogant young Duke Karl II had violated what they regarded as the obligations of a ‘just ruler’ to provide work opportunities and grain subsidies in a time of bitter economic crisis. The unloved duke fled to London; and, the next day, a ‘Civic Guard’ commanded by a banker named Löbbecke sought to contain the violence and ensure the return of stable, sober, but non-despotic and non-arbitrary government.

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Actas de conferencias sobre el tema "Palais ducal"

Stedham, Mark A. y Partha P. Banerjee. "Panoramic annular lens attitude determination system (PALADS)". En SPIE's 1995 Symposium on OE/Aerospace Sensing and Dual Use Photonics, editado por Walter J. Fowski y Morris M. Birnbaum. SPIE, 1995. http://dx.doi.org/10.1117/12.211498.

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Coutinho, Filipe, José Duarte y Mario Kruger. "Constructing a shape grammar. The Ducal palace façade - Constructing a shape grammar. The Ducal palace façade". En eCAADe 2014: Fusion. eCAADe, 2014. http://dx.doi.org/10.52842/conf.ecaade.2014.1.515.

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Appolonia, Lorenzo, M. Chiara Ceriotti, Daniela Lattanzi, Antonio Mazzeri y Barbara Scala. "Studi sul recupero delle superfici decorate dell’architettura delle facciate della Cavallerizza e del Castello di San Giorgio in Palazzo Ducale di Mantova". En FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11496.

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Studies on the recovery of the decorated surfaces of the architecture of the facades of the Cavallerizza and the Castle of San Giorgio in the Ducal Palace of MantuaThe contribution aims to present the path of knowledge on the external surfaces of the Courtyard of the Cavallerizza and the Castle of San Giorgio in Palazzo Ducale in Mantua, the subject of an upcoming conservation project. In particular, the results emerged through the autopsy and stratigraphic survey of areas selected by sample, relating to the technique of execution and the constituent materials of the finishes. From this survey, the characteristics of the original structure have been defined so as to have a clear relationship with respect to integration or degradation. At the same time, following specific evidence and to support the cognitive operations carried out in situ, in-depth diagnostic investigations were carried out in order to support and clarify the contents detected previously by interpreting the scientific data on the nature of the materials and the degradation present. The re-elaboration and critical analysis of the data acquired through various in-depth techniques, as well as providing indications for intervening on the causes of degradation, has supported the designers in the development of intervention methods and in the choice of the most suitable materials for conservation, based on the state of conservation of the nearby areas and the interfaces with the substrate. The scientific data have been compared with the historiographic information in order to have an objective comparison.

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Cipriani, Leonardo, Andrea Dall'Asta, Graziano Leoni, Michele Morici y Alessandro Zona. "FIRST RESULTS OF LONG-TERM MONITORING OF PORTICO VARANO IN THE CAMERINO DUCAL PALACE (ITALY)". En 8th International Conference on Computational Methods in Structural Dynamics and Earthquake Engineering Methods in Structural Dynamics and Earthquake Engineering. Athens: Institute of Structural Analysis and Antiseismic Research National Technical University of Athens, 2021. http://dx.doi.org/10.7712/120121.8744.19033.

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"PS-103 - ¿DEPENDENCIAS O DEPENDIENTES?" En 24 CONGRESO DE LA SOCIEDAD ESPAÑOLA DE PATOLOGÍA DUAL. SEPD, 2022. http://dx.doi.org/10.17579/abstractbooksepd2022.ps103.

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1. OBJETIVOS: Muy frecuentemente los pacientes que son tratados con éxito por una determinada dependencia a sustancias en Psiquiatría, vuelven a precisar tratamiento por otro tipo de trastorno mental (incluido otro tipo de dependencia). Sería por tanto aconsejable, que todos los pacientes que presentan trastornos por uso de sustancias, además de los protocolos habituales en relación con el proceso adictivo, fueran evaluados sistemáticamente desde el punto de vista de la personalidad. 2. MATERIAL Y MÉTODOS: Presentamos el caso clínico de un paciente de 50 años de edad, que fue remitido a Consultas Externas de Psiquiatría desde Oncología, para desintoxicación de FENTANILO, sustancia de la que abusaba desde hacía dos años y que había sido previamente pautada por dolor y disfagia en un tumor de amígdala, actualmente en resolución completa. Resultados: Tras una desintoxicación ambulatoria protocolizada y remisión completa de su dependencia, el paciente comenzó a aquejar lumbalgia para la que recibía tratamiento con alprazolam y tramadol. Posteriormente, ingresó por un TEP que precisó tratamiento con anticoagulantes. Finalmente, ingresó con una hemorragia cerebral, que resultó haber sido provocada por un consumo perjudical de metilfenidato. Dicho consumo inadecuado de un fármaco no prescrito, lo había realizado para paliar su lumbalgia y sentirse más motivado, ya que había sufrido una segunda ruptura sentimental y todavía no había recibido la incapacidad laboral total. 3. CONCLUSIONES: Los paciente que son derivados a consultas externas para desintoxicación de un tipo de sustancia puntual, a pesar de conseguir la abstinencia y la mejoría, deberían de recibir un tratamiento multidisciplinar, por parte de psiquiatría y psicología, que evaluara si debajo de esa dependencia podría encontrarse un trastorno afectivo, de ansiedad, un TDAH, o unos rasgos de personalidad con un perfil de búsqueda de sensaciones, impulsividad o sensibilidad a la recompensa, que les predispusieran a adquirir una dependencia.

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"HIPEREMESIS CANNABINOIDE: A PROPÓSITO DE DOS CASOS". En 23° Congreso de la Sociedad Española de Patología Dual (SEPD) 2021. SEPD, 2021. http://dx.doi.org/10.17579/sepd2021p016s.

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La hiperemesis cannabinoide es una entidad clínica caracterizada por episodios de vómitos recurrentes en relación con el consumo crónico de cannabis. Objetivos: Exponer la relación causal entre el consumo de cannabis y los síntomas, a través de la experiencia clínica de dos casos en relación con esta entidad, siguiendo la evolución desde el inicio del seguimiento de los mismos, siendo en ambos casos de más de 10 años. Métodos: Varón de 24 años y 30 años que son derivados a la unidad de drogodependencia de psiquiatría del Hospital Ramón y Cajal por presentar vómitos en escopeta, espontáneos, cíclicos, que palian con baños de agua caliente. Asocian espasmos, temblores y sudoración profusa. Se realizan pruebas en Medicina Interna y Gastroenterología, con resultados negativos, catalogando los vómitos de psicosomáticos. Los síntomas comienzan en un caso a los 6 meses del inicio de consumo de cannabis y en otro después de varios años (4-13 porros diarios). Ambos pierden 15 y 17 kg respectivamente, y precisan ingresos hospitalarios para rehidratación. Resultados: Se plantea necesidad de abstinencia a cannabis, constatada con autorregistros y analíticas de orina, iniciando tratamiento farmacológico sintomático apara la ansiedad. En ambos pacientes, el abandono del consumo conlleva una mejoría inmediata de la sintomatología. No obstante, el caso 1 realiza de forma intermitente consumos esporádicos por las dificultades que le produce la abstinencia, reapareciendo puntualmente los vómitos a los pocos días. En el caso 2 se mantiene abstinencia hasta la actualidad, desapareciendo completamente la clínica y recuperando nuevamente el peso. Conclusiones: Existe un efecto paradójico después de varios años de exposición a cannabis en consumidores crónicos susceptibles, consistente en episodios recurrentes de náuseas y vómitos. Hay una relación causal entre el consumo y los síntomas. Los síntomas desaparecen tras el cese del consumo, reapareciendo al reanudarlo incluso en periodos de abstinencia prolongados.

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Leopardi, Alma, Silvia Ceccacci y Maura Mengoni. "A New Paradigm for the Enjoyment and Exploitation of Cultural Heritage Based on Spatial Augmented Reality: The Case of the Ducal Palace of Urbino". En ASME 2021 International Design Engineering Technical Conferences and Computers and Information in Engineering Conference. American Society of Mechanical Engineers, 2021. http://dx.doi.org/10.1115/detc2021-68896.

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Abstract In the last years, museums have begun to apply new technological solutions to manage their exhibits in a more open, inclusive, and creative way, to improve the visitors’ experience to respond to the need to expand the audience. The main goal is to face the increasing competition in an economy referred to as the “Experience Economy”. To this end, Augmented Reality technology seems to represent a good solution for museum guide systems, to improve visitors’ learning and enjoyment. In this context, the present paper proposes a museum guide system based on Spatial Augmented Reality powered by dynamic projection. The paper describes the overall HW and SW system architecture and reports in detail the developed process adopted to design and implement a museum guide and entertainment application, in the context of the “Studiolo of Federico da Montefeltro” in the Ducal Palace of Urbino. A preliminary survey has been carried out, which involved a total of 79 subjects, aimed at investigating the quality of visitor’s experience, aroused by the proposed application, in terms of the “Four Experience Realms” defined by Pine & Gilmore (1998). Results suggest that the proposed application can be used to stage experiences that satisfy the visitors and may help to enable museums into the Experience Economy.

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Adami, A., G. F. Baczynski, B. Bogoni, F. Bucci, L. Fregonese, C. Togliani y L. Taffurelli. "The Gonzagas' palace: Architecture of time. an interactive application for the discovery of the architectural history of Palazzo Ducale in Mantua". En 2016 22nd International Conference on Virtual System & Multimedia (VSMM). IEEE, 2016. http://dx.doi.org/10.1109/vsmm.2016.7863181.

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Efimov, A. A. "The relationship of the noble customers with contractors about the financing of the building of grand ducal palaces in the mid-19th – early 20th centuries". En Current Challenges of Historical Studies: Young Scholars' Perspective. Novosibirsk State University, 2020. http://dx.doi.org/10.25205/978-5-4437-1110-2-249-256.

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Vavilova, Vera. "P317 New arguments in favour of dual-action release of active drugs in preparation for vaccination in children with chronic foci of infection in the nasopharynx". En 8th Europaediatrics Congress jointly held with, The 13th National Congress of Romanian Pediatrics Society, 7–10 June 2017, Palace of Parliament, Romania, Paediatrics building bridges across Europe. BMJ Publishing Group Ltd and Royal College of Paediatrics and Child Health, 2017. http://dx.doi.org/10.1136/archdischild-2017-313273.405.

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