Artículos de revistas sobre el tema "New Beginnings (Television program)"
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Rusnac, Ludmila. "The television program on the theme of health: a structural-discursive approach". Studia Universitatis Moldaviae. Științe Economice și ale Comunicării, n.º 11(01) (julio de 2023): 119–25. http://dx.doi.org/10.59295/sum11(01)2023_16.
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The popularity of television programs on health topics is argued by the constant interest of viewers in the field of health and medicine, also corroborated with the trends of the time to pay more attention to education in the field of health and healthy lifestyle. During its evolution, the television program on the topic of health has configured new particularities, because the functions it performs have also expanded and in some places even bifurcated: if at the beginning this type of show aimed to inform the population, to educate them, to familiarize them with the spectrum of health problems and the steps they should take at the first symptoms of the disease, currently this type of content is moving away from the rigid scientific-popularizing character and access an area of the show, where the viewer finds emotions and impressions. Over time, the structure of these television products changed, new formats appeared, which were taken over on a large scale by television stations in different countries.
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Мальсагова, Т. Х. "Remembering the Beginning (To the Thirtieth Anniversary of Television of the Republic of Ingushetia)". Nasledie Vekov, n.º 4(32) (31 de diciembre de 2022): 128–53. http://dx.doi.org/10.36343/sb.2022.32.4.011.
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Продолжение мемуарного очерка посвящено первому этапу становления республиканского телевещания Ингушетии. Автор рассказывает о причинах, по которым при разделе двух республик ей пришлось некоторое время продолжить работу на должности главного директора программной дирекции вещания Грозненского ТВ. Только с весны 1993 г. Т. Х. Мальсагова официально возглавила ГТРК «Ингушетия» как президент телерадиокомпании (1993–1995). Выделены ранее не освещавшиеся производственно-управленческие аспекты деятельности и охарактеризованы ключевые моменты медиаполитики телевидения Ингушетии в первой половине 1990-х гг. Детализированы структурные преобразования и непростая организационная работа переходного периода. Показаны особенности действий центральных и местных СМИ в ситуации военного конфликта. Подчеркивается вклад в производство военных новостей и корреспонденций, сделанный коллективом только что созданной ГТРК в условиях, максимально приближенных к военно-полевым и требовавших полной самоотдачи. The presented material is the end of the memoir essay by Tamara Malsagova, the beginning of which was published in the previous issue of the journal (No. 3, 2022). The author dedicated the first part of her memoirs (“People, Destinies, Connection of Generations: To the Thirtieth Anniversary of the Television of the Republic of Ingushetia”) to the fates and professional activities of her colleagues in the Ingush editorial office of Groznensky TV in the period from the late 1950s to the early 1990s. The part of the essay published here – “Remembering the Beginning” – corresponds to a relatively short, about three years, period of time (1992-1994), which, in terms of the intensity and fateful significance of events, surpassed the decades of peaceful life. The birth of a new republic – Ingushetia – was accompanied by a number of important geopolitical decisions, and it was impossible to implement them without creating a television and radio broadcasting platform in the regional media space capable of countering terrorism, working to create and de-escalate an armed conflict. Such a platform was the new branch of the federal television and radio company Russia – the State Television and Radio Broadcasting Company Ingushetia. The author tells why, during the division of the two republics, she had to continue working for some time as the Chief Director of the Program Directorate of Broadcasting of Grozny TV. Only in the spring of 1993 did Tamara Malsagova officially head the State Television and Radio Broadcasting Company Ingushetia as president of the television and radio company (1993–1995). The author highlights the previously uncovered production and management aspects of the work of the television and radio company, characterizes the key points of the media policy of television in the Republic of Ingushetia in the first half of the 1990s, details the structural transformations and difficult organizational work of the transition period, shows the features of the actions of the central and local media in a situation of military conflict are shown. The author emphasizes the contribution to the production of military news and correspondence, which was made by the staff of the novel, newly-created television and radio company in conditions that were as close as possible to military field conditions and required complete dedication. The author notes that television workers’ activities in Ingushetia in these difficult years included direct work on the air, the creation of dozens of reports from “hot spots”, assistance to journalists of central Russian and foreign media, support for television broadcasting from Nazran on RTR, NTV, REN TV channels, as well as in leading foreign companies (BBC, Associated Press, France Presse, CNN, Reuters, CBS News, etc.).
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Goian, Vita y Tetyana Rogova. "Visual Methods of Television Content in the Christmas and New Year Period". Current Issues of Mass Communication, n.º 29 (2021): 67–77. http://dx.doi.org/10.17721/2312-5160.2021.29.67-77.
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In the research were analyzed visual techniques that were used to fill the content of Ukrainian TV channels in the period from the beginning of December to the end of January. The Christmas and holiday season are not officially included in a separate category of TV programming, but the season is fundamentally important for attracting the viewer’s attention and for setting the further price of airtime for advertisers. The article is one of the first attempts to consider this aspect broadly/extensively and to outline the current vectors of studying the specifics of the program content of TV channels in the period of Christmas and holiday season, therefore this article is promising for the applied social communications area. In order to describe the main visual techniques, that are used in television content, the authors emphasize on their diversity, also they leave space for the further analysis of other nonverbal and verbal elements of the screen communication, that are used during festive period. Researchers have selected the TV channels logos, the program broadcast in the night from December 31.12.20 to January 01.01.2021, as well as other screen products of the different genres, telefilms and movies, that were shot and presented on TV broadcast in different years. Among the main research methods were used the following: content-analysis, which contributed to a thorough study of the software network of TV channels broadcasting, observation and comparison, which helped to outline the common and different characteristics of software products and broadcasts in general, induction method, which helped to form the key screen concepts. The suggested conclusions provide grounds for the statement, that the choice of content for filling TV channels during festive season is based on commercial inquiries, creative and technological resources of the television producers. In addition, the authors mention the segment of Christmas and New Year congratulations of head of state as promising for the further research.
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Simeunović Bajić, Nataša. "TV EURIKON AND EUROPA TV: RESEARCH ON THE BEGINNING OF TRANSNATIONAL PAN-EUROPEAN TELEVISION". MEDIA STUDIES AND APPLIED ETHICS 5, n.º 1 (1 de julio de 2024): 41–54. http://dx.doi.org/10.46630/msae.1.2024.03.
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The article examines the success or failure of two experimental pan-European channels, TV Eurikon and Europa TV, focusing on the role of television in shaping European identity. The research, carried out thanks to the International Visegrad Fund Research Grant Program and the Historical Archives of the European Union, showed that balanced reporting during development of satellite communication and strong pan-European communication strategy are of key importance for shaping the public perception of supranational institutions like the EU. To achieve success, policy makers must overcome obstacles such as linguistic diversity, regulatory frameworks and national interests. Although we are not in the era of the beginning of satellite systems, Europe should consider new models of cooperation, cultural exchanges and different perspectives for the long-term sustainability of similar pan-European initiatives.
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Bjelajac, Željko y Aleksandar Filipović. "Profile of Contemporary Criminal Investigator in Film and Television Content". Kultura polisa 19, n.º 1 (14 de abril de 2022): 1–24. http://dx.doi.org/10.51738/kpolisa2022.19.1r.1bf.
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People have been fascinated by detective novels and complicated investigations since the advent of the detective novel as a literary form in the mid-19th century. The progenitors and early popularizers of this genre, such as Edgar Allan Poe and Arthur Conan Doyle, prepared the ground for later authors of this popular genre. In the meantime, from the beginning to the present day, the techniques and methods of criminal investigations have been immeasurably improved. Criminal and detective fiction has followed innovations, so it has always remained relevant and representative in relation to real-life investigative techniques and methods. Significant development of the TV series as a medium and a massive increase in the quality of the recorded program through a significantly more serious approach and involvement of professionals from the film industry, somewhere since the beginning of the XXI century, has led to a change in approach to procedural and criminal TV series. Instead of the previously trendy but unrealistic and pseudo-scientific procedural programs and detectives whose characterization did not correspond to reality, a new wave of crime series has emerged that is significantly more grounded in reality and faithfully shows the methods and modalities of investigative actions and personalities of criminal investigators. We aim to identify common professional and psychological characteristics of subject investigators using media content analysis, narrative analysis, characterization analysis, and other appropriate analytical methods, and to propose a profile of a modern criminal investigator who, very importantly, corresponds with investigators in real life.
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King, Michelle T. "The Julia Child of Chinese Cooking, or the Fu Pei-mei of French Food?" Gastronomica 18, n.º 1 (2018): 15–26. http://dx.doi.org/10.1525/gfc.2018.18.1.15.
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Fu Pei-mei (1931–2004), cookbook author and television personality in postwar Taiwan, was often called the “Julia Child of Chinese Cooking.” While Child sought to introduce American audiences to the unfamiliar tastes and traditions of French cuisine, Fu was demonstrating Chinese cooking to a new generation of postwar housewives in Taiwan, who needed her expertise and guidance in the kitchen. Fu authored more than thirty cookbooks, many of which were bilingual Chinese-English, and hosted Taiwan television's first instructional program on Chinese cooking for almost four decades, beginning in 1962. From a political vantage point, Fu's culinary talent, linguistic skills, and gracious demeanor perfectly filled the existing needs of the ruling Nationalist Party on Taiwan. Fu's comprehensive survey of Chinese regional cuisines united an otherwise fractious and fragile postwar nation. Yet Fu would not have attained the level of popularity that she did, had she not also connected deeply with her female audience. Over decades of dramatic social change for women in Taiwan, Fu embraced both the practical and emotional needs of ordinary housewives and career women alike, who sought out her expert guidance in the onerous daily task of feeding their families. This article compares the political, gender, and media contexts of Child's and Fu's culinary careers, in order to highlight the distinctive impact each had on millions of television viewers and would-be home cooks.
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Wijayanti, Lumastari Ajeng, Meillisa Carlen Mainassy, Nurhaedah Nurhaedah, Siti Juwariah, Sulistyani Prabu Aji y Satria Eureka Nurseskasatmata. "Function of the Media on Family Planning on Community Perception and Participation in Sorong Papua". International Journal of Health Sciences 1, n.º 4 (30 de noviembre de 2023): 629–47. http://dx.doi.org/10.59585/ijhs.v1i4.192.
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Attention to the Family Planning (KB) program received priority during the New Order era. The family planning program had even become a government program at the beginning of that period. Before becoming a government program, Family Planning had begun to be socialized by several individuals or private institutions who had an interest in the program. The aim of this research is to find out information sources that provide family planning information to the public, differences in perceptions according to information sources, differences in participation according to perception, differences in participation according to sources of information, and to find out 5 differences in participation according to perception which are controlled by level of education, number of children they have and desire to have another child. The method used in this research is census. Data analysis was carried out using the chi-square statistical test using the SPSS program version 17.0. The research results showed that the majority of respondents obtained family planning information through television (58.2%), and there was an influence of information on perceptions and participation in family planning. This is proven by the differences in perception according to exposure to information, participation according to perception and participation according to exposure to information convincingly with a confidence level of 95%. In the control variables, there are significant differences in participation according to education level and number of children (95%), while there is no significant difference in participation according to the desire to have more children. Information determines participation in family planning practices, but does not determine the desire to have more children. This is due to different perceptions of the value of children, so the desire to have more children does not influence participation in family planning practices.
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Alire, Camila A. "The New Beginnings Program". Journal of Library Administration 33, n.º 1-2 (junio de 2001): 21–30. http://dx.doi.org/10.1300/j111v33n01_03.
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Suhardi, Yusuf y Meita Pragiwani. "Analisa Faktor-faktor yang mempengaruhi Keputusan Mahasiswa Memilih Kuliah di Sekolah Tinggi Ilmu Ekonomi Indonesia (STEI) Jakarta". Jurnal STEI Ekonomi 26, n.º 2 (18 de diciembre de 2017): 230–45. http://dx.doi.org/10.36406/jemi.v26i2.229.
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This research was conducted at Sekolah Tinggi Ilmu Ekonomi Indonesia (STEI) Jakarta. The study population is STEI New Student of academic year 2016/2017 totaling 1,062 people, sampling using Slovin amounted to 295 students of STEI in S1 Accounting Study Program, S1 Management, Accounting D3 and D3 of Trade Management. Sampling technique with random sampling or random. This research uses descriptive analysis method. The result of validity test of internal factor and external factor r-count all bigger than r-table mean all statement is valid. Reliability test results show all statements both internal and external realibel because crobach Alpha is 0.780 and 0.729 above 0.6. The results show that STEI Student Candidates from the beginning of the majority aspire to become an economics graduate. Most of the respondents believe that STEI graduates will get a good job. The majority respondents felt they had a talent in the field of economics. The majority enter STEI because STEI accreditation is B and in deciding place of college majority factor of location that is close to campus, besides because of tuition in STEI is affordable. Suggestion of lectures at STEI which is dominant is advice from parents then from friends. The majority of STEI Student Candidates receive information from brochures and banners, receive very little information from advertisements on newspapers, radio, television, internet and STEI presentations at school
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Reisa, Steffiani y Irwansyah Irwansyah. "Fragmentation and Audience Activity on Video-on-Demand Platform: Netflix and the ‘Binge-watching’". Jurnal InterAct 9, n.º 2 (17 de febrero de 2021): 120–32. http://dx.doi.org/10.25170/interact.v9i2.2235.
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One of digital transformation of television systems is an interactive service called video-on-demand (VOD). VOD provides full control to its users, by allowing viewers to enjoy, choose, store, and even download the desired audio-visual content anytime and through any electronic communication device. The presence of Netflix and other VOD service providers is transforming people's behavior patterns in watching television. People are beginning to switch to watching audiovisual content and episodes the same televisions or programs known as binge-watching through online streaming. This study focused on the concept of audiences’ activities based on Levy and Windahl’s typology model. The study also explored the motivation that was a part of uses and gratification theory. This new audience habit and motivation were explored by qualitative approach. The interview was conducted to the Netflix subscribers in Jakarta to discover the behavior activities and motivation of binge-watching. The thematic analysis was applied to analyze the process of fragmentation and audience activity that occurs in a very active new media society.
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Soesilo, Eddy y Isriwan Fayuza. "Prototype Alat Pendeteksi Kebocoran Gas LPG Berbasis IOT". Jurnal Teknik Industri Terintegrasi 6, n.º 3 (31 de julio de 2023): 862–79. http://dx.doi.org/10.31004/jutin.v6i3.17664.
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The role of LPG (Liquefied Petroleum Gas) at this time is very important for human life both in households and in industry. Since the existence of the energy conversion program from petrol to LPG gas, new problems have arisen. Around the beginning of January to July 2010, incidents of explosions of LPG gas tube which claimed cause casualties, and this was confirmed by the widespread coverage in the mass media, especially television. The explosion of an LPG gas tube usually occurs in a three-kilogram gas tube. Leakage of LPG tube or equipment is still one of the main causes of explosions in LPG gas tube, which results from the absence of visible gas leaks. The gas explosion occurs when the LPG gas cannot be recognized by the owner, the position of the gas that is not in accordance with the standard use of the gas can result in a very fatal explosion and cause casualties. Of the many cases circulating in society and industry, it is necessary to treat this type of fuel specifically. Therefore, there is a need for an early warning system for LPG gas and its devices in order to deal with gas leaks which can result in fatalities. This system is designed using the MQ-5 sensor and NodeMCU as the main controller that can connect to the internet. Later this tool is expected to be able to provide early warning in the form of notifications on smartphones to users in the event of a leak in a gas cylinder.
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Nesterenko, Petro. "AN IMMORTAL POEM IN THE WORKS OF UKRAINIAN ARTISTS". Research and methodological works of the National Academy of Visual Arts and Architecture, n.º 30 (9 de diciembre de 2021): 83–91. http://dx.doi.org/10.33838/naoma.30.2021.83-91.
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Abstract. For the first time, the article highlights the continued interest of researchers and artists in the memorial of ancient Russian literature of the end of the 12th century, "The Tale of Igor’s Campaign" at the present stage. The peculiarities of the decoration of editions dedicated to the poem performed by domestic artists in the second half of XX — beginning of XXI centuries are investigated. The pearl of ancient Russian literature of the end of the XII century, «The Tale of Igor’s Campaign» does not leave many generations of its admirers indifferent. The 200 th anniversary of the release of the monument of Ukrainian culture has passed, and the interest in the «The Tale of Igor’s Campaign» has not subsided. The magic of this work continues to attract new researchers and artists. Anniversary dates helped to increase interest in the landmark. On the occasion of the 150 th anniversary of the first printing of the poem, J. Hnizdovsky in New York illustrated and artfully decorated the anniversary edition. A quarter of a century the design and illustrations for the poem were performed by Kyiv’s I. Selivanov. G. Yakutovich’s editions, created in the Dnipro publishing house as souvenirs, look like real masterpieces. The engravings of G. Yakutovich were already heard in another edition of «The Tale of Igor’s Campaign», which came out of print in the Kiev publishing house Veselka in 2008. In 1989, the publishing house «Soviet School» published a thorough edition of «The Tale of Igor’s Campaign», illustrations, layout and decoration of which were made by V. Lopata, and the editing and notes by O. Mishanych. The artist’s works are multifaceted in composition and imbued with special drama and symbolism with expression. Equally interesting was the 2015 edition, commissioned by the State Committee for Television and Radio Broadcasting of Ukraine under the Ukrainian Book program. Particularly noteworthy are the graphic works by V. Yefimov from Odessa and M. Bondarenko from Sumy region, who embodied their preferences and unique manners in the work on the poem.
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Garrett, Katie. "The Evolution of Modern Zombie Comedies". Digital Literature Review 5 (15 de enero de 2018): 99–107. http://dx.doi.org/10.33043/dlr.5.0.99-107.
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Zombie comedies are a subgenre of a subgenre in the horror film industry, and their prevalence in recent film and television history is unprecedented. This essay explores the beginnings of zombie comedy movies, their evolution throughout the past decade, and the implications of this genre’s new relevance and its politics. Included is an examination of a more recent Netflix Original television show, Santa Clarita Diet.
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Congden, Kimberly A. "Perinatal Education and Support Program: Baystate’s New Beginnings". Journal of Perinatal Education 25, n.º 2 (2016): 97–104. http://dx.doi.org/10.1891/1058-1243.25.2.97.
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ABSTRACTParent education traditionally focuses on childbirth, whereas the perinatal period gets little attention despite parents’ reports of feeling unprepared. Lack of education surrounding newborn behavior leads to decreased maternal confidence and ineffective responsiveness to infant cues for feeding, crying, and sleep. This can cause overfeeding, lowered breastfeeding success, and contributes to parental stress which can impact maternal–infant bonding. Lack of postpartum maternal support adds to fatigue and stress which contributes to poor maternal well-being. This article describes an innovative perinatal program, Baystate’s New Beginnings, modeled after the education from the 2011 California Baby Behavior Campaign and The Secrets of Baby Behavior that combines newborn behavior education and maternal support in the first 3 months postpartum to improve maternal role transition.
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Erdei, Ildiko. "A new life on the small screen and around it: The beginnings of television in socialist Yugoslavia (1955–1970)". Issues in Ethnology and Anthropology 10, n.º 2 (28 de febrero de 2016): 405. http://dx.doi.org/10.21301/eap.v10i2.6.
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Ever since television became institutionalized in socialist Yugoslavia in the late 1950’s, it was closely associated with the idea of a „new life“ in socialist society. As a new technology, as a modern object in the socialist household, and as a medium which enabled the transmission of desirable content for creating socialist citizens and shaping models of socialist „culturality“ and entertainment, television represents a prime terrain for studying the transformations of culture and society in the latter half of the 20th century in Yugoslavia, as well as in the rest of Europe and the world. The paper is mostly based a number of key sources, memoirs, which speak of the history of television in Yugoslavia from the point of view of creators and a wider circle of experts who were involved in it. In this paper I will attempt to shed some light on the dynamics of the process of introducing television into Yugoslavian society, the perplexities, confusions and tensions which this new technology – simultaneously the product and the mediator of modernity – brought with it. Special attention is given to the relationship between television as technology and television as a medium of mass communication, which permanently marked the beginnings of television in Yugoslavia with the tension between „tech“ and „programming“, as well as to the role of television in everyday life.
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Turner, Graeme. "Approaching the cultures of use: Netflix, disruption and the audience". Critical Studies in Television: The International Journal of Television Studies 14, n.º 2 (16 de mayo de 2019): 222–32. http://dx.doi.org/10.1177/1749602019834554.
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This article draws on an empirical research project on cultural consumption in order to respond to particular concerns this project raised about our understanding of the current regimes of consumption for television, or what this article describes as the ‘cultures of use’. While there are rich literatures around many aspects of television consumption, this article argues that there is a gap in our direct knowledge of how individuals and households consume television, across platforms and devices, in domestic spaces. In order to fill that gap and to better understand how television consumption is embedded within people’s everyday lives, television studies may need not only to ask new kinds of questions through its research but also to adapt and modify some of the modes of audience research that marked the beginnings of television audience studies.
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Bower, Ann y Gwen Yarger. "Mentor-Intern Relationships in New York State's Formal Program: Beginnings". Action in Teacher Education 11, n.º 2 (julio de 1989): 60–65. http://dx.doi.org/10.1080/01626620.1989.10462727.
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Giuffre, Liz y Sarah Attfield. "Finding the ‘perfect blend’ in an undervalued genre: Considering the importance of ‘ordinariness’ in Australian soap opera Neighbours". Journal of Popular Television 10, n.º 2 (1 de junio de 2022): 199–211. http://dx.doi.org/10.1386/jptv_00079_1.
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Australian soap Neighbours (1985‐2022) was in active production for nearly 40 years. As a piece of popular television, it is still syndicated internationally and also sold as a successful format for new works. Neighbours has also served as an outlet to launch new generations of Australian on- and off-screen talent. Despite these successes, Neighbours has been overlooked by tastemakers, academics and critics. This article places Neighbours in context within the Australian television landscape; going on to explore how the soap has responded during the rapid technological, industrial and cultural evolutions that have occurred since its beginnings in the 1980s. Importantly, Neighbours has featured a variety of different types of Australian characters with a variety of narratives, including working class, migrant, LGBTQI+, and blended families.
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Keane, Michael. "Ethics and Pragmatism: China's Television Producers Confront the Cultural Market". Media International Australia 89, n.º 1 (noviembre de 1998): 75–86. http://dx.doi.org/10.1177/1329878x9808900110.
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Since its beginnings in 1958, television in China has been hailed as the ‘mouthpiece of the Party, the government and the people’. The rapid expansion of the television industry since deregulation policies were introduced in 1983 has significantly compticated this relationship. New doctrines of accounlability and supply–demand economics have been prescribed as blueprints for the success of cultural institutions now forced to survive without state funding. Whilst the Chinese Communist Party (CCP) is anxious to see the television industry ‘stand on its own feet’ and respond to the challenges of market economics, there are also fears that its role as ‘mouthpiece’ might be diminished. The Communist Party has thus sought to curb the excesses of what it considers ‘unhealthy influences’, while at the same time learning from the successes of the market. This paper examines the emergence of Chinese ‘popular’ serial drama in the 1990s and the manner in which this form of television has been co-opted by the Communist Party as a means of inculcating new modes of ethical behaviour appropriate to a modern commodity economy.
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Natalia, El Chris. "ETHICS IN CHILD PROGRAM IMPRESSIONS ON TELEVISION". Emerging Markets : Business and Management Studies Journal 3, n.º 1 (22 de noviembre de 2018): 28–37. http://dx.doi.org/10.33555/ijembm.v3i1.68.
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Although nowadays the new media comes to exist in the society, the conventional media like television is still be a part of Indonesian society, especially is the areas that is untouched by the internet. Television still has its own audience. Television is obliged to perform its functions in providing information, educate, entertain, control and also as a social adhesive. Children as one of television audiences always get more attention because children are the next generation who are very easily influenced by this audiovisual media. Children are the easiest figure to imitate what they see on television. Ethics in children's program broadcasted in television is important to avoid the damage of children development in both psychologically and physically.
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Eaton, B. Carol. "Prime-Time Stereotyping on the New Television Networks". Journalism & Mass Communication Quarterly 74, n.º 4 (diciembre de 1997): 859–72. http://dx.doi.org/10.1177/107769909707400413.
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This content analysis examines portrayals of women in prime-time promotional announcements broadcast on five television networks (ABC, NBC, CBS, FOX, and UPN) during one week in 1995. Findings supported the hypotheses that (1) women are underrepresented in all television networks' promotional announcements, and that (2) stereotypical portrayals of women in these announcements varied due to the television network's target audience. Specifically, television program promotional announcements on networks that seek a younger male audience contained more stereotypical female characters than other network programming produced for a more general audience.
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McClain, Darya Bonds, Sharlene A. Wolchik, Emily Winslow, Jenn-Yun Tein, Irwin N. Sandler y Roger E. Millsap. "Developmental cascade effects of the New Beginnings Program on adolescent adaptation outcomes". Development and Psychopathology 22, n.º 4 (1 de octubre de 2010): 771–84. http://dx.doi.org/10.1017/s0954579410000453.
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AbstractUsing data from a 6-year longitudinal follow-up sample of 240 youth who participated in a randomized experimental trial of a preventive intervention for divorced families with children ages 9–12, the current study tested alternative cascading pathways by which the intervention decreased symptoms of internalizing disorders, symptoms of externalizing disorders, substance use, and risky sexual behavior and increased self-esteem and academic performance in mid- to late adolescence (15–19 years old). It was hypothesized that the impact of the program on adolescent adaptation outcomes would be explained by progressive associations between program-induced changes in parenting and youth adaptation outcomes. The results supported a cascading model of program effects in which the program was related to increased mother–child relationship quality that was related to subsequent decreases in child internalizing problems, which then was related to subsequent increases in self-esteem and decreases in symptoms of internalizing disorders in adolescence. The results were also consistent with a model in which the program increased maternal effective discipline that was related to decreased child externalizing problems, which was related to subsequent decreases in symptoms of externalizing disorders, less substance use, and better academic performance in adolescence. There were no significant differences in the model based on level of baseline risk or adolescent gender. These results provide support for a cascading pathways model of child and adolescent development.
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Yakusheva, Viktoriya Vladimirovna y Victoria Yakusheva. "The mediabrend is urgency of the development in new economicalconditions". Journal of Flm Arts and Film Studies 2, n.º 1 (15 de enero de 2010): 120–29. http://dx.doi.org/10.17816/vgik21120-129.
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The article analyzes the main trends of the development of Russia's television during the financial crisis. The structure of broadcasting is shown in terms of branding and a unique method of developing a television brand is suggested. The author considers this technology as one of the strategic measures, maintaining a stable position on the media market. The article analyses the television brand "What? Were? When?», because this program is very famous in the cognitive-game content. The practical application of the technology of forming a television brand is illustrated on the stage of creative development.
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Azzahra, Tasya Yuni y Berlian Primadani Satria Putri. "AKTIVITAS KOMUNIKASI PEMASARAN PT ARAH DUNIA TELEVISI PADA PROGRAM RAMADHANKU DI JOGJA". Metacommunication; Journal of Communication Studies 8, n.º 2 (30 de septiembre de 2023): 125. http://dx.doi.org/10.20527/mc.v8i2.16736.
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In the current digital era, new media, such as social media, have emerged abundantly. These new media platforms serve similar functions to television, providing information and entertainment, and can be seen as potential substitutes for television due to their accessibility and availability anywhere. To remain relevant in this evolving era, television networks have adapted to the trends by shifting towards digital television that can be accessed through gadgets. ADITV is one of the local Islamic television stations in Yogyakarta that has made this transition to digital television. One of ADITV's programs that reflects its Islamic identity is "Ramadhanku di Jogja." Marketing communication activities need to be conducted to sustain its position amidst the emergence of new media. Therefore, this research aimed to explore the marketing communication activities of PT Arah Dunia Televisi in the program "Ramadhanku di Jogja" using the concepts of marketing communication (Kotler & Keller, 2012) and marketing communication mix (Firmansyah, 2020). The research methodology employed is qualitative descriptive, involving data collection through interviews, observations, documentation, and literature review, utilizing source triangulation and technique triangulation as data validity techniques. The findings of this study indicate that ADITV has implemented marketing communication activities in the program "Ramadhanku di Jogja," including advertising, sales promotion, public relations and publicity, personal selling, and direct marketing, with a stronger focus on conventional marketing approaches such as personal selling and direct marketing.
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Okhlopkova, U. V. "Russian regional television: formation and development of the national TV channel “Sakha”". Neophilology 10, n.º 2 (1 de julio de 2024): 465–75. http://dx.doi.org/10.20310/2587-6953-2024-10-2-465-475.
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RELEVANCE. The study examined the processes of formation and development of the national television channel “Sakha” (broadcasting territory – the Republic of Sakha (Yakutia)). Based on materials from regulatory documents and publications in periodicals, the author systematizes the creation and functioning of a national regional television channel. The chronological scope of the study (from 2002 to 2012) is determined by the following factors: 2002 – the opening of the republican television broadcasting channel in the region, 2012 – the beginning of the formation of a new infrastructure of Russian television in connection with the transition to digital broadcasting. Purpose of the study: to analyze and record the stages of formation of the national television channel in Yakutia in the period from creation to the transition to digital broadcasting.MATERIALS AND METHODS. The empirical base of the study consists of periodicals stored in the National Library of the Republic of Sakha (Yakutia) named after A.S. Pushkin, which reflect the events of the period under study, as well as materials from regulatory documents. The study used comparative historical analysis and a systematic method.RESULT AND DISCUSSION. The analysis made it possible to reveal that the state policy of the region actively contributed to the development of regional television of the period under study by updating and expanding its material and technical base, which led to an improvement in indicators at various levels - an increase in broadcasting volumes, an increase in the number of television programs in the Yakut language, as well as the creation of a fundamentally different from the post-Soviet model of the TV channel concept.CONCLUSION. The results of the study may be useful for further study of the history of television in the Republic of Sakha (Yakutia) in the context of the overall development of the modern media system of the region and the country as a whole.
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Branigan, Tony. "How Will New Media Affect Television?" Media International Australia 86, n.º 1 (febrero de 1998): 54–62. http://dx.doi.org/10.1177/1329878x9808600107.
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The next two decades will force major changes on existing media and leave them with a significantly smaller share of voice, mind and advertising dollars. Pay TV in various forms will be the main challenge, but the Internet and other interactive media also seem certain to change traditional media use and advertising practices. In the United States, cable television has taken large numbers of viewers from free-to-air TV, and is expanding its share of advertising revenue. Pay TV's prospects in Australia are promising, though the largely American program content of advertiser-supported channels may limit their appeal. Pay TV may be in as many as 20 per cent of homes within three years, but its impact on television viewing levels will be only a fraction of that. Free-to-air viewing may decline by as little as 4 per cent by 2000, while television revenue may be unaffected by Pay TV. In the medium term, digital technology will make various forms of interactivity practicable for both free-to-air and Pay TV. This may prove to be more significant than competition for advertising dollars, as it will allow both media to compete for marketing expenditure currently made outside normal advertising media.
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George, Penny. "Interactive Television: A New Technology for Teaching and Learning". CALICO Journal 6, n.º 3 (14 de enero de 2013): 43–46. http://dx.doi.org/10.1558/cj.v6i3.43-46.
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This article describes an interactive television program in which one Spanish teacher reaches 3959 elementary students at nine different sites through the use of cameras and televisions in the studio and at each of the sites.
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Dunleavy, Trish. "A Soap of Our Own: New Zealand's Shortland Street". Media International Australia 106, n.º 1 (febrero de 2003): 18–34. http://dx.doi.org/10.1177/1329878x0310600104.
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Shortland Street is a prime-time soap opera that launched on New Zealand television in 1992 and was created to meet a combination of commercial and ‘public service’ objectives. Shortland Street is institutionally and culturally significant as New Zealand's first attempt at daily drama production and one of the first major productions to follow New Zealand television's 1989 deregulation. Placing Shortland Street in the context of national television culture and within the genre of locally produced TV drama, this paper explores several key facets of the program, including: its creation as a co-production between public and private broadcasting institutions; its domestic role in a small television market; its relationships with New Zealand ‘identity and culture’; its application of genre conventions and foreign influences; and its progress — as a production that was co-developed by Grundy Television — in a range of export markets.
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Hattie, John y Richard Fletcher. "Development of an IQ Test for New Zealand Adults". Psychological Reports 102, n.º 2 (abril de 2008): 389–97. http://dx.doi.org/10.2466/pr0.102.2.389-397.
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In 2003 and 2004 a television network in New Zealand showed a syndicated program called Test the Nation: The New Zealand IQ Test. This paper demonstrates how the IQ test was devised using item response theory, and evaluates the properties of the test using data from the TV program participants.
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Nafi, Anan Tawazzun y Alamsyah Alamsyah. "Dinamika Program Siaran TVRI Tahun 1969-1989". Sabda: Jurnal Kajian Kebudayaan 18, n.º 1 (25 de junio de 2023): 1–10. http://dx.doi.org/10.14710/sabda.18.1.1-10.
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During the New Order era, economic development policies were the focus of the Soeharto administration. To implement development, the country's socio-political conditions needed to be controlled. This control was done through the utilisation of television as a tool to spread development messages. This mass media is very effective and efficient in shaping people's mindset. In carrying out its duties, TVRI does so through its broadcast programmes. However, people do not like TVRI's lighting broadcasts, they prefer entertainment broadcasts. Therefore, development messages began to be inserted into TVRI's entertainment broadcasts. This effort intensified after advertising was banned on television. At that time, almost all TVRI broadcasts were aimed at supporting development policies. This situation lasted until the New Order government collapsed.
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Danaher, Peter J. y Donald F. Mawhinney. "Optimizing Television Program Schedules Using Choice Modeling". Journal of Marketing Research 38, n.º 3 (agosto de 2001): 298–312. http://dx.doi.org/10.1509/jmkr.38.3.298.18867.
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The authors examine the rescheduling of television programs to maximize the total ratings for one network across a week. The key idea is to design a choice experiment in which television programs are rescheduled and presented to respondents. Respondents read these program schedules (much like the regular TV Guide listings) and give their preferences, including not watching any of the listed programs. Because there are potentially billions of possible schedules, the authors give a procedure for designing a fractional factorial experiment that can accommodate both programs of varying length and constraints on eligible program times. The authors also develop a latent class multinomial logit model for modeling program preferences and present a validation of our experimental procedure and the model. They also present an empirical test of the procedure in which they use the model to predict ratings for all the possible program schedules, not just those constituting the choice sets. In this example, the optimum schedule increases the predicted total weekly ratings during prime time by 18% for a network. The projected increase in total weekly ratings is achieved without the network needing to purchase any new programs; all it needs to do is reschedule eight programs in its existing prime-time lineup.
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Gibbons, Leisa y Karen F. Gracy. "New Beginnings: Introduction to the Special Issue on AERI 2016". Preservation, Digital Technology & Culture 46, n.º 1 (28 de abril de 2017): 2–6. http://dx.doi.org/10.1515/pdtc-2017-0004.
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Abstract:On July 8–12, 2016, the School of Library and Information Science (SLIS) at Kent State University hosted the eighth Archival Education and Research Institute (AERI). AERI is an annual event that brings together researchers, educators, students, and professionals from North America, Europe, Asia, Australia, and New Zealand to share knowledge, promote collaboration, and mentor new and emerging scholars in the areas of archival research and pedagogy. The conference was attended by ninety-five participants from eight countries, including faculty members, doctoral students, post-doctoral fellows, and ten undergraduate and graduate students enrolled in the AERI-affiliated Emerging Archival Scholars Program (EASP). The five-day event included sixty-three paper presentations, fifteen posters, seven workshops, two plenaries, and a half-day unconference event.In this introduction, the hosts of the conference and co-editors of this issue, Leisa Gibbons and Karen F. Gracy, provide a brief overview of the conference highlights and introduce the research papers presented here.
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Raudhatul Fitri, Rustim, Dynia Fitri y FX. Yatno Karyadi. "Talkpod Program Broadcasting Diversification Program on Net Tv Through Digital Platform". Journal of Scientific Research, Education, and Technology (JSRET) 3, n.º 2 (29 de junio de 2024): 855–67. http://dx.doi.org/10.58526/jsret.v3i2.427.
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This research is to reveal that broadcasting diversification is an important strategy for television stations in facing the development of broadcasting technology platforms and changes in social media consumption patterns of android-based communities. The "Talkpod" program is one of NET TV's innovations that combines the concepts of talk shows and podcasts, which are then distributed through digital platforms. The research method used is a qualitative method and data collection techniques by conducting interviews, observations, and document studies. This research approach focuses on television program broadcasting strategies in expanding audience reach.The results show that the diversification of broadcasting the "Talkpod" program through digital platforms provides several strategic advantages for Net Tv. First, expanding audience reach, especially among millennials and Gen Z who are more active on digital platforms. Second, increasing interaction and engagement with the audience through interactive features offered by digital platforms. Third, opening up new opportunities for monetization through digital advertising and collaboration with various brands.
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Ikegami, Hideo, Tadahiko Sugimura, Yasuo Kubota, Yoshihiro Tamura, Katsuaki Murayama, Masaki Sawaguchi y Katsuyuki Sakurai. "New technology in broadcasting. 2 Program production techniques for television broadcasting." Journal of the Institute of Television Engineers of Japan 41, n.º 1 (1987): 7–24. http://dx.doi.org/10.3169/itej1978.41.7.
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Dobbs, Steve. "OKLAHOMA GARDENING—TWENTY YEARS OF HELPING PEOPLE AND PLANTS GROW". HortScience 30, n.º 3 (junio de 1995): 444e—444. http://dx.doi.org/10.21273/hortsci.30.3.444e.
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Oklahoma Gardening, a television program produced by the Oklahoma Cooperative Extension Service, Departments of Horticulture and Landscape Architecture and Agricultural Communications, is tied for the longest running consecutively taped gardening program in the nation. The program airs weekly on Oklahoma's PBS affiliate and ranks as the top locally produced program in the viewing region, with a dedicated weekly audience of 150,000 gardening enthusiasts. As an Extension constituent, Oklahoma Gardening is successful at program identification, development, and evaluation—a new twist for most television programs. In addition to television programming, educational opportunities are available through tours of the 5-acre studio gardens located in the Oklahoma Botanical Gardens and Arboretum on the Oklahoma State Univ. campus where most of the shows are taped. Visitors touring the gardens increased 204% from the previous year. Extension fundamentals of l) program development and coordination, 2) volunteer training and activities, and 3) community and business involvement and support can be implemented effectively into television programming as shown by Oklahoma Gardening's productive 20-year history!
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Tein, Jenn-Yun, Gina L. Mazza, Heather J. Gunn, Hanjoe Kim, Elizabeth A. Stuart, Irwin N. Sandler y Sharlene A. Wolchik. "Multigroup Propensity Score Approach to Evaluating an Effectiveness Trial of the New Beginnings Program". Evaluation & the Health Professions 41, n.º 2 (10 de abril de 2018): 290–320. http://dx.doi.org/10.1177/0163278718763499.
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We used a multigroup propensity score approach to evaluate a randomized effectiveness trial of the New Beginnings Program (NBP), an intervention targeting divorced or separated families. Two features of effectiveness trials, high nonattendance rates and inclusion of an active control, make program effects harder to detect. To estimate program effects based on actual intervention participation, we created a synthetic inactive control comprised of nonattenders and assessed the impact of attending the NBP or active control relative to no intervention (inactive control). We estimated propensity scores using generalized boosted models and applied inverse probability of treatment weighting for the comparisons. Relative to the inactive control, NBP strengthened parenting quality as well as reduced child exposure to interparental conflict, parent psychological distress, and child internalizing problems. Some effects were moderated by parent gender, parent ethnicity, or child age. On the other hand, the effects of active versus inactive control were minimal for parenting and in the unexpected direction for child internalizing problems. Findings from the propensity score approach complement and enhance the interpretation of findings from the intention-to-treat approach.
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Bassols, M. Margarida, Anna Cros y Anna M. Torrent. "Emotionalization in new television formats of science popularization". Pragmatics. Quarterly Publication of the International Pragmatics Association (IPrA) 23, n.º 4 (1 de diciembre de 2013): 605–32. http://dx.doi.org/10.1075/prag.23.4.02bas.
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The fierce struggle for television audiences is greatest when the content shown is not strictly entertainment, such as, for example, when specialized knowledge is brought to a wide audience. However, the appearance of new television formats has enabled scientific and technical contents to be brought closer to an unprepared and very diverse audience. What resources do these programs use to achieve this? Is emotionalization, which is increasingly dominant in the media, an important strategy in programs that seek to spread scientific knowledge among the general public? Do they use the pluri-locutionary nature of their discourse to promote understanding of the contents and to capture the viewers’ attention? Our research, which forms part of a broader study of new television formats and the communication of knowledge, is the first study on the discourse of the mediatization of knowledge in Spain. The topic is of particular interest because it coincides with the production of innovative television formats that endeavor to capture the interest of sections of the population that usually do not access this type of content. They have an important social function since, as Semir (2011: 19) points out, the knowledge of the world they promote reduces the fear generated in human beings by that which is opaque or unknown, thereby increasing the ability to make decisions and increasing efficiency. Through the linguistic analysis of the statements uttered by the diverse voices of a popular communication program, Quèquicom (Whatwhohow), we will determine which emotions are more present in the program and, therefore, contribute towards its communicative success, and which speakers (presenters, experts or affected individuals) use them more. Determining the resources leading to the success of this program can provide effective tools for other programs with very diverse aims. Studies of this type in Spain have focused on the press but very little on television. This study forms part of a wider research project on new television formats and the communication of knowledge to different audiences and diverse levels of specialization. It has been proven that emotions join together to provide a dramatic progression, based on the tension-relaxation binomial, a progression that holds the audience’s interest, in a similar manner to dramatic fiction programs. Moreover, the emotions can be examined in three ways: they can be referred to as a fact in the reality being narrated, expressed by the speakers or triggered in the audience. Lastly, it was also observed that the emotional charge that justifies the presence of affected individuals or witnesses in the majority of television programs spreads to the voices of the presenters themselves. The transmission of emotions is almost as important as that of knowledge.
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Krauss, Ellis S. "Changing Television News in Japan". Journal of Asian Studies 57, n.º 3 (agosto de 1998): 663–92. http://dx.doi.org/10.2307/2658737.
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In the industrialized democratic world, broadcasting news monopolies and oligopolies have all but disappeared. Whereas public broadcasters in Western Europe in the earlier postwar period had a monopoly or duopoly on televised news, today there is a more diverse market with competition from other public and commercial broadcasters, often carried by new technology such as satellites. In the United States, the oligopoly of the three networks in news has been broken by both CNN on cable and, to a lesser extent, PBS in its program “News Hour.” Thus the new competition introduced into broadcasting systems has been the result of either changed government policy or new technological mediums, or in certain instances both.
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Fantini, Endah. "REPRESENTASI ADEGAN KEKERASAN DALAM TAYANGAN KOMEDI TELEVISI (ANALISIS SEMIOTIKA TERHADAP PROGRAM OPERA VAN JAVA DI TRANS7)". Majalah Ilmiah Bijak 15, n.º 1 (9 de julio de 2018): 91–105. http://dx.doi.org/10.31334/bijak.v15i1.135.
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Opera Van Java (OVJ) Television program on Trans7 earns a high rating and share in a relatively short time. This is a new phenomenon in the category of comedy that shows a television program in Indonesia can be successful. This event received much praise, so the OVJ included a comedy that received great public attention. The silly story presented by OVJ is very funny and appealing to all walks of life.Trans7's communications management on this television comedy program has demonstrated professional work in managing comedy programs. This is done by building the synergy / performance of all the crew, communicating creative ideas and ideas, equating perceptions, packing messages and impressions. This process creates an OVJ program that appeals to the audience and can convey messages to all walks of life and age.The Trans7 OVJ program got the highest rating and share of the comedy version according to AGB Nielsen measurement by Audiences Meansurement version. This assessment is very influential, because the OVJ program is a phenomenal comedy that will increase advertising revenue as a source of income Trans7 television stations.Creativity in communication management Opera Van Java (OVJ) is packaged in such a way that it is always interesting to watch on every episode. Researchers found and saw great creativity in the OVJ program. The conclusion is that good communication management in managing television comedy programs is essential to improve the rating and share of the program.
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Sukmawati, Dian y Tri Alida Apriliana. "Daur Ulang Konten Menyelamatkan Bisnis Televisi". Jurnal PIKMA : Publikasi Ilmu Komunikasi Media Dan Cinema 5, n.º 2 (31 de marzo de 2023): 190–204. http://dx.doi.org/10.24076/pikma.v5i2.874.
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The technology has made the competition in television industry becomes much tighter. Nowadays, we can see some of television stations are starting to broadcast in digital platform. Even before, the portion of advertisements have already shared not only with existing television stations but also with radio and now increasingly with new media. The innovation of technologies and new capitalism culture make television industry and its owners are trapped in short-term thinking logical concept. According to Richard Sennet, short-term thinking logical concept can be defined as how new capitalism culture requires the employees to think and work fast in order to win the competition in industrial ecosystem. This situation also happened to NET. TV. As one of commercial television stations in Indonesia, NET. TV management has also been thinking hardly how to survive in this competitive situation with fast thinking and working and at the same time still make profit. To achieve the goal, unwittingly they have practiced the so called, "Co-creation concept from Cohen," in their program titled, "Like It." Even though, the program has successfully minimized the production costs, in the long term, Co-creation concept can possibly threaten the existence of NET TV's employees.
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Wolchik, Sharlene A., Irwin N. Sandler, Sarah Jones, Nancy Gonzales, Kathryn Doyle, Emily Winslow, Qing Zhou y Sanford L. Braver. "THE NEW BEGINNINGS PROGRAM FOR DIVORCING AND SEPARATING FAMILIES: MOVING FROM EFFICACY TO EFFECTIVENESS". Family Court Review 47, n.º 3 (julio de 2009): 416–35. http://dx.doi.org/10.1111/j.1744-1617.2009.01265.x.
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Berkel, Cady, Irwin N. Sandler, Sharlene A. Wolchik, C. Hendricks Brown, Carlos G. Gallo, Amanda Chiapa, Anne M. Mauricio y Sarah Jones. "“Home Practice Is the Program”: Parents’ Practice of Program Skills as Predictors of Outcomes in the New Beginnings Program Effectiveness Trial". Prevention Science 19, n.º 5 (8 de diciembre de 2016): 663–73. http://dx.doi.org/10.1007/s11121-016-0738-0.
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Pembayun, Estavita Chantik. "YouTube Vs television in media convergence era: case study study on tonight show program presented by Net Mediatama". Indonesian Journal of Communication Studies 15, n.º 2 (31 de diciembre de 2022): 105. http://dx.doi.org/10.31315/ijcs.v15i2.8000.
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The use of the internet has become a habit among millennials lately. The products of these two media are television and YouTube. Presentation of content that is considered almost the same, namely using audio-visual media, YouTube is considered to be a new medium that will shift and even replace the existence of the television industry. In 2020, We are Social analysis said the number of YouTube users reached 2 billion each month. This has a significant impact on television, one of which is NET (News and Entertainment Television) that owned by PT NET Mediatama. The increasing number of YouTube viewers compared to declining television, NET experienced a decline in revenue in 2020, due to a continuous decrease in audience ratings with the number of sponsors obtained. As a conventional media, NET now has to compete with YouTube. The program that is the focus of this research is the Tonight Show, where the program is broadcast hybridly in terrestrial form and exclusively on YouTube streaming. The research was conducted using a constructivist paradigm and a qualitative approach with a case study method. Interviews with assistant producers of the Tonight Show became primary data and published interviews, media content and literature that examined the convergence of communication media and industry became secondary data. Based on research findings from a business point of view, convergence in the television industry can open up new professional opportunities, such as providing opportunities for television media managers to expand public choice, as has been implemented by the Tonight Show program with the Tonight Show Premiere. Even though YouTube viewers in Indonesia are increasing, the existence of the television industry still has its place, because exposure to television content can be felt by more people compared to YouTube, because not everyone can access the internet, especially in Indonesia.
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Blumler, Jay G. y Carolyn Martin Spicer. "Prospects for Creativity in the New Television Marketplace: Evidence from Program-Makers". Journal of Communication 40, n.º 4 (1 de diciembre de 1990): 78–101. http://dx.doi.org/10.1111/j.1460-2466.1990.tb02283.x.
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Rios, Sofia. "From telenovelas to super series: Reflections on TV Azteca’s ‘improved’ content". Journal of Popular Television 10, n.º 2 (1 de junio de 2022): 167–83. http://dx.doi.org/10.1386/jptv_00077_1.
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TV Azteca is one of the biggest multimedia conglomerations in Mexico. From its beginnings in 1993, TV Azteca knew it had to offer something different to audiences so they had a reason to tune in to its telenovelas. Things have changed significantly as TV Azteca announced in the middle of 2016 that it would no longer produce telenovelas. However, TV Azteca still has a vested interest in TV production via its super series. This research focuses on the political economy of production and development of telenovelas and super series, the effect of delineating quality television and the regendering of melodramatic narratives and heroines. It proposes that new content does not need to eradicate women’s stories and melodrama in the service of quality.
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Ćitić, Tatjana. "Accessibility of TV programs to persons with disabilities". Socioloski pregled 55, n.º 3 (2021): 1110–37. http://dx.doi.org/10.5937/socpreg55-32277.
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The most modern media systems in television program production and placement have the obligation of ensuring program accessibility to persons with disabilities. While in some countries this obligation is defined through a certain minimum of adapted content, in Serbia there is a set of media laws only indicating the necessity of care for persons with difficulty in following the television program. The basic thesis of this paper is how program accessibility, and thus increased social inclusion through media content, may be improved through the development and greater presence of the existing services (subtitle, sign language, audio-description), as well as through the introduction of new services, based on the capacities offered by digital technology and application of artificial intelligence in content production and placement. The statistics shows that at least one in eighteen persons in Serbia has difficulty in following TV program due to vision or hearing impairment and therefore, in the absence of the tools ensuring accessibility, these persons are unable to get information, education and entertainment from the television program.
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Yelisovenko, Yurii y Anna Nytchenko. "New Tendencies of the Viewer Involvement in Producing ZIK TV Channel Analytical Product". Scientific notes of the Institute of Journalism, n.º 1 (76) (2020): 41–52. http://dx.doi.org/10.17721/2522-1272.2020.76.3.
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The latest trends of viewers` participation in producing an analytical product on the example of ZIK TV channel are considered. The objective of the study is to identify and to describe the latest trends in producing the broadcaster`s analytical programs; to identify which techniques of interaction with the audience are used by ZIK TV channel, to determine their strengths and weaknesses, and to suggest the ways of more effective interactions. The article identifies the viewer’s place in producing the television analytical product with the latest trends in increasing audience interaction. Such research methods as documentation analysis, observation, compara-tive, thematic and content analysis, synthesis and traduction have been applied. It is determined whether the viewer influences on producing the program at its various stages and in which exactly: from the idea to its broadcast, as well as selection of issues, topics, chro-nology, timekeeping, selection of presenter and experts. The study helps to find out how the viewer influences on producing the analytical television programs, to identify the trends in de-velopment of interactivity in television analytics, and to create a basis for the new researches. Based on the program «Vox Populi» on ZIK, as well as the results of the study and its conclu-sions, we have formulated the recommendations for the audience participation in producing the analytical program as well as transformation of editorial functions determined by increasing the level of viewer’s interactivity.
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Moran, Albert. "Reg Grundy: A Review Essay". Media International Australia 138, n.º 1 (febrero de 2011): 149–57. http://dx.doi.org/10.1177/1329878x1113800116.
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Adaptation and remaking are central dynamics of culture industries, most especially television. There is now a formal trade in program formats that is part of the evolution of a worldwide screen industry. However, the practice of program cloning is not new: various instances of such activity have been noticed by television historians. Yet systematic investigation of this earlier phase is largely lacking. One major reason has to do with the unavailability of insider accounts by media professionals of how program remaking worked in other times and places. Thus the recent publication of the memoirs of a leading Australian figure in this trade is a significant event. This review essay pinpoints the importance of Reg Grundy in a national and international context, and reflects upon the dynamic of cultural adaptation in the sphere of television content production.
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Islam, Tazu. "The Genesis and Development of the Maqāṣid al-Qur’ān". American Journal of Islam and Society 30, n.º 3 (1 de julio de 2013): 39–58. http://dx.doi.org/10.35632/ajis.v30i3.301.
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Maqāṣid al-Qur’ān is an emerging science that promotes an understanding of the Qur’anic discourse’s purposive (maqasidic) angle. Beginning with preliminary ideas in the fifth Islamic century, it has now achieved the status, in the eyes of many prominent contemporary Muslims, of being a specific science. Having been the subject of scholarly discussion in articles, books, television programs, seminars and conferences, this subject has created a new academic debate in the very contemporary field of Qur’anic studies. This study explores its genesis and conceptual developments over time by analyzing the root of this science as well as how it has fared at the hands of early and modern scholarship of the Qur’an. Its findings are expected to contribute to presenting this field to the public in a compact form.
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Islam, Tazu. "The Genesis and Development of the Maqāṣid al-Qur’ān". American Journal of Islamic Social Sciences 30, n.º 3 (1 de julio de 2013): 39–58. http://dx.doi.org/10.35632/ajiss.v30i3.301.
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Maqāṣid al-Qur’ān is an emerging science that promotes an understanding of the Qur’anic discourse’s purposive (maqasidic) angle. Beginning with preliminary ideas in the fifth Islamic century, it has now achieved the status, in the eyes of many prominent contemporary Muslims, of being a specific science. Having been the subject of scholarly discussion in articles, books, television programs, seminars and conferences, this subject has created a new academic debate in the very contemporary field of Qur’anic studies. This study explores its genesis and conceptual developments over time by analyzing the root of this science as well as how it has fared at the hands of early and modern scholarship of the Qur’an. Its findings are expected to contribute to presenting this field to the public in a compact form.