Literatura académica sobre el tema "Mythologie nordique dans la littérature"
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Artículos de revistas sobre el tema "Mythologie nordique dans la littérature"
LAMBERT, Jérémy. "Le récit mythique dans Géologie : l’émergence d’une parole-trace." Revue internationale Henry Bauchau. L’écriture à l’écoute, n.º 4 (15 de junio de 2012): 103–17. http://dx.doi.org/10.14428/rihb.v0i4.17023.
Texto completoBrostrøm, Torben. "La percée du modernisme dans la littérature nordique". Germanica, n.º 12 (1 de junio de 1993): 13–33. http://dx.doi.org/10.4000/germanica.430.
Texto completoGhiasizarch, Abolghasem. "Critic of Literary Myth of Philippe Sellier and Pierre Brunel: Another Vision". IRIS, n.º 36 (30 de junio de 2015): 225–45. http://dx.doi.org/10.35562/iris.1681.
Texto completoGhiasizarch, Abolghasem. "Critic of Literary Myth of Philippe Sellier and Pierre Brunel: Another Vision". IRIS, n.º 36 (30 de junio de 2015): 225–45. http://dx.doi.org/10.35562/iris.1681.
Texto completoDonnard, Anna. "O Outro Mundo dos celtas atlânticos e a mítica Brasil, ilha dos afortunados: primeiras abordagens". Nuntius Antiquus 3 (30 de junio de 2009): 14–28. http://dx.doi.org/10.17851/1983-3636.3..14-28.
Texto completoDonnard, Anna. "O Outro Mundo dos celtas atlânticos e a mítica Brasil, ilha dos afortunados: primeiras abordagens". Nuntius Antiquus 3 (30 de junio de 2009): 14. http://dx.doi.org/10.17851/1983-3636.3.0.14-28.
Texto completoGeertz, Armin W. y Geneviève Deschamps. "Les araignées et les insectes dans la mythologie et la religion des Indiens hopis1". Recherches amérindiennes au Québec 47, n.º 2-3 (12 de junio de 2018): 47–59. http://dx.doi.org/10.7202/1048595ar.
Texto completoThirard, Marie-Agnès. "Les ancêtres d'Ogrest, ogres et géants: mythe ou réalité?" Ondina - Ondine, n.º 6 (7 de septiembre de 2021): 69–85. http://dx.doi.org/10.26754/ojs_ondina/ond.202165113.
Texto completoGuyot, Adrien. "Carrière, Marie. Médée protéiforme. Ottawa : Les Presses de l’Université d’Ottawa, 2012." TranscUlturAl: A Journal of Translation and Cultural Studies 5, n.º 1-2 (28 de marzo de 2014): 216. http://dx.doi.org/10.21992/t9v336.
Texto completoPolak, Gabrielle, Francine Behar-Cohen y Marianne Berdugo. "Des yeux et du regard : proverbes et expressions". médecine/sciences 36, n.º 11 (noviembre de 2020): 1045–53. http://dx.doi.org/10.1051/medsci/2020202.
Texto completoTesis sobre el tema "Mythologie nordique dans la littérature"
Samson, Vincent. ""De furore Berserkico" : les guerriers-fauves dans la Scandinavie ancienne : de l'âge de Vendel aux Vikings : VIème-XIème siècle". Lille 3, 2008. http://www.theses.fr/2008LIL30007.
Texto completoThe aim of this study is to establish that the tradition of "wild warriors" (French "guerriers-fauves") belonged to the historical reality of old Scandinavian society from the VIth to the XIth century. The term "guerrier-fauve" has been used some seventy years ago by Georges Dumézil to tranlate the old Norske berserkr (plural berserkir). In the medieval literature, this word describes a warrior endowed with an uncommon strength, especially feared for its irrepressible outburste of battle rage (berserksgangr). According to Snorri Sturluson, the behaviour of the berserkir must be related to the mythical powers attributed to the god Okin. The examination of old Norse sources, joined to the evidence of the archaeological materials, leads to link these warlike tradition with the religious beliefs of the ancient Nordic aristocracy. This thesis is dealing with etymological interpretation before investigating carefully the whole spectrum of old Norse sources (skaldic and eddic poetry, sagas, laws). A particular attention has been given to the critical review of Haraldskvœđi ("Song for Harald"), which must be seen as a primary source. These analysis results in an interpretation which differs to some extents from the stereotypical pattern displayed by the Icelandic literature (where berserkir are frequently depicted as outlaws) : even the oldest sagas have been written a long time after the events they are referring to. The early medieval Germanic iconography and the runic inscriptions are both providing a strong support to this conclusion : the tradition of the berserkir is intimately connected with the sacral kingship and the institution of warlord's retinue
Adjil, Bachir. "Espace, imaginaire et écriture dans la trilogie nordique de Mohammed Dib". Paris 8, 1992. http://www.theses.fr/1992PA080756.
Texto completoIs there an esoteric sense in the "Trilogie nordique", of Mohammed Dib? From the hermeneutic analysis of his three novels, it clearly appear that the author uses a Gnostic writing. Langage is questioned through a silent talk ( unareasable mark of his proper lack to the expressivity, a representation directly considered as a negativity etc. . . The unspeakable seems to be embodied himself within the things to replace the names, wich create a referential lack by their absence. Then the imperceptible reign over the text to allow transcendency, the writing turns into a mystical interrogation
Roboly, Dimitri. "Constantinople, ville palimpseste dans la mythologie romantique". Paris 4, 1999. http://www.theses.fr/1998PA040177.
Texto completoSoussan, Anne-Claire. "La figure d'Athamas dans la mythologie gréco-latine". Paris 10, 2006. http://www.theses.fr/2006PA100069.
Texto completoAthamas, a king who murdered his children, was well-known inancient times (20 tragedies deal with his story), but his myth has never been thoroughlyresearched. This may be due to the poor state of preservation of sources or to its two-foldlegend, split as it is between the sacrifice of Phrixus and Helle, ie the first act in the quest ofthe Golden Fleece, and the murder of Learchus and Melicertes, as part of the taie ofDionysus' childhood. These two taies of infanticide have parallel narratives yet differ in theirhistories, themes and structures. The first contrasta several sacrificial rituals, which help torestore the natural and religious orders unsettled by Athamas' sacrilege ; it throws light on theargonautic legend. The second is an entanglement of different kinds of stories includingstepmother taies, ritual expulsion of female murderers, the misfortunes of the house ofCadmos, drowned heroines, and syro-phoenician influences. In both cases, Athamas is sentout to wander beyond the borders of the city. He gave his narre to the Athamanes, a tribe ofnomadic shepherds : his myths reaffirm this identity. Such tropes as infanticide or destructiewomen, common to both myths, play in each a different part but give to both renewedcoherence
Stahl, Pierre-Brice. "Étude sur le Vafþrúðnismál et le genre de l’énigme". Thesis, Strasbourg, 2014. http://www.theses.fr/2014STRAG038.
Texto completoThe poem Vafþrúðnismál presents the meeting of two mythological figures, Vafþrúðnir and Óðinn, who compete in a verbal duel. A close study of the text leads to the conclusion that the god is not seeking any knowledge with his questions to the giant. Therefore, the analysis of the nature of the interaction provides a new understanding of the poem and explains several aspects that have, until now, been perceived as problematic. This study shows that there is no injustice regarding the distribution of questions between the two protagonists, but that this follows a specific logic in the text. In the same way, the analysis of the final riddle reveals that it is not ‘unfair’, as it has traditionally been interpreted, but that it has a precise function in the text. Through this literary fiction, Vafþrúðnismál transmits – in a playful way – traditional knowledge, by means of a specific genre: riddling
Vargas-Solar, Genoveva. "La femme serpent : étude d'un mythe fondateur dans le Moyen âge occidental et précolombien". Grenoble 3, 2005. http://www.theses.fr/2005GRE39015.
Texto completoThis dissertation presents a study of the myth of the female snake as a myth of origins. The occidental and pre-Columbian middle ages produced several male and female snakes. In these cultures the female snake appears as a universal symbol and its scope corresponds to mythological spaces. This figure is present in folklore and by literary texts (legends and novels) that talk about the origin of a new social order where power is legitimated by a supernatural being. These texts might hide one of the lessons of a myth of origins where the female snake is a kind of cosmic mother of humanity. Based on the idea of the universality of the female snake, we compare diachronic figures that are part of a collective imaginary which is part of different cultures in precise historic moments. These moments, even if apparently diachronic, converge in the space and time of the universal imaginary. Melusine (middle age fairy) and Tonantzin (pre-Columbian goddess) are the start point of our study The study also includes female serpents stemming from oriental, Indian and Jude civilisations in order to define the permanence of an archetype along the time and identify the way it is modified according to different cultures and socio-historic moments
Couchaux, Brigitte. "Le mythe de Lilith dans la littérature". Paris 4, 1991. http://www.theses.fr/1991PA040133.
Texto completoMonfort, Anne. "Les jumeaux dans la littérature et les mythes allemands". Paris 4, 2004. http://www.theses.fr/2004PA040024.
Texto completoThe object of this study is to identify the mythological patterns linked to the image ot the twins in literature and Middle Age German belief. The research is based on Middle Age novels, popular belief and historical sources. Through very different schemes of twins (same gender or opposite sex) an axis of common interpretation and recurrent patterns - such as the triad or associated animals - clearly appears. Concerning the Middle Age, a mythological analysis shows a local implantation in German-language countries of an Indo-European twins mythology. The emergence of a specific German myth of the twins, which is a literary and political phenomenon, arises much later with Wagner and his reinterpretation of the Völsungasaga in the Valkyrie. Other researches show various survival myths, such as the novels of Thomas Mann inspired by Wagner, or a certain type of comedies using the principle of substitution and also the issue of the enemy brothers of the Sturm und Drang
ABDEL, BAKY MEDHA. "Histoire et mythologie dans l'epopee des punicia de silius italicus". Paris 3, 2000. http://www.theses.fr/2000PA030134.
Texto completoDimopoulou, Barbara. "La mythologie romantique du peuple". Paris 4, 2002. http://www.theses.fr/2002PA040089.
Texto completoThis thesis puts forward a reading, in 4 parts, of the theme of the people from Nodier to Sand. The works of Stendhal, Hugo, Merimee, Nerval, Balzac, Barbey and Michelet are also considered from a mythological viewpoint, taking account of the early popular approaches to the republican notion of nationality. In the first part the pre-romantic idea of the people (philosophical, political and social) is discussed as it appears at the limits of literature. Only those themes which point to the 19th century are chosen from the 18th. Romanticism heir to the enlightenment and the revolution though criticizing them opposes bourgeois domination and marks the apogee of the myth of the people. We distinguish 3 mythemes, each analyzed to the following parts: medievalism (or the reconstructed past), energy (or revolt in the present) and national unity (or the prophesized future). These aspects of the people - child and poet, worker and criminal or creator of the ideal city describe its heroic͏̈c march
Libros sobre el tema "Mythologie nordique dans la littérature"
1950-, Anderson Sarah M. y Swenson Karen, eds. Cold counsel: Women in Old Norse literature and mythology : a collection of essays. New York: Routledge, 2000.
Buscar texto completoScyld and Scef: Expanding the analogues. New York: Routledge, 2002.
Buscar texto completoPaul, Acker y Larrington Carolyne, eds. The poetic Edda: Essays on Old Norse mythology. New York: Routledge, 2002.
Buscar texto completoVerhulst, Gilliane. Répertoire mythologique dans les Métamorphoses d'Ovide. Paris: Ellipses, 2005.
Buscar texto completoBallestra-Puech, Sylvie. Métamorphoses d'Arachné: L'artiste en araignée dans la littérature occidentale. Genève: Droz, 2006.
Buscar texto completoDubarry-Sodini, Christine. Étude sur Sophocle: Oedipe roi. 2a ed. Paris: Ellipses, 2005.
Buscar texto completoDesmeules, Georges. Les mythes littéraires: Naissance et création. Montreal, Québec: L'Instant même, 2015.
Buscar texto completoauteur, Pellerin Gilles 1954, ed. Les mythes littéraires: Épopées homériques. Québec (Québec): L'Instant même, 2013.
Buscar texto completo1948-, Guidorizzi Giulio y Melotti Marxiano, eds. Orfeo e le sue metamorfosi: Mito, arte, poesia. Roma: Carocci, 2005.
Buscar texto completoCalame, Claude. Poétique des mythes dans la Grèce antique. Paris: Hachette supérieur, 2000.
Buscar texto completoCapítulos de libros sobre el tema "Mythologie nordique dans la littérature"
van Rooden, Aukje. "Interruption de la mythologie". En L’Intrigue dénouée. Mythe, littérature et communauté dans la pensée de Jean-Luc Nancy, 62–141. BRILL, 2022. http://dx.doi.org/10.1163/9789004518674_004.
Texto completoRaux, Hélène. "Caser les mythes. Analyse de collections de bandes dessinées consacrées à la mythologie". En L'Antiquité dans la littérature de jeunesse, 53–65. Ausonius Éditions, 2021. http://dx.doi.org/10.4000/books.ausonius.19621.
Texto completoMorel, Anne-Sophie. "Une mythologie de la violence historique. Le géant dans l’œuvre de Chateaubriand". En Les Géants entre mythe et littérature, 161–70. Artois Presses Université, 2007. http://dx.doi.org/10.4000/books.apu.13036.
Texto completoNoacco, Cristina. "Chapitre XI. Les mythes de métamorphose dans la littérature narrative française (XIIe – XIIIe siècles)". En La mythologie de l'Antiquité à la modernité, 157–69. Presses universitaires de Rennes, 2009. http://dx.doi.org/10.4000/books.pur.39603.
Texto completoAJBILOU, Mohammed y Jamal-eddine LFAREH. "Mythème et philosophème dans le théâtre de Sartre et Camus". En Théâtre Mythologique, 279–92. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.4774.
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