Tesis sobre el tema "NOVELAS ARABES"
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Aplin, Thomas Michael. "Ambivalence and the national imaginary : nation and canon formation in the emergence of the Saudi novel". Thesis, University of Edinburgh, 2016. http://hdl.handle.net/1842/21006.
Texto completoSaadi, Tania al. "Aspects et fonctions des débuts dans des romans arabes du 20ème siècle". Paris 3, 2008. http://www.theses.fr/2008PA030006.
Texto completoThe present study consists of a detalied analysis of the beginning of novels in a corpus of 20th century Arabic authors. These were selected with regard to their technical and thematic diversity. The study aims to answer to the following questions : What is the beginning of a novel ? What are, in terms of enunciation, the “priorities” in the beginning ? How does the beginnig proceed as a part of the whole narrative structure ? Are the main parts of the story announced in the beginning ? And if so how ? and finally: Are there any specific aspects in the beginnings of Arabic novels that are related to the culture from which they come ? Our approach is both from a discursive and a narrative angle where the follwoing has been taken into consideration : The three elements (Space, Time and Character); The relation between the beginning and the narrative of the rest of the novel; The possible relation between the beginning and the end of the novel; and, The way in which the beginning announces the underlying ideologies of the novel. This approach allowed us to deduce at the same time some common points and some divergences in the studied novels as well as detect a certain chronological evolution
Al-Malik, Ahmed Mukhtar Tweirsh. "The image of the other : representations of East-West encounters in Anglo-American and Arabic novels (1991-2001)". Thesis, University of Exeter, 2014. http://hdl.handle.net/10871/17839.
Texto completoAbualhassan, Amani Ahmed D. "Magical Realism in Saudi Novels Between the Return to Origin and the Impact of Foreign trend". Thesis, The University of Sydney, 2017. http://hdl.handle.net/2123/17598.
Texto completoDhabab, Mansour M. A. "Representations of the Western other in early Arabic novels (1900-1915)". Thesis, University of Leeds, 2005. http://etheses.whiterose.ac.uk/3883/.
Texto completoAbbas, Reina. "Le genre de la nouvelle en Egypte ; traditions et emprunts au XX e siècle : l'exemple de Naguib Mahfouz". Thesis, Cergy-Pontoise, 2010. http://www.theses.fr/2010CERG0492.
Texto completoOur study consists on tracking the history of the arab narrative type, more precisely the arab novel since end of nineteenth century till 1969. First, we start in the first chapter by a litterature and historical reminder of the birth of the narrative type in Egypt. Then, we analyze in the second chapter, through the Mahmoud Taymour introductions, the changes and evolutions that occur on this arab narrative type in the first half of the twentieth century. Finaly, the third chapter is the occasion to illustrate the gain in maturity of the narrative litterature and more specificaly the novel. This illustration is done through Naguib Mahfouz novels where we find a complete drawing of the egyptian and arab society at that time
Kashou, Hanan Hussam. "War and Exile In Contemporary Iraqi Women’s Novels". The Ohio State University, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=osu1386038139.
Texto completoAlblooshi, Fatima Khalifa. "The Role of Paratextual Elements in the Reception of Translation of Arabic Novels into English". Kent State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=kent1617719565200925.
Texto completoParr, Nora. "The construction of Palestinian identities in the Arabic-Palestinian novel". Thesis, McGill University, 2008. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=18724.
Texto completoCe mémoire étudie quatre romans, Rijal fi al-Shams (trans: Men in the Sun) par Ghassan Kanafani, édité d'abord en 1964 (chapitre un), Al-Waqa'i' Al-Gharibah fi Ikhtifa' Sa'id Abi Al-Nahs Al-Mutasha'l (trans, Said the Ill-Fated Pessoptimist) par Imil Habibi, qui a été publié dans une publication périodique au début de l'année 1973 (chapitre deux), Al-Subbar par Sahar Khalifah (trans, Wild Thorns) édité en1974 (chapitre trois), et, enfin, Al-Duffah al-Thalithah li-Nahar al-Urdun (il n'y a pas de traduction anglaise officielle, mais le titre peut se traduire par La troisième banque du fleuve jordanien) par Husayn Al-Barghuthi (chapitre quatre). Il analyse les différentes façons dont ces ouvrages construisent l'identité des personnages palestiniens en employant une variété de techniques littéraires, replace les romans dans leur contexte historique et essaye d'élaborer quelques conclusions générales sur la construction des identités dans le roman palestinien en generale.
Sabbagh, A. O. "A novel model for managing health informatics in Saudi Arabia". Thesis, Coventry University, 2015. http://curve.coventry.ac.uk/open/items/6a19f00c-e199-49e6-b0c6-4e71d853fa35/1.
Texto completoBen, Meftah Tahar Ben Ali. "L’Univers mythique touareg dans l’œuvre d’Ibrahim Al Koni : pour une poétique du « Roman du désert »". Thesis, Lyon 2, 2010. http://www.theses.fr/2010LYO20024/document.
Texto completoThis work aims at answering the following question : how can a writer, in this case Ibrahim Al Koni, testify to the history and culture of his people, the Touaregs (endangered), without producing neither an ethnographic speech nor a political manifest ? The answer just immediately to mind is : by writing. However, the main mode of expression and transmission in the touareg society is orality. That is why the author will need to use a “foreign” language (arabic) and an exogenous form (the novel) to accomplish this mission. But the challenge does not stop here : Al Koni intends to give back to his people many values and a way of life threatened by oblivion and by the collapse of the traditional nomadic space. He than needs to invent an original matrix able to convey these values and find “Waw”, the lost oasis, bathing in the prime speech of the ancestors book, “Anhi”. By investing touaregs founding myths in the frame of romanesques intrigues, Al Koni manages to succeed this alchemy and builds a new genre in the arab and contemporary world literature : The Novel of the desert
Elshqeirat, Wasfi. "Representations of Arabia and North Africa in selected prose and novels in English : 1949-1983". Thesis, Birmingham City University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.424849.
Texto completoEl, Batran Karim Mohsen Mahmoud. "Novel text entry and mobile interaction techniques for Arabic language users". Thesis, University of Strathclyde, 2015. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=25986.
Texto completoAbdou, Shaymaa Hussein Samy Moha. "Narratives of selfhood : a study of the Arabic biographical novel, 1967-2010". Thesis, Durham University, 2016. http://etheses.dur.ac.uk/11443/.
Texto completoBelhadj, Ali Manel. "La traduction des romantiques et la genèse du romantisme arabe : du transfert culturel au croisement". Thesis, Sorbonne université, 2019. http://www.theses.fr/2019SORUL136.
Texto completoThis thesis analyses the Arabic translations of French romantic literary works from the late nineteenth and early twentieth century, during the Nahda or Arab Renaissance. To this end the thesis uses a comparative approach which studies and observes how some works of the French Romantic repertoire have been received in Egypt and, by extension, in the entire world. Our conviction that French Romanticism carries an "orientality" intrinsic both to the original text and its transposition, leads us to think that there would be there, among Arab translators, a tendential affinity to this romantic aesthetic. Our study starts from a corpus comprising the Hugo drama, Hernani, the epistolary novel, Under the lime trees by Alphonse Karr, Lamartine’s “The Lake” and some poems extracted from the Orientals Hugo: "Ghosts", "Lazzara", “Waiting” and “Fire from Heaven”. We will try to conceive a new prism for the comparative view, placing ourselves not only from the point of view of the Arab translators, but also in the modality of their own reading of the work that has imposed itself on their intelligence and their sensitivity
Al-Hassan, Hawraa. "Propaganda literature in Baʻthist cultural production (1979-2003) : the novels of Saddam Hussein as a case study". Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648424.
Texto completoCox, Debbie. "The language of authenticity? : politics, language and gender in the Algerian Arabic novel". Thesis, University of Oxford, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.302642.
Texto completoAl-Wahhabi, Abd Al-Rahman Muhammad. "Women's novel in Saudi Arabia : It's emergence and development in a changing culture". Thesis, University of Manchester, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.496392.
Texto completoWestney, Emma Gaze. "Arabic literary modernism : the short story cycles and the episodic novels of Imil Nabibi and Idwar al-Kharrat". Thesis, University of Oxford, 2000. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.368130.
Texto completoAlaybani, Rasmyah. "Words and Images:Women’s Artistic Representations in Novels and Fine Art in the Kingdom of Saudi Arabia 2005-2017". The Ohio State University, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=osu1565009668743079.
Texto completoSa'Di, Adnan Ibrahim. "The Arabic novel in Israel : a critical study of the works of Emile Habibi". Thesis, University of Cambridge, 1992. https://www.repository.cam.ac.uk/handle/1810/251530.
Texto completoLeafgren, Luke Anthony. "Novelizing the Muslim Wars of Conquests: The Christian Pioneers of the Arabic Historical Novel". Thesis, Harvard University, 2012. http://dissertations.umi.com/gsas.harvard:10362.
Texto completoRamirez-Nieves, Emmanuel. "Repenting Roguery: Penance in the Spanish Picaresque Novel and the Arabic and Hebrew Maqama". Thesis, Harvard University, 2015. http://nrs.harvard.edu/urn-3:HUL.InstRepos:17467380.
Texto completoComparative Literature
Magreb, Alzahrani. "Continuity of traditional literary features in the modern Arabic novel : a study in intertextuality". Thesis, University of Manchester, 2007. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.605812.
Texto completoAl-Qahtani, Sultan S. M. "The novel in Saudi Arabia : emergence and development 1930-1989 : an historical and critical study". Thesis, University of Glasgow, 1994. http://theses.gla.ac.uk/8131/.
Texto completoSaugestad, Frode. "Individuation and the shaping of personal identity a comparative study of the modern novel". Wiesbaden Reichert, 2009. http://d-nb.info/995606749/04.
Texto completoAlfauzan, Abdullah H. A. "The City and social transformations in Arabic literature : the Saudi novel as case study (1980-2011)". Thesis, University of Leeds, 2013. http://etheses.whiterose.ac.uk/4927/.
Texto completoOersen, Sheridene Barbara. "The representation of women in four of Naguib Mahfouz's realist novels: Palace walk, Palace of desire, Sugar street and Midaq alley". Thesis, University of the Western Cape, 2005. http://etd.uwc.ac.za/index.php?module=etd&.
Texto completoBianco, Annamaria. ""Adab al-malǧa'" : représenter le refuge dans le roman arabe du XXIe siècle". Electronic Thesis or Diss., Aix-Marseille, 2022. http://theses.univ-amu.fr.lama.univ-amu.fr/221209_BIANCO_998yey470wdp180hg620kll_TH.pdf.
Texto completoThis thesis analyses the Arabic literature of exile and migration produced at the turn of the 2015 "refugee crisis", through a corpus of six novels whose authors differ in gender, age, origin, notoriety and migratory status. The study aims to describe the emergence of a new migrant aesthetic built around the polyvalent and multifaceted experience of "refuge", identifying the different elements of continuity and discontinuity that link contemporary fiction to the canon of the past. Focusing on two novels that draw on the tradition of harraga literature (Abū Bakr Ḥāmid Kahhāl's Taytānīkāt afrīqiyya and al-Arabī Ramaḍānī's Anāshīd al-milḥ), the first part of this work sheds light on the links between texts that recount the experience of clandestine migration and those that focus on the exodus of asylum seekers, bringing out from them the same kind of critical discourse towards Fortress Europe and the hierarchies established by the humanitarian system. Linking the concepts of vulnerability, trauma and resilience, the second part is devoted to the realities of transit and immobility, and analyses the spaces of exception embodied by Palestinian refugee camps (Ḥuzāma Ḥabāyib's Muḫmal) and pre-revolutionary Syria, characterised by a dual reality of regional shelter and repression (Rūzā Yāsīn Ḥasan's Ḥurrās al-hawāʼ). The third part sheds light on the experience of asylum in Europe (Hudā Barakāt's Barīd al-layl and Alī Badr's Āzif al-ġuyūm), allowing the reader to explore the anti-hegemonic representations of notions such as hospitality, identity, belonging and citizenship
Elayan, Suzanne. "Changing seasons : examining three decades of women's writing in Greater Syria and Egypt". Thesis, Loughborough University, 2012. https://dspace.lboro.ac.uk/2134/12423.
Texto completoEl, Khoury Sylvana. "Parole, corps et pouvoir dans les romans de ‘Alawiyya Ṣubḥ". Thesis, Sorbonne Paris Cité, 2017. http://www.theses.fr/2017USPCA093.
Texto completoThe work of the Lebanese novelist 'Alawiyya Ṣubḥ (Beirut, 1955) is traversed by an intrinsic relationship between the unimpeded body and its exercise of speech, likewise between the repressed body and its enslavement in silence, all being linked to a fear of what feminine would be in its corporal and linguistic manifestations. Faced with the repressive norms, the language of the characters being a place where power and knowledge articulate on the one hand and their body, as the place of the exercise of male domination on the other hand, become places of counter power. In other hands, they become places of upcoming "subjectivities", as Michel Foucault would say. In the three novels of Ṣubḥ: Maryam al-ḥakāyā (2002), Dunyā (2006) and Ismuhu l-ġarām (2009), arises the question of the representation of women and the possibility for them to be voiced and heard. In the patriarchal system depicted in these novels, silence is the norm against which the voice of certain women and men rises. Therefore, when their word intervene, lying at the confines of the admissible, the suitable and the sustainable, it has immediately the value of transgression. Once this word has come, the woman, main subject of this word, recovers her voice and the image of her body. The body is the first place where the patriarchal appropriation of feminine discourse manifests itself, and the reappropriation of this discourse by woman becomes the first and principal sign of a possible emancipation. A « feminin » speech is then celebrated, a speech that is not exclusively that of women, yet a speech that does not pretend to the universal, and which allows the emergence of a minority discourse that escapes the logocentric and theocentric visions of the world
Abualadas, Othman Ahmad Ali. "A linguistically-oriented approach to literary translation : a comparative pragmatic study of three Arabic renditions of the English novel 'Wuthering Heights'". Thesis, University of Leeds, 2015. http://etheses.whiterose.ac.uk/9424/.
Texto completoAl-Bataineh, Afaf Badr. "The modern Arabic novel : a literary and linguistic analysis of the genre of popular fiction, with special reference to translation from English". Thesis, Heriot-Watt University, 1998. http://hdl.handle.net/10399/1233.
Texto completoHilali, Bacar Darouèche. "L’autofiction en question : une relecture du roman arabe à travers les œuvres de Mohamed Choukri, Sonallah Ibrahim et Rachid El-Daïf". Thesis, Lyon 2, 2014. http://www.theses.fr/2014LYO20130/document.
Texto completoSince its invention by Serge Doubrovsky in 1977, the concept of auto-fiction has continued evolve and stimulate thinking about the novel and its production. After its consecration in France, the auto-fiction has won over European and Western literature, starting first in Germany and Poland, Canada and the United States, as well as gathering acclaim in Spain and Latin America. It then crossed borders and adopted itself to the cultural specificities of foreign literature which is why it has also been adopted in Japan, questioned in Iran and practiced in the Caribbean, the Indian Ocean, South Africa, Brazil or China. In recent years, this literary phenomenon has also gained momentum in the Arab world. Some Arab writers have adopted it, others have accommodated it, and still others have chosen various concepts to help define their practice as novelists, inspiring the critics to create a new technical vocabulary such as: al-taḫyīl al-ḏātī. However, does the creation of new Arabic terminology within the realm of auto-fiction merit the claim that a ‘‘new genre’’ has emerged in the Arabic literature? This study raises the question of the validity of the auto-fiction as applied to Arabic literature. Therefore, the first part of this thesis gives a historical panorama of the long tradition of auto-fiction since the 19th century. The second part questions the contemporary novel’s production, then presents a number of works that are part autobiography and part fiction, exemplifying the critical debate that sets up the theoretical framework of this study. The third part is dedicated to studying selected works by Mohamed Choukri, Sonallah Ibrahim and Rashid El-Daïf and examining the practice of these authors use of auto-fiction in order to understand its mechanisms and their motivations. In conclusion, as a result of the examination of these three authors and the examples they give of their writing, an attempt is made to show a pattern for Arab auto-fiction in order to identify some of the themes that could be applied to a wide set of modern and contemporary texts
استمرّ مفهوم autofiction أو "ذات متخلية" في تطوّره و تطوير التفكير حول إنتاج الرواية، منذ اختراعه من قبل سيرج دوبروفسكي في عام 1977. بعد تكريسه في فرنسا، يتقدّم المفهوم في الأدب الأوروبي والغربي، أوّلاً في ألمانيا وبولندا وكندا والولايات المتّحدة، أو في إسبانيا وأمريكا اللاتينية. ثم يجتاز الحدود ليَتَأَقْلَمَ بخصوصيات ثقافة الأدب الأجنبي. فتَمّ اعتماده في اليابان، شُكِّكَ به في إيران وتمارس في منطقة البحر الكاريبي والمحيط الهندي وجنوب أفريقيا والبرازيل والصين. وفي السنوات الأخيرة، يبدو أن هذه الظاهرة الأدبية تكتسح العالم العربي. بدأ بعض الكتّاب يصرحون بانتماء نصوصهم إلى هذه الكتابة الأدبية، والبعض الآخر يعترفون بأن نصوصهم تنتمي سردياً إلى هذا النوع الأدبي غير أنها تحافظ على تجنيسها المألوف (الرواية، السيرة الذاتية، الخ) وآخرون يفضلون استخدام مفاهيم مختلفة لتعريف تجاربهم الروائية، مما دفع النقاد العرب بصياغة مفردات تقنية جديدة. و يظهر من بين المفاهيم المقترحة مصطلح "الــــتخييل الذاتي". ولكن هل هذا المصطلح الجديد يمكنه أن يشهد ظهور "نوع جديد" في الأدب العربي؟يطرح هذا البحث مسألة صحة التخييل الذاتي في الأدب العربي. يقترح الجزء الأول من هذه الأطروحة إعطاء لمحة تاريخية عن تقليد قديم في كتابة الذات منذ القرن التاسع عشر . والجزء الثاني يطرح إنتاج الرواية المعاصرة، ثم يعرض عدداً من الأعمال الروائية التي تقع بين السيرة الذاتية والخيال، ويثير النقاش حول هذه المسألة في النقد العربي والغربي، ثم يثبت الإطار النظري. ويخصّص الجزء الثالث في دراسة الأعمال المختارة لمحمد شكري، وصنع الله إبراهيم ورشيد الضعيف لمراقبة ممارسة كتابة "التخييل الذاتي"، لاستعاب آلياتها ومعرفة دوافعها. ومن هؤلاء المؤلفين لثلاثة ومن الأمثلة المتواجدة في كتاباتهم، نقترح في الخاتمة إقامة نموذج للتخييل الذاتي العربي وتحديد مواضيع من الممكن تطبيقها على نطاق مجموعة واسعة من النصوص الحديثة والمعاصرة
Al, Shimai Abdulrahman Mohammad A. "Measurement, antecedents and outcomes of repatriation adjustment: Empirical evidence from Saudi repatriates". Thesis, Queensland University of Technology, 2018. https://eprints.qut.edu.au/116288/1/Abdulrahman%20Mohammad%20A_Al%20Shimai_Thesis.pdf.
Texto completoDghim, Chiheb. "L'etranger dans quelques romans égyptiens". Thesis, Paris 3, 2013. http://www.theses.fr/2013PA030017.
Texto completoThe study of the space and the characters in some Egyptians novels highlight all the importance and complexity of the report to the other and how characters and spatiality fit to give meaning to the various representations that the Arab character made of the Occident. The oriental character - author, Narrator character or fictional character - is at the heart of this conflict: facing to himself and to the stranger, facing two types of women, one western and other oriental, facing two societies, one archaic and the other modern and, in the end facing with two spaces, one stranger and the other familiar
Agsous, Sadia. "Langues et identités : l’écriture romanesque en hébreu des palestiniens d'Israël (1966 – 2013)". Thesis, Sorbonne Paris Cité, 2015. http://www.theses.fr/2015INAL0002/document.
Texto completoThis research focuses on the analysis of the issues of language and identity in novels written in Hebrew by members of the Palestinian minority in Israel ("hybrid texts" according to Yassir Suleiman). It combines two components, one diachronic and one analytical. First, it examines the history of the Palestinian novel in Hebrew and the different fields where Hebrew and Arabic, Palestinian and Israeli Jew as well as minority and majority meet. Second, the analytical, comparative approach of the works of Atallah Mansour (1935), Anton Shammas (1950) and Sayed Kashua (1975) is examined from their dual, Israeli and Palestinian, affiliation. It sets these works in the context of Minor Literature, post-colonial hybrid identity and Mahmoud Darwich’s third space. The aim is to outline the Palestinian narrative initiated by minority writers as a process of deconstruction, reconfiguration and correction of the representation of the Palestinian character in Hebrew literature
Leeke, Jane. "A novel reading : literature and pedagogy in modern Middle East history courses in Canada and the United States". Thesis, McGill University, 2005. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=98549.
Texto completoElkhalifa, Mohamed Amani Elmahi. "Cultural challenges in translating Tayeb Salih’s novel Season of Migration to the North (1969) from Arabic into English : a comparative and analytical study with a focus on metaphors and similes". Diss., University of Pretoria, 2020. http://hdl.handle.net/2263/78218.
Texto completoDissertation (MA (Applied Language Studies))--University of Pretoria, 2020.
African Languages
MA (Applied Language Studies)
Unrestricted
Davis, Samantha Lynn. "Evaluating threats to the rare butterfly, Pieris virginiensis". Wright State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=wright1431882480.
Texto completoRubino, Marcella. "Religion et violence dans l'oeuvre de Yūsuf Zaydān : les chemins croisés de la fiction et de l'histoire". Thesis, Sorbonne Paris Cité, 2018. http://www.theses.fr/2018USPCF014/document.
Texto completoThe Egyptian writer Yūsuf Zaydān is part of the tradition – dating from the age of the Nahḍa – of intellectuals as "educators of consciousness". Since then, faced with a national narrative controlled by political or religious power, Arab literature has often revisited history and current affairs with the aim of restoring – through the freedom offered by fictional discourse – the truth overshadowed by official history. Through this rewriting process, Zaydān is particularly interested in discussing the relationship between religion, politics and violence. The objective of this thesis is to explore Zaydān’s literary work in order to identify its originality. This originality is manifested, first, through Zaydān's dual profile as both academic and novelist, engaged in varied production that ranges from novels to essays; second, in the specific strategies he employs in order to address his privileged audience: the Egyptian reader. A controversial author in both his work and his personality, Zaydān is above all a literary phenomenon. An example of the blossoming literary field and the exacerbated cultural democratisation in Egypt, his case allows us to better understand ultra-modern Arab literature and what it expresses about the (politically, economically, culturally) recomposed and changing society that have produced it
Afkir, Fatima. "L'image de l’Égypte dans l’oeuvre de Tawfīq al-Ḥakīm". Thesis, Bordeaux 3, 2014. http://www.theses.fr/2014BOR30059/document.
Texto completoIf we contemplate the playwright's rich production, we realise to what extent Egypt plays a prominent part in his work and life. It is the crowning achievement of his literary work which highlights all the aspects of this country, social, historical, cultural and political However, in this study, we will try to limit our subject of The image of Egypt in T.al-Hakim's work to two particular eras, the revolutions of 1919 and 1952. His writings clearly relate those major events. The way he thinks, writes, criticizes and analyses before and after the 1919 revolution is no longer the same after the 1952 revolution. He started being a dreamy idealistic writer, and turned into another one, more realistic and committed in his literary work. Our global problematics will hinge on the following issues: what representation of Egypt does Tawfiq al-Hakim's work give? Can we regard his return to ancient myths as a continuity between modern Egypt and ancient Egypt? In a first part, we deal with the two revolutions which have had repercussions on his writings and political vision. The second part will tackle the society of his novel, in which he describes a country seen through a native Egyptian, and the strong ties which link the Egyptian people to their nation. The third part will focus on women and on the fallah, which greatly inspired the writer. The fourth part will be dedicated to the Pharaonic Egypt. We will see how far he has been influenced by ancient Egypt to descibe the modern one. We have relied on a few works of different writers so as to find an authentic link between what he writes and thinks reality and imagination in his works. We will analyse the way he sees, observes and criticizes his own country
SALAM, ROULA. "Hope in the Most Unlikely Spaces: Thawra and the Contemporary Arabic Novel". Thesis, 2011. http://hdl.handle.net/1974/6762.
Texto completoThesis (Ph.D, English) -- Queen's University, 2011-09-27 13:18:25.303
Melhi, M., Stanley S. Ipson y W. Booth. "A novel triangulation procedure for thinning hand-written text". 2001. http://hdl.handle.net/10454/3827.
Texto completoThis paper describes a novel procedure for thinning binary text images by generating graphical representations of words within the image. A smoothed polygonal approximation of the boundaries of each word is first decomposed into a set of contiguous triangles. Each triangle is then classified into one of only three possible types from which a graph is generated that represents the topological features of the object. Joining graph points with straight lines generates a final polygon skeleton that, by construction, is one pixel wide and fully connected. Results of applying the procedure to thinning Arabic and English handwriting are presented. Comparisons of skeleton structure and execution time with results from alternative techniques are also presented. The procedure is considerably faster than the alternatives tested when the image resolution is greater than 600 dpi and the graphical representation often needed in subsequent recognition steps is available without further processing.
Shmookler, Max. "The Levantine Maqāma Before the Nahḍa and Beyond the Novel". Thesis, 2020. https://doi.org/10.7916/d8-ebqy-8p91.
Texto completoZiajka, Anna Rose. "Intimate encounters : the materiality of translation in Egyptian novels of the late Nahḍa". Thesis, 2013. http://hdl.handle.net/2152/24346.
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Cochran, Jesse. "Characterization of Novel Whale Shark Aggregations at Shib Habil, Saudi Arabia and Mafia Island, Tanzania". Diss., 2014. http://hdl.handle.net/10754/336799.
Texto completo"Exploring the Linguistic and the Discourse-pragmatic Functions of Arabic Yaʕni in a Novel Context of Language Use". Doctoral diss., 2018. http://hdl.handle.net/2286/R.I.51591.
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Doctoral Dissertation Linguistics and Applied Linguistics 2018
Abdelbaky, Ashraf. "A critical study of social stratification in selected novels by Abdel Rahman al-Sharqawi and Chinua Achebe". Thesis, 2021. http://hdl.handle.net/1959.13/1432689.
Texto completoThis study examines social stratification in the Egyptian society before and after the 1952 revolution, as represented in Abdel Rahman al-Sharqawi’s novels al-Ard (1954) and al-Fallah (1967). It also analyses the pre-colonial and colonial Nigerian Igbo society represented in Chinua Achebe’s novels Things Fall Apart (1958) and Arrow of God (1964). In doing so, the study draws upon Max Weber’s three-dimensional approach of social stratification ( class, status, and party) to interrogate these societies. Through using this methodology, I am not only interpreting social stratification in these novels but also presenting how the authors try to critique their society and how they use literature to introduce their specific agendas. Both Egypt and Nigeria have unique histories, cultures, and social structures. Examining social stratification in the chosen Egyptian and Nigerian novels provides new angles of discussion on religion, culture, and postcolonialism. The colonial and postcolonial encounters of these two countries not only continue to recur today but continue to determine the destiny of millions of people. This analysis argues that social order representations in these societies show that al-Sharqawi’s novels develop a new form of socialist realism (i.e., new realism) and that Achebe’s novels employ ethnographic realism. This study redirects the scholar’s attention to the fields of socialist realism and ethnographic realism in literature.
Jeníková, Jitka. "Obraz sexuality v moderním arabském románu". Doctoral thesis, 2017. http://www.nusl.cz/ntk/nusl-371324.
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