Literatura académica sobre el tema "Operas – film adaptations"
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Artículos de revistas sobre el tema "Operas – film adaptations"
Adams, Christy Thomas. "Staging the Cinematic: Puccini, Fanciulla, and Early Silent Film". Journal of the American Musicological Society 76, n.º 1 (2023): 1–55. http://dx.doi.org/10.1525/jams.2023.76.1.1.
Texto completoCitron, Marcia J. "Opera-Film as Television: Remediation in Tony Britten's Falstaff". Journal of the American Musicological Society 70, n.º 2 (2017): 475–522. http://dx.doi.org/10.1525/jams.2017.70.2.475.
Texto completoKropova, Daria Sergeevna. "From Greek Tragedy To Opera-Film". Journal of Flm Arts and Film Studies 7, n.º 2 (15 de junio de 2015): 62–72. http://dx.doi.org/10.17816/vgik7262-72.
Texto completoRadigales, Jaume y Isabel Villanueva-Benito. "Technology, Audio-visual Adaptation and Cultural Re-education of Opera". Tripodos, n.º 51 (27 de enero de 2022): 131–42. http://dx.doi.org/10.51698/tripodos.2021.51p131-142.
Texto completoGonzález Chávez, Carmen Milagros. "El mundo bajo la máscara: el vórtice creativo en Le Fantôme de l’Opera". Latente Revista de Historia y Estética audiovisual 20 (2022): 81–102. http://dx.doi.org/10.25145/j.latente.2022.20.03.
Texto completoZECHNER, INGEBORG. "Multiple-Music Versions?" Music, Sound, and the Moving Image 15, n.º 2 (1 de diciembre de 2021): 133–64. http://dx.doi.org/10.3828/msmi.2021.9.
Texto completoKujawska-Lis, Ewa. "(Trans)fusions of Conrad’s darkness: Selected adaptations of Heart of Darkness". Journal of Adaptation in Film & Performance 14, n.º 1 (1 de marzo de 2021): 65–86. http://dx.doi.org/10.1386/jafp_00043_1.
Texto completoBren, Frank. "Connections and Crossovers: Cinema and Theatre in Hong Kong". New Theatre Quarterly 14, n.º 53 (febrero de 1998): 63–74. http://dx.doi.org/10.1017/s0266464x0001174x.
Texto completoPascal, Marie. "A Conversation with Linda Hutcheon on Film Adaptation". Transcr(é)ation 1, n.º 1 (15 de septiembre de 2022): 1–5. http://dx.doi.org/10.5206/tc.v1i1.15008.
Texto completoWilson, Alexandra. "Unreliable Authors, Unreliable History: Opera in Joe Wright’s Adaptation ofAtonement". Cambridge Opera Journal 27, n.º 2 (julio de 2015): 155–74. http://dx.doi.org/10.1017/s095458671500004x.
Texto completoTesis sobre el tema "Operas – film adaptations"
Martucci, Maurício Dotto. "Dialogismo e tradução intersemiótica em Pink Floyd The Wall: luto e melancolia na Inglaterra do pós-guerra". Universidade Federal de São Carlos, 2010. https://repositorio.ufscar.br/handle/ufscar/5590.
Texto completoThe film Pink Floyd The Wall, adaptation to the cinema of the Pink Floyd´s concept album, tells the Pink´s story, a musician, that was born in England during the World War II final years, he had his father died in a battle and this fact start a process of depression and melancholy that culminate in his total apathy towards life. This research has its focus on the literary content of the songs from the original album, the aim is study the film formal structure, its differences, similarities and complementarities comparing to the album narrative, observing the translation and artistic recreation process from the album to the movie and also confirming the dialogical relations between the different problems, contextualization, languages and representations explored in this art piece.
O filme Pink Floyd The Wall, adaptação para o cinema do álbum conceitual da banda Pink Floyd, narra a história, desde a infância até sua completa alienação, do protagonista Pink, um músico nascido na Inglaterra nos anos finais da Segunda Guerra Mundial, cuja morte do pai durante a guerra lhe desencadeia um processo de depressão e melancolia que culmina em sua total apatia diante da vida. A presente pesquisa, tendo como foco o teor literário das canções do álbum original, tem por objetivo o estudo da estrutura formal do tecido fílmico, suas diferenças, semelhanças e complementaridades com a narrativa musical contida no álbum, observando e constatando os processos de tradução e recriação de uma obra para outra, além das relações dialógicas entre as diferentes problemáticas, contextualizações, linguagens e representações exploradas na obra.
Sen, Suddhaseel. "The Afterlife of Shakespeare's Plays: A Study of Cross-cultural Adaptations into Opera and Film". Thesis, 2010. http://hdl.handle.net/1807/32186.
Texto completoKolich, Tomáš. "Makabrózní, mysteriózní, monstrózní. Architektura a prostředí v gotickém hororu". Master's thesis, 2015. http://www.nusl.cz/ntk/nusl-353862.
Texto completoKupková, Marika. "Z písaře ministerským radou: Působení Jiřího Mařánka v kinematografii čtyricátých a padesátých let". Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371279.
Texto completoLibros sobre el tema "Operas – film adaptations"
Demonet, Gilles y Jean-Pierre Saez. Opéra à l'écran: Opéra pour tous? : nouvelles offres et pratiques culturelles. Paris: L'Harmattan, 2013.
Buscar texto completoKacem, Mehdi Belhaj. La seconde vie de l'opéra. Paris: Scheer, 2012.
Buscar texto completoDanièle, Huillet, Straub Jean-Marie y Schoenberg Arnold 1874-1951, eds. Moïse et Aaron. Toulouse: Ombres, 1990.
Buscar texto completoTambling, Jeremy. Opera, ideology and film. Manchester: Manchester University Press, 1987.
Buscar texto completoTambling, Jeremy. Opera, ideology, and film. New York: St. Martin's Press, 1987.
Buscar texto completoRochelle, Réal La. Opérascope: Le film-opéra en Amérique. Montréal, Québec: Triptyque, 2003.
Buscar texto completoFreitag, Wolfgang. Amadeus & Co: Mozart im Film. Mödling-Wien: Edition Umbruch, 1991.
Buscar texto completoKünzig, Bernd. Richard Wagner und das Kinematographische. Eggingen: Edition Isele, 1990.
Buscar texto completoCroissant, Charles R. Opera performances in video format: A checklist of commercially released recordings. Canton, Mass: Music Library Association, 1991.
Buscar texto completoSalzburger Symposion (1989- ) (11th 1999). Das Musiktheater in den audiovisuellen Medien: "--ersichtlich gewordene Taten der Musik" : Vorträge und Gespräche des Salzburger Symposions 1999. Anif/Salzburg: Mueller-Speiser, 2001.
Buscar texto completoCapítulos de libros sobre el tema "Operas – film adaptations"
Newell, Kate. "Transferring Handmaids: Iconography, Adaptation, and Intermediality". En Beyond Media Borders, Volume 2, 33–57. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-49683-8_2.
Texto completoMcHugh, Dominic. "“We’re Not in Kansas Any More”". En Adapting The Wizard of Oz, 161–82. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190663179.003.0009.
Texto completoIyengar, Sujata. "Beds, Handkerchiefs and Moving Objects in Othello". En Variable Objects, 21–36. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474481397.003.0002.
Texto completoKam, Tan See. "Three-Women Fiction, Mandarin Ducks and Butterflies". En Tsui Hark's Peking Opera Blues. Hong Kong University Press, 2016. http://dx.doi.org/10.5790/hongkong/9789888208852.003.0006.
Texto completoDagna, Stella. "Dangerous Liaisons: Quo vadis? (1913, dir. Enrico Guazzoni) and the Previous Theatrical Adaptations of Sienkiewicz’s Novel". En The Novel of Neronian Rome and its Multimedial Transformations, 123–42. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780198867531.003.0008.
Texto completoPanova, Olga Yu. "Contemporary British-American Stage and Cinema Adaptations of Fyodor Dostoevsky’s Notes from Underground". En “Notes from Underground” by F.M. Dostoevsky in the Culture of Europe and America, 692–713. A.M. Gorky Institute of World Literature of the Russian Academy of Sciences, 2021. http://dx.doi.org/10.22455/978-5-9208-0668-0-692-713.
Texto completoAndré, Naomi. "Carmen". En Black Opera, 120–66. University of Illinois Press, 2018. http://dx.doi.org/10.5622/illinois/9780252041921.003.0005.
Texto completoRoberts, Gillian. "The Empire Gazes Back? The Portrait of a Lady and Vanity Fair". En Race, Nation and Cultural Power in Film Adaptation, 19–48. Edinburgh University Press, 2023. http://dx.doi.org/10.3366/edinburgh/9781474483537.003.0002.
Texto completo"The Spoken Opera-Film Fedora (1942): Intermedial Transposition and Implicit Operatic References in Film". En Essays on Word/Music Adaptation and on Surveying the Field, 75–92. Brill | Rodopi, 2008. http://dx.doi.org/10.1163/9789004358041_006.
Texto completoTurquety, Benoît. "The Power of Speech (or the Voice), of Seeing and the Path: Moses And Aaron". En Danièle Huillet, Jean-Marie Straub. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789463722209_ch03.
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