Literatura académica sobre el tema "Orlando (Woolf, Virginia)"
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Artículos de revistas sobre el tema "Orlando (Woolf, Virginia)"
Parvulescu, Anca. "The Biography of a Face: Virginia Woolf's Orlando". Journal of Modern Literature 46, n.º 4 (junio de 2023): 1–22. http://dx.doi.org/10.2979/jmodelite.46.4.01.
Texto completoParvulescu, Anca. "The Biography of a Face: Virginia Woolf's Orlando". Journal of Modern Literature 46, n.º 4 (junio de 2023): 1–22. http://dx.doi.org/10.2979/jml.2023.a908971.
Texto completoKellerová, Nina y Eva Reid. "Motifs of homosexuality in Virginia Woolf’s Orlando". Ars Aeterna 13, n.º 2 (1 de diciembre de 2021): 75–93. http://dx.doi.org/10.2478/aa-2021-0012.
Texto completoNogueira, Letícia Maria de Alcântara. "Orlando:". Humanidades em diálogo 9 (2 de febrero de 2019): 67–78. http://dx.doi.org/10.11606/issn.1982-7547.hd.2019.154272.
Texto completoCatullo MacIntyre, Luca Tommaso. "Orlando: la estética andrógina de Virginia Woolf". Escritos 30, n.º 65 (26 de agosto de 2022): 269–91. http://dx.doi.org/10.18566/escr.v30n65.a06.
Texto completoWang, Weili. "Analysis of Androgyny View in Orlando and Its Significance". Arts Studies and Criticism 3, n.º 2 (6 de julio de 2022): 139. http://dx.doi.org/10.32629/asc.v3i2.902.
Texto completoNogueira, Nícea Helena de Almeida. "Virginia Woolf e o personagem Shakespeare em Orlando". Letras, n.º 67 (22 de marzo de 2024): 149–56. http://dx.doi.org/10.5902/2176148575161.
Texto completoOrbán, Jolán. "Comme des Femmes – Olga Neuwirth Orlando-operája és Rei Kawakubo jelmezei". Apertura 15, n.º 4 (2020): 1–26. http://dx.doi.org/10.31176/apertura.2019.15.4.8.
Texto completoCalle Orozco, Jhonny Alexander. "Género y traducción: Traducción al español de Orlando de Virginia Woolf, por Jorge Luis Borges". Mutatis Mutandis. Revista Latinoamericana de Traducción 6, n.º 2 (9 de noviembre de 2013): 444–54. http://dx.doi.org/10.17533/udea.mut.17463.
Texto completoDe Carvalho Neto, José Pedro y Élida Paulina Ferreira. "Espaço biográfico, autobiografia e gênero: ampliando fronteiras com Orlando: uma biografia, de Virginia Woolf". Acta Scientiarum. Language and Culture 42, n.º 2 (30 de julio de 2020): e53263. http://dx.doi.org/10.4025/actascilangcult.v42i2.53263.
Texto completoTesis sobre el tema "Orlando (Woolf, Virginia)"
Adams, Kat Russell Richard Rankin. ""More attachment to life & larger" Orlando and Woolf's theories of fiction /". Waco, Tex. : Baylor University, 2008. http://hdl.handle.net/2104/5282.
Texto completoVila, Nova de Moraes Hazin Marli. "Aspectos do duplo em Orlando de Virginia Woolf e em Orlanda de Jacqueline Harpman". Universidade Federal de Pernambuco, 2003. https://repositorio.ufpe.br/handle/123456789/7652.
Texto completoThis study presents a comparative analysis between Virginia Woolf s Orlando and Jacqueline Harpman s Orlanda. It takes as a starting point the fact that Harpman houses Woolf s novel inside her own text and plays overtly with parody, citation, allusion, and mise en abyme, techniques which had already been used by Woolf. The analysis points out the way Harpman transcontextualizes the structural elements in Woolf s novel and reexamines questions that had been raised by Woolf almost seventy years ago. This research goes beyond the technical features to demonstrate that the heart of the matter may reside in human being s eagerness to be accepted as a multiple self, what leads the analysis into studying the mythical representations of the double. After demonstrating the way Harpman transcontextualizes the key elements in Woolf s novel, the analysis follows the itinerary of the double in both narratives, focusing primarily on Narcissus and the Androgyne and secondarily on other mythical figures like Apollo and Daphne
Hastings, Sarah. "Sex, gender, and androgyny in Virginia Woolf's mock-biographies "Friendships Gallery" and Orlando". Cleveland, Ohio : Cleveland State University, 2008.
Buscar texto completoAbstract. Title from PDF t.p. (Mar. 17, 2009). Includes bibliographical references (p. 48-49). Available online via the OhioLINK ETD Center. Also available in print.
Fajardo, Sônia Maria Costa. "Orlando, de Virginia Woolf: desconstruindo as fronteiras de gênero". Universidade Federal de Juiz de Fora (UFJF), 2017. https://repositorio.ufjf.br/jspui/handle/ufjf/4221.
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Esta dissertação de mestrado busca refletir sobre a importância da interface entre os Estudos Literários e os Estudos de Gênero, a partir da análise de Orlando, uma biografia, de Virginia Woolf, cujo personagem principal, Orlando, desafia as fronteiras entre o masculino e o feminino, ao passar por uma transformação sexual, de forma natural. O enredo dessa biografia ficcional permite traçar pontos de interseção entre as considerações sobre androginia, não-linearidade, flexibilidade e mutabilidade dos sexos promovidas por Woolf. Para a análise da proposta inusitada de Woolf, que constrói a metamorfose de Orlando, foram utilizados os estudos de Um teto todo seu (2014), de Virginia Woolf, e A crítica feminista no território selvagem, de Elaine Showalter (1994). Para a realização da congruência de Orlando, uma biografia, com os Estudos de Gênero, tornou-se essencial a compreensão dos conceitos elaborados por Simone de Beauvoir, em O segundo sexo, v. 2: a experiência vivida, (1967); Joan Scott, em Gênero: uma categoria útil de análise histórica (1995) e Judith Butler, em Problemas de gênero: feminismo e subversão da identidade (2003). A flexibilidade e as variações de gênero suscitadas por Woolf contrapõem-se aos rígidos conceitos construídos para o masculino e para o feminino, assim como a característica inalterável da sexualidade. Em 1928, com Orlando, uma biografia, Virginia Woolf antecipou a questão de gênero, tão atual e pertinente na busca do respeito às liberdades e na extinção dos formatos preestabelecidos que insistem em determinar o comportamento mais intrínseco dos indivíduos.
This present Master's Thesis aims to reflect upon the importance of the correlation between Literary Studies and Gender Studies, based on the analysis of Orlando, a biography, by Virginia Woolf, in which the main character, Orlando, defies the borders between male and female, when transforming himself sexually, in a natural way. The plot of the fictional biography allows to trace intersection points concerning androgyny, non-linearity, flexibility and changeability of gender, created by Woolf. For the analysis of Woolf's unusual proposal, which constructs Orlando's metamorphosis, the following studies were used: A room of One's Own (2014), by Virginia Woolf, and Criticism and the Wilderness (1994), by Elaine Showalter. To accomplish the congruency of Orlando, a biography, with Gender Studies, it is essential to comprehend the concepts proposed by Simone de Beauvoir, in The Second Sex, v. 2: a living experience, (1967); Jon Scott, in Gender: a useful category of Historical Analysis (1995) and Judith Butler, in Gender Problems: Feminism and Subversion of Identity (2003). The flexibility and gender variations expressed by Woolf contrast with the strict concepts once built concerning male and female, as well as the unchangeable characteristic of the sexuality. In 1928, with Orlando, a biography, Virginia Woolf anticipated the gender issue, so recent and pertinent in the search for respect to the liberty and the extinction of the preestablished forms that insist on determining the most inherent behaviour of the individuals.
Filho, Lindberg S. Campos. "Estética modernista e patriarcado capitalista: um estudo sobre Orlando de Virginia Woolf". Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-17102017-150721/.
Texto completoThe central objective of this dissertation is a reading of the novel Orlando: A biography (1928) by Virginia Woolf from an interpretative hypothesis of its construction process. Basically, it seeks to investigate how the selection, organisation and articulation of the social and aesthetic materials involved in its production takes place, in a such a way that it is possible to reconstruct the work\'s key moments as well as to propose interpretative codes. In the first chapter there is an extensive analysis of the formal devices that constitute the narrative; in chapter two it is identified in the novel\'s dialectics of form and content two antagonist ideological formations: the figuration of capitalist patriarchy which organises colective experience in an authoritarian way and the aesthetic of cultural modernisation that rises in opposition to the former. Finally, in the conclusion, all the main points discussed in the previous chapters are summarized and it proposes that Woolf\'s project thematizes the human interiority\'s amplitude in order to create a symbolic compensation for the increasing dehumanization of social life in the interwar period. Thus, we identify two modernist paths: one that places centrality on subjectivization and another on objectivization of the artistic process. This dissertation supposes that Woolf belongs to the first lineage.
Johansen-Halsaunet, Rikke. "Androgynitet og bevissthetsstrøm : Virginia Woolfs Mrs Dalloway og Orlando fra roman til film". Thesis, Norges teknisk-naturvitenskapelige universitet, Institutt for språk og litteratur, 2014. http://urn.kb.se/resolve?urn=urn:nbn:no:ntnu:diva-26540.
Texto completoBlomdahl, Alexandra. "Virginia Woolf's Orlando and the Feminist Reader : Feminist Reader Response Theory in Orlando: a Biography". Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-32476.
Texto completoCastle, Jacob C. "Virginia Woolf’s Fictional Biographies, Orlando and Flush, as Prefigures of Postmodernism". Digital Commons @ East Tennessee State University, 2016. https://dc.etsu.edu/etd/3158.
Texto completoJones, Joanna Medlin. "Challenging Gender Roles in Wilkie Collins?s The Woman in White and Virginia Woolf?s Orlando". NCSU, 2005. http://www.lib.ncsu.edu/theses/available/etd-07082005-094556/.
Texto completoPinto, Fernando Bruno da Silva Beleza Correia y Ana Luísa Amaral. "Passing between : problemáticas da identidade em Orlando de Virginia Woolf e na adaptação de Sally Potter". Master's thesis, Porto : [Edição do Autor], 2009. http://hdl.handle.net/10216/20357.
Texto completoLibros sobre el tema "Orlando (Woolf, Virginia)"
Harold, Bloom. Virginia Woolf. Pennsylvania: Chelsea House Publishers, 2002.
Buscar texto completoHaule, James M. A concordance to Orlando by Virginia Woolf. Ann Arbor, Mich: UMI, 1988.
Buscar texto completoHorner, Avril. Virginia Woolf, history, and the metaphors of Orlando. Salford: University of Salford Department of Modern Languages, 1991.
Buscar texto completoWoolf, Virginia. Orlando: Eine Biographie / Virginia Woolf ; Deutsch von Brigitte Walitzek. Frankfurt am Main: S. Fischer, 1990.
Buscar texto completoWoolf, Virginia. Orlando. Milano: Oscar Mondardori, 1996.
Buscar texto completoWoolf, Virginia. Orlando. 4a ed. Buenos Aires: Sudamericana, 1999.
Buscar texto completoWoolf, Virginia. Orlando. London: The Hogarth Press, 1990.
Buscar texto completoWoolf, Virginia. Orlando. Rio de Janeiro: Editora Nova Fronteira, 2000.
Buscar texto completoWoolf, Virginia. Orlando. London: Bloomsbury Classics, 1993.
Buscar texto completoWoolf, Virginia. Orlando, a Biography: Virginia Woolf [Annotated]. Independently Published, 2021.
Buscar texto completoCapítulos de libros sobre el tema "Orlando (Woolf, Virginia)"
Rosenthal, Michael. "Orlando". En Virginia Woolf, 128–41. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003415374-9.
Texto completoKluge, Walter y Vera Nünning. "Woolf, Virginia: Orlando". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_17431-1.
Texto completoHanson, Clare. "Imaginary Lives: Orlando and A Room of One’s Own". En Virginia Woolf, 94–125. London: Macmillan Education UK, 1994. http://dx.doi.org/10.1007/978-1-349-23381-6_4.
Texto completoPeach, Linden. "History and Historiography: Orlando (1928) and The Waves (1931)". En Virginia Woolf, 137–67. London: Macmillan Education UK, 2000. http://dx.doi.org/10.1057/978-1-137-15294-7_7.
Texto completoSpiropoulou, Angeliki. "Historical Fictions, Fictional Fashions and Time: Orlando as the ‘Angel of History’". En Virginia Woolf, Modernity and History, 75–95. London: Palgrave Macmillan UK, 2010. http://dx.doi.org/10.1057/9780230250444_5.
Texto completoVilla, Sara. "Translating Orlando in 1930s Fascist Italy: Virginia Woolf, Arnoldo Mondadori, and Alessandra Scalero". En Virginia Woolf and the Literary Marketplace, 209–21. New York: Palgrave Macmillan US, 2010. http://dx.doi.org/10.1057/9780230114791_14.
Texto completoSimpson, Kathryn. "A Gift of Vision: To the Lighthouse, Orlando and Between the Acts". En Gifts, Markets and Economies of Desire in Virginia Woolf, 85–127. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230228436_4.
Texto completoRyan, Derek. "Orlando's Queer Animals". En A Companion to Virginia Woolf, 109–20. Chichester, UK: John Wiley & Sons, Ltd, 2016. http://dx.doi.org/10.1002/9781118457917.ch8.
Texto completoRice, Thomas Jackson. "Studies of Orlando (1928)". En Virginia Woolf, 137–42. Routledge, 2018. http://dx.doi.org/10.4324/9781351106214-17.
Texto completoLOVE, JEAN O. "Orlando and Its Genesis:". En Virginia Woolf, 189–218. University of California Press, 2024. http://dx.doi.org/10.2307/jj.16552218.14.
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