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Artículos de revistas sobre el tema "National histories"

Autor: Grafiati

Publicado: 25 de mayo de 2024

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1

Fallan, Kjetil y Grace Lees-Maffei. "Real Imagined Communities: National Narratives and the Globalization of Design History". Design Issues 32, n.º 1 (enero de 2016): 5–18. http://dx.doi.org/10.1162/desi_a_00360.

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Contemporary design is global. Along with international developments in higher education, the influence of post-colonial theory, and intellectual endeavours like ‘world history’, design historians are now writing Global Design History (to use the title of a 2011 edited collection). While the nation state is no longer the only socio-cultural or political-economic unit forming our identities and experiences—if it ever were—this article examines the value of national frameworks in writing design history and asks whether moves to discard them are premature. Are national histories of design dependent upon outmoded generalisations and stereotypes? Or do they demonstrate cogent frameworks for the discussion of common socio-economic and cultural conditions and shared identities? Globalizing design history involves writing new histories of neglected regions and nations and revisionist histories informed by the findings and methods of new comparative and global histories, of celebrated industrial nations.

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2

Baycroft, Timothy. "Histories of Nations and Borders: Critical Reflections". Do historians fail in listening to each other? Methodological Challenges for Historical Dialogue 1, n.º 1 (1 de enero de 2022): 92–107. http://dx.doi.org/10.54881/111nbtb.

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Examining the question of ‘which history’ of a nation emerges over time and why, this article interrogates the ways in which histories and borders come to acquire symbolic significance and become ‘national histories’ and ‘national borders’. It begins with a thorough analysis of the elements that contribute to and the forces which have an impact upon the development of national identity, national symbolism, and national memory. Then, drawing from a range of examples, it provides serious critical reflection on the work of historians and the nature of the questions that need to be asked in order truly to understand the processes of nation building and identity formation.

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3

Savage, K. "Histories of the National Mall". Journal of American History 101, n.º 3 (1 de diciembre de 2014): 1029–30. http://dx.doi.org/10.1093/jahist/jau659.

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4

Nelson, Hank. "Kokoda: and two national histories". Journal of Pacific History 42, n.º 1 (junio de 2007): 73–88. http://dx.doi.org/10.1080/00223340701286859.

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5

Kiley, Cornelius J., Sakamoto Taro y John S. Brownlee. "The Six National Histories of Japan". Journal of Japanese Studies 18, n.º 2 (1992): 517. http://dx.doi.org/10.2307/132832.

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6

Hurst, G. Cameron, Sakamoto Taro y John S. Brownlee. "The Six National Histories of Japan." American Historical Review 97, n.º 4 (octubre de 1992): 1266. http://dx.doi.org/10.2307/2165637.

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7

Victor, Carmen. "Transnational Voices in National Art Histories". TOPIA: Canadian Journal of Cultural Studies 43 (1 de septiembre de 2021): 212–16. http://dx.doi.org/10.3138/topia-43-br10.

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8

Friday, Karl F. y John S. Brownlee. "The Six National Histories of Japan." Monumenta Nipponica 46, n.º 4 (1991): 550. http://dx.doi.org/10.2307/2385194.

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9

Pomeranz, Kenneth. "Histories for a Less National Age". American Historical Review 119, n.º 1 (30 de enero de 2014): 1–22. http://dx.doi.org/10.1093/ahr/119.1.1.

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10

Maude, Kathryn. "Making women's histories: beyond national perspectives". Journal of Gender Studies 23, n.º 2 (24 de marzo de 2014): 221–22. http://dx.doi.org/10.1080/09589236.2014.890455.

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11

Trice, Jasmine Nadua. "Gendering National Histories and Regional Imaginaries". Feminist Media Histories 5, n.º 1 (1 de enero de 2019): 11–38. http://dx.doi.org/10.1525/fmh.2019.5.1.11.

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This essay analyzes three experimental short films made by Southeast Asian women filmmakers: Jai (Love, 2008), directed by Anocha Suwichakornpong of Thailand; Shotgun Tuding (2014), directed by Shireen Seno of the Philippines; and Eleven Men (2016), directed by Nguyễn Trinh Thi of Vietnam. Each deploys a critique of national historiography through specific formal strategies: constructing a recursive temporality (Jai), using anachronistic media (Shotgun Tuding), or privileging image over event (Eleven Men). These formal strategies create a gendered, reflexive view of the historiographic process through their frictions with official, national histories. At the same time the films nod to, and at times engage with, the transnational networks that brought them into being. The essay considers how the films and the filmmakers who made them negotiate local arts activism, transnational funding structures, and commitments to national histories. It argues that their textual and institutional parallels sketch the possibility of a regional, Southeast Asian imaginary for women's filmmaking.

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12

Agudelo Ochoa, Ana María. "El cuento colombiano en las historias de la literatura nacional". Estudios de Literatura Colombiana, n.º 19 (23 de agosto de 2013): 13–38. http://dx.doi.org/10.17533/udea.elc.16451.

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Resumen: El presente artículo examina el tratamiento que se da al cuento colombiano en las principales historias de la literatura nacional. Inicialmente se explica la motivación tras el interés de escribir este tipo de historias en Hispanoamérica; luego se describe cada obra examinada, y finalmente se presenta y analiza la información específica acerca del cuento que brindan las historias, enfatizando en la concepción del género en cada una y en el lugar que se le otorga al interior del sistema de géneros literarios. Descriptores: Cuento colombiano; Historia del cuento colombiano; Historiografía Literaria; Historia de la literatura colombiana. Abstract: This article examines the treatment given to the short story genre in Colombian most important histories of national literature. It opens with an explanation of why these types of histories are written in Latin America. It follows with a comparison of those histories and finally it presents and analyzes the specific information that those histories present about the genre, emphasizing in their conceptual characteristics and in the place given to the short story inside the system of literary genres. Key words: Colombian short story; History of Colombian short story; Literary historiography; History of Colombian literature.

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13

Welland, Sasha Su-Ling. "Camouflaged Histories". positions: asia critique 28, n.º 1 (1 de febrero de 2020): 87–119. http://dx.doi.org/10.1215/10679847-7913067.

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Lei Yan 雷燕, whose artistic practice was shaped by a decades-long career in the Chinese military, began a period of transition through participation in a 2002 restaging of the Communist Red Army’s 1934 Long March as a multi-sited international art project. Her resulting encounter with US feminist art icon Judy Chicago raised questions about the potential neocolonial influence of global feminist art. The work Lei subsequently produced performs an autoethnographic excavation of the sociohistorical categories—woman soldier, military artist, and woman artist—that made her as both artist and woman. She works from within a national representational corpus, subjecting it to various experiments to reveal the fields of violence it has enacted from the Sino-Vietnamese War to the Great Sichuan earthquake. Lei Yan’s meditation through photography upon national, revolutionary iconography evolved into soft sculpture objects in cloth and paper. Their arrested ephemerality decenters the human subject, drawing attention to haunting absences in conventional stories of art, feminism, and nation. In comparison with the monumental work of Ai Weiwei 艾未未, who also created pieces in response to the 2008 Sichuan earthquake, Lei’s art serves not to admonish but to bring back into consciousness lost lives and camouflaged histories.

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14

Tarafás, Imre. "Oesterreich ist eben Oesterreich". Historical Studies on Central Europe 1, n.º 2 (3 de diciembre de 2021): 166–205. http://dx.doi.org/10.47074/hsce.2021-2.07.

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The study offers a comparative analysis of historical grand récits written during the period of the Austro–Hungarian Empire in the imperial center, Hungary and Bohemia. On the one hand, the study focuses on different strategies of legitimizing the existence of the empire from Austro-German historians and, on the other, on how compatible these historical visions were with those of Hungarian and Czech scholars. Rather than seeing “imperial” and “national” histories as isolated, by genre different narratives, our aim is to study them as community histories which have serious implications for each other: smaller (national) community histories for the larger (imperial) community, and vice versa. The study does not only rely on the analysis of these community histories, but aims to situate them in the larger context of the historical argumentation of the contemporary political discourse, as well as the central notions with which loyalty to Austria could be expressed. According to the conclusion of the study, there is no discernible common ground for Austro-German historians in terms of defining the mission and essence of Austria or even for basic notions describing the empire’s past. Also, their definitions of crucial notions such as the “nation” significantly contradicted the major Hungarian master narratives.

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15

Cohen, Miriam. "Louise Audino Tilly: an appreciation". International Labor and Working-Class History 96 (2019): 168–75. http://dx.doi.org/10.1017/s0147547919000243.

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AbstractLouise Audino Tilly, who died on March 2, 2018, enjoyed a relatively short twenty-five year career as a historian. But Tilly left an enduring imprint through her example and through her scholarship on the history of women and work, on the social and economic circumstances affecting collective action, and on the connections between demographic changes and family life. In more recent decades, several generations of historians have benefitted from the road maps she left pointing the way for emerging work on the connections between micro-level analysis and national and international histories of social change.

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16

Olukoju, Ayodeji. "Oral Traditions and the Political History of Oka-Akoko". History in Africa 20 (1993): 249–62. http://dx.doi.org/10.2307/3171974.

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A dominant trend in Nigerian historiography since the 1970s has been the preoccupation with writing history “from the national perspective.” This appears to be Nigerian historians' attempts to be “relevant” to current efforts at nation-building. “National history,” the object of such endeavors, has been defined by the frontline historian J. F. Ade Ajayi as “a study of the main developments in the whole Nigerian region, and among all the peoples and cultures, as perceived from the perspective of national significance and relevance, and only illustrated from the histories of individual groups and polities.”While such efforts at writing what amounts to macrohistory are commendable, emphasis on themes of “national significance and relevance” could result in overgeneralization or the deletion of vital details. This likelihood then justifies the writing of microhistory to give macrohistory a sound factual or empirical basis. The need for microhistory has been stressed by a distinguished historian:the study of microhistory, the study of the histories of the various communities that make up Nigeria is very essential. We need these studies to give us a complete picture of [the] precolonial period of our history. Once we have that as the foundation, the structure we are building, the Nigerian nation, will stand on firm knowledge.… We either know the historical antecedents of the various Nigerian communities and build a virile nation on that knowledge or we continue to run from one crisis to another.

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17

Berger, Stefan. "Nordic National Histories in Comparative European Perspective". Historisk tidsskrift 94, n.º 01 (1 de abril de 2016): 67–95. http://dx.doi.org/10.18261/issn.1504-2944-2016-01-04.

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18

Perin, Roberto. "National Histories and Ethnic History in Canada". Cahiers de recherche sociologique, n.º 20 (26 de abril de 2011): 113–28. http://dx.doi.org/10.7202/1002193ar.

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Summary National history is out of fashion in Canada. Since the 1960s the constitutional crisis which has challenged the unitary character of the Canadian State has had a profound impact on its historiography. It is in this troubled context that social history emerged. In seeking to reconstitute the internal history of social groups, it broke the "national" consensus that had been created around not only the interpretations, but the periodicity of traditional history. The question now arises as to whether national history still exists as a category. If so, how many national histories does Canada have? Where do the First Nations and immigrant groups fit into to this (these) national history (histories), or do they have national histories of their own?

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19

Morse, Ruth. "Introduction : National Histories, International Observations, Supranational Comparisons". Cahiers Charles V 45, n.º 1 (2008): 5–15. http://dx.doi.org/10.3406/cchav.2008.1522.

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20

Gale, Maggie B. (Maggie Barbara). "Writing and Rewriting National Theatre Histories (review)". Modern Drama 49, n.º 2 (2006): 244–45. http://dx.doi.org/10.1353/mdr.2006.0063.

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21

Bevir, Mark. "National Histories: Prospects for Critique and Narrative". Journal of the Philosophy of History 1, n.º 3 (2007): 293–317. http://dx.doi.org/10.1163/187226307x229371.

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AbstractThe classic national history narrates the formation and progress of a nation-state as a reflection of principles such as a national character, liberty, progress, and statehood. Today there appears to be a growing nostalgia for them, and with it for the role that history once played in the life of the nation. This paper argues that such nostalgia is justified insofar as it expresses skepticism about the philosophical assumptions of much social science history. In doing so, it defends the use of concepts such as narrative and tradition. Yet this paper argues that such nostalgia is not justified insofar as it sides with an analysis of these concepts in terms of given principles of nationhood and statehood. Rather, the paper argues for a shift from developmental historicism to radical historicism. Radical historicism would treat traditions as pragmatically constructed and narratives as contingent. It would thus lead to denaturalizing accounts of the nations as dispersed, discontinuous, and disrupted, and arguably to histories of networks of peoples rather than nations.

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22

Bashford, Alison y Carolyn Strange. "Asylum–Seekers and National Histories of Detention". Australian Journal of Politics & History 48, n.º 4 (diciembre de 2002): 509–27. http://dx.doi.org/10.1111/1467-8497.00273.

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23

Attwood, Bain. "Difficult Histories". Public Historian 35, n.º 3 (1 de agosto de 2013): 46–71. http://dx.doi.org/10.1525/tph.2013.35.3.46.

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In recent decades many democracies around the world have tried to meet growing political demands to make amends for past wrongs by showing their troubling pasts. Museums, especially new national museums, have performed a crucial role in this historical work. In this article I examine the attempt of one of these, the Museum of New Zealand Te Papa Tongarewa, to stage an exhibit about a historic agreement between the indigenous Maori people and the British government that had come to be regarded as the nation’s founding constitutional document at the same time as it remained the subject of much controversy and enormous contestation.

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24

O'Regan, Tom y Huw Walmsley-Evans. "Media Histories". Media International Australia 157, n.º 1 (noviembre de 2015): 91–92. http://dx.doi.org/10.1177/1329878x1515700111.

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If the first section of this Australian Media History issue of MIA focused on the first 50 years of The Australian newspaper, this second section, Media Histories, provides a general selection of articles covering different aspects of Australian media history. Designed to represent the several contemporary trends in Australian media history scholarship, this state-of-the-discipline collection covers a range of media and time periods. It shows how capacious and heterogeneous media history can be, and how indispensible – whether for the examination of media institutions and their regulation, media's intersections with politics and memories, media coverage of racial and ethnic differences across sport, food and national policy, or media's taking up of science with weather forecasting.

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25

Lanzillotti, Ian T. "Historiography and the politics of land, identity, and belonging in the twentieth-century North Caucasus". Nationalities Papers 44, n.º 4 (julio de 2016): 503–21. http://dx.doi.org/10.1080/00905992.2016.1179726.

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Intercommunal, socio-economic, and political relations in the North Caucasus have historically revolved around access to this mountain region's prized pasturage and scarce farmland. Given the centrality of the land question in the North Caucasus, it is unsurprising that historiography on land relations in the region has been highly politicized. This article examines how indigenous writing on the history of land relations in the central Caucasus – a region inhabited by today's Kabardians, Balkars, Ossetians, Ingushes, and Karachais, and dominated by the princely confederation of Kabarda before the tsarist conquest – has been subject to wide revision in response to changes in local and national political dynamics and the emergence of ethnicized identity politics. In the late-imperial and early Soviet periods, Karachai, Balkar, and Ossetian elites-cum-historians, writing for an audience of imperial policy-makers, crafted histories to influence state policies toward land reform. By the 1930s, historians from the region tailored their histories of land relations to the prerogatives of Soviet nationality policies. The ideas contained in these histories impacted the construction of national identities in the Soviet period. Post-Soviet Karachai and Balkar intellectuals, seeking to establish new post-colonial national histories for their peoples, have reinterpreted the history of land relations in order to depict their ancestors as independent of Kabarda's land-based dominance. This revisionism is part of the struggle of the Karachais and Balkars against their historiographical erasure, which was a product of the exclusion of the Karachais and Balkars from the family of Soviet nations during their deportation and exile to Central Asia from 1944 to 1957 and their subsequent political and cultural marginalization.

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26

Filyushkin, Alexander. "Do We Need Separate Histories of Slavic Countries Today?" Roczniki Humanistyczne 69, n.º 7 (11 de agosto de 2021): 65–76. http://dx.doi.org/10.18290/rh21697-5.

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This article deals with the problem of correlation between the national histories of separate Slavic countries and the general history of the Slavic world as a whole. The author reviews the evolution of discourses in common Slavic history and concludes that, today, all historians have abandoned all paradigms of a common approach to the history of the Slavs. It also considers the current state of scientific journals and research institutes. The author of the article substantiates the idea that national histories solve cultural and ideological problems, but their possibilities for solving scientific problems are limited due to their tendency to, and dependence on, political discourse. It is necessary to find new methodological approaches and a new look at the history of the Slavic world.

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27

O'Brien, Patrick Karl. "The Reconstruction, Rehabilitation and Reconfiguration of the British Industrial Revolution as a Conjuncture in Global History". Itinerario 24, n.º 3-4 (noviembre de 2000): 117–34. http://dx.doi.org/10.1017/s0165115300014534.

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All historical research, however micro and focussed can be represented as part of a process of ‘reconfiguration’ Research is simply the crafts dominant and traditional activity of transforming archival evidence into printed narratives which validate, qualify and occasionally demolish dominant meta-narratives. Most historians continue to be engaged in Von Ranke's grand project for construction of history by making different, more durable and better quality bricks that are piled up awaiting to be used as more modern architecture for national histories. They agree as a point of discipline (if not belief) that this remains the best way to proceed. Some (as Randolph Churchill remarked of Gladstone) are ‘old men in a hurry’ and opting.to proceed from the top down by relocating national histories within the wider spaces, larger chronologies and cosmopolitan concerns of global history.

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28

Štrbaňova, Soňa. "International collaboration in the history of science of Central Europe". Studia Historiae Scientiarum 14 (27 de mayo de 2015): 347–53. http://dx.doi.org/10.4467/23921749pkhn_pau.16.017.5273.

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In the last ten years, approximately, we could witness an evolution in informal international collaboration focusing on shared and interconnected history of science in the Habsburg Monarchy and in Central Europe in general. This effort, which includes mainly historians of science from Austria, Czech Republic, Hungary and Poland, has already produced a number of important results and contributed to the thematization of some timeless topics of history of sciences such as, for instance, nationalization and internationalization of science. In the context of this cooperation, the seminar of Jan Surman, a historian of science of Polish descent, held at the Institute of Contemporary History of the Czech Academy of Sciences in Prague in May 2015, concentrated on the formation of national scientific terminologies. It also underlined the necessity and usefulness of international collaboration in achieving a deeper understanding of the “national” histories of science, which cannot be separated from the “international” history.

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29

Porat, Dan A. "One Historian, Two Histories: Jacob Katz and the Formation of a National Israeli Identity". Jewish Social Studies: History, Culture, and Society 9, n.º 3 (abril de 2003): 56–75. http://dx.doi.org/10.2979/jss.2003.9.3.56.

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30

Porat, Dan A. "One Historian, Two Histories: Jacob Katz and the Formation of a National Israeli Identity". Jewish Social Studies 9, n.º 3 (2003): 56–75. http://dx.doi.org/10.1353/jss.2003.0023.

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31

Zenzen, Joan M. "Administrative Histories: Writing about Fort Stanwix National Monument". Public Historian 31, n.º 2 (2009): 55–65. http://dx.doi.org/10.1525/tph.2009.31.2.55.

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32

Ybarra, Patricia. "Writing and Re-Writing National Theatre Histories (review)". Theatre Journal 57, n.º 3 (2005): 550–51. http://dx.doi.org/10.1353/tj.2005.0125.

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33

Feuchtwang, S. "Mythical Moments in National and Other Family Histories". History Workshop Journal 59, n.º 1 (1 de marzo de 2005): 179–93. http://dx.doi.org/10.1093/hwj/dbi014.

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34

Brandt, Gail Cuthbert. "Canadian National Histories: Their Evolving Content and Uses". History Teacher 30, n.º 2 (febrero de 1997): 137. http://dx.doi.org/10.2307/494570.

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35

Woodward, Walter W. "Historical Interpretation, Popular Histories, and the National Conversation". Public Historian 19, n.º 1 (1 de enero de 1997): 37–39. http://dx.doi.org/10.2307/3378979.

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36

Thomas, B. "National Literary Histories: Imagined Communities or Imagined Societies?" Modern Language Quarterly 64, n.º 2 (1 de junio de 2003): 137–52. http://dx.doi.org/10.1215/00267929-64-2-137.

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37

Kelley, Liam. "Postcolonial Vietnam: New Histories of the National Past". History: Reviews of New Books 31, n.º 3 (enero de 2003): 126–27. http://dx.doi.org/10.1080/03612759.2003.10527614.

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38

Paschalidis, Gregory. "Exporting national culture: histories of Cultural Institutes abroad". International Journal of Cultural Policy 15, n.º 3 (agosto de 2009): 275–89. http://dx.doi.org/10.1080/10286630902811148.

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39

Bracewell, Wendy. "The End of Yugoslavia and New National Histories". European History Quarterly 29, n.º 1 (enero de 1999): 149–56. http://dx.doi.org/10.1177/026569149902900105.

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40

Huxen, Keith. "Using Oral Histories at the National WWII Museum". Collections: A Journal for Museum and Archives Professionals 13, n.º 2 (junio de 2017): 75–90. http://dx.doi.org/10.1177/155019061701300203.

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This article examines the development of the oral history collection at the National WWII Museum and how that collection is used in the permanent exhibits and other programming to support the museum's mission to tell the American story of why the war was fought, how it was won, and what it means today. It details the collection's beginnings under the late Dr. Stephen Ambrose, challenges in the collecting process, and policies and processes that the Research Department of the museum uses today to expand the collection (now holding more than 9,000 personal accounts). The article also discusses use of these oral histories as the museum seeks to add value to its oral history collection through online publishing, inclusion in permanent exhibits, and their use as support in future initiatives and other programming.

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41

Bullough, Vern L., Franz X. Eder, Lesley A. Hall y Gert Hekma. "Sexual Cultures in Europe. Volume 1, National Histories". American Historical Review 105, n.º 4 (octubre de 2000): 1375. http://dx.doi.org/10.2307/2651535.

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42

Ibraghimov, Marcel I. "How to Write the Histories of National Literatures?" Polylinguality and Transcultural Practices 20, n.º 2 (30 de junio de 2023): 312–21. http://dx.doi.org/10.22363/2618-897x-2023-20-2-312-321.

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The aim of the paper is to accentuate the problem of theoretical-and-metidological basis for writing the histories of national literatures of peoples of Russia. The main objectives imply the generalization of the experience on national literatires’ histories writing, mainly on the material of the Volga Region literatures) and to represent the concept of “The History of Tatar Literature” in Russian. Because of the lack of attention to national literatures in Russia various types of histories of national literatures such as academic, popular, educational, are in demand. The D.S. Likhachyov’ idea of theoretical history of literature is chosen as a concept for academic five-volume “History of Tatar Literature” (the project is being realized by the G. Ibraghimov’s Institute of Language, Literature and Arts of the Academy of Sciences of the Republic of Tatarstan). At the same time the concept is to be corrected according to the so-called “expectation horizon” of a Russian reader, not being aware of Tatar literature well enough.

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43

TUCK, STEPHEN. "THE NEW AMERICAN HISTORIES". Historical Journal 48, n.º 3 (septiembre de 2005): 811–32. http://dx.doi.org/10.1017/s0018246x0500467x.

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For at least a decade, many American historians have bemoaned the downfall of synthesis in the writing of the history of the United States. A wide variety of subfields has replaced a single national narrative. This fragmentation has been caused in part by methodological changes in the historical profession worldwide, but also because of the collapse of American exceptionalism. However, there are still some distinctly American themes that are interwoven throughout these subfields. These themes include the rise of transnational and regional history as replacements for an exceptional national history, and above all the influence of the American present on the study of the American past. This article summarizes the apparent fragmentation of the history of the United States before discussing some of the distinctively American themes that remain. The article then focuses in detail on five subfields in modern American history – the new western history, the new history of the segregated South, the cultural turn in Cold War history, and the histories of modern conservatism and modern evangelicalism – to show how these distinctively American themes recur in seemingly disconnected debates.

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44

Metcalfe, Jessica. "Multiple Histories: The Archaeology, Ethnohistory, Oral History, and National History of Iximche', Guatemala". University of Western Ontario Journal of Anthropology 25, n.º 1 (30 de marzo de 2023): 47–71. http://dx.doi.org/10.5206/uwoja.v25i1.16033.

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This article calls for the use of multiple histories to reconstruct the past. More specifically, it argues that Indigenous histories should figure prominently in archaeological discourse. Although the word ‘decolonization’ and its derivatives are never used in the article, it argues for what would today be recognized as a decolonizing approach: foregrounding Indigenous voices, conducting research with benefits for Indigenous communities, changing language that legitimizes Eurocentric views, and ‘braiding’ different ways of knowing about the past. Drawing on ethnohistoric sources, Maya oral histories, archaeological reports, and national histories told by Ladino authorities, this paper examines several historical themes in relation to the Maya site of Iximche’: its origins, conflict and ethnic relations, politics, religion, and identity. This case study shows that combining multiple historical perspectives has the potential to highlight the dynamic, changing, and sometimes contradictory histories of Iximche’s people, and to assert the relevance of Iximche’ and the Maya to Guatemala’s past, present, and future. More generally, bringing together ‘multiple histories’ is a way for archaeologists to build respectful partnerships with Indigenous peoples and act as allies in revitalizing Indigenous identities and cultures.

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Barnwell, Ashley. "Keeping the Nation’s Secrets: “Colonial Storytelling” within Australian Families". Journal of Family History 46, n.º 1 (16 de octubre de 2020): 46–61. http://dx.doi.org/10.1177/0363199020966920.

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Recent studies of the genealogy craze focus on how family historians appeal to ancestors to fashion their own identities, but practicing family history can also be a form of national identity-work. In this paper I explore how Larissa Behrendt’s notion of “colonial storytelling” might apply to the hi/stories told within families, as they seek to reproduce or challenge inherited narratives of settler colonialism. To do this, I analyze a sample of self-published family histories of “settlement” held at the National Library of Australia. With close attention to family historians’ books, I consider how genealogical research can revise the collective memories that shape both familial and national imaginaries and offer a model for truth-telling.

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GRABES, HERBERT. "Prodesse et delectare: The World of National Literatures and the World of Literature". European Review 15, n.º 1 (9 de enero de 2007): 105–14. http://dx.doi.org/10.1017/s1062798707000105.

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In a survey of the writing of literary histories in Europe, it is first pointed out that, in classical Antiquity and in the early Christian period from the fourth to the 12th centuries, such histories were transnational. After the Middle Ages, in which we find only catalogues of particular libraries, the rise of the European nation states in early modern times motivated the writing of national literary histories. With a concentration on the development in Britain, it is then shown that this development reached its peak in the 19th century, yet is still very strong today. In comparison, some examples of histories of European literature show that such transnational histories may also be informed primarily by the principle of prodesse in presenting either written culture or only what seems favourable for the understanding of national literary history; they may, however, also give more attention to literature and the imagination than to nations or culture and in that way foster delectare.

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Edward, Frank. "Book Review: Street Archives and City Life: Popular Intellectuals in Postcolonial Tanzania." Tanzania Zamani: A Journal of Historical Research and Writing 10, n.º 1 (2 de marzo de 2018): 180–83. http://dx.doi.org/10.56279/tza20211016.

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Over the last three decades, a diverse array of historical studies on Dar es Salaam City in Tanzania, from both national and international researchers and writers, has grown considerably. Most of the published studies have focused on the social histories of the city’s denizens, urban governance, spatial distribution, cultural histories and environmental issues. Outstanding works in this group include James R. Brennan’s Taifa: Making Nation and Race in Urban Tanzania (2012); Bernard Calas’ (editor) From Dar es Salaam to Bongoland: Urban Mutations in Tanzania (2007); and Laura Sykes and Uma Waide’s Dar es Salaam: A Dozen Drives around the City (1997). These books have employed approaches ranging from those employed by ethnographers, geographers, sociologists to those used by conventional historians. Arguably, popular works of fiction which are plenty in postcolonial Dar es Salaam have found no abode in such great publications. Put differently, the previous urban historians have hardly employed literary works as sources in writing and interpreting urban histories. The outcome of neglecting such sources has been underrepresentation of the intellectual history of the city.

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Maltempi, Anne. "Writing History in Renaissance Sicily: The Formation of Sicilian National Identity in the Work of Tommaso Fazello". Mediterranean Studies 29, n.º 1 (mayo de 2021): 4–31. http://dx.doi.org/10.5325/mediterraneanstu.29.1.4.

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Abstract This study illuminates the process of writing history in Renaissance Sicily. While Italian historians have offered revisionist histories of Sicily in the Medieval period, the same cannot be said for the Sicilian Renaissance. The existing gap in our understanding of Renaissance historiography with regard to Sicily is the result of a much more expansive tradition that can be traced from Dante and Petrarch to later Italian national histories such as those of Francesco DeSanctis and Benedetto Croce, not to mention Jacob Burckhardt. Anglophone historiography of the Renaissance also reflects this trend of overlooking Sicilian historians of this period. We are left with an incomplete understanding of Sicilian history and culture. I offer a different picture of culture in Sicily during this period by examining how humanists of the time wrote Sicilian history and, as a result, constructed Sicilianità, a term I have chosen to discuss the construction of a unique Sicilian national identity. The work of the Dominican friar Tommaso Fazello (1498–1570) is particularly helpful in teasing out the broader pattern in Sicilian intellectual thought of a selective use of history, philosophy, and literature in order to construct Sicilianità.

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Buschmeier, Matthias. "“Western” Histories of World Literature". Journal of World Literature 3, n.º 4 (19 de noviembre de 2018): 524–51. http://dx.doi.org/10.1163/24056480-00303010.

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Abstract This article reviews attempts to define histories of world literature during the late 19th and first half of the 20th century. It submits that “World Literature” and national philology are two sides of the same coin, in that they serve to produce specific national identities and legitimize colonial hegemonic practices. Astonishingly, some patterns of these early histories of world literature can still be observed in contemporary theoretical debates on the subject. Thus, it is argued that, rather than dismissing this heritage of Western historiography (with or without condemnation), we should strive seriously to come up with alternative histories, wherein “West” is no longer treated as synonymous with “world,” and vice versa. The West should be seen as just one form of society and culture among the many others, all of which are due consideration when invoking the term “world.”

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Dryburgh, Marjorie. "Life Histories and National Narratives: Remembering Occupied Manchuria in Postwar China". History Workshop Journal 88 (2019): 229–51. http://dx.doi.org/10.1093/hwj/dbz031.

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Abstract Recent studies of memory work in China have explored productively the uses of national narratives of war and victimhood, at times supported by personal testimony, in service of a ‘public transcript’ of Party-state legitimacy. However, oral histories of education in Japanese-occupied north-east China, collected by Chinese researchers and published in 2005, hint at more complex relations between story, storyteller and imagined audience. Without challenging established judgements on the occupation itself, these personal histories articulate more nuanced and ambivalent social histories of wartime schooling, suggesting that former students were neither passive victims of occupation nor passive consumers of state-sponsored historical narrative.

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