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Libros sobre el tema "Non-structural element"

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Autor: Grafiati

Publicado: 14 de marzo de 2023

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1

Rust, Wilhelm. Non-Linear Finite Element Analysis in Structural Mechanics. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-13380-5.

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2

Y, Cheng Franklin y Fu Zizhi, eds. Computational mechanics in structural engineering: Recent developments and future trends. London: Elsevier Applied Science, 1992.

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3

Non-linear finite element analysis of solids and structures. Chichester: Wiley, 1991.

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4

MV2, International Conference. New advances in modal synthesis of large structures: Non-linear damped and non-deterministic cases : proceedings of the International Conference MV2, Lyon France, 5-6 October 1995. Rotterdam: A.A. Balkema, 1997.

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5

Canadian Conference on Nonlinear Solid Mechanics (2nd 2002 Vancouver, B.C.). Proceedings: 2nd Canadian Conference on Nonlinear Solid Mechanics = Comptes-rendues : 2ème Congrès canadien sur les aspects non linéaires de la mécanique des solides. Editado por Croitoro Elena M, Simon Fraser University y Pacific Institute for the Mathematical Sciences. Vancouver, B.C: CanCNSM, 2002.

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6

Rust, Wilhelm. Non-Linear Finite Element Analysis in Structural Mechanics. Springer, 2015.

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7

Rust, Wilhelm. Non-Linear Finite Element Analysis in Structural Mechanics. Springer, 2016.

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8

Rust, Wilhelm. Non-Linear Finite Element Analysis in Structural Mechanics. Springer, 2015.

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9

Nonlinear Modelling And Analysis Of Structures And Solids. Cambridge University Press, 2008.

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10

Non-Linear Finite Element Analysis of Solids and Structures. Dennis Publications, Richard, 1991.

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11

Non-Linear Finite Element Analysis of Solids and Structures. Wiley, 1996.

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12

Crisfield, M. A. Non-Linear Finite Element Analysis of Solids and Structures, Essentials. Wiley & Sons, Incorporated, John, 2000.

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13

Zienkiewicz, O. C. y R. L. Taylor. Finite Element Method: Solid and Fluid Mechanics Dynamics and Non-Linearity. Mcgraw-Hill College, 1991.

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14

Zienkiewicz, O. C. y R. L. Taylor. Finite Element Method: Solid and Fluid Mechanics Dynamics and Non-Linearity. 4^a ed. Mcgraw-Hill College, 1991.

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15

Matthews, Russell Stuart. The structural behaviour of brick sewer pipes in soft ground: The examination of brick and reinforced plastic pipes, in granular soil, and under plane strain conditions, using fully non-linear finite element models and a large-scale physical testing programme. Bradford, 1985.

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16

Light, Caitlin. The pragmatics of demonstratives in Germanic. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780198747840.003.0012.

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This chapter will seek to demonstrate that demonstrative pronouns in Germanic are inherently pragmatically contrastive, in that they conventionally signal a marked and unexpected referent given the existing discourse structure. Data on object topicalization show that in information-structurally driven operations, demonstrative pronouns pattern more like contrastive elements than like non-contrastive ones. In this way they can be analysed as subinformative in the sense of Gast (2010), with an information-structural function not unlike contrastive topics. This conclusion leads us to a better understanding of the behaviour of demonstrative pronouns in discourse. Thus, a careful consideration of information-structural phenomena leads to insight into both crucial details of the grammar, and how these issues relate to language in use.

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17

Clüver, Claus. Ekphrasis and Adaptation. Editado por Thomas Leitch. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780199331000.013.26.

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In discussing word-and-image interactions, ekphrasis and adaptation are frequently cited as major instances of intermedial transposition. Ekphrasis, redefined as “the verbal representation of real or fictive configurations composed in a non-kinetic visual medium,” can occur in literary and non-literary texts and represent two- and three-dimensional images. Some ekphrastic texts can be read as fully developed intermedial translations; others may render readers’ encounters with visual images that the text does not actually transpose at all. Ekphrasis is a descriptive monomedial mode of intermedial reference. In contrast, adaptations incorporate transmedial elements of the source texts transposed into a new medium. Verbal texts are most frequently adapted to plurimedial media, but also to such mixed-media forms as the comic book. Novelizations of films or videogames exemplify adaptation to the verbal medium. More common is the adaptation to literary texts of structural devices employed in other media, as in the musicalization of fiction.

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18

Krieger, Heike, Georg Nolte y Andreas Zimmermann, eds. The International Rule of Law. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198843603.001.0001.

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The authors examine the role of international law in a changing global order. Can we, under the current significantly changing conditions, still observe an increasing juridification of international relations based on a universal understanding of values, or are we, to the contrary, rather facing a tendency towards an informalization or a reformalization of international law, or even an erosion of international legal norms? Would it be appropriate to revisit classical elements of international law in order to react to structural changes, which may give rise to a more polycentric or non-polar world order? Or are we simply observing a slump in the development towards an international rule of law based on a universal understanding of values? In eleven chapters and eleven comments, distinguished scholars reflect on how to approach these questions from historical, system-oriented and actor-centered perspectives. The contributions engage with the rise of European international law since the 17^th century, the decay of the international rule of law, compliance as an indicator for the state of international law, international law and informal law-making in times of populism, the rule of environmental law and complex problems, human rights in Europe in a hostile environment, the influence of the BRICS states on international law, the impact of non-state actors on international law, international law’s contribution to global justice, the contestation of value-based norms and the international rule of law in light of legitimacy claims.

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19

Cartwright, Kent. Shakespeare and the Comedy of Enchantment. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780198868897.001.0001.

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Shakespeare and the Comedy of Enchantment explores the encounter between comedy’s rationalizing dimensions and those extra-rational aspects that elude demystification and exert affective power, an encounter between what is explicable and what is inexplicable. In the context of modernist disenchantment, Shakespeare’s comedies showcase the play of wonder and doubt, leaving behind a sense of residual re-enchantment. The argument thus broadens the perspective of studies that align early modern comedy with developments in science and jurisprudence. As the comic action advances, elements of mystery accrue—uncanny coincidences; magical sympathies; inexplicable repetitions; psychic influences; and wonders, fears, and doubts about the meaning of events—all of whose effects linger after reason has apparently answered the play’s questions, leaving an aura of wonder and wondering. Comic enchantment works through certain devices, tropes, and motifs explored in the chapters: magical clowns who introduce non-realistic stop-time moments that alter the action; structural repetitions that suggest mysteriously converging destinies and opaque but providential outcomes; places with differing characteristics that frame encounters between the regulatory and the protean drives in human existence; desires, thoughts, and utterances that manifest comically monstrous realities, including objects and individuals; characters who return from the dead, facilitated by the desires of the living; play-endings that traffic in harmony and dissonance, yet which can make possible the irrational action of forgiveness. These matters are discussed with extensive reference to Renaissance and modern theories of comedy, and with comparisons to Italian and Tudor comedy.

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