Tesis sobre el tema "Opera responsive to change"
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Simonetti, Angela Marie. "A Feasibility Model for Organizations Contemplating a Change of Venue". University of Akron / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=akron1209134757.
Texto completoGiesa, Aaron. "SATOR / AREPO / TENET / OPERA / ROTAS". PDXScholar, 2016. http://pdxscholar.library.pdx.edu/open_access_etds/3035.
Texto completoOakland, Jane. "'Giving voice' : exploring enforced occupational change in opera choristers". Thesis, Glasgow Caledonian University, 2010. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.555681.
Texto completoDragasvic, Dolja. "Meyerhold, Director of Opera : cultural change and artistic genres". Thesis, Goldsmiths College (University of London), 2005. http://research.gold.ac.uk/10907/.
Texto completoLiptapallop, Wuthi. "Using responsive evaluation to change Thai tourist police volunteer programs". Thesis, Full-text, 2008. https://vuir.vu.edu.au/1971/.
Texto completoLiptapallop, Wuthi. "Using responsive evaluation to change Thai tourist police volunteer programs". Full-text, 2008. http://eprints.vu.edu.au/1971/1/Wuthi's_Final__Copy.pdf.
Texto completoOng, Min Yen. "Kunqu in 21st century China : musical change and amateur practices". Thesis, SOAS, University of London, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.649379.
Texto completoIles, Karen Marie. "Making sense of change in NGO programs : a complex responsive processes perspective". Thesis, University of Bristol, 2016. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.689597.
Texto completoAzadegan, Farshid. "Change and continuity through mergers & acquisitions". Thesis, University of Hertfordshire, 2013. http://hdl.handle.net/2299/10311.
Texto completoPoole, Joanna. "Making sense of change in primary health care : a complex responsive processes perspective". Thesis, University of Hertfordshire, 2006. http://hdl.handle.net/2299/14347.
Texto completoFeola, Frank J. "Culturally Responsive Professional Development through Conceptual Change: A Case Study of Substitute Teachers in Urban School Districts". Cleveland, Ohio : Cleveland State University, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=csu1247838651.
Texto completoAbstract. Title from PDF t.p. (viewed on July 29, 2009). Includes bibliographical references (p. 376-390). Available online via the OhioLINK ETD Center and also available in print.
Hamasaeed, Nazakat Hussain. "The impact of commercial global television on cultural change and identity formation : a study of Kurdish women and the Turkish soap opera 'Noor'". Thesis, University of Bradford, 2011. http://hdl.handle.net/10454/5431.
Texto completoSarpong, Eunice Adwoa. "Gender and Climate Change Adaptation Strategies in Agriculture: Lessons from Farming Communities in Ejisu Municipality, Ghana". Thesis, Örebro universitet, Institutionen för humaniora, utbildnings- och samhällsvetenskap, 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:oru:diva-93720.
Texto completoWeiss, Julie. "The Interaction of Post-Partum Depression and Maternal Knowledge of Infant Development on Change in Sensitive and Responsive Parenting during Early Infancy". ScholarWorks@UNO, 2013. http://scholarworks.uno.edu/td/1774.
Texto completoBurger, Martinus Charl. "The social character of organizational change : strategizing as emergent practice". Thesis, University of Hertfordshire, 2010. http://hdl.handle.net/2299/5016.
Texto completoVisser, Mathilde. "A reappraisal of the involvement of an internal consultant in processes of culture change in a public transport organisation". Thesis, University of Hertfordshire, 2012. http://hdl.handle.net/2299/8967.
Texto completoRauch, Sebastian, Klaus-Jochen Eichhorn, Ulrich Oertel, Manfred Stamm, Dirk Kuckling y Petra Uhlmann. "Temperature responsive polymer brushes with clicked rhodamine B: synthesis, characterization and swelling dynamics studied by spectroscopic ellipsometry". Saechsische Landesbibliothek- Staats- und Universitaetsbibliothek Dresden, 2014. http://nbn-resolving.de/urn:nbn:de:bsz:14-qucosa-139314.
Texto completoDieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich
Rauch, Sebastian, Klaus-Jochen Eichhorn, Ulrich Oertel, Manfred Stamm, Dirk Kuckling y Petra Uhlmann. "Temperature responsive polymer brushes with clicked rhodamine B: synthesis, characterization and swelling dynamics studied by spectroscopic ellipsometry". Royal Society of Chemistry, 2012. https://tud.qucosa.de/id/qucosa%3A27823.
Texto completoDieser Beitrag ist mit Zustimmung des Rechteinhabers aufgrund einer (DFG-geförderten) Allianz- bzw. Nationallizenz frei zugänglich.
Mukubvu, Luke. "Reflecting on a period of change in a governmental development agency : understanding management as the patterning of interaction and politics". Thesis, University of Hertfordshire, 2012. http://hdl.handle.net/2299/8968.
Texto completoBrahm, Mikkel. "Seeking to control enterprise with architecture : the limits and value of an engineering approach from the perspective of an enterprise architect". Thesis, University of Hertfordshire, 2017. http://hdl.handle.net/2299/17596.
Texto completoLefvenhjelm, Elina. ""This is our Dynasty." : Hur rollkaraktärerna i såpoperan Dynastin har förändrats över tid med fokus på kön, genus, sexualitet, etnicitet och makt". Thesis, Linnéuniversitetet, Institutionen för kulturvetenskaper (KV), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-100813.
Texto completoChemoul, Isabelle. "Identité du personnage au théâtre et à l’opéra : jeu, « je » et voix". Thesis, Paris 4, 2011. http://www.theses.fr/2011PA040191.
Texto completoThe stage character's identity is not clearly defined. The author, or librettist, sprinkles his textual or musical score with clues that allow us to shape this note and word-made creature. My goal here is to discover the paper outline of this split up character. In order to exist, the character must also act; this acting enables us to see the subtle wills and deep desires of other protagonists on stage, in other words: to bring out the "I" in each character.During the play, the character in itself, the "one", will be confronted to the "other", be it an adjuvant or opponent. He must impose his wills, his voice to the "other", but he must also be heard and understood by the crowd. For the others, a stage character has this specificity to become another: a strange creature who sounds different like a foreigner, and sometimes like an animal or a monster. Between misunderstanding and fascination, the audience can be repelled or attracted by it.At last, we consider a stage character as a malleable and dividable object, capable of many changes. The author and the actor or singer need to gather and combine their talents to bring this "object-character" to life. On stage, the performer, that is to say the interpreter's puppet, is subjected to evolution, constant changes, movement, different interpretations, and appropriation
Thorup, Pernille. "Strategy-making in a senior leadership team in the public sector in Denmark : taking experience seriously as co-creation, conflict and paradox". Thesis, University of Hertfordshire, 2016. http://hdl.handle.net/2299/17226.
Texto completoMasood, Tariq. "Enhanced integrated modelling approach to reconfiguring manufacturing enterprises". Thesis, Loughborough University, 2009. https://dspace.lboro.ac.uk/2134/6371.
Texto completoYung, Fiona Yuet-Ching. "A middle manager's response to strategic directives on integrated care in an NHS organisation : developing a different way of thinking about prejudice". Thesis, University of Hertfordshire, 2013. http://hdl.handle.net/2299/11563.
Texto completoTremblay, Johanne. "Aux pieds du grand escalier : ce que donne à voir l’attribution par le ministère de la Culture et de la Communication d’un label de «qualité» sur les opéras (nationaux) de région en France". Thesis, Avignon, 2011. http://www.theses.fr/2011AVIG1101/document.
Texto completoOur thesis discusses the process and consequences of the attribution, by the State, of a national label to five regional opera houses in France between 1996 and 2006. Through this event, we look closely at the current changes in the opera house as an organization which has traditionally been under municipal governance and is with this label repositioned under a governing body which includes the Region and the central State and its demands for greater visibility. Our objective is to understand the strategic renewal of opera houses outside Paris in a centralized political system where the State is said to guaranty cultural access and artistic quality. We do so by using the attribution of the national label as a marker and as a device that participates in the instrumentation of opera houses in a restricted market and a changing normative frame within which opera houses are brought to secure their own continuity. With a brief overlook at how opera houses have been transformed into a venue meant to entertain citizens and magnify cities, we give the reader an understanding of opera houses as conventional and regimented organizations forever bond to politics and the market. The particular organization of an opera house in France, the reasons behind the choices made and the applied methodology are then presented. Our inductive and multidisciplinary approach, supported by the critical posture adopted, leads us to the elaboration of a study where undetermined connections and human beings evolve within moderate constructivist ontology. We then suggest that the label, which gives rise to a perpetual strategic “remplissement” (Foucault), is inevitably remobilized to manage the side effects brought by its very existence. Power and legitimacy occupy in this dynamic a central place that we exemplify and discuss thoroughly. Our research presents an original way to understand the recent transformation of the French regional operas houses as expressed, and apprehended, by the attribution by the ministry of Culture and Communication of a “quality” label that enables them to gradually enter the growing mediated spheres already endorsed by cultural industries
Babin, Armelle. "Ecrire un opéra au XXIe siècle : la démarche sensitive de George Benjamin". Thesis, Aix-Marseille, 2019. http://www.theses.fr/2019AIXM0108.
Texto completoOur perception of music being multi-sensory, we wonder about the space arising between the musical work and the listener, which can be defined as a kind of responsive membrane or skin. We may have detected that space in the peculiar way music, text and staging interact in opera, thus both addressing our senses and acting upon our memory.We will first define the sensitive sense of art and music, then demonstrate how such a sensitive or responsive approach is at the core of contemporary lyrical creations such as Philippe Boesmans’, Peter Eötvös’, Kajia Saariaho’s and Ana Sokolović’s operas, and most notably in George Benjamin’s Written on Skin.Created in 2012, this opera was inspired by the medieval legend of the Eaten Heart. Martin Crimp, author of the text of Written on Skin, imagines three contemporary angels bringing back to life a wealthy landlord and his wife Agnès. One of the angels becomes an illuminator: he gets himself settled at the landlord’s to work on a book which will be written on the skin. Agnès is interested in it ... Text and music bring into play a real living organic system that interferes with the senses and mobilizes one’s memory. As in any relational history, it is about desire, the one that gets written on our skin
Sisk, Christopher Andrew. "In Media Res". VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5444.
Texto completoAchieng-Evensen, Charlotte. "Young, Urban, Professional, and Kenyan?: Conversations Surrounding Tribal Identity and Nationhood". Chapman University Digital Commons, 2016. http://digitalcommons.chapman.edu/ces_dissertations/9.
Texto completoCausarano, R. M. y P. Gregory. "Sviluppi del pensiero sistemico nell'architettura contemporanea. Il principio di organizzazione/autorganizzazione nel progetto architettonico". Doctoral thesis, 2013. http://hdl.handle.net/11583/2617160.
Texto completoWu, Chin Chou y 吳謹州. "A Study of Thermal Responsive Acoustic Phase-Change Droplets in Tumor Theranostics". Thesis, 2016. http://ndltd.ncl.edu.tw/handle/21414291436793653757.
Texto completo國立清華大學
生醫工程與環境科學系
104
Phase-change droplets (PCDs) encapsulated liquid perfluorocarbon (PFC) by lipid shell are more stable than microbubbles in the circulation. PCDs have potentials for theranostics applications due to their ability of converting from liquid to gas phase under ultrasound excitations (referred to acoustic droplet vaporization, ADV). In order to predict the region of PCDs drug release by ADV and alter the aspect of treatment immediately, we established an integrated ultrasound system to monitor and control the drug release and utilized acoustic-based temperature map to predict the occurrence of ADV. The transmitting pulse was comprised of long pulsing for local tumor heating and short pulsing for vaporizing the thermal sensitive PCDs. The overlapping area between temperature map and ultrasound B-mode image was calculated. The thermal sensitive PCDs were composed of C5F12 and C6F14. The stability, ADV efficiency and cell toxicity of PCDs were estimated. The optimization of ADV threshold (including mixture ratio, temperature, and ultrasound parameters) was also estimated and discussed. We quantified the overlapping area of the ADV region and the temperature map by means of performing different parameters, and established the ultrasound contrast image database to evaluate the relationship between temperature profile and pressure distribution. Then the optimized conditions were applied in mouse tumor model and confirmed the feasibility of prediction ADV location in vivo. The ratio of C5F12 and C6F14 was 7: 3 and the corresponding PCDs were with average size of 1.1 μm and the concentration of 20×109/mL. In the ADV threshold conditions of 8.6 MPa and a 3-cycle pulse, the ADV efficiencies were 29% and 63%, at 37˚C and 41˚C (p<0.01), respectively. By comparisons at 37 ˚C, the cell viability decreased 21% at 41 ˚C (p<0.05), showing heating could enhance the cell membrane permeability and drug uptaken. In vitro phantom testing at 41 ˚C, the overlapping image ratios were 40% and 87%, at 8 and 8.6 MPa (p<0.01), respectively, confirming that the pressure of 8.6 MPa performed higher precision of ADV location. At the same condition, the overlapping image ratio in tumor model was 83%, with no significant difference (p>0.05). In conclusion, our proposed imaging technique provided a useful tool with the thermal sensitive PCDs to monitor the prediction of ADV. Operating ultrasound can monitor the ADV region guided by the temperature map. The heating with ADV process enhanced the cell permeability and precisely released drugs within tumor. Future work is to apply the proposed system to cancer therapy with a real-time monitoring drug delivery/release, and enhancing the efficiency of treatment.
Cole, Catherine J. "Nature at the Opéra : sound and social change in France, 1750-79 /". 2003. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3077048.
Texto completoCole, Catherine Jean. ""Nature" at the Opéra : sound and social change in France, 1750-79 /". 2003. http://wwwlib.umi.com/dissertations/fullcit/3077048.
Texto completoCHU, MEI-LI y 朱美麗. "Change of Performance Style of Henan Opera During the Period of Military System (1953-1996) in Taiwan". Thesis, 2018. http://ndltd.ncl.edu.tw/handle/r2a9sy.
Texto completo國立臺南藝術大學
民族音樂學研究所
106
Around 1951, like other operas that came to Taiwan due to the war Henan Opera had its own teams set up for entertainment and the relief of nostalgia. At that time, the opera teams in the troops were necessary to encourage the officers and soldiers and relieve their nostalgia. From then on, to merge into a different humanistic environment of a different language, this local opera from outside of Taiwan has been managed and continued to take root here out of Henan with its contingency and function as a way to survive. This study was aimed to organize and review the influence of the accent and music in Henan Opera in the development hardship along with the moving to Taiwan and the performance style in the socio-environment. Moreover, in this study, the hard training and heritage to the operatic players were understood, and how to mix the strictly required basic skills with the absolute program structure and display on performance was analyzed, in order to let operatic aesthetics be achieved.
Swift, Thomas, L. Swanson, M. Geoghegan y Stephen Rimmer. "The pH-responsive behaviour of poly(acrylic acid) in aqueous solution is dependent on molar mass". 2016. http://hdl.handle.net/10454/8425.
Texto completoFluorescence spectroscopy on a series of aqueous solutions of poly(acrylic acid) containing a luminescent label showed that polymers with molar mass, Mn < 16.5 kDa did not exhibit a pH responsive conformational change, which is typical of higher molar mass poly(acrylic acid). Below this molar mass, polymers remained in an extended conformation, regardless of pH. Above this molar mass, a pH-dependent conformational change was observed. Diffusion-ordered nuclear magnetic resonance spectroscopy confirmed that low molar mass polymers did not undergo a conformational transition, although large molar mass polymers did exhibit pH-dependent diffusion.
Engineering and Physical Sciences Research Council (EPSRC) funded CASE award PhD. Part funded by flocculant manufacturer SNF (UK) Ltd.
Lowe, Kevin. "Walanbaa warramildanha: standing their ground: honouring Aboriginal standpoint to effect teachers’ professional knowledge". Thesis, 2016. http://hdl.handle.net/1959.13/1312996.
Texto completoAboriginal Student education achievement in New South Wales languishes at the same levels it has for decades and is seen as one of the greatest challenges for educational policy and practice. One element of this problem relates to the significant social and cultural disconnect between Aboriginal students, their communities and teachers. Teachers have too often been appointed to schools without the requisite professional knowledge that would allow them to make authentic learning and cultural connections to these students. The purpose of the research is to gain an understanding of the nature and dynamics of community and school engagement in four sites with high proportions of Aboriginal students. It investigates the potential for positive interactions between Aboriginal people and schools and teachers’ capacity to develop authentic pedagogic practices that is responsive to their Aboriginal students’ needs and aspirations. It further investigates how these Aboriginal communities articulate their interactions with schools and teachers and how they in turn they are presented within school and teacher discourse. The thesis unpacks Aboriginal community standpoint and the initiation of purposeful collaboration at the cultural interface. The research questions the nature of these relationships and in particular how Aboriginal stakeholders have supported teachers to build their knowledge about Aboriginal students and their community. This research uses a critical Indigenous ethnographic methodology through interviews with Aboriginal community members, teachers and principals in four regional, rural and remote locations in NSW. Furthermore, it was seen that in each school site, there was varying evidence of deep and authentic engagement between Aboriginal people and a number of teachers. It was seen that in these instances, there was a shift in some teachers’ professional knowledge, and teacher engagement. Finally, the research identified that Aboriginal parents and community members have a strong commitment to being party to the development of authentic collaborations with schools. This research argues that teachers need to honour, understand and actively reflect on community history, contexts and aspirations to develop the skills and knowledge to address the particular socio-cultural and educational needs of Aboriginal students.
Tartakover, Sarah. "Cultural perspectives in school communities: an exploration and representation of cultural identity in pre-service teachers". Thesis, 2013. https://vuir.vu.edu.au/25086/.
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