Bibliografías temáticas / Oehlenschläger

Literatura académica sobre el tema "Oehlenschläger"

Autor: Grafiati
Publicado: 26 de julio de 2024
Última modificación: 27 de julio de 2024

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Artículos de revistas sobre el tema "Oehlenschläger"

1

Massini Nielsen, Laura. "Biographical Introduction and Summary of Contents". Aurorae Borealis Studia Classica 9 (29 de febrero de 2020): 1–10. http://dx.doi.org/10.7557/16.5364.

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In this introduction, MA student Laura Massini Nielsen analyses the role of the aurora borealis in Biergtrolden (The Mountain Troll), the very first poem of the seminal debut collection of Digte (Poems) by the Danish Romantic author Adam Oehlenschläger. The article begins with a biographical introduction, followed by a short overview of the Danish Golden Age that provides context for the reader. Massini Nielsen then briefly outlines Oehlenschläger’s works and, in conclusion, focuses on the poem Biergtrolden and on the role of the aurora borealis in it.
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Jørgensen, Lea Grosen. "Vikingens udødelige sang". Passage - Tidsskrift for litteratur og kritik 34, n.º 81 (1 de junio de 2019): 54–70. http://dx.doi.org/10.7146/pas.v34i81.114430.

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Lea Grosen Jørgensen: “The Viking’s Undying Song – A Comparison of Old Norse Poems and Heroic Portrayals in Vikings (2013-) and Oehlenschläger’s Regnar Lodbrok (1849)” This article discusses the portrayal of the legendary Viking Regnar Lodbrok in Michael Hirst’s TV series Vikings and Adam Oehlenchläger’s Romantic poem Regnar Lodbrok. Focusing on the incorporation of the Old Norse death song “Krákumál” in both the series and the poem, the article shows that the reinterpretations of the death song determine the versions of the Viking hero. Reinventing the hero after the fashion of their own age, as either a modern self-made hero or as a tender warrior-skald , Hirst and Oehlenschläger contribute to the perception of the Viking Age in the twenty-first and the nineteenth century, respectively.
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Oehlenschläger, Adam. "Biergtrolden (1803)". Aurorae Borealis Studia Classica 9 (29 de febrero de 2020): 3–15. http://dx.doi.org/10.7557/16.5359.

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Axelsen, Jens. "Digterkongen og strikkestrømpen. To uudgivne breve fra Oehlenschläger". Magasin fra Det Kongelige Bibliotek 11, n.º 2 (1 de febrero de 1996): 36–41. http://dx.doi.org/10.7146/mag.v11i2.66428.

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Hermann, Pernille. "Middelalderisme og erindring – Oehlenschläger og den nordiske mytologi". Slagmark - Tidsskrift for idéhistorie, n.º 79 (25 de junio de 2019): 47–62. http://dx.doi.org/10.7146/slagmark.vi79.130728.

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This article investigates points of intersection between medievalism and memory. It mainly focuses on the formative period of the 19th century when the Norse past, the so-called Viking Age, as well as Old Norse mythology became integral parts of Danish national identity. The article homes in on Adam Oehlenschl.ger’s rejuvenation of the mythological materials and his reflections on the usefulness of the local mythologies, both for a national spirit and for poetic renewal. It is demonstrated that 19th century medievalism, with its focus on mythology, essentially was a project of cultural memory, that is, of recollecting knowledge from culture’s childhood, and, additionally, that poetry, and with that imagination, plays a prominent role for the construction of a meaningful past.
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Lundgreen-Nielsen, Flemming. "Verdenskrøniken 1812 læst igen -". Grundtvig-Studier 64, n.º 1 (29 de mayo de 2015): 92–94. http://dx.doi.org/10.7146/grs.v64i1.20910.

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Verdenskrøniken 1812 som verdenslitteraturhistorie[The World Chronicle 1812 as a history of world literature]By Flemming Lundgreen-NielsenHidden in Grundtvig’s World Chronicle, 1812, is a history of world literature, infact the first published attempt of its kind written in Danish by a single scholar.This easily escapes attention as Grundtvig’s numerous paragraphs on poetry andliterary history are not marked typographically. This paper examines and discusses his most important statements chronologically. Even if Grundtvig’s brief portrayals of poets often describe a short bloom followed by rapid decay and an inevitablefall, he ends in foreseeing a renewal of Nordic literature led by Steffens, Oehlenschläger and himself. Thus Grundtvig, as early as 1812, introduces the Danish romantic breakthrough (1802 onwards) as a poetological paradigm which otherwise is first acknowledged by literary historians writing in the 1870s, ‘80s and ‘90s. Grundtvig’s survey of world literature has been overshadowed by more conspicuous and provocative qualities of his text but deserves a sober-minded consideration.
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Lundgreen-Nielsen, Flemming. "- Verdenskrøniken 1812 som verdenslitteraturhistorie". Grundtvig-Studier 64, n.º 1 (29 de mayo de 2015): 123–74. http://dx.doi.org/10.7146/grs.v64i1.20919.

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Verdenskrøniken 1812 som verdenslitteraturhistorie[The World Chronicle 1812 as a history of world literature]By Flemming Lundgreen-NielsenHidden in Grundtvig’s World Chronicle, 1812, is a history of world literature, infact the first published attempt of its kind written in Danish by a single scholar.This easily escapes attention as Grundtvig’s numerous paragraphs on poetry andliterary history are not marked typographically. This paper examines and discusses his most important statements chronologically. Even if Grundtvig’s brief portrayals of poets often describe a short bloom followed by rapid decay and an inevitable fall, he ends in foreseeing a renewal of Nordic literature led by Steffens, Oehlenschläger and himself. Thus Grundtvig, as early as 1812, introduces the Danish romantic breakthrough (1802 onwards) as a poetological paradigm which otherwise is first acknowledged by literary historians writing in the 1870s, ‘80s and ‘90s. Grundtvig’s survey of world literature has been overshadowed by more conspicuous and provocative qualities of his text but deserves a sober-minded consideration.
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8

Fossat, Sissel Bjerrum, Lone Kølle Martinsen y Jesper Lundsby Skov. "Kampen om kvinden. Begrebshistoriske perspektiver". Kvinder, Køn & Forskning, n.º 4 (21 de diciembre de 2018): 18–32. http://dx.doi.org/10.7146/kkf.v27i4.111698.

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Contesting the concept of Woman: Perspectives from conceptual history.The main argument of this article is that the concept of kvinde (woman) was redefined in the 19th century in Denmark, and that it can be studied alongside other central concepts. Kvinde re-entered the Danish vocabulary as a universal term for woman not bound to social or marital status. Early romanticists such as Adam Oehlenschläger (1779-1850) and N.F.S. Grundtvig (1783-1872) used and disseminated sagas and myths from Old Norse mythology to re-conceptualize the concept of kvinde in romantic poetry. Gradually the concept of kvinde entered other spheres of society. The article seeks to present a framework for further studies, not only in the debates and themes proposed here, but also in relation to other gendered discussions of the 19th century. The article is a preliminary attempt to establish the concept of kvinde in a conceptual framework, arguing that the concept needs to be studied in more depth as central to the discussions of the 19th century
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Králová, Magda. "Classical or Old Norse myth? German and Danish approaches to the use of myth in the modern literature at the turn of the 19th century". Acta Antiqua Academiae Scientiarum Hungaricae 61, n.º 1 (17 de mayo de 2022): 75–86. http://dx.doi.org/10.1556/068.2021.00008.

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Abstract In the study, I provide a comparative overview of the aesthetical debate that took place at the turn of the 18th and 19th century in Germany and Denmark concerning the use of the Old Norse versus the classical mythology in literature. I discuss Johann Gottfried Herder’s ideas on this topic, expressed in his work Vom neuern Gebrauch der Mythologie (1767) and especially in his dialogue Iduna oder der Apfel der Verjüngung (1796), with focus on the following question: Does the rejuvenating potential of the Norse myth as suggested by Herder in Iduna, allow any room for the classical inspirations in modern literature? Herder’s view will provide a starting point of the comparison for the cultural situation in Denmark where the University of Copenhagen announced in 1800 a prize question on aesthetics “Would it benefit Northern polite literature if ancient Northern mythology were introduced and generally accepted by our poets in place of its Greek counterpart?”. The entries in this contest represented the view of the younger generation, namely Adam Oehlenschläger, Jens Møller and Ludvig Stoud Platou. I summarize their views and examine Herder’s influence on the debate.
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Schlaffer, Heinz. "Beda Allemann: Heinrich von Kleist. Ein dramaturgisches Modell. Aus dem Nachlaß herausgeben von Eckart Oehlenschläger. Bielefeld: Aisthesis, 2005. 429 S." Poetica 37, n.º 3-4 (27 de junio de 2005): 511–14. http://dx.doi.org/10.30965/25890530-0370304014.

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Tesis sobre el tema "Oehlenschläger"

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Helbing, Antje. "Schillerrezeption in Dänemark". Doctoral thesis, 2013. http://hdl.handle.net/11858/00-1735-0000-0022-5D76-F.

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Die Studie untersucht die Rezeption von Friedrich Schiller in Dänemark. Ausgehend von der Tatsache, dass der Dichter ab 1793 vom dänischen Erbprinzen Friedrich Christian von Schleswig-Sonderburg Augustenburg großzügig finanziell gefördert wurde, war anzunehmen, dass Schiller schon recht früh in Dänemark große Beachtung fand. Das Stipendium des Erbprinzen verschaffte Schiller die notwendige Arbeitsruhe, um sein Programm einer ästhetischen Erziehung auszuarbeiten. Doch ein Blick auf die weitere Rezeption der Briefe über die ästhetische Erziehung des Menschen zeigt, dass sie nur wenig beachtet wurden und erst 1970 in dänischer Sprache vorlagen. Es wird zunächst untersucht, welche Persönlichkeiten an der Vermittlung von Schiller im 19. Jahrhundert beteiligt sind und welche seiner Schriften besondere Beachtung finden und welche kaum wahrgenommen werden. Da Schiller in Dänemark hauptsächlich als Dramenautor wahrgenommen wird, widmet sich die Untersuchung der Bühnengeschichte seiner Dramen am Königlichen Theater in Kopenhagen. Ebenso wird untersucht, inwieweit Schiller als stilbildendes Vorbild für dänische Dichter ausgemacht werden kann. Hier stehen insbesondere Adam Oehlenschlägers Tragödien und Schack Staffeldts Lyrik sowie die Dramen von Kaj Munk im Fokus des Interesses.
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Libros sobre el tema "Oehlenschläger"

1

Petersen, Ulrich Horst. Adam Oehlenschläger: Et essay. Köbenhavn: Höst & Sön, 2002.

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Dvergsdal, Alvhild. Adam Oehlenschlägers tragediekunst. København: Museum Tusculanums Forlag, 1997.

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Meier, Julia. Inselromane: Adam Oehlenschlägers Roman "Die Inseln im Südmeere / Øen i Sydhavet" im Dialog mit J. G. Schnabels "Insel Felsenburg". Tübingen: Narr Francke Attempto, 2022.

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Nielsen, Rasmus. Adam Oehlenschläger: Et Mindeskrift. Creative Media Partners, LLC, 2018.

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ger, Adam Oehlenschla. Correggio : ein Trauerspiel: Von Oehlenschläger. Gale NCCO, Print Editions, 2017.

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ger, Adam Oehlenschla. Meine Lebens-Erinnerungen : ein Rachlaß: Von Adam Oehlenschläger; Dritter Band. Gale NCCO, Print Editions, 2017.

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ger, Adam Oehlenschla. Meine Lebens-Erinnerungen : ein Rachlaß: Von Adam Oehlenschläger; Zweiter Band. Gale NCCO, Print Editions, 2017.

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Müller-Wille, Klaus. Scandinavian Romanticism. Editado por Paul Hamilton. Oxford University Press, 2016. http://dx.doi.org/10.1093/oxfordhb/9780199696383.013.30.

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According to more traditional accounts in literary history, the exact date when Romanticism first reaches Scandinavia can be identified. In 1802, the geologist and philosopher of nature, Henrik Steffens, returns to Copenhagen after spending seven years studying and researching in Jena. Back in Denmark, he holds a controversial and widely noted series of lectures that familiarize the Danish audience with the ideas of German Romanticism. The literary impact ascribed to Steffens’s lectures is at least equally as relevant as its philosophical content, as the young poet Adam Oehlenschläger was a member of the audience. According to an anecdote in his autobiography, the creation of the first programmatic poem of Scandinavian Romanticism was inspired by a sixteen-hour-long discussion with Steffens. The anecdote of the poem’s origin alone shows how Oehlenschläger contributes to the self-referential staging and mythical aggrandisement of the epochal break into Romanticism which this chapter examines.
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ger, Adam Oehlenschla. Adam Oehlenschlägers Werke. Gale NCCO, Print Editions, 2017.

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ger, Adam Oehlenschla. Adam Oehlenschlägers Werke. Gale NCCO, Print Editions, 2017.

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Capítulos de libros sobre el tema "Oehlenschläger"

1

Höger, Alfons. "Adam Oehlenschläger". En Kindler Kompakt: Märchen, 75–76. Stuttgart: J.B. Metzler, 2017. http://dx.doi.org/10.1007/978-3-476-04359-7_13.

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Detering, Heinrich. "Oehlenschläger, Adam". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_23061-1.

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KLL. "Adam Oehlenschläger". En Kindler Kompakt Skandinavische Literatur 19. Jahrhundert, 27–28. Stuttgart: J.B. Metzler, 2016. http://dx.doi.org/10.1007/978-3-476-05535-4_1.

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Keutler, Franz J. "Oehlenschläger, Adam: Helge". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16266-1.

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Hoff, Karin. "Oehlenschläger, Adam: Correggio". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16267-1.

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KLL. "Oehlenschläger, Adam: Digte 1803". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16262-1.

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Keutler, Franz J. "Oehlenschläger, Adam: Hrolf Krake". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16268-1.

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Hoff, Karin. "Oehlenschläger, Adam: Axel og Valborg". En Kindlers Literatur Lexikon (KLL), 1. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16265-1.

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Keutler, Franz J. "Oehlenschläger, Adam: Hakon Jarl hin Rige". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16264-1.

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Höger, Alfons. "Oehlenschläger, Adam: Aladdin eller den forunderlige Lampe". En Kindlers Literatur Lexikon (KLL), 1–2. Stuttgart: J.B. Metzler, 2020. http://dx.doi.org/10.1007/978-3-476-05728-0_16263-1.

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