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Abdelmageed, Mohammed Mahgoub Mohammed. "Egypt in modern Sudanese poetry: Vision and technical tools". Journal of Arts and Social Sciences [JASS] 6, n.º 2 (1 de enero de 2016): 157. http://dx.doi.org/10.24200/jass.vol7iss1pp157-176.
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This research studies Egypt in a selected sample of poems of modern Sudanese poetry. The study used the textual method to analyze stylistic and technical aspects of the poems chosen for this study. Sudanese poets have different views of Egypt based on their culture and psychological makeup and literary approach. Some poets had a simple vision despite their elevated diction, artificial rhetoric, and lifeless pathos; others had a more complex vision especially those who saw in Egypt the central state, with its science, history and civilization, and the ability to move the Arabs to wider horizons. The conservative poets relied heavily on stylistics and symbolic language expressions and intensified their structural formulations to meet the public’s tastes for clamor. Some used modern techniques like the narration, storytelling, and the internal monologue to express their visions. It was found that most texts analyzed in this study used the Khalili prosodics with the exception of a few new direction poets who used free verse to express themselves with smooth musicality without barriers as long as their poetry was fueled with profound passion, proper conscience, and a sense of simplicity. The Sudanese poet did not get rid of his old presentation of the image considering it a means for explanation, clarification, and extreme exaggeration. The image, therefore, appeared to be sensual and largely an imitation of ancient types. This, however, does not prevent the emergence of new forms.
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Abdelmageed, Mohammed Mahgoub Mohammed. "Egypt in modern Sudanese poetry: Vision and technical tools". Journal of Arts and Social Sciences [JASS] 7, n.º 1 (1 de enero de 2016): 157–76. http://dx.doi.org/10.53542/jass.v7i1.1113.
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This research studies Egypt in a selected sample of poems of modern Sudanese poetry. The study used the textual method to analyze stylistic and technical aspects of the poems chosen for this study. Sudanese poets have different views of Egypt based on their culture and psychological makeup and literary approach. Some poets had a simple vision despite their elevated diction, artificial rhetoric, and lifeless pathos; others had a more complex vision especially those who saw in Egypt the central state, with its science, history and civilization, and the ability to move the Arabs to wider horizons. The conservative poets relied heavily on stylistics and symbolic language expressions and intensified their structural formulations to meet the public’s tastes for clamor. Some used modern techniques like the narration, storytelling, and the internal monologue to express their visions. It was found that most texts analyzed in this study used the Khalili prosodics with the exception of a few new direction poets who used free verse to express themselves with smooth musicality without barriers as long as their poetry was fueled with profound passion, proper conscience, and a sense of simplicity. The Sudanese poet did not get rid of his old presentation of the image considering it a means for explanation, clarification, and extreme exaggeration. The image, therefore, appeared to be sensual and largely an imitation of ancient types. This, however, does not prevent the emergence of new forms.
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Sarıkaya, Hasan. "Sanatını Filistin’in Özgürlüğüne Teksif Eden Edebiyatçı: Gassân Kenefânî". International Journal of Social Sciences 8, n.º 34 (6 de mayo de 2024): 90–112. http://dx.doi.org/10.52096/usbd.8.34.06.
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Novels and stories, which are types of prose in literature, deal with the social, individual and psychological events experienced by individuals and society from different aspects. Thus, a topic or event is conveyed in a more exciting, emotional, dramatic and literary way by making the heroes talk and is presented to the appreciation of the readers. As it is known, the most dramatic social event of the 20th century was the massacre of Palestinians, their exile from their homeland and their becoming refugees. To this day, the oppression and persecution of a small number of people who have not left their homeland has continued, and the killing of a few Palestinians every week has become an ordinary event. The few Palestinians living in difficult conditions in their homeland have been brutally murdered in front of the world since October 7, 2023. One of the Arab writers of the 20th century who saw and experienced these troubles before and devoted his art to the Palestinian cause is Ghassan Kenefani. He wrote works in the field of novels, stories and theater and expressed in a literary way the troubles, pain, despair he experienced during the occupation of his homeland and the exile of his people, the sadness of living away from the homeland, and the ways of returning there again. He is one of the rare literary figures who concentrated his art in this field. Again, he encouraged his people with his works and ideas and tried to motivate them to defend the homeland and return to his country. The author chose most of the subjects he discussed in his works from real life. In the study, first of all, attention will be drawn to the life, works and literary aspects of Gassân Kenefânî. At this point, some topics and events that Kenefânî deals with will be touched upon, and the general characteristics of some of the characters in his novels, the subject of time and place, and narrative techniques will be included. Then, his language and literary style will be examined, especially based on some of the novels and stories he wrote. While doing this, some of the similes, descriptions and symbols he used in his novels and stories, as well as some sentences with literary characteristics, will be presented to the attention of the scientific and literary world. In the last part of the study, some criticisms directed at Kenefânî and his novels will also be included. Key Words: Arabic Language and Rhetoric, Ghassan Kenefani, Palestinian Literature, Novel, Style, Homeland
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Fyler, John M. "Hateful Contraries in ‘The Merchant’s Tale’". Critical Survey 30, n.º 2 (1 de junio de 2018): 20–50. http://dx.doi.org/10.3167/cs.2018.300203.
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Whether or not we choose to identify the narrator of ‘The Merchant’s Tale’ as the Merchant described in the ‘General Prologue’, this narrative voice is certainly not Chaucer’s own, and it augments the malignity of the tale it tells. The narrator attacks a naïve fool from a disenchanted perspective, but unwittingly reveals the continuing blindness within his own knowing stance. The tale debunks all the noble, even sacred ideals it presents, and characterizes them as foolishly innocent elevations of the spiritual in a world defined by the body in its grossest aspects. The narrator’s rhetorical tropes, floridly presented and habitually misused, gesture towards a sordid reality that they pretend to gloss over. Yet despite itself, the tale implies a psychologically healthy middle ground outside the experience of the narrator or his characters, where body and soul, real and ideal, experience and innocence can meet.
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Zhdanova, E. A. "LINGUISTIC ASPECTS OF MODERN RUSSIAN RHETORIC". Social’no-ekonomiceskoe upravlenie: teoria i praktika 19, n.º 3 (15 de octubre de 2023): 101–7. http://dx.doi.org/10.22213/2618-9763-2023-3-101-107.
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The article analyzes the recommendations for the verbal design of a public speech, presented in Internet content: on websites, in videos of famous coaches. Despite a long history, rhetoric continues to develop, acquiring new forms in new conditions. Rhetoric is considered not only in scientific and educational literature, but also in Internet sources nowadays. In the titles of these sources, the term “rhetoric” itself does not occur, and modern similar concepts of “speechwriting” and “storytelling” are not used, usually the authors use combinations of “oratory”, “oratory” or descriptive constructions such as “skill in public speaking”. Most of the recommendations relate to the psychological aspects of rhetoric, as well as speech techniques. Of the requirements relating to the actual linguistic side of public speaking, one can name colloquialism (and its lexical and syntactic manifestations), dialogic nature (interrogative sentences, immediacy of reaction to the audience's remarks), brevity, understandability, compliance with the norms of speech culture. Such recommendations are the result of a change in the relationship between the speaker and the audience, the emergence of new genres that require the presentation of information in a very short time, the emergence of the possibility of visual accompaniment of the speech. One can note the shift in the focus of rhetoric from linguistic problems proper to the field of psychology.
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Kim, Eunyoung, Seongjoon Kim y Jongtae Rhee. "A Study on Model of Psychotherapy Narration Focused on Mental Well-Being for Stress Management in the Elderly". Sustainability 15, n.º 3 (1 de febrero de 2023): 2656. http://dx.doi.org/10.3390/su15032656.
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Psychological well-being is vitally important for the quality of life of the elderly and is only increasing in importance with the rapidly increasing elderly population worldwide. Emerging elderly problems include a deterioration in physical function, loss of friends or spouse, reduced social participation, and reduced economic ability. Hence, the importance of coping with and managing stress in the elderly is also rapidly increasing. This study proposed psychotherapy narration was designed to assist elderly mental well-being by combining person-centered therapy, positive psychology, and cognitive behavioral therapy. Extending from current mainstream psychotherapeutic methods, postmodern psychotherapeutic techniques based on various psychological theories or techniques have begun to be more widely applied. However, almost no previous studies have developed a systematic psychotherapy narration for the elderly. Therefore, this study developed a postmodern psychotherapeutic narration and confirmed its aspects by analyzing elderly satisfaction regarding the corresponding emotion. This satisfaction analysis study found the value of the psychotherapy-narrative model according to the elderly’s stressful situations and emotions. This study can be an initial model of postmodernist-psychotherapy narration for the elderly. Therefore, based on the model of this study, future-oriented development and research on the diversity of the elderly and the effects of each narration are important. The future of this study will give mental self-sustainability to clients who need psychotherapy.
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Le May, Denis. "La Rhétorique d'Aristote et les études de droit". Les Cahiers de droit 29, n.º 1 (12 de abril de 2005): 247–63. http://dx.doi.org/10.7202/042876ar.
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This paper attempts to link Aristotle's Rhetoric and the contemporary study of law. In the first part, Aristotle's Rhetoric is presented generally, with emphasis on its objective, scope and methodology ; the field of study also delimited in relation to logic and dialectics. The second part shows the relevancy and interest of the Rhetoric in three fundamental areas of the study of law, namely, openness of mind towards psychological and social aspects of law, learning the art of argumentation and methodology of intellectual work in general. The conclusion invites the reintroduction of the teaching of rhetoric in the curriculum.
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BOGUSŁAWSKA-TAFELSKA, Marta. "New narration in practicing western integrative medicine: Linguistic, ecolinguistic, and biosemiotic aspects". Journal of Linguistic and Intercultural Education 13 (1 de diciembre de 2020): 45–61. http://dx.doi.org/10.29302/jolie.2020.13.3.
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Western science and academia have entered the new millennium with the growing realisation that their theoretical and utilitarian limits have been reached. A particular threshold is experienced across traditional academic disciplines, which is visible in the fact that, on the one hand, the intensity of social, environmental, psychological, health-related and communicational problems people deal with in their everyday lives is increasing; on the other hand, theoretical models and intervention programs that scholarly work provides do not meet the growing necessity. Our paper presents a research project whose starting-point aims are to explore the doctor-patient communication dyad, its functions in the healing process, and to propose a theoretical as well as applicative way forward. In the plans for our research, we aim to study the integrative medical approach and the ways in which language and communication processes allow healing to happen and optimal health to be preserved.
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Apriyani, Tristanti y Baiq Annisa Yulfana Nalurita. "Nilai Kebangsaan pada Karya-Karya Leila S. Chudori". Diglosia: Jurnal Kajian Bahasa, Sastra, dan Pengajarannya 6, n.º 2 (23 de marzo de 2023): 375–88. http://dx.doi.org/10.30872/diglosia.v6i2.594.
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In literary studies, novels carry various ideological values, such as national ideology. Empirical evidence shows that national ideologies can influence and shape regimes nationally and internationally. One of the manifestations of national ideology can be actualized in literary works such as novels and short stories. This research aims to examine the value of nationality in the works of Leila S. Chudori by using the hermeneutic method formulated by Paul Ricoeur. This research is descriptive qualitative research, and the data used are Leila S. Chudori's works, namely 2 novels and 2 short story collections. Meanwhile, data analysis techniques are carried out in three basic stages of hermeneutics formulated by Ricoeur (1975): understanding, discussion, and interpretation. The results show that Leila S. Chudori's works have succeeded in entering the deepest aspects of national values, including psychological, sociological, and historical aspects. The narration in the plot, characters, and themes in Leila S. Chudori's works are able to articulate national values through the characters presented by the author. The narration is related to the memory of Indonesia, love for Indonesia, pride in Indonesia, and Indonesian identity.
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Neumann, Nils. "Thinking about Feelings: The Study of Emotions in the New Testament Writings". Religions 15, n.º 6 (20 de junio de 2024): 752. http://dx.doi.org/10.3390/rel15060752.
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Growing attention has been directed towards affects and emotions in the New Testament texts within recent scholarship over the course of the past two decades. Although biblical exegesis of the 20th century suspected psychological interpretations of New Testament texts of being highly subjective and hence frail, recent research has developed a number of approaches that allow for addressing the subject in a methodologically controlled way. The aim of the present article is to review important monographs from the field of New Testament emotion research with special attention to their particular focuses and research methods. Despite some degree of overlap between these perspectives, six major areas of scholarly work can be identified: (1) “text psychology” that explains New Testament findings against the backdrop of modern psychological theories; (2) historical psychology that explores ancient notions of the affects; (3) narratology that observes recurring a narrative pattern in ancient descriptions of the affects; (4) rhetorical criticism that traces the rhetorical presentation of affects as well as the capability of rhetorical language to evoke affects in the addressees; (5) philosophy of the body that examines the bodily aspects of psychological dynamics; and finally (6) social history that identifies social functions of collective affects, e.g., in the formation and stabilization of social groups. After introducing each of these approaches briefly, the affect of desire (gr. ἐπιθυμία) will serve as a test case to demonstrate the possibilities and usefulness that the different perspectives offer. This way, it becomes clear that affects are by no means a by-product of theological teaching in the New Testament, but in fact indicators of true relevance.
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Li, Kexin. "Madness and Resistance under the Flashback and Juxtaposition—Spatial Narration in The Bell Jar". Education, Language and Sociology Research 5, n.º 2 (8 de mayo de 2024): p48. http://dx.doi.org/10.22158/elsr.v5n2p48.
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The Bell Jar, the only novel by American poet and writer Sylvia Plath, vividly portrays the marginalized experience of American women in the mid-20th century and depicts the struggles of female intellectuals in constructing their own identities.This paper, by using the concepts of flashback and juxtaposition in spatial narration theory, explores three key aspects: the physical spatial changes in the whole story, the interplay between psychological and physical spaces under flashbacks and juxtaposition, and the protagonist Esther’s resistance against the male-dominated society and her awakening of female consciousness in the bell jar. It analyzes how Esther’s psychological space evolves within the ever-shifting physical spaces, leading to her feelings of helplessness, despair, and madness. Furthermore, it examines how through her rebellious madness, Esther achieves her awakening of female consciousness, constructs her own identity as a female intellectual, and raises her voice in a male-dominated society oppressive at the time.
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Bodnár, Kata. "Aspects of Analysing Trauma Fiction by Observing Lolita’s Impact on the 21st Century Novel, My Dark Vanessa". Folia Humanistica et Socialia 1, n.º 2 (11 de junio de 2024): 5–13. http://dx.doi.org/10.69705/fhs.2023.1.2.1.
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Trauma studies in literature have only appeared towards the end of the 20th century, hence psychological analysis in fiction is a relatively new field, therefore observing pieces of trauma fiction has its challenges. Further improvement of trauma analysis is essential since earlier pieces of the literary canon can gain new interpretations with this method. This article aims to apply several methods of analysing trauma fiction from both psychologists and literary theorists. The focus is on the impact of trauma and its effect on the narrator’s memories making her fractured narration unintentionally unreliable. Consequently, the reader plays a significant part while reading trauma fiction since they are the ones who put the pieces of the story together when the narrator is set back by the overwhelming event. Moreover, due to the fact that repeated trauma is more likely to happen in captivity, it is essential to observe the setting of the novel. The emphasis is not only on the physical setting but also, due to PTSD, on psychological aspects like memories and dissociations.
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Semeshko, Nina. "SOME LINGUOSTYLISTIC ASPECTS OF LANDSCAPE DESCRIPTIONS IN THE NOVEL “THE GREAT GATSBY” BY F. S. FITZGERALD". English and American Studies, n.º 19 (2 de mayo de 2022): 137–45. http://dx.doi.org/10.15421/382215.
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The main objectives of this study are some Linguostylistic aspects of landscape descriptions in F. S. Fitzgerald’s novel “The Great Gatsby”. Landscape descriptions here are considered as essential components of a literary work. They are not a were representation of nature but one of the means of a personage’s characterization. There is a certain approach in text linguistics regarding verbal landscape as a specific text creation with its own structure and semantics.
Landscape description is a picture, a background of the events in the novel “The Great Gatsby” as well as a psychological reflection of its characters’ inner state. Landscape description is very often polyfunctional in the novel. One of its main functions is the function of place and time. Some descriptions are used in the function of prediction. A lot of landscape descriptions are full of visual and sound associations which correspond to the characters’ mood revealing a certain psychological parallelism and representing their psychological function. Specific features and functions of the descriptions under consideration are connected with the type of narration as everything in the novel is given through the eyes of the narrator – Nick Caraway. They say that this pact symbolizes the power of circumstances, environment which suppress an individual. Any description in the novel is able to fulfill several functions at a time. Its functions and rich imagery help us penetrate into the inner world of the inner world of the main character of the novel.
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Ljubišić, Sanja. "Tacitova sentencioznost / Tacitus’ Sententiousness". Journal of BATHINVS Association ACTA ILLYRICA / Godišnjak Udruženja BATHINVS ACTA ILLYRICA Online ISSN 2744-1318, n.º 7 (28 de diciembre de 2023): 109–26. http://dx.doi.org/10.54524/2490-3930.2023.109.
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This work focuses on sententia, a rhetorical element which Tacitus skillfully incorporated into Annals. The introduction provides a brief history of sententia and its definition in ancient and rhetorical theory. As Tacitus belonged to a specific literary style (Seneca’s “new style”), his way of writing was characterized by short and antithetical sentences, stylistic and rhetorical embellishments, unusual word choices, and a predilection for proverbial or sententious observations. Such sententious expression, as a hallmark of the sublime style, reinforced the impression of truth in Annals. In a pessimistic tone, the historian speaks about human greatness as well as weaknesses, and their role throughout history. To better understand Tacitus’ sententiousness, the second chapter discusses the general aspects and specificities of sententiae in Annals. The general aspects include themes and social issues, i.e. social deviations that the historian dealt with in his sententiae. As sententiae were used to reveal deeper truths, their use has been called “rhetoric of disclosure” by some, while others, due to their connection to historical context, call it “sociological rhetoric”. The specificities of Tacitus’ sententiae relate to their form, grammatical-syntactical, and stylistic properties. The third chapter deals with the structuring technique of sententiae in Annals, which in Tacitus’ case, is related to historical context. Their function was to portray various historical personalities, as well as for the historian to express his own view of history. Wth that in mind, they were classified as sententiae in the speeches of historical personalities or sententiae used in direct narration. In addition to classification, a linguistic-stylistic analysis was carried out, revealing many stylistic and rhetorical figures, as well as poetic expressions. Based on the analysis of selected material, certain conclusions about sententiae were drawn. In addition to their moral and ethical content, we noticed the general, as well as specific aspects of sententiae, their structuring technique, function, and classification, as well as their epigrammatic and poetic stylization in Tacitus’ Annals.
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Kareem Maulud, Sabah y Sandy Andrya Amman. "Narration in the novel ”Soad and the military” by Najm Wali". Journal of University of Raparin 11, n.º 3 (9 de julio de 2024): 349–73. http://dx.doi.org/10.26750/vol(11).no(3).paper15.
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This research deals with addressing the character in the novel (Suad and the Military) by the expatriate Iraqi novelist (Najm Wali)، who is considered one of the well-known novelists in the Arab world in general and in Iraq in particular، especially outside the Arab world. The research plan is based on three types of characters: (the main character)، (the secondary character)، and (the developing character)، and is preceded by an introduction to the novelist character، as it is one of the most important and important narrative components in the novel، as it specializes in the study of characters from The external and internal aspect and the effective role that it possesses to reach the detection of various aspects، such as the psychological aspect and to clarify the various individual differences، by distinguishing between the external physical image، and the internal psychological image، and through the novelist's description of it. And its role in taking positions in order to reach a complete picture of it and its definition in the linguistic perspective، and then the terminology، followed by the most important results reached by the research، and the references used in it. * Najim Wali، born in 1956، was born in the city of Al-Amara، left Iraq in 1980 and now resides in Germany. He holds a BA in German literature from the German (Hamburg University) and Spanish literature at (Completense University) in Madrid. Concordia) in (2018)، and his novels: (The War in the Tarab neighborhood) in (1989)، (A place called Kumait) in (1997)، (Tal Lahem) in (2001)، and (The Picture of Youssef) in (2005). )، (Angels of the South) (2009)، (Baghdad Malboro) (2012)، (Sarah’s Sin) (2018)، and two short story collections: (Mary’s Last Night) (1994)، and (Waltz with Matilda) (1999)، (The Book of Baghdad، a Civilian Biography) in (2015)، and finally his novel (Suad and the Military)، which is his last work، as it was published last year.
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Hess-Lüttich, Ernest W. B. "‘Evil tongues’: the rhetoric of discreet indiscretion in Fontane’s L’Adultera". Language and Literature: International Journal of Stylistics 11, n.º 3 (agosto de 2002): 217–30. http://dx.doi.org/10.1177/096394700201100302.
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‘Gossip’ is yet to be discovered as a genre of everyday talk in the study of German language and literature. So far, it has been described in detail only in sociology, anthropology, ethnography of communication, and feminist linguistics. The focus of study in these fields has been on aspects of conversation analysis, social function, psychological implications, constellation of relationships, and the like. By contrast, based on a broadly established methodological foundation, linguistic tools of dialogue analysis are applied in this article to various forms of gossip in Theodor Fontane’s society novel L’Adultera. The main interest here is the way in which the author creates these forms of fictive, simulated, literary gossip in order to structure the course of the action, to give an indirect sketch of the characters, to include critical comments on the society of the time and to present literary means of negotiating social relationships.
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Cherechés, Bianca. "The Rhetoric of Dalit Psychological Suffering in Meena Kandasamy’s The Gypsy Goddess (2014)". CASTE / A Global Journal on Social Exclusion 5, n.º 2 (31 de mayo de 2024): 143–59. http://dx.doi.org/10.26812/caste.v5i2.1744.
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This article attempts to demonstrate that somatic trauma caused by caste-based oppression does not stop in the bone but has the ability to penetrate the inner psyche of Dalits in multiple and unexpected ways. The novel The Gypsy Goddess (2014) serves as a comprehensive repository of wronged and misinterpreted historical events, but also lays bare the impact that systemic forms of oppression can have on people’s mental health. While mainstream trauma theory has been the model used by many scholars for decades to address trauma, uncritically universalising this generalised concept of ‘Post-Traumatic Stress Disorder’ (PTSD) (American Psychiatric Association, 1980) risks rendering the specificity of long-term pain suffered by oppressed groups, such as Dalits, invisible and unknowable. Thus, many are the scholars who have called for an expansion of the scope and a revision of the dominant conceptions of trauma and recovery. Therefore, in order to examine the impact of casteism from a psychological dimension, this article discusses trauma as ‘a spectrum of conditions’ rather than a single response (Herman 1992), considering the cumulative degradation and subtle effects of ‘insidious trauma’ (Root 1989; 1992), the generational transmissibility of trauma and its pre-traumatic stress (PreTss) reactions (Bond & Craps 2017). Drawing on the omnipresent connection between the individual and the collective in The Gypsy Goddess, the ‘founding’ nature (LaCapra 2014) of Dalit trauma and the combination of ubiquitous exposure to historical loss and endless structural absence of basic human rights are also key aspects.
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Campos, Fred L. S., Ludmila I. Baturina y Beatriz M. Azevedo. "Brazilian media narrative about Russia: Construction of reality and correlation with American media". Media Linguistics 9, n.º 2 (2022): 140–66. http://dx.doi.org/10.21638/spbu22.2022.205.
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The authors discuss the cultural and psychological aspects of media reality within the framework of constructivism, and trace the nature of the information flow about Russia in Brazil over time. The article examines the form and content of the Brazilian press narration about the Russian Federation for the period of 53 years, from 1968 to 2021, on the example of one of the main and widely distributed periodicals: “Veja” magazine. The authors analyze its cover content as a polycode text, and subsequent articles. The study used the methods of narrative analysis, and methods of linguacultural interpretation of linguistic features. The study carried out a comparative analysis of the covers of “Veja” magazine with the covers and articles of the leading American magazine “Time”, corresponding in terms of time and subject matter of the articles. This comparison demonstrated a direct correlation between the way Russia was described in the Brazilian press and the Western media in terms of style and form of presenting information. It allowed the authors to speak about the influence of American hegemonic press on the Brazilian media narration. The correlation of the polycode texts has proved the use of the cognitive functions of the visual media language in politically dependent media spaces. The 53-year period taken for the analysis showed that over such a long timeline with multiple events both in Russia and Brazil, as well as in the whole world, including the emergence of the BRICS, the Brazilian media narration has not changed and continued to follow the American mainstream.
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Kahfi, Ahmad Ashabul. "Kisah Nabi Musa dalam al-Qur’ān Perspektif Psiko-Sastra". Islamika Inside: Jurnal Keislaman dan Humaniora 4, n.º 2 (10 de diciembre de 2018): 282–309. http://dx.doi.org/10.35719/islamikainside.v4i2.53.
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The story of Moses dominates most the whole story in the Quran. When one assumes that the Qur’ān belongs to the Prophet Moses, it is then a fairly common assumption. The narrative method is one of the best methods to convey messages and lessons, especially religious messages. It has been a reason why the Qur’ān covers more narrative verses than laws and commands. This article deals with a new approach in understanding such narration, which so-called literary psychology. This approach has been used to understanding personality of the individual mentioned in the story. Such personality is regarded as an important lesson to inspire and motivate the readers. The psychological theory commonly used in this approach is the religious coping strategy. This approach draws a conclusion which shows that Moses possessed a virtuous religious coping strategy. This approach can be a way out to solve the old method of interpretation of the story that unable to address the psychological aspects of the Prophet Moses as well as to develop the integration-interconnection paradigm of Islamic scholars with general science
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Ponomarenko, Elena A. y Olga A. Chureyeva. "Speech genres of accusation and reproach in the doctor’s speech behavior". International Journal “Speech Genres” 17, n.º 1 (21 de febrero de 2022): 21–27. http://dx.doi.org/10.18500/2311-0740-2022-17-1-33-21-27.
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The issue raised in this study touches upon different aspects related to expression of negative judgment in medical discourse. This issue lies within the boundaries of speech genre theory. The authors use analysis tools of such disciplines as functional linguistics, medical rhetoric and elocutary mastery. The comparison of accusation and reproach – two related to each other speech genres of expressing disapproval – is made in the introduction to the article. Lexicographic sources allowed to reveal essential semantic peculiarities of these genres. The authors have found that the most frequent means of expressing accusation and reproach is a rhetoric question which is used to express the doctor’s disapproval of the patient’s behaviour. It is pointed out that one of the reasons for the doctor’s failures in communication with patients is the improper use of rhetorical questions. This study attempts to discover communication pitfalls dealing with expressing disapproval. Understanding the structure and semantics of rhetoric questions allows to avoid common mistakes in the speech of medical students. It is necessary to view the object of the research in the context of argumentation and manipulation theories. The article also analyzes whether expressing disapproval can be regarded as a manipulative speech tactic. The authors claim that rhetoric questions should be regarded as irrelevant in the doctor’s dialog with the patient due to their negative impact on the patient’s emotional and psychological state. It is necessary to remember about risks related to iatrogenic factors.
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James, W. "Unveiling the Diversity of Enlightenment Experimentation: Insights from Charles Bonnet’s Naturalist Practices". Archives Des Sciences 73, n.º 1 (31 de diciembre de 2023): 8–12. http://dx.doi.org/10.62227/as/7302.
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This article critically examines Charles Bonnet’s seminal contributions to experimental science, particularly through his influential work, ‘Research on the Use of Leaves.’ The primary objective is to delineate the functions and forms of natural experimentation as they were understood and practiced in the mid-18th century. During this period, scientists esteemed experimentation as the zenith of scientific proof, acutely cognizant of its multifaceted functional and typological aspects. Their methodology was characterized by a detailed narration of research methodologies, fostering a ‘rhetoric of transparency’ in scientific discourse. Nevertheless, the advent of new norms in scientific discourse during the 19th century, coupled with a paradigmatic philosophical shift in the 20th century, resulted in the marginalization of empirical practices of the Enlightenment era. Contemporary historians are now endeavoring to reconcile significant terminological discrepancies and to recontextualize the divergent methodologies among natural historians of that epoch. This involves a critical distinction between exploratory and demonstrative (or discriminant) forms of experimentation. Bonnet’s systematic preference for discriminant experimentation serves as a quintessential example of the logical approach in natural history. However, this perspective does not wholly represent the 18th-century ‘art of observation,’ which embraced a plethora of methodologies including taxonomy, anatomical dissection, chemical analysis, and physical measurements.
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Li, Li. "Regression Analysis of the Relationship Between ESG Performance and Firms’ Technological Innovation Capability". Archives des Sciences 74, n.º 1 (10 de marzo de 2024): 35–44. http://dx.doi.org/10.62227/as/74104.
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This article critically examines Charles Bonnet’s seminal contributions to experimental science, particularly through his influential work, ‘Research on the Use of Leaves.’ The primary objective is to delineate the functions and forms of natural experimentation as they were understood and practiced in the mid-18th century. During this period, scientists esteemed experimentation as the zenith of scientific proof, acutely cognizant of its multifaceted functional and typological aspects. Their methodology was characterized by a detailed narration of research methodologies, fostering a ‘rhetoric of transparency’ in scientific discourse. Nevertheless, the advent of new norms in scientific discourse during the 19th century, coupled with a paradigmatic philosophical shift in the 20th century, resulted in the marginalization of empirical practices of the Enlightenment era. Contemporary historians are now endeavoring to reconcile significant terminological discrepancies and to recontextualize the divergent methodologies among natural historians of that epoch. This involves a critical distinction between exploratory and demonstrative (or discriminant) forms of experimentation. Bonnet’s systematic preference for discriminant experimentation serves as a quintessential example of the logical approach in natural history. However, this perspective does not wholly represent the 18th-century ‘art of observation,’ which embraced a plethora of methodologies including taxonomy, anatomical dissection, chemical analysis, and physical measurements.
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Guo, Qing. "The Relationship Between a Green, Low-carbon and Recycling Economy, Economic Policy and Industrial Structure Development". Archives des Sciences 74, n.º 1 (10 de marzo de 2024): 1–12. http://dx.doi.org/10.62227/as/74101.
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This article critically examines Charles Bonnet’s seminal contributions to experimental science, particularly through his influential work, ‘Research on the Use of Leaves.’ The primary objective is to delineate the functions and forms of natural experimentation as they were understood and practiced in the mid-18th century. During this period, scientists esteemed experimentation as the zenith of scientific proof, acutely cognizant of its multifaceted functional and typological aspects. Their methodology was characterized by a detailed narration of research methodologies, fostering a ‘rhetoric of transparency’ in scientific discourse. Nevertheless, the advent of new norms in scientific discourse during the 19th century, coupled with a paradigmatic philosophical shift in the 20th century, resulted in the marginalization of empirical practices of the Enlightenment era. Contemporary historians are now endeavoring to reconcile significant terminological discrepancies and to recontextualize the divergent methodologies among natural historians of that epoch. This involves a critical distinction between exploratory and demonstrative (or discriminant) forms of experimentation. Bonnet’s systematic preference for discriminant experimentation serves as a quintessential example of the logical approach in natural history. However, this perspective does not wholly represent the 18th-century ‘art of observation,’ which embraced a plethora of methodologies including taxonomy, anatomical dissection, chemical analysis, and physical measurements.
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Xiong, Chenchao y Huadeng Zhou. "Research on Tracking and Positioning Technology for Structural Components of Assembled Buildings". Archives des Sciences 74, n.º 1 (10 de marzo de 2024): 102–13. http://dx.doi.org/10.62227/as/74113.
Texto completoResumen
This article critically examines Charles Bonnet’s seminal contributions to experimental science, particularly through his influential work, ‘Research on the Use of Leaves.’ The primary objective is to delineate the functions and forms of natural experimentation as they were understood and practiced in the mid-18th century. During this period, scientists esteemed experimentation as the zenith of scientific proof, acutely cognizant of its multifaceted functional and typological aspects. Their methodology was characterized by a detailed narration of research methodologies, fostering a ‘rhetoric of transparency’ in scientific discourse. Nevertheless, the advent of new norms in scientific discourse during the 19th century, coupled with a paradigmatic philosophical shift in the 20th century, resulted in the marginalization of empirical practices of the Enlightenment era. Contemporary historians are now endeavoring to reconcile significant terminological discrepancies and to recontextualize the divergent methodologies among natural historians of that epoch. This involves a critical distinction between exploratory and demonstrative (or discriminant) forms of experimentation. Bonnet’s systematic preference for discriminant experimentation serves as a quintessential example of the logical approach in natural history. However, this perspective does not wholly represent the 18th-century ‘art of observation,’ which embraced a plethora of methodologies including taxonomy, anatomical dissection, chemical analysis, and physical measurements.
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Decheva, Svetlana Vladimirovna y Daria Dmitrievna Aristova. "The Rhetoric of University Lecturing and its Evolution in the Western Academic Community". Litera, n.º 10 (octubre de 2022): 128–40. http://dx.doi.org/10.25136/2409-8698.2022.10.38877.
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The article deals with the evolution of the rhetoric of academic communication in the genre of university lecturing. The main emphasis is laid on its socio-cultural, historical, psychological and phonetic antecedents beginning with the times of antiquity to these days. It is the speaking image of the lecturer and those rhetorical means that facilitate one’s interaction with the university audience that come into focus. The task is to show how knowledge is shared via university lecturing with respect to traditions of public speaking and the linguoculturological realia of this or that epoch. In other words, what comes to the fore in this paper is continuity and optimization of intellective communication in the present-day Global English space. The main conclusion the authors arrive at is that to introduce any changes in the non-native speakers’ rhetoric of academic discourse a really comprehensive cognitive processing of the genre of lecturing is required. Different aesthetic and ethical aspects of academic English are to be taken into account and weighed up from different angles, including its innovative phonostylistic design in the West and the traditions of intellective communication in other parts of the globe.
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Boufas, Abdelhamid. "Children 's literature between the rhythmic structure and the semantic structure A poem of farewell to "poet Nasser Lohishi" model-". Milev Journal of Research and Studies 3, n.º 2 (31 de diciembre de 2022): 75–103. http://dx.doi.org/10.58205/mjrs.v3i2.1275.
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The present study deals with some rhythmic aspects and their significance for children literature. This has been approached within a framework entitled: “Children literature between the rhythmic and semantic structure: case study of farewell song for the poet "Nacer Louhichi". The study has touched upon the different rhythmic structures such as phonemic, metric and rhetoric, and their relationship with semantics. Within this perspective, these structures were deemed as subsystems included within the text which is considered as a holistic system. Afterwards, the research attempted to find a thread that links the various rhythmic structures with the general meaning of the text, and reveal the functionality of these structures to fit children’s intellectual and bodily capabilities as well as their psychological and social predispositions.
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Barros del Río, María Amor. "Irish Youth, Materialism and Postfeminism: The Critique behind the Romance in "Normal People"". Oceánide 15 (8 de febrero de 2022): 73–80. http://dx.doi.org/10.37668/oceanide.v15i.98.
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Normal People, the TV series, aired in Ireland during the pandemic lockdown in spring 2020 and became an instant hit. This romantic drama, based on Sally Rooney’s acclaimed novel, offers an updated representation of the tensions inherent in the process of growing up for Irish youth, a context extensive to other Western countries. The aim of this article is to explore the critique behind the romance through an in-depth interpretation of the protagonists’ problematic process of coming-of-age. For this purpose, the dramatic aspects of this cinematic narrative are explored in terms of composition, narration and focalization. Under the critical lens of postfeminism, this article analyses how psychological violence and explicit and rough sex are used in the series as forms of (mis)communication, with a particular interest in the combination of camera work, dialogues and silences. Finally, this article assesses to what extent Normal People naturalizes mundane life and succeeds in adhering to the romantic plot within the frame of neoliberal and postfeminist values.
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Anshori, Hafiz. "The Alienation Experienced by Bruno & Shmuel in The Boy in the Striped Pajamas by John Boyne". Journal of Literature, Linguistics, & Cultural Studies 2, n.º 1 (24 de julio de 2023): 130–41. http://dx.doi.org/10.18860/lilics.v2i1.2712.
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Alienation is described as encompassing individual psychological states and types of social relationships. In the context of this study, individuals experience profound feelings of disconnection and estrangement (Kalekin-Fishman, 1998). The objective of this research was to elucidate the diverse causes of alienation depicted in the novel "The Boy in the Striped Pajamas." Analyzing the reasons for alienation in this literary work could provide deeper insights into how war and human atrocities impact an individual's mental well-being. It also contributed to a more comprehensive understanding of the theme of alienation in literary research. The research employed a literature study approach with a psychological perspective, drawing on Erich Fromm's concept of alienation. The primary data source for this study was the novel "The Boy in the Striped Pajamas" by John Boyne, focusing on character dialogues and the author's narration within the story units. The novel, published on 5 January 2006, consists of 216 pages. To analyze the data, the researcher collected, reviewed, identified, organized, and drew conclusions from the gathered information. The findings of this research reveal various causes of alienation present in the characters of Bruno and Shmuel in the novel. These causes included alienation arising from interactions with other people, alienation resulting from societal factors, and alienation stemming from internal struggles within themselves. The exploration of these aspects shed light on the complex psychological impacts of alienation amidst the backdrop of war and its atrocities in the narrative of "The Boy in the Striped Pajamas.
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Konrad, Alison M. "Denial of racism and the Trump presidency". Equality, Diversity and Inclusion: An International Journal 37, n.º 1 (14 de febrero de 2018): 14–30. http://dx.doi.org/10.1108/edi-07-2017-0155.
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Purpose The purpose of this paper is to document the racist undertones of Donald Trump’s Presidential campaign rhetoric and draw implications regarding its impact on equality, diversity, and inclusion. Most contemporary individuals reject explicitly racist beliefs and strive to present themselves as having egalitarian attitudes toward other races and ethnicities. However, commonly held implicit biases toward historically marginalized racioethnic groups drive negative effect that is often unconscious and unacknowledged. Inconsistency between the conscious and unconscious aspects of contemporary racism generates a population of individuals who are uncomfortable with their attitudes, creating an opening for politicians willing to leverage racist rhetoric and gain support by resolving this inconsistency. Design/methodology/approach This paper applies social psychological theory and research to address the questions of what attracts otherwise non-racist individuals to racist-tinged rhetoric. The paper also provides theory-based interventions for reducing the attractiveness and impact of racist political campaigns. Findings Supporters of racist politicians resolve the conflict between their negative feelings toward racioethnic minorities and their espoused anti-racist views by distancing themselves from racist rhetorical content in three ways: by denying that racist statements or actions occurred, denying that the statements or actions are racist, and/or by denying responsibility for racism and its effects. These techniques provide supporters with validation from an authority that they can express their negative affect toward out-groups and still consider themselves to be good people and not racists. Practical implications Distancing from racism has allowed contemporary American extremists to reframe themselves as victims of closed-minded progressives seeking to elevate undeserving and/or dangerous out-groups at the in-group’s expense. Effective anti-racism techniques are needed to counter implicit biases in order to limit the attractiveness of extremist views. Implicit biases can be effectively reduced through training in counter-stereotypic imaging, stereotype replacement, and structured inter-group interaction. Effectively countering denial of the facts involves affirming the audience’s belief system while building skepticism toward the sources of misinformation. Social implications While countering racist politicians requires commitment, these efforts are essential for protecting the identity of the USA as a society striving toward equality, diversity, and inclusion. Originality/value By articulating the social psychological principles underpinning racist-tinged populist rhetoric, this paper explains the attractiveness of racist statements by politicians, which tends to be under-estimated.
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Ni Made, Padmawati, I Gusti Agung Sri Jayantini y I Wayan Resen. "Exploring Characterization of Main Characters: Elizabeth and Darcy in Pride and Prejudice". ELYSIAN JOURNAL : English Literature, Linguistics and Translation Studies 1, n.º 1 (15 de septiembre de 2021): 104–13. http://dx.doi.org/10.36733/elysian.v1i1.1657.
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This research pays special attention to the character analysis in the novel Pride and Prejudice, especially the two main characters, namely Elizabeth Bennet and Fitzwilliam Darcy. In accordance with theories explaining types of character and characterization, the data were carefully analyzed. The analysis focuses on how the characterization of Pride and Prejudice’s two main characters is realized. The aim of this research is to explore characterization of the main characters that is expected to contribute to the study of literature, particularly the existence of characters in the novel. Qualitative method was applied in the analysis. There were two main characters involved in the story, and many data were found to support the analysis of their characterization. Dialogues and narration in the novel were used to introduce the characterization based on three dimensions of characterization. This study found that three dimensions of characterization, including psychological, sociological, and physiological aspects of characterization could be used to make complete and vivid description of the main characters to share the values and message of the story.
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Uczkiewicz-Styś, Katarzyna. "„Słuchajcie, co wam teraz powiem…”, Obsługiwałem angielskiego króla Bohumila Hrabala – fikcja literacka a „historia opowiadana”". Wrocławski Rocznik Historii Mówionej 2 (30 de octubre de 2012): 73–100. http://dx.doi.org/10.26774/wrhm.28.
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Oral history accounts area natural object of research for anthropologists, sociologists, researchers of cultural studies, ethnologists, as well as psychologists engaged in memory studies. As narratives of experience they became the antipositivist rebellion against the monopoly of major historical narratives that, according to the reflection of the second half of the 20th century, were supposed to lead to the catastrophes of war and genocide.
In historiographic research the questioned positivist discourse based on the corresponding theory of the truth has become counterbalanced by the discourse of memory. As a consequence, also in historical research there is noticeable appreciation for other, non-classic, forms of historical narratives which include oral history accounts.
What can a researcher of literary fiction contribute to reflections on oral history whose greatest value should be authenticity, this “truth of experience”? To what extent can literary texts in the convention of a narrative of appeal, first-person narrative, monologue (in which crucial roles are played by dialogue, orality and rhetoric of the text) be read in the perspective of oral history?
When analyzing I Served the King of England novel by Bohumil Hrabal – author who by default rejects ‘the macrocosm’, the world of great politics, historical necessities, social processes, for the world of microcosm, i.e. a life of each person and what is more, he rejects any need for psychological or sociological (or any other) analysis of this microcosm – one can notice that the dichotomy of literary fiction and the authentic experience of oral history is not that obvious as it may seem. Categories of text, narration and memory, although analyzed from different research perspectives, are common for both forms.
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Flucher, Elisabeth. "„Sterben Sie weise!”—Dramatisierungen der Hypochondrie in Fallerzählungen des 18. Jahrhunderts". Seminar: A Journal of Germanic Studies 59, n.º 1 (1 de marzo de 2023): 44–68. http://dx.doi.org/10.3138/seminar.59.1.4.
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Autobiographical reports on hypochondriasis, now known as somatic symptom disorder or illness anxiety disorder, were common and popular in the eighteenth century. In this article, I compare and contrast two such autobiographical reports by poets with a case study by the famous philosopher and physician Marcus Herz of the well-known poet Karl Philipp Moritz, published after the latter’s death. Despite the serious subject matter, the three texts all rely on elements of the poetic genre of comedy. The article analyzes how the poet-patients linked therapy and healing to writing and imagination, while the physician paradoxically thought writing and imagination contributed to the sickness of hypochondriasis. Related topics such as the topos of the melancholic poet; laughter as a method of healing; acting, role play, and lying in dialogical therapy; as well as psychological aspects of doctor-patient-relations establish the topicality and timeliness of eighteenth-century discourse on hypochondriasis. While the practice of psychotherapy and its foundation on the interrelatedness of soma and psyche were still experimental, the first principle of a therapeutic relationship between doctor/therapist and patient/subject was already mapped out in Herz’s text. The article shows how a patient’s perspective on his own healing as well as a doctor’s perspective on the patient’s healing relied on different formal aspects of the classical poetics of drama. The “dramatic” exaggeration of sickness in hypochondriasis and the narration of its healing are thus closely modeled on formal aspects of dramatic structure. Besides their well-being, patients’ autonomy is at stake through the power of telling their own stories.
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Dron, Kateryna. "“YOU SHOULD HAVE VISITED BORYSLAV THIRTY YEARS AGO…”: ANALYSIS AND INTERPRETATION OF IVAN FRANKO’S STORY “POLUIKA”". Слово і Час, n.º 5 (11 de octubre de 2021): 40–58. http://dx.doi.org/10.33608/0236-1477.2021.05.40-58.
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The paper analyzes the poetics of Ivan Franko’s story “Poluika” — the work that was included in the second thematic collection on the oil industry of Boryslav named “‘Poluika’ and other stories about Boryslav” (Lviv, 1899). The researcher focuses on the modern, in particular impressionistic, principles of displaying the working and industrial environment. The narration is performed through the life story of an old oilman who, being at the end of his life, recalls a custom of ‘poluika’, which existed among Boryslav oilmen thirty years ago. The new elements of “Poluika” poetics help in the deeper revealing of the inner world of a character, his values, and psychology. The story shows a number of new changes at the level of formal features of poetics. It presents still unknown aspects of Boryslav life and reflects the eloquent features of the modernistic type of I. Franko’s creative work. The story is based on retrospection of the events that happened thirty years ago, and this approach also makes its plot and composition peculiar. The origin, primary meaning, and expressive content of the word “poluika”, used as a title, have been clarified.
The industrial landscape wasn’t new in contemporary literature but the writer tended to use it in an innovative way. The workers presented by Franko gain such new features as social, moral, and professional maturity. The researcher also pays attention to the peculiarities of applying the first-person form of narration tested by Ivan Franko in his works from 1870―1880. In general, “Poluika” has the genre features of a story but the structure of the work also reveals evident elements of a short story. Thus, the genre of “Poluika” is defined as a short story of social psychological content.
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Palitai, Ivan S. "The Influence of Modern Party System on the Development of Parliamentarism in Russia: Institutional, Political and Psychological Aspects". Almanac “Essays on Conservatism” 42 (3 de diciembre de 2018): 266–73. http://dx.doi.org/10.24030/24092517-2018-0-4-266-273.
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The article is devoted to the modern Russian party system. In the first part of the article, the author shows the historical features of the parties formation in Russia and analyzes the reasons for the low turnout in the elections to the State Duma in 2016. According to the author the institutional reasons consist in the fact that the majority of modern political parties show less and less ability to produce new ideas, and the search for meanings is conducted on the basis of the existing, previously proposed sets of options. Parties reduce the topic of self-identification in party rhetoric, narrowing it down to “branded” ideas or focusing on the image of the leader. In addition, the author shows the decrease in the overall political activity of citizens after the 2011 elections, and points out that the legislation amendments led to the reduction of the election campaigns duration and changes in the voting system itself. The second part of the article is devoted to the study of the psychological aspects of the party system. The author presents the results of the investigation of images of the parties as well as the results of the population opinion polls, held by the centers of public opinion study. On the basis of this data, the author concludes that according to the public opinion the modern party system is ineffective, and the parties don’t have real political weight, which leads to the decrease of the interest in their activities and confidence in them. The author supposes that all this may be the consequence of the people’s fatigue from the same persons in politics, but at the same time the electorate’s desire to see new participants in political processes is formulated rather vaguely, since, according to the people, this might not bring any positive changes.
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Raikh, Kalina Gennadyevna. "Memoirs of Prince Felix Yusupov as Autobiographical Narrative Experience". Общество: философия, история, культура, n.º 10 (octubre de 2020): 29–35. http://dx.doi.org/10.24158/fik.2020.10.4.
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The aim of the paper: to introduce the possibility of memoirs research in terms of autobiographical nar-rative at a specific historic period of the first quarter of the 20th century. Knowing particular person life in the context of his historical existence is important for understanding of philosophical, sociological and psychological aspects of historical events. Memoirs and autobiography have common features and dif-ferences as ways of understanding social reality. An autobiography generally provides the solid narration of author’s life, whereas memoirs highlight and de-scribe significant personality formation event, which had an impact on formation of a person. The main event of Prince Yousupov’s memoirs as assassina-tion of Grigory Rasputin is defined by Prince’s own life. The study provides the analysis of Felix Yusupov’s memoirs as autobiographical narrative experience. The scientific novelty of the study re-sults from the statement that exploring memoirs as fact of particular person life one can expand and enhance knowledge of the social reality context and the entire historic epoch. The results of the research show common and distinctive features of autobiog-raphy prose and memoirs: represent analyses of Felix Yusupov’s “Memoirs” as autobiographical nar-rative experience.
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Decheva, S. V. y A. V. Kopaneva. "The Specificities of English Accentuation in the Genre of Lecturing". Vestnik of Samara University. History, pedagogics, philology 27, n.º 2 (6 de agosto de 2021): 89–94. http://dx.doi.org/10.18287/2542-0445-2021-27-2-89-94.
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This article focuses on the phonetic specificities and localization of accentual highlighting in the genre of lecturing. Although the phenomenon of accent in the English language has always been in the limelight, some of its aspects still remain uncovered and need further explanation and elaboration in class. The processing of the material with respect to pragmaphonetics and cognitive syllabics seems to be rather promising and problem-solving. It shows most convincingly that to gain a deeper insight into the underlying processes of English accentuation we can by no means confine ourselves only to the phonetic or prosodic means behind the effect of prominence. All the sociocultural-historical and psychological antecedents of the phenomenon in question are to be studied in greater detail. Besides, to eliminate the discrepancies in accentual highlighting between British anglophones, on the one hand, and Russian anglicists, on the other, the innovative trends in modern British English speech culture and the new rhetoric of intellective communication are also to be taken into account.
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Humennyi, Mykola y Vira Humenna. "Context of the author’s view (Henri Barbusse, Erich Maria Remarue, Oles Gonchar)". LITERARY PROCESS: methodology, names, trends, n.º 15 (2020): 36–42. http://dx.doi.org/10.28925/2412-2475.2020.15.5.
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The article is devoted to the research of the context of the author’s view in the architectonics of antiwar novels of the mentioned authors. The signs of a real military type, which appeared in the time on the pages of the humanities in the aspect of rationalism and individualism, are found out. The essence of the “lost generation” is characterised in philosophical, historical and aesthetic aspects. It is proved that the artistic system of anti-war novels is characterized by the dominant way of introducing the author’s view of the story. Aspects such as the author’s attitude to war disasters, the epic tone of the story, the aesthetic concept of the artist, his sociological, historical and psychological views are analysed. The objective-historical point of view, according to which narration extended the boundaries of space, created the background of time, overcame the static of the narrative, deepened the principle of mimesis, is investigated. The peculiarities of the authors’ artistic systems and some of their creative principles, the subjective interpretation of the feelings of the characters have been found out. The skill of each artist in reproducing the inner world of the characters under the influence of the bloody events of the war is outlined. The key words of novels, which serve as generalized forms of imaginative consciousness, as well as their influences on the artistic and psychological nature of the works, are characterised. The functioning of the author’s language of anti-war novels and the peculiarity of oral and written and professional language are traced. The stable correlation of the analysed novels with the most actual problems of the socio-psychological atmosphere of a specific historical era is studied. The originality of the writers’ literary world is revealed, the originality of their thinking is emphasized and the dominant typological similarities and differences are characterised. In studying the structure of the analysed novels, the peculiarity of the conciseness of the collective portraits, in which all the emotional and psychological capacity of each component is reproduced, is traced. It is emphasised that the context of the author’s view also manifests itself through various extravagant elements (authorial indentations, descriptions of exteriors, titles, epigraphs, etc.), which along with the story aspect of the novels give them artistic completeness and integrity. In addition, the specifics of the author’s language of anti-war novels are studied.
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Nišić-Leskovci, Fahrija, Anita Cucović y Vedat Bayrami. "Fikcionalno obistinjenje historije kao drame svijesti u romanima Ugursuz i Karabeg Nedžada Ibrišimovića". Historijski pogledi 7, n.º 11 (6 de octubre de 2024): 434–53. http://dx.doi.org/10.52259/historijskipogledi.2024.7.11.434.
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New historicism establishes that the historiographical discourse is essentially narrative, that historiography necessarily behaves like a story. The problem boils down to the relationship between fiction and faction, to the narrative functioning of historiographical material. Novelistic prose can solve this relationship by being loyal or by undermining the idea of logical coherence in the narration, formal plot, time sequence and psychological explanation. Reality is, therefore, a semantic landfill that requires selection and formulation, be it through history or history, and in that process narrative/discursiveness, mimeticity, and rhetoric cannot be avoided. In the novels Ugursuz and Karabeg Ibrišimović sees the content of the past as a landfill of floating stories that write history as a story. At the same time, the story is freed from the unequivocal context of historiographical understanding and interpretation, and gives itself to endless interpretability, multiplied possibilities of interpretation offered by the literary context. With this, the meaning of the facts is checked by moving them from the historiographical context to the literary one, and also to the parabolic form, which is characterized by narrative disguise and complexity, paradoxicality, ambiguity and absurdity. In Ugursuz, the state of complete value emptiness opens the way for the heroes to transfer reality into the illusion of their own power, which is encouraging, and thus appropriated paves the way for an alienated self-image. With alienated emotional states, their sick needs and their sick actions are also alienated. In Karabeg, the angel inhabits the thoughts and hearts of the heroes and witnesses their danger in the conflicts of their own reason and emotions, thus revealing their slavish relationship towards higher goals or, on the other hand, towards the determination to follow their own destiny/nature.
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Salicru, Sebastian y John Chelliah. "Messing with corporate heads? Psychological contracts and leadership integrity". Journal of Business Strategy 35, n.º 3 (13 de mayo de 2014): 38–46. http://dx.doi.org/10.1108/jbs-10-2013-0096.
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Purpose – The purpose of the paper is to present a model of leadership fulfiling the need of our times: The leadership psychological contract (LPC). In the current socio-economic environment of uncertainty and unprecedented change, both business environments and the community at large are marked by leadership crises. This instability makes an understanding of the relational aspects impacting the relationship between leaders and their constituencies both important and urgent. Now, more than ever before, extraordinary leadership is required. The psychological contract (PC) is recognised as one of the most emergent areas in organisational research. Its contribution to the leadership domain, however, is as yet undiscovered. Design/methodology/approach – This paper addresses this deficiency by integrating contemporary leadership and PC literature. This paper also addresses criticisms raised in the leadership literature in the past 25 years relating to the scarce leadership research conducted at the unit/team level, despite the rhetoric that the main aim of leadership is in the collaborative domain, as well as the impact of leaders on emotional constructs and motivational or ‘extra-role’ behaviours. Findings – The LPC is a predictive model that comprises three dependent variables (fulfillment of expectations, trust and fairness) – which constitute the health of the contract or the leader’s integrity/credibility, and four dependent variables (affective commitment, satisfaction, discretionary effort and innovation), which constitute the ‘consequences of the contract’ or the leader’s impact. The LPC model complements previous models of transformational leadership and leader–member exchange theory and addresses various criticisms and recommendations made in literature. Originality/value – Frameworks such as authentic leadership, ethical leadership, moral leadership, spirituality and leadership each emphasise positive leader – follower relations. Taking into account the LPC and incorporating it into theory and practice should allow researchers to predict leadership effectiveness more completely and effectually than existing positive leadership approaches. The LPC model aims to enhance and refresh the value of effective and ethical leadership approaches that are emerging in response to the current socioeconomic landscape and leadership crises.
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Liashenko, Tatiana. "Lexis of the thematic group “food and food consumption” in the novel by Mikhail Saltykov-Shchedrin “The Golovlyov Family”". Litera, n.º 11 (noviembre de 2020): 84–96. http://dx.doi.org/10.25136/2409-8698.2020.11.34150.
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The subject of this research is lexemes of the thematic group “food and food consumption” in the novel by Mikhail Saltykov-Shchedrin “The Golovlyov Family”. The object of this research is the functional yield of these linguistic units in the text. The author of the article describes the functionality of food images in literature in form of the system of oppositions “external (existential) – internal (psychological)”, and “static-dynamic”. The four functions are differentiated: external static (food image as a detail scenery), external dynamic (food image as a theme-forming element), internal static (food image as an element of portrait of the character), internal dynamic (food image characterizes the dynamics of relations between the characters). It is noted that the thought on “low functionality” of gastronomic images in a literary text, which is expressed in some research, testifies to insufficient study of such rich material. Food as a literary image, as well as the motif of food consumption in a literary text always convey semantic meaning. In the novel “The Golovlyov Family”, the words with “food” semantics serve for the formation of external, existential aspect of narration, as well as internal, psychological aspects. Images of food alongside motifs of food consumption are characterological (describing portrait of the character) to a lesser degree, and more often used for demonstrating relationships between the characters.
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Wang, Ying. "The Supernatural as the Author's Sphere: Jinghua Yuan's Reprise of the Rhetorical Strategies of Honglou Meng". T'oung Pao 92, n.º 1 (2006): 129–61. http://dx.doi.org/10.1163/156853206778553234.
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AbstractThis study investigates the similarities between Li Ruzhen's nineteenth-century novel Jinghua yuan and Cao Xueqin's eighteenth-century masterpiece Honglou meng in terms of their artistic experimentation, by its focus on Li's appropriation of Cao's rhetorical strategies. It places the two novels in the context of vernacular literature in the mid- and late Qing period and attributes the disappearance of the "pseudo-oral" narrator in both novels to the dramatization of the narration and the establishment of a supernatural realm as the sphere of the author. The rhetorical strategies employed in Honglou meng, and subsequently evoked in Jinghua yuan, are not, as this study intends to show, the sporadic engagements of the supernatural seen in earlier novels. Instead, they are sophisticated mechanisms at work in both the model and its imitation. In comparing the similarities of rhetoric in these two novels, this essay emphasizes Li Ruzhen's artistic creativity by highlighting his critical responses to Honglou meng and his ingenuity in re-using Cao Xueqin's techniques. Cette étude examine les similitudes entre deux romans, le Jinghua yuan composé au 19e siècle par Li Ruzhen et le chef-d'œuvre de Cao Xueqin, le Honglou meng, qui date du siècle précédent, concernant leurs aspects expérimentaux dans le domaine artistique; pour ce faire elle se concentre sur la façon dont Li Ruzhen s'est approprié les stratégies rhétoriques de Cao Xueqin. L'article replace les deux romans dans le contexte de la littérature vernaculaire d'au milieu et de la fin des Qing, et attribue la disparition du narrateur "pseudo-oral" dans les deux œuvres à la dramatisation de la narration et à l'instauration d'un domaine surnaturel constituant la sphère de l'auteur. Comme entend le montrer cet essai, les stratégies rhétoriques employées dans le Honglou meng et reprises plus tard dans le Jinghua yuan ne se limitent pas à des interventions sporadiques du surnaturel comme dans les romans plus anciens. On a au contraire affaire à des mécanismes sophistiqués mis en œuvre tant dans le modèle que dans son imitation. La comparaison des similitudes rhétoriques dans les deux romans permet de mettre l'accent sur la créativité artistique de Li Ruzhen en mettant en lumière sa réponse critique au Honglou meng et l'ingéniosité avec laquelle il reprend à son compte les techniques de Cao Xueqin.
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Krzyzewski, Seweryn. "Instrumentalization as a Sin of Untruth". Intercultural Relations 4, n.º 2(10) (28 de octubre de 2021): 94–110. http://dx.doi.org/10.12797/rm.02.2021.10.07.
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The reconstructions, analyses and discussions concerning various broadly understood instrumentalized objects available in the subject literature allow one to distinguish and identify at least two interrelated forms of instrumentalization – a weak and a strong form. The former consists of using a particular object for fulfilling an aim in its unspecific functions. Thus, it can be treated as opposite to the phenomenon of functional fixation. The essence of the latter is a change in the position of the instrumentalized object, both in the ontological and axiological order – one which is a degrading change. It is this form of instrumentalization which allows the possibility of its reinterpretation in the categories of a sin of untruth. Such reinterpretation makes use of the multitude of forms of truth and their interrelationships, as well as of the distinction between a “great and small truth.” Thus, the heuristic value of the rhetoric of sin used here enables one to emphasise some important factual aspects. Firstly, referring to many possible dimensions in which instrumentalization can be subjected to evaluation, sin will be treated here metaphorically (due to taking into account all dimensions together) and literally (in order to highlight in consequence its moral, conscious and intended character). Secondly, this rhetoric can reflect the complex structure of instrumentalization, expressed in the categories of a sin committed “in thought, word, deed and omission,” of a light or heavy nature, with violation carried out on the nature of the instrumentalized object as its extreme form. Thirdly, rhetoric allows one to understand the perpetrator of instrumentalization’s activation of disguising, justifying or even absolving his activities. Fourthly, this results in seeking out the psychological mechanism of “being led into temptation.” Its complex character can be clearly seen in many cases, especially in the case of political instrumentalization of religion, where, on the one hand, the profanation of religion takes place, while on the other, the legitimisation, ennoblement or even sacralisation of politics occurs.
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Ghadban, Alaa Abbas. "The Artistic Creation of the Narrative in the Heavenly Books: Yusuf Sura as a Model". INTERNATIONAL JOURNAL OF RESEARCH IN SOCIAL SCIENCES & HUMANITIES 12, n.º 02 (2022): 140–49. http://dx.doi.org/10.37648/ijrssh.v12i02.009.
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In a noticeable artistic-based structure, stories in heavenly books assume fine narrative pieces. The literary construction and various devices employed in the narrative exhibit a fairly noticeable piece of art. In general, the heavenly books follow an allegoric art to emphasize ethical and typical behavioural ends. However, the intended message in the heavenly books have moulded this end in a fine artistic methods. To explore this scope, this paper examines the distinctive narrative form delineated generally in the heavenly books with particular focus on the Holy Quran. The researcher applies the aspects of narrative including form, technique on the text to identify the artistic creation on the basis of the narrative approaches. The chosen sura "Yusuf" is taken from the Holy Quran, which noticeably and artistically traces the development of its protagonist early from childhood up to maturity. It sheds the light on the ups and downs of the central character, in relation to the surrounding characters and circumstances; and their influences on the ultimate outcome. The narrative in Yusuf sura text interweaves various psychological, sociological, familial constrains which ultimately result into a fine literary portrayal. With a fine artistic touch, the narrator follows the allknowing mode whose narration includes the multitude aspects of the characters –the internal and external world. The text, further, gives a panoramic view of the entire world of the narrative which is arranged in an episodic plot with the employment of the cinematic technique of scene shifting. It is observed that the plot-organization, characters and struggle are dynamically presented away from the boredom of the historiography.
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Telvak, V. V., V. P. Telvak y V. M. Nakonechnyj. "“Down with Poison in our Houses!”: Anti-Alcohol Discourse of Nash Lemko Newspaper". Rusin, n.º 66 (2021): 34–47. http://dx.doi.org/10.17223/18572685/66/3.
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The article examines the anti-alcohol policy of Nash Lemko newspaper (Lviv, 1934–1939) to determine its main aspects. According to the materials of the newspaper, the rapid intoxication of Rusins had a socio-psychological nature: burdened with landlessness, foreign bureaucracy arbitrariness and raising taxes, a typical resident of a mountain village lost the purpose of existence. Drawing on the experience of activists of the European and Ukrainian temperance movements, Nash Lemko systematically promoted a healthy lifestyle among its readers, appealing to their minds both with statistics and criminal chronicles and by means of artistic influence. Despite the unsightly moments (primarily anti-Semitic rhetoric), this policy resulted in a growing understanding among the Lemkos that their problems were mainly caused by their own reckless attitude towards alcohol and nicotine. The authors conclude that the Lemkos adequately responded to this social problem, as was evidenced by the rapid growth in the number of the “Revival” circles in mountain villages, which united Rusins-abstainers. This consolidation was very important for the Lemko community on the eve of the Second World War.
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Viazinkin, Aleksei Yu y Kuzma A. Yakimov. "Peasant Pessimism in the Days of Collectivization (1920-1930s): Anti-Soviet Rhetoric of the “Revolutionary Turning Point” Generation". Herald of an archivist, n.º 3 (2023): 753–64. http://dx.doi.org/10.28995/2073-0101-2023-3-753-764.
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The Soviet policy of collectivization, which sought to forcibly bring the regime of agriculture functioning in accordance with general political course on total control and authorities dictate, could not but cause discontent among the peasant population leaning to balanced autonomy. The article examines the phenomenon of peasant anti-Soviet pessimism, expressed in anti-collectivist rhetoric of the agrarian class representatives. A number of studies on the problems of public sentiments of peasants in the days of collectivization have analyzed various aspects of this problem, however, its rhetorical aspect remains poorly studied, although it significantly complements fragmented socio-psychological portrait of the Soviet village during the collectivization. The study is to eliminate this gap in scientific knowledge. It is built on the principles of historicism and objectivity, uses historical-comparative, deductive and retrospective methods. Its object is peasants of the “revolutionary turning point” generation, born in late 19th century, who took an active part in social and political life in the 1905-1930s (following Yu. A. Levada’s classification). The study is based on a wide array of both published and newly introduced archival materials from the State Archive of the Russian Federation (GARF), the Russian State Archive of Socio-Political History (RGASPI), the Russian State Archive of Economics (RGAE), and the State Archive of Socio-Political History of the Tambov Region (GASPITO). It focuses on the analysis of letters and complaints of peasants of the “revolutionary turning point” generation and on the study of reports of the Joint State Political Directorate (OGPU) on the sentiments of the Soviet village during collectivization. The authors underscore the need to create a classification of rhetoric by its content, reflecting passive dissatisfaction of the peasants with the collectivization policy. Primarily, there was nostalgic rhetoric associated with patriarchal roots of the Russian peasantry, in whose historical memory paternalistic autocracy looked better than foreign and alienating Soviet power. Secondly, there was comparative rhetoric drawing parallels between the policy of collectivization and “war communism,” based on point-blank rejection of the actions of Soviet government and their comparison with banditry. Thirdly, there was rhetoric of doom in absence of any satisfactory historical prospect for peasant life, meaning its socio-economic autonomy, as well as survival. Fourthly, there were elements of introspection explaining the behavior of peasants forced to make concessions to the Soviet government contrary to their own interests. Analysis of sources suggests that rhetorically peasants’ protest against the collectivization was reduced to passive forms of resistance. Nothing remained to the exsanguinated peasantry, but nostalgic complaints; rare bold statements about leaving kolkhozes were drowned in humility, traditional for the Russian peasant culture, and bemoaning the growing sense of doom and defeatist recognition of the need to obey the authorities’ initiatives.
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ABD, Shamim Radhi. "HISTORICAL SYMBOL BETWEEN THE CONTROVERSY OF HISTORY AND REALITY :THE NOVEL OF LOVE, WHO CROSSES THE BORDER, AS A MODEL". RIMAK International Journal of Humanities and Social Sciences 03, n.º 05 (1 de junio de 2021): 244–53. http://dx.doi.org/10.47832/2717-8293.5-3.24.
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This approach is based on observing images, events, and symbolic characters, then encompassing them in all their aspects, then showing the symbolic method that the novelist adopted to draw and present them in the narration of the novel. (A Lover Who Crosses the Borders) We find the mythical and symbolic tendency in building the narrative, as the novelist exploits the mythical environment that opens up to the past to record the conditions of the main character, and the nature of adaptation to the external environment, in addition to how to face life and its circumstances in different ways, most of the symbolic characters symbolized the pain of reality and the fragmentation of life, so the narrator built (his long story) or (his short novel) in a way that mixes the imagined and the reality. Most of the events and characters are realistic that embodied an imaginary narrative that confronted the Iraqi reality for psychological, social and political purposes. When the stage expanded with multiple crises, success was an ally of those who archive of Iraqi pain, and who embodied the interaction and communication between its past and present, as the novelist wrote in a modernist way that drew its visions from the imagination of Iraqi pain, and the stage recognized the creative exceptions that promote the literary face, and the task of expression is an occasional product of culture.
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W.A., Wan Azura, Ahmad Fazullah M.Z.A., Rosni Samah, Hishomudin Ahmad, Yuslina Mohamed y Mikail Ibrahim. "USLUB TARGHIB (MOTIVASI) DALAM MUAMALAH HASANAH: ANALISIS SURAH AD-DHUHA DARIPADA PERSPEKTIF PSIKOLOGI DAN RETORIK[MOTIVATION IN GOOD DEALINGS: AN ANALYSIS OF SURAH AD-DHUHA FROM THE PSYCHOLOGICAL AND RHETORICAL PERSPECTIVES]". Journal of Nusantara Studies (JONUS) 2, n.º 2 (31 de diciembre de 2017): 198. http://dx.doi.org/10.24200/jonus.vol2iss2pp198-213.
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This paper aims to analyze the application of Balaghah al-Badi (embellishments) in the following aspects. First, the aspect of motivation or encouragement in conducting good dealings in surah ad-Dhuha. Second, the secret of selecting certain words and their interpretations in terms of the meaning and stylistic semantics in the same surah. The knowledge of balaghah al-Quran illuminates the art and beautifulness of the Quran from rhetorical perspective. Surah ad-Dhuha describes the rhetoric from the embellishment perspective such as al-Tibaq (anti-thesis), al-Muqabalah (multi-thesis), al-Jinas and al-Saj’(rhymed prose). This qualitative study used Quran as the primary source of reference, while the secondary sources are the tafseer of Quran from the language aspects ( al-Tafsir al-Lughawi) and books which are related to I’jaz al-Quran and Arabic balaghah. The findings indicate that the application of al-Badi in surah ad-Dhuha is not merely a hieroglyphic of the Quran, but without the element of al-Badi, it will lead to the distortion of meanings. The arrangement of the verses in this surah employs decorative elegance and it is one of the most effective ways in the educational process of human psyche. This study is one of the upward research areas in the applied Arabic rhetoric and hopefully it will provide a significant contribution to the interpretation and analysis of various themes in the Quran. Keywords: Arabic rhetoric, Embellishments, Good dealings, Motivation, Personal developmentCite as: Wan Azura W.A., Ahmad Fazullah M.Z.A., Samah, R., Ahmad, H., Mohamed, Y., & Ibrahim, M. (2017). Uslub targhib (motivasi) dalam muamalah hasanah: Analisis surah ad-dhuha daripada perspektif psikologi dan retorik [Motivation in good dealings: An analysis of surah ad-dhuha from the psychological and rhetorical perspectives]. Journal of Nusantara Studies, 2(2), 198-213. AbstrakMakalah ini bertujuan menganalisis aplikasi Balaghah al-Badi dalam dua aspek berikut. Pertama, aspek motivasi atau galakan melakukan muamalah yang baik dalam surah ad-Dhuha. Kedua, rahsia pemilihan perkataan tertentu dan pentafsirannya dari segi makna dan semantik yang tersirat di sebalik keindahan bahasa dan uslub dalam surah ad-Dhuha. Ilmu balaghah al-Quran merupakan salah satu bidang bahasa dan sastera Arab yang mengkaji aspek kesenian dan keindahan al-Quran daripada perspektif retorik. Hakikatnya, bahasa Arab sebagai bahasa pengantara al-Quran membuktikan keistimewaan bahasa ini. Justeru, surah ad-Dhuha memaparkan retorik bahasa dari sudut balaghah al-Badi seperti al-Tibaq, al-Muqabalah, al-Jinas dan al-Saj’. Kupasan retorik al-Quran akan menyentuh tema motivasi dalam melakukan muamalah yang baik dalam kehidupan. Kajian ini menggunakan kaedah analisis kualitatif terhadap ayat-ayat yang menjelaskan uslub motivasi yang digunakan dan kupasan elemen retorik dalam surah tersebut. Rujukan utama kajian ialah al-Quran sebagai sumber primer, manakala kitab-kitab tafsir al-Quran dari sudut bahasa (al-Tafsir al-Lughawi) dan buku-buku berkaitan I’jaz al-Quran dan Balaghah Arab sebagai sumber sekunder. Dapatan kajian menunjukkan penggunaan al-Badi dalam surah ini bukanlah sekadar penyeri uslub al-Quran semata-mata, malah tanpa elemen al-Badi, ia akan membawa kepada kecacatan makna. Susunan ayat dalam surah ini cukup indah dan merupakan salah satu cara berkesan dalam proses pendidikan jiwa manusia. Kajian ini merupakan salah satu bidang penyelidikan yang semakin berkembang dalam bidang aplikasi retorik bahasa Arab dan diharap ia dapat memberi sumbangan signifikan dalam pentafsiran dan analisis pelbagai tema dalam al-Quran.Kata Kunci: Balaghah, Ilmu al-Badic, Muamalah hasanah, Motivasi, Pembangunan peribadi
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AL-NAIMI, Dr Fatma. "SURAT ASH-SHURA, AN ANALYTICAL RHETORICAL STUDY". RIMAK International Journal of Humanities and Social Sciences 3, n.º 1 (1 de enero de 2021): 01–13. http://dx.doi.org/10.47832/2717-8293.1-3.1.
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The research deals with the study of Surat al-Shura, an analytical rhetorical study, and the linguistic root of its title indicates its manifestation, presentation, and extraction. In Islam and teaching Muslims to base their lives on this optimal and most complete approach (the method of shura) because of its great impact on the life of the individual and society. It was added in its opening with (Ham) other letters, which are (Asq), and for this reason it is also called (Ham Asak) and is called (Surat Asq) for the purpose of abbreviation, and it was singled out as adding (Asq) to (Ham) because of the severity of the stabbing against the Qur’an. At the time this Surah was revealed, the challenge to them was more severe, so it was more challenging for them than the letters of the spelling. The surah was distinguished by its miraculous rhetorical style, and the abundance of various rhetorical arts in its verse systems. The rhetorical study of this Surah aims to note that the rhetorical arts embrace the ideas and topics presented in a harmonious manner, and how these ideas and themes are manifested through those arts with inspiration, vitality and power of influence, for rhetoric means fulfilling the meaning and abstaining from beauty, that is, the artistic and psychological aesthetic capacity in it, especially since this Surah may She revealed the call during her Meccan era. The research aims to reach an understanding of the aspects of the rhetorical miracles of the Holy Qur’an. The statement of the Qur’anic expression often affects the formula and its derivation. The research relies on the approach of the inductive approach, by following the Qur’anic verses related to this topic in letter and spirit. And the rhetorical analytical method, by analyzing these verses and dividing them according to their content; And the deductive approach, by extracting the rhetoric, meanings, connotations and directions in the noble verses. In the end, I concluded that reaching an understanding of aspects of the rhetorical miracles of the Holy Qur’an can only be achieved through an understanding of the rhetorical method based on deep consideration, feeling and artistic appreciation of the Qur’anic verses.
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AL-NAIMI, Dr Fatma. "SURAT ASH-SHURA, AN ANALYTICAL RHETORICAL STUDY". RIMAK International Journal of Humanities and Social Sciences 3, n.º 1 (1 de enero de 2021): 01–13. http://dx.doi.org/10.47832/2717-8293.1-3.1.
Texto completoResumen
The research deals with the study of Surat al-Shura, an analytical rhetorical study, and the linguistic root of its title indicates its manifestation, presentation, and extraction. In Islam and teaching Muslims to base their lives on this optimal and most complete approach (the method of shura) because of its great impact on the life of the individual and society. It was added in its opening with (Ham) other letters, which are (Asq), and for this reason it is also called (Ham Asak) and is called (Surat Asq) for the purpose of abbreviation, and it was singled out as adding (Asq) to (Ham) because of the severity of the stabbing against the Qur’an. At the time this Surah was revealed, the challenge to them was more severe, so it was more challenging for them than the letters of the spelling. The surah was distinguished by its miraculous rhetorical style, and the abundance of various rhetorical arts in its verse systems. The rhetorical study of this Surah aims to note that the rhetorical arts embrace the ideas and topics presented in a harmonious manner, and how these ideas and themes are manifested through those arts with inspiration, vitality and power of influence, for rhetoric means fulfilling the meaning and abstaining from beauty, that is, the artistic and psychological aesthetic capacity in it, especially since this Surah may She revealed the call during her Meccan era. The research aims to reach an understanding of the aspects of the rhetorical miracles of the Holy Qur’an. The statement of the Qur’anic expression often affects the formula and its derivation. The research relies on the approach of the inductive approach, by following the Qur’anic verses related to this topic in letter and spirit. And the rhetorical analytical method, by analyzing these verses and dividing them according to their content; And the deductive approach, by extracting the rhetoric, meanings, connotations and directions in the noble verses. In the end, I concluded that reaching an understanding of aspects of the rhetorical miracles of the Holy Qur’an can only be achieved through an understanding of the rhetorical method based on deep consideration, feeling and artistic appreciation of the Qur’anic verses.
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Kovalenko, Alla y Dmytro Telpis. "Psychological dimension of modern Ukrainian military diaries". Obraz 40, n.º 3 (2022): 17–28. http://dx.doi.org/10.21272/obraz.2022.3(40)-17-28.
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Introduction. Invaluable from the point of view of personal military experience, comprehension of the phenomenon of war by the participants themselves is documentary literature, such as the texts of G. Kharchenko «Diary of an Artilleryman», R. Zinenko «Illovaysk Diary», V. Chernienko «Diary of a Military Doctor», etc., the last one was the most emotionally expressive. Relevance and purpose of the study. Undoubtedly, war literature, documentary, journalism are now being actively studied in scientific circles from the standpoint of chronicles of events, interest in the author’s personality, his reactions to events, in general, understanding the phenomenon of war between the «fraternal peoples». Our attention is drawn to the axiological and psychological aspects of the study of the documentary text about the war, hence the purpose: to identify the emotional component in such diaries, to classify emotions, emotional states of the author, characters and reader, to determine their correlation with the subjective psychotype of the author, as well as to describe the ways of representing emotionality in the text. Research methods. The study of emotions and emotional states, their allocation in the diaries was carried out on the basis of the content analysis of the text, the allocation of emotions and emotional states named by the author, the use of general scientific methods of analysis, synthesis, comparison, as well as the structural method to highlight the emergence of psychological states and emotions, their stages of formation, influence on the features of the narration in the diary etc. Conclusions. The genre of the diary allows illustrating self-reflection and specifically reflect personal emotions, the author to be as frank as possible with himself (in the studied test also through confession and sleep), and at the same time show an emotional slice of the social experience of war related to professional and civic duties. The analyzed diary shows that in the course of acquiring their own experience of war, the participant/witness experiences the entire emotional paradigm of both primary (anger, disgust, despair, fear, distress, guilt, interest, joy, love, surprise) and secondary emotions, and secondary emotions (emotions in the course of human socialization), named and unnamed, dominant explicated binary emotions (interest-excitement, disgust-aversion-rejection, alertness-expectation-interest), etc.Existential states reflected in the diary, firstly, reflect the emotional image of the author as fully as possible, demonstrate the highest degree of emotionality of the author’s «I»; and secondly, help reflect also the processes of auto-communication and overcoming the distance in communication with the reader, have a powerful influential potential through frankness, openness. The text highlights flashbacks and triggers, which are often a trigger or a certain stage in the experience of emotions and emotional states. In order to avoid psychological trauma, addiction to the psychological state of shock, the author sublimates in the diary, in particular, in the experiences of positive emotions of childhood, love for his father, beauty, admiration for a little girl and dreams of his own children, and therefore – hope for salvation, survival. The emotions and emotional states highlighted in the diary clearly demonstrate the motivation of the activities of servicemen and ordinary Ukrainians in the occupied territories in extreme conditions, as well as have an informational and psychological impact on mass communication in Ukrainian society.