Literatura académica sobre el tema "New horror cinema"
Crea una cita precisa en los estilos APA, MLA, Chicago, Harvard y otros
Consulte las listas temáticas de artículos, libros, tesis, actas de conferencias y otras fuentes académicas sobre el tema "New horror cinema".
Junto a cada fuente en la lista de referencias hay un botón "Agregar a la bibliografía". Pulsa este botón, y generaremos automáticamente la referencia bibliográfica para la obra elegida en el estilo de cita que necesites: APA, MLA, Harvard, Vancouver, Chicago, etc.
También puede descargar el texto completo de la publicación académica en formato pdf y leer en línea su resumen siempre que esté disponible en los metadatos.
Artículos de revistas sobre el tema "New horror cinema"
Wada-Marciano, Mitsuyo. "J-Horror: New Media's Impact on Contemporary Japanese Horror Cinema". Canadian Journal of Film Studies 16, n.º 2 (octubre de 2007): 23–48. http://dx.doi.org/10.3138/cjfs.16.2.23.
Texto completoWalker, Johnny. "A Wilderness of Horrors? British Horror Cinema in the New Millennium". Journal of British Cinema and Television 9, n.º 3 (julio de 2012): 436–56. http://dx.doi.org/10.3366/jbctv.2012.0099.
Texto completoWajda, Piotr. "Specters of postcolonialism in HBO’s Folklore". Panoptikum, n.º 28 (29 de diciembre de 2022): 86–97. http://dx.doi.org/10.26881/pan.2022.28.05.
Texto completoGavrilov, Lev y Yulia Vetoshkina. "THE HORROR OF TECHNOLOGY AND THE TECHNOLOGY OF HORROR". Культурный код, n.º 2024-2 (2024): 7–19. http://dx.doi.org/10.36945/2658-3852-2024-2-7-19.
Texto completoPalmer, Tim. "Frontier poetry: new adventures in contemporary French horror cinema". Modern & Contemporary France 30, n.º 1 (10 de noviembre de 2021): 1–17. http://dx.doi.org/10.1080/09639489.2021.1978414.
Texto completoSinha, Alia. "Book Review: Meraj Ahmed Mubarki, Filming Horror: Hindi Cinema, Ghosts and Ideologies". Social Change 47, n.º 2 (junio de 2017): 302–5. http://dx.doi.org/10.1177/0049085717696379.
Texto completoCampoli, Alessandra. "A Ghostly Feminine Melancholy: Representing Decay and Experiencing Loss in Thai Horror Films". Plaridel 12, n.º 2 (30 de agosto de 2015): 14–35. http://dx.doi.org/10.52518/2015.12.2-02cmpli.
Texto completoDe Oliveira, Sérgio Eduardo Alpendre. "JOE DANTE, O HORROR E O BAIXO ORÇAMENTO: PIRANHAS, GRITOS DE HORROR E DESENHOS ANIMADOS". Rebeca - Revista Brasileira de Estudos de Cinema e Audiovisual 4, n.º 2 (25 de julio de 2016): 28. http://dx.doi.org/10.22475/rebeca.v4n2.357.
Texto completoEvernden, Christopher Blake, Cynthia A. Freeland, Thomas Schatz y Frank P. Tomasulo. "Book Reviews". Projections 13, n.º 3 (1 de diciembre de 2019): 121–41. http://dx.doi.org/10.3167/proj.2019.130310.
Texto completoAinslie, Mary. "Thai Horror Film in Malaysia: Urbanization, Cultural Proximity and a Southeast Asian Model". Plaridel 12, n.º 2 (30 de agosto de 2015): 55–82. http://dx.doi.org/10.52518/2015.12.2-04ansli.
Texto completoTesis sobre el tema "New horror cinema"
Kravina, Carolina. "L'interesse della Feminist Film Theory nei confronti del cinema horror: alcuni esempi di analisi tra Psycho, New Horror e Slasher". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Buscar texto completoDe, Camilla Lauren. "Female Leads: Negotiating Minority Identity in Contemporary Italian Horror Cinema". The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu1595519031355062.
Texto completoHwang, Yun Mi. "South Korean historical drama : gender, nation and the heritage industry". Thesis, University of St Andrews, 2011. http://hdl.handle.net/10023/1924.
Texto completoMezzolla, Mario. "L'horror e il comico: la narrazione del corpo nel cinema splatter". Master's thesis, Alma Mater Studiorum - Università di Bologna, 2022.
Buscar texto completoCOLLETTI, GUIDO CARLO. "LA FIGURA FEMMINILE NEL FANTASTICO ITALIANO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58413.
Texto completoThis current study aims to ascertain the close connection between female figure and Italian horror/thriller, cinema, here called "fantastico" in an extensive meaning, in order to highlight common features related to both genres. The periodization of research goes from 60s to 80s and the first purpose was to evaluate, according to a culturalist approach, the woman-horror interdependence, often focused in a mysoginic approach to the genre. The results have often been conflicting with respect to the starting presuppositions: the women are represented only as victims, the audience’s satisfaction is exclusively male. The discussion of this thesis was possible through an empirical and applicative research of a film sample and a careful investigation of latest writings that aim in different cases to reverse the paradigm of the starting point. The second objective detected differences between female representation in the Italian and American cinema, moving from the assumption that the theories which we are based on, come from united states and have provided a sample of more American films than Italian ones. Therefore the intent of this essay was testing the applicability of some historical theoric paradigms to the Italian case. the research’ s method involved a quantitative cataloging of extensive film corpus and an intensive one, which analyzes the main female stereotypes drawn from literature and cinema (damsel in distress, belle dame sans merci, final girl ). the conclusions show that the Italian fantastic genre has resisted more than other ones of a permanent conflict between emancipation and conservative resistance.
COLLETTI, GUIDO CARLO. "LA FIGURA FEMMINILE NEL FANTASTICO ITALIANO". Doctoral thesis, Università Cattolica del Sacro Cuore, 2019. http://hdl.handle.net/10280/58413.
Texto completoThis current study aims to ascertain the close connection between female figure and Italian horror/thriller, cinema, here called "fantastico" in an extensive meaning, in order to highlight common features related to both genres. The periodization of research goes from 60s to 80s and the first purpose was to evaluate, according to a culturalist approach, the woman-horror interdependence, often focused in a mysoginic approach to the genre. The results have often been conflicting with respect to the starting presuppositions: the women are represented only as victims, the audience’s satisfaction is exclusively male. The discussion of this thesis was possible through an empirical and applicative research of a film sample and a careful investigation of latest writings that aim in different cases to reverse the paradigm of the starting point. The second objective detected differences between female representation in the Italian and American cinema, moving from the assumption that the theories which we are based on, come from united states and have provided a sample of more American films than Italian ones. Therefore the intent of this essay was testing the applicability of some historical theoric paradigms to the Italian case. the research’ s method involved a quantitative cataloging of extensive film corpus and an intensive one, which analyzes the main female stereotypes drawn from literature and cinema (damsel in distress, belle dame sans merci, final girl ). the conclusions show that the Italian fantastic genre has resisted more than other ones of a permanent conflict between emancipation and conservative resistance.
Libros sobre el tema "New horror cinema"
Pagliardini, Fabio. Brividi nel bel paese: Il cinema dell'orrore In Italia. Lecce: Youcanprint, 2022.
Buscar texto completoPezzella, Nicola. Il soprannaturale e il fantastico nel cinema messicano. Roma: Profondo rosso, 2019.
Buscar texto completoFamiliari, Antonio Fabio. Il seme del male: La natura nel cinema gotico. Reggio Calabria: Città del sole, 2014.
Buscar texto completoBaschiera, Stefano y Russ Hunter, eds. Italian Horror Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9780748693528.001.0001.
Texto completoTurnock, Bryan. Studying Horror Cinema. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.001.0001.
Texto completoNew Israeli Horror: Local Cinema, Global Genre. Rutgers University Press, 2023.
Buscar texto completoNew Israeli Horror: Local Cinema, Global Genre. Rutgers University Press, 2023.
Buscar texto completoNew Israeli Horror: Local Cinema, Global Genre. Rutgers University Press, 2023.
Buscar texto completoNew Heritage of Horror: The English Gothic Cinema. Bloomsbury Publishing Plc, 2024.
Buscar texto completoSimpson. Urban Terrors : New British Horror Cinema: 1997-2008. Hemlock Books Limited, 2012.
Buscar texto completoCapítulos de libros sobre el tema "New horror cinema"
Williams, Jessica L. "Horror Movies, Horror Bodies: Blurring the Freak Body in Cinema". En Media, Performative Identity, and the New American Freak Show, 37–77. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-66462-0_3.
Texto completoHauser, Brian R. "Weird Cinema and the Aesthetics of Dread". En New Directions in Supernatural Horror Literature, 235–52. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-95477-6_12.
Texto completoHarris, Martin. "Cloverfield, 9/11, and the New Normal". En Horror and Science Fiction Cinema and Society, 191–204. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003372288-14.
Texto completoRodríguez Ortega, Vicente y Rubén Romero Santos. "Spanish Horror Film: Genre, Television and a New Model of Production". En European Cinema in the Twenty-First Century, 317–33. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-33436-9_18.
Texto completo"New Hollywood Horror". En Studying Horror Cinema, 159–80. Auteur, 2019. http://dx.doi.org/10.2307/j.ctv138424v.11.
Texto completoTurnock, Bryan. "New Hollywood Horror". En Studying Horror Cinema, 159–80. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.003.0009.
Texto completoTurnock, Bryan. "Postmodern Horror". En Studying Horror Cinema, 225–44. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781911325895.003.0012.
Texto completoRyan, Mark David, Jonathan Rayner y Lauren Carroll Harris. "HORROR". En Directory of World Cinema: Australia and New Zealand 2, 126–43. Intellect Books, 2015. http://dx.doi.org/10.2307/j.ctv36xvmdt.19.
Texto completoChurch, David. "Apprehension Engines: Defining a New Wave of Art-Horror Cinema". En Post-Horror, 1–26. Edinburgh University Press, 2021. http://dx.doi.org/10.3366/edinburgh/9781474475884.003.0001.
Texto completoWalker, Johnny. "British film production and the horror genre". En Contemporary British Horror Cinema. Edinburgh University Press, 2015. http://dx.doi.org/10.3366/edinburgh/9780748689736.003.0002.
Texto completoActas de conferencias sobre el tema "New horror cinema"
Kurtoğlu, Ramazan. "Financial-Economic Crisis and Hollywood’s Social Transformation Operations by Horror Movies". En International Conference on Eurasian Economies. Eurasian Economists Association, 2014. http://dx.doi.org/10.36880/c05.01055.
Texto completo