Bibliografías temáticas / National characteristics, Australian, in motion pictures

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Literatura académica sobre el tema "National characteristics, Australian, in motion pictures"

Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 28 de enero de 2023

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Artículos de revistas sobre el tema "National characteristics, Australian, in motion pictures"

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Klekociuk, Andrew R., David J. Ottaway, Andrew D. MacKinnon, Iain M. Reid, Liam V. Twigger, and Simon P. Alexander. "Australian Lidar Measurements of Aerosol Layers Associated with the 2015 Calbuco Eruption." Atmosphere 11, no. 2 (January 21, 2020): 124. http://dx.doi.org/10.3390/atmos11020124.

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The Calbuco volcano in southern Chile (41.3° S, 72.6° W) underwent three separate eruptions on 22–23 April 2015. Following the eruptions, distinct layers of enhanced lidar backscatter at 532 nm were observed in the lower stratosphere above Buckland Park, South Australia (34.6° S, 138.5° E), and Kingston, Tasmania (43.0° S, 147.3° E), during a small set of observations in April–May 2015. Using atmospheric trajectory modelling and measurements from the Cloud-Aerosol Lidar with Orthogonal Polarization (CALIOP) space-borne lidar and the Ozone Mapping Profiler Suite (OMPS) instrument on the Suomi N
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Allen, Trevor I. "SEISMIC HAZARD ESTIMATION IN STABLE CONTINENTAL REGIONS: DOES PSHA MEET THE NEEDS FOR MODERN ENGINEERING DESIGN IN AUSTRALIA?" Bulletin of the New Zealand Society for Earthquake Engineering 53, no. 1 (March 1, 2020): 22–36. http://dx.doi.org/10.5459/bnzsee.53.1.22-36.

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Damaging earthquakes in Australia and other regions characterised by low seismicity are considered low probability but high consequence events. Uncertainties in modelling earthquake occurrence rates and ground motions for damaging earthquakes in these regions pose unique challenges to forecasting seismic hazard, including the use of this information as a reliable benchmark to improve seismic safety within our communities. Key challenges for assessing seismic hazards in these regions are explored, including: the completeness and continuity of earthquake catalogues; the identification and charac
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Sretić, Stefan. "Program content in relation with compositional and technical solutions found in piano pieces by Modest Mussorgsky." Artefact 7, no. 1 (2021): 33–49. http://dx.doi.org/10.5937/artefact2101033s.

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The thesis focuses on the analysis of three program pieces - Catacombs, The Hut on Hen's Legs (Baba Yaga) and The Great Gate of Kiev from the Modest Mussorgsky's piano suite Pictures at an Exhibition. A starting point is the analysis of the wider context out of which the mentioned pieces originated which throws light on the stylistic characteristics of Romanticism, and provides grounds for a detailed pondering on the artistic creations of the iconic composer. The study can be valuable for the pianists and musical pedagogists, as the analysis in its essence explores the ways of interpretation o
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Minh, Pham Thi, Bui Thi Tuyet, Tran Thi Thu Thao, and Le Thi Thu Hang. "Application of ensemble Kalman filter in WRF model to forecast rainfall on monsoon onset period in South Vietnam." VIETNAM JOURNAL OF EARTH SCIENCES 40, no. 4 (September 18, 2018): 367–94. http://dx.doi.org/10.15625/0866-7187/40/4/13134.

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This paper presents some results of rainfall forecast in the monsoon onset period in South Vietnam, with the use of ensemble Kalman filter to assimilate observation data into the initial field of the model. The study of rainfall forecasts are experimented at the time of Southern monsoon outbreaks for 3 years (2005, 2008 and 2009), corresponding to 18 cases. In each case, there are five trials, including satellite wind data assimilation, upper-air sounding data assimilation, mixed data (satellite wind+upper-air sounding data) assimilation and two controlled trials (one single predictive test an
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Kelen, Christopher. "How fair is fair?" M/C Journal 5, no. 3 (July 1, 2002). http://dx.doi.org/10.5204/mcj.1964.

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Thou art of purer eyes than to behold evil, and canst not look on iniquity: wherefore lookest thou upon them that deal treacherously, and holdest thy tongue when the wicked devoureth the man that is more righteous than he? - Habakkuk 1:13 Australia's official national anthem since 1984 has been a song entitled 'Advance Australia Fair'1. This paper asks, very simply, what is the meaning of the word fair in the title and the song. The song is about a collective effort, not so much at being a nation as at being seen to be one, being worthy of the name. The claim is justified on two grounds: posse
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"Language learning." Language Teaching 39, no. 2 (April 2006): 108–17. http://dx.doi.org/10.1017/s026144480622370x.

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06–235Akinjobi, Adenike (U Ibadan, Nigeria), Vowel reduction and suffixation in Nigeria. English Today (Cambridge University Press) 22.1 (2006), 10–17.06–236Bernat, Eva (Macquarie U, Australia; Eva.Bernat@nceltr.mq.edu.au) & Inna Gvozdenko, Beliefs about language learning: Current knowledge, pedagogical implications, and new research directions. TESL-EJ (www.tesl-ej.org) 9.1 (2005), 21 pp.06–237Cheater, Angela P. (Macau Polytechnic Institute, China), Beyond meatspace – or, geeking out in e-English. English Today (Cambridge University Press) 22.1 (2006), 18–28.06–238Chen, Liang (Lehigh U, P
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Ballantyne, Glenda, and Aneta Podkalicka. "Dreaming Diversity: Second Generation Australians and the Reimagining of Multicultural Australia." M/C Journal 23, no. 1 (March 18, 2020). http://dx.doi.org/10.5204/mcj.1648.

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Introduction For migrants, the dream of a better life is often expressed by the metaphor of the journey (Papastergiadis 31). Propelled by a variety of forces and choices, migrant life narratives tend to revolve around movement from one place to another, from a homeland associated with cultural and spiritual origins to a hostland which offers new opportunities and possibilities. In many cases, however, their dreams of migrants are deferred; migrants endure hardships and make sacrifices in the hope of a better life for their children. Many studies have explored the social and economic outcomes o
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Guarini, Beaux Fen. "Beyond Braille on Toilet Doors: Museum Curators and Audiences with Vision Impairment." M/C Journal 18, no. 4 (August 7, 2015). http://dx.doi.org/10.5204/mcj.1002.

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The debate on the social role of museums trundles along in an age where complex associations between community, collections, and cultural norms are highly contested (Silverman 3–4; Sandell, Inequality 3–23). This article questions whether, in the case of community groups whose aspirations often go unrecognised (in this case people with either blindness or low vision), there is a need to discuss and debate institutionalised approaches that often reinforce social exclusion and impede cultural access. If “access is [indeed] an entry point to experience” (Papalia), then the privileging of visual e
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Ambrosetti, Angelina. "The Portrayal of the Teacher as Mentor in Popular Film: Inspirational, Supportive and Life-Changing?" M/C Journal 19, no. 2 (May 4, 2016). http://dx.doi.org/10.5204/mcj.1104.

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The mediocre teacher tells. The good teacher explains. The superior teacher demonstrates. The great teacher inspires. — William Arthur WardIntroductionThe first documented use of the term Mentor can be traced back to the 8th century BC poem by Homer entitled Odyssey (Hay, Gerber and Minichiello). Although this original representation of Mentor is contested in the literature (Colley), historically the term mentor has evolved to imply a wise and trusted other who advises, teaches, protects and supports someone younger who is inexperienced and not so knowledgeable with the ways of the world. The
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Brien, Donna Lee. "The Real Filth in American Psycho." M/C Journal 9, no. 5 (November 1, 2006). http://dx.doi.org/10.5204/mcj.2657.

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 1991 An afternoon in late 1991 found me on a Sydney bus reading Brett Easton Ellis’ American Psycho (1991). A disembarking passenger paused at my side and, as I glanced up, hissed, ‘I don’t know how you can read that filth’. As she continued to make her way to the front of the vehicle, I was as stunned as if she had struck me physically. There was real vehemence in both her words and how they were delivered, and I can still see her eyes squeezing into slits as she hesitated while curling her mouth around that final angry word: ‘filth’. Now, almost fifteen years later, the
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Tesis sobre el tema "National characteristics, Australian, in motion pictures"

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Emerson, John. "The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /." Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.

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Slavin, John. "Lost causes : the ideology of national identity in Australian cinema /." [Melbourne : University of Melbourne, 2002. http://eprints.unimelb.edu.au/archive/00000297.

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Athique, Adrian Mabbott. "Non-resident cinema transnational audiences for Indian films /." Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.

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Sungsri, Patsorn. "Thai cinema as national cinema: an evaluative history." Thesis, Sungsri, Patsorn (2004) Thai cinema as national cinema: an evaluative history. PhD thesis, Murdoch University, 2004. https://researchrepository.murdoch.edu.au/id/eprint/354/.

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This dissertation considers Thai cinema as a national text. It portrays and analyses Thai film from the introduction of cinema to Thailand during the reign of King Chulalongkorn (1868-1910) up until the present day (2004). At its core, this thesis adopts the ideas of Higson, O'Regan and Dissanayake in considering the cultural negotiation of cinema and the construction of nation. In this study of Thai National Cinema two principal methods are employed - economic and text-based. In terms of political economy Thai National Cinema is explored through the historical development of the local fil
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Sungsri, Patsorn. "Thai cinema as national cinema : an evaluative history /." Sungsri, Patsorn (2004) Thai cinema as national cinema: an evaluative history. PhD thesis, Murdoch University, 2004. http://researchrepository.murdoch.edu.au/354/.

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This dissertation considers Thai cinema as a national text. It portrays and analyses Thai film from the introduction of cinema to Thailand during the reign of King Chulalongkorn (1868-1910) up until the present day (2004). At its core, this thesis adopts the ideas of Higson, O'Regan and Dissanayake in considering the cultural negotiation of cinema and the construction of nation. In this study of Thai National Cinema two principal methods are employed - economic and text-based. In terms of political economy Thai National Cinema is explored through the historical development of the local fil
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6

Martínez-Abeijón, Matías. "Identidad, mito y prescripción una nueva ola de realismo en España. El cine de Iciar Bollaín, Fernando León, Achero Mañas y Benito Zambrano en el cambio de siglo /." Columbus, Ohio : Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1199295318.

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Sánchez, Mosquera José A. "Democratic gays, modern gays the construction of homosexual characters in Spanish films during the transition (1975-1978) /." Connect to this title online, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape3/PQDD%5F0020/MQ57684.pdf.

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Neely, Sarah. "Adapting to change in contemporary Irish and Scottish culture fiction to film /." Connect to e-thesis, 2009. http://theses.gla.ac.uk/757/.

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Thesis (Ph.D.) - University of Glasgow, 2003.<br>Ph.D. thesis submitted to the Department of English Literature and Department of Film and Television Studies, University of Glasgow, 2003. Includes bibliographical references. Print version also available.
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Oscherwitz, Dayna Lynne. "Representing the nation cinema, literature and the struggle for national identity in contemporary France /." Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3034944.

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McDiarmid, Tracy. "Imagining the war /." Connect to this title, 2005. http://theses.library.uwa.edu.au/adt-WU2006.0054.

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Libros sobre el tema "National characteristics, Australian, in motion pictures"

1

Rattigan, Neil. Images of Australia: 100 films of the new Australian cinema. Dallas: Southern Methodist University Press, 1991.

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2

National fictions: Literature, film, and the construction of Australian narrative. Sydney: Allen & Unwin, 1986.

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National fictions: Literature, film, and the construction of Australian narrative. 2nd ed. St Leonards, NSW: Allen & Unwin, 1993.

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Lewis, Glen. Australian movies and the American dream. New York: Praeger, 1987.

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Myers, David A. Bleeding battlers from Ironbark: Australian myths in fiction & film, 1890s-1980s. Rockhampton, Qld., Australia: Capricornia Institute Publications, 1987.

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Rebecca, Coyle, ed. Reel tracks: Australian feature film music and cultural identities. Eastleigh, UK: John Libbey Pub., 2005.

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Molloy, Bruce. Before the interval: Australian mythology and feature films, 1930-1960. St Lucia, Qld., Australia: University of Queensland Press, 1990.

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Australian national cinema. London: Routledge, 1996.

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Sue, Harris, and Ezra Elizabeth 1965-, eds. France in focus: Film and national identity. Oxford: Berg, 2000.

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Blood cinema: The reconstruction of national identity in Spain. Berkeley: University of California Press, 1993.

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