Bibliografías temáticas / Notre-Dame des Récollets (Work of art)

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Literatura académica sobre el tema "Notre-Dame des Récollets (Work of art)"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 26 de julio de 2024

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Artículos de revistas sobre el tema "Notre-Dame des Récollets (Work of art)"

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Rumyantsev, Ivan. "PHILOSOPHICAL AND ART CRITICISM ANALYSIS OF THE NOTRE-DAME-DU-HAUT TEMPLE IN RONCHAMP." Siberian Art History Journal 2, no. 1 (2023): 78–95. http://dx.doi.org/10.31804/2782-4926-2023-2-1-78-95.

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The XX century showed how fragile and changeable the environment of human existence is. Transformations took place in all spheres of life, but especially interesting is the reflection of changes in art, namely in the cult architecture of Western Europe. Through the method of philosophical and art criticism analysis, which consists in a step-by-step examination of the work in its material, index and iconic aspects, the structure designed and built by the architect Le Corbusier Notre-Dame du Haut in Ronchamp was studied. Based on this method, the deep content of the work of art was revealed, man
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Rönnbäck, Fredrik. "The Other Sun: Non-Sacrificial Mutilation and the Severed Ear of Georges Bataille." October 154 (October 2015): 111–26. http://dx.doi.org/10.1162/octo_a_00239.

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Georges Bataille's first text, “Notre-Dame de Rheims,” is in many ways not quite part of his oeuvre. Virtually unknown until after the author's death, its religiosity is generally considered an aberration in the context of his other writings. Yet traces of this text and the sentiment that inspired it can be found in an undercurrent of silent mourning that runs through many of his early articles on art and literature. Against the strong presence of the eye in the conceptual universe that Bataille constructs during the interwar period, this essay delineates a metaphorical order that centers on t
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Zin, Nur Ariffin Mohd, Hishammuddin Asmuni, Haza Nuzly Abdul Hamed, et al. "Contact Lens Classification by Using Segmented Lens Boundary Features." Indonesian Journal of Electrical Engineering and Computer Science 11, no. 3 (2018): 1129. http://dx.doi.org/10.11591/ijeecs.v11.i3.pp1129-1135.

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Recent studies have shown that the wearing of soft lens may lead to performance degradation with the increase of false reject rate. However, detecting the presence of soft lens is a non-trivial task as its texture that almost indiscernible. In this work, we proposed a classification method to identify the existence of soft lens in iris image. Our proposed method starts with segmenting the lens boundary on top of the sclera region. Then, the segmented boundary is used as features and extracted by local descriptors. These features are then trained and classified using Support Vector Machines. Th
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DUȚICĂ, Luminița, and Ema-Laura STANCIU. "Sound polychromes in the choral creation of the composer Gheorghe Duțică." BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (2021): 57–68. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.6.

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Choral cultures begin with the old art of Notre Dame in Paris, continue with the Renaissance, Baroque, Classicism, Romanticism and end with the modern era, where the currents of Impressionism, Expressionism and Neoclassicism are often interwoven, united through the National Schools. An old tradition of Romanian musical culture continues, whose beginnings were marked by the choral, church or secular genre and whose modern foundations were finalized in the inter-war era of the 20th century. Gheorghe Duțică is one of the most representative masters of Romanian music. He has acquired a thorough kn
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SHEVCHENKO, Tetiana, Nadiia SHAPOVALENKO, Olena SYTKO, and Liliia SUSOL. "Perception of José Ortega Y Gasset’s Works in Essays of Oksana Zabuzhko." WISDOM 3, no. 2 (2022): 262–72. http://dx.doi.org/10.24234/wisdom.v3i2.789.

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The article analyzes the peculiarities of the reception of Jose Ortega y Gasset’s works in the essays of Oksana Zabuzhko. Emphasis is placed on the commonality of creative origins and ideas of both authors. The intellectual and poetic connections of iconic works are analyzed, particularly “The Revolt of the Masses” and “Notre Dame d’Ukraine. Ukrainian woman in the conflict of mythologies”. The uniqueness of the ideas of the Spanish thinker in the construction of the concept of Ukrainian identity by Oksana Zabuzhko is emphasized. It is concluded that the works of Jose Ortega y Gasset are analyz
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Меркулова, Н. В. "THE PROBLEM OF INTERPRETATION AND TRANSLATION OF THE FRENCH AESTHETIC ANTHROPONYMS AND TOPONYMS (BASED ON THE NOVEL BY V. HUGO «NOTRE DAME DE PARIS»)." НАУЧНЫЙ ЖУРНАЛ СОВРЕМЕННЫЕ ЛИНГВИСТИЧЕСКИЕ И МЕТОДИКО-ДИДАКТИЧЕСКИЕ ИССЛЕДОВАНИЯ, no. 1(53) (March 15, 2022): 105–28. http://dx.doi.org/10.36622/vstu.2022.10.91.008.

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Постановка задачи. Основная цель исследования состоит в определении оптимальных стратегий перевода/неперевода и/или передачи смыслового содержания эстетических антропонимов и топонимов в романе В. Гюго «Собор Парижской Богоматери» с точки зрения адекватной интерпретации ономастических единиц художественного текста. Результаты. Выявлены базовые тенденции перевода (или неперевода) двух основных групп эстетических имен собственных, антропонимов (32 единицы) и топонимов (105 единиц), включенных в корпус избранных наиболее иллюстративных примеров из художественного текста классического произведения
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Adams, Annmarie. "Modernism and Medicine: The Hospitals of Stevens and Lee, 1916-1932." Journal of the Society of Architectural Historians 58, no. 1 (1999): 42–61. http://dx.doi.org/10.2307/991436.

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This paper considers the work of Bostonand Toronto-based architects Edward Stevens and Frederick Lee during a critical period in North American hospital expansion. Without exception, their hospitals represented state-of-the-art planning wrapped in conservative exteriors. The firm's work thus offers a rich case study from which to consider the notion of historicist design as a mechanism for coping with change. This paper focuses on five Stevens-and-Lee projects: Notre Dame Hospital and two additions to the Royal Victoria Hospital in Montreal, the Kingston General Hospital, and the Ottawa Civic
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Studziżba-Kubalska, Beata. "Józef Mehoffer’s competition design for the polychrome decoration of the Franciscan Church in Kraków, 1894. An attempt to reconstruct the artist’s decorative concept." Sacrum et Decorum 15 (2022): 39–78. http://dx.doi.org/10.15584/setde.2022.15.3.

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Józef Mehoffer’s competition design for the painting decoration of the Franciscan Church in Kraków in 1894 has not yet been found. This article is an attempt to reconstruct the artist’s decorative concept on the basis of the surviving sketches for the project, as well as notes drawn and written in a sketchbook from 1893–1894. The artist, who was in Paris in February 1894, heard about the competition from Tadeusz Stryjeński. The project he sent to the jury in May 1894 did not meet the formal requirements; it was too sketch-like and unpolished and was not accepted. Mehoffer began work on it with
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Zharkikh, T. V. "Musical Stained-glasses by Olivier Messian." Aspects of Historical Musicology 14, no. 14 (2018): 23–35. http://dx.doi.org/10.34064/khnum2-14.02.

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Background. As it is well-known from the statements by O. Messiaen himself in conversations with K. Samuel [10; 7], the French composer had the phenomenon of “colored hearing” associated with the effect of synesthesia. A prerequisite in modern performing art, as in the work of a musicologistresearcher, is the introduction to the worldview of an author-composer. The study of Messiaen’s synesthetic associations helps the interpreter to expand his timbre range in connecting with emotional “immersion” in the essence of the work, and the researcher of his music – to interpret correctly (often – to
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Bernatowicz, Tadeusz. "Jan Reisner w Akademii św. Łukasza. Artysta a polityka króla Jana III i papieża Innocentego XI." Roczniki Humanistyczne 68, no. 4 Zeszyt specjalny (2020): 159–91. http://dx.doi.org/10.18290/rh20684-10s.

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Jan Reisner (ca. 1655-1713) was a painter and architect. He was sent by King Jan III together with Jerzy Siemiginowski to study art at St. Luke Academy in Rome. He traveled to the Eternal City (where he arrived on February 24, 1678) with Prince Michał Radziwiłł’s retinue. Cardinal Carlo Barberini, who later became the protector of Regni Poloniae, was the guardian and protector of the artist during his studies in 1678-1682. In the architectural competition announced by the Academy in 1681 Reisner was awarded the fi prize in the fi class, and a little later he was accepted as a member of this pr
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Libros sobre el tema "Notre-Dame des Récollets (Work of art)"

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Jean-Louis, Kupper, ed. Le tremblement de terre de 1692 et le miracle de Notre-Dame des Récollets à Verviers. Trésor de la Cathédrale de Liège, 1997.

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