Literatura académica sobre el tema "Mythologie chinoise – Dans la littérature"
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Artículos de revistas sobre el tema "Mythologie chinoise – Dans la littérature"
Bonafin, Massimo. "Éléments pour une comparaison du trickster Renart avec le renard dans la tradition littéraire chinoise". Reinardus / Yearbook of the International Reynard Society 24 (31 de diciembre de 2012): 21–28. http://dx.doi.org/10.1075/rein.24.02bon.
Texto completoGhiasizarch, Abolghasem. "Critic of Literary Myth of Philippe Sellier and Pierre Brunel: Another Vision". IRIS, n.º 36 (30 de junio de 2015): 225–45. http://dx.doi.org/10.35562/iris.1681.
Texto completoGhiasizarch, Abolghasem. "Critic of Literary Myth of Philippe Sellier and Pierre Brunel: Another Vision". IRIS, n.º 36 (30 de junio de 2015): 225–45. http://dx.doi.org/10.35562/iris.1681.
Texto completoGacoin-Marks, Florence. "La tension est-ouest comme ressort dramatique chez deux écrivains francophones d’origine chinoise". Acta Neophilologica 54, n.º 1-2 (7 de diciembre de 2021): 165–78. http://dx.doi.org/10.4312/an.54.1-2.165-178.
Texto completoDonnard, Anna. "O Outro Mundo dos celtas atlânticos e a mítica Brasil, ilha dos afortunados: primeiras abordagens". Nuntius Antiquus 3 (30 de junio de 2009): 14–28. http://dx.doi.org/10.17851/1983-3636.3..14-28.
Texto completoOwen, Stephen, Claude Mouchard y Tiphaine Samoyault. "L’expérience du passé dans la littérature chinoise classique". Po&sie 114, n.º 4 (2005): 5. http://dx.doi.org/10.3917/poesi.114.0005.
Texto completoMathieu, Remy. "Note : Images de l'imaginaire dans la mythologie chinoise ancienne : des mythes solaires". Extrême orient Extrême occident 7, n.º 7 (1985): 83–92. http://dx.doi.org/10.3406/oroc.1985.941.
Texto completoDonnard, Anna. "O Outro Mundo dos celtas atlânticos e a mítica Brasil, ilha dos afortunados: primeiras abordagens". Nuntius Antiquus 3 (30 de junio de 2009): 14. http://dx.doi.org/10.17851/1983-3636.3.0.14-28.
Texto completoGeertz, Armin W. y Geneviève Deschamps. "Les araignées et les insectes dans la mythologie et la religion des Indiens hopis1". Recherches amérindiennes au Québec 47, n.º 2-3 (12 de junio de 2018): 47–59. http://dx.doi.org/10.7202/1048595ar.
Texto completoThirard, Marie-Agnès. "Les ancêtres d'Ogrest, ogres et géants: mythe ou réalité?" Ondina - Ondine, n.º 6 (7 de septiembre de 2021): 69–85. http://dx.doi.org/10.26754/ojs_ondina/ond.202165113.
Texto completoTesis sobre el tema "Mythologie chinoise – Dans la littérature"
Li, Shaoqing. "Figures du dépassement de soi : étude comparative des mythes littéraires de Sisyphe et de Jingwei". Electronic Thesis or Diss., Université Côte d'Azur, 2024. http://www.theses.fr/2024COAZ2005.
Texto completoSisyphus, the exemplary figure of hybris in Greek mythology, and Jingwei, the bird symbolizing the sublime of human will in Chinese mythology, share common myths in their mythic narratives: the transgression of death, cyclical action and the vanity of effort. The aim of this thesis is to examine the convergences and divergences between the Sisyphus myth and the Jingwei myth, using a mythocritical study combined with a hermeneutical approach. The didactic reading, whether it's the teaching on measurement in the Greek and latin authors' interpretations of the myth of Sisyphys, or the lesson on the power of human will in the first rewritings of the Jingwei myth, is in fact about the same mental reality: the human disposition of excessive self-assertion, whose different treatments in the two literatures reveal the cultural specificities of each. As mythology is a reservoir of literary motifs for poets, both myths are called upon and transposed in analogous thematic expression: the construction of an imaginary world, the expression of sentiment, the allegorical use as a counter-model for human actions and the exaltation of heroism. Through an analysis of the tendency to rehabilitate the two figures in contemporary literature, we can conclude that these two myths, marked by the mytheme of cyclical action, are a metaphor for the human desire to surpass oneself, and that their rewritings over time address the different facets of this desire. The tension between the invincible impulse to go beyond the limit and the rational awareness of the vanity of this attempt, which is inherent in this metaphor, is manifested as much in the occidental authors' criticism of acts of excess as in the ambivalent attitude that accompanies the heroic reading of the Jingwei myth. The complexity of this tension in the Chinese cultural context, which is based on a different conception of how to act, leads to a skewed reading of Camus's Myth of Sisyphus. The praise for Sisyphus's capacity for habituation in the novel The Four Books is an eloquent example
Roboly, Dimitri. "Constantinople, ville palimpseste dans la mythologie romantique". Paris 4, 1999. http://www.theses.fr/1998PA040177.
Texto completoGuo, Lanfang. "Occidentalisme psychanalytique dans la littérature chinoise de la Nouvelle période". Electronic Thesis or Diss., Sorbonne Paris Cité, 2019. http://www.theses.fr/2019USPCC044.
Texto completoSince the birth of psychoanalysis, close and inseparable links have been forged between this science of man and literature. While the influence of psychoanalysis on Western literature is widely recognized, its contribution to Chinese literature does not seem to be so obvious. The purpose of this thesis is to discern its contribution to Chinese literature of the New Period. In the 1980s, China, driven by a thirst for new knowledge, was again attracted by the West. With the literary debates on subjectivity and modernism, Freud has become a name that has aroused extraordinary interest. Many writers, consciously or unconsciously, have incorporated Freudian thoughts in their creation. In the 1990s, the spread of feminism in China led once again a number of women writers to discover psychoanalytic theories, especially those of feminist psychoanalysts (Hélène Cixous, Julia Kristeva, Luce Irigaray, among others). The present dissertation, based on the reading of over thirty novels by thirteen authors, attempts to underline and analyze the psychoanalytic discourse present in these works through the study of five major subjects resonating with psychoanalysis : the stream of consciousness and the representation of dreams; the writing of sexuality and body; family relationships examined from a psychoanalytic perspective; the narrative of trauma; the figures of psychologist
Soussan, Anne-Claire. "La figure d'Athamas dans la mythologie gréco-latine". Paris 10, 2006. http://www.theses.fr/2006PA100069.
Texto completoAthamas, a king who murdered his children, was well-known inancient times (20 tragedies deal with his story), but his myth has never been thoroughlyresearched. This may be due to the poor state of preservation of sources or to its two-foldlegend, split as it is between the sacrifice of Phrixus and Helle, ie the first act in the quest ofthe Golden Fleece, and the murder of Learchus and Melicertes, as part of the taie ofDionysus' childhood. These two taies of infanticide have parallel narratives yet differ in theirhistories, themes and structures. The first contrasta several sacrificial rituals, which help torestore the natural and religious orders unsettled by Athamas' sacrilege ; it throws light on theargonautic legend. The second is an entanglement of different kinds of stories includingstepmother taies, ritual expulsion of female murderers, the misfortunes of the house ofCadmos, drowned heroines, and syro-phoenician influences. In both cases, Athamas is sentout to wander beyond the borders of the city. He gave his narre to the Athamanes, a tribe ofnomadic shepherds : his myths reaffirm this identity. Such tropes as infanticide or destructiewomen, common to both myths, play in each a different part but give to both renewedcoherence
Vargas-Solar, Genoveva. "La femme serpent : étude d'un mythe fondateur dans le Moyen âge occidental et précolombien". Grenoble 3, 2005. http://www.theses.fr/2005GRE39015.
Texto completoThis dissertation presents a study of the myth of the female snake as a myth of origins. The occidental and pre-Columbian middle ages produced several male and female snakes. In these cultures the female snake appears as a universal symbol and its scope corresponds to mythological spaces. This figure is present in folklore and by literary texts (legends and novels) that talk about the origin of a new social order where power is legitimated by a supernatural being. These texts might hide one of the lessons of a myth of origins where the female snake is a kind of cosmic mother of humanity. Based on the idea of the universality of the female snake, we compare diachronic figures that are part of a collective imaginary which is part of different cultures in precise historic moments. These moments, even if apparently diachronic, converge in the space and time of the universal imaginary. Melusine (middle age fairy) and Tonantzin (pre-Columbian goddess) are the start point of our study The study also includes female serpents stemming from oriental, Indian and Jude civilisations in order to define the permanence of an archetype along the time and identify the way it is modified according to different cultures and socio-historic moments
Couchaux, Brigitte. "Le mythe de Lilith dans la littérature". Paris 4, 1991. http://www.theses.fr/1991PA040133.
Texto completoMonfort, Anne. "Les jumeaux dans la littérature et les mythes allemands". Paris 4, 2004. http://www.theses.fr/2004PA040024.
Texto completoThe object of this study is to identify the mythological patterns linked to the image ot the twins in literature and Middle Age German belief. The research is based on Middle Age novels, popular belief and historical sources. Through very different schemes of twins (same gender or opposite sex) an axis of common interpretation and recurrent patterns - such as the triad or associated animals - clearly appears. Concerning the Middle Age, a mythological analysis shows a local implantation in German-language countries of an Indo-European twins mythology. The emergence of a specific German myth of the twins, which is a literary and political phenomenon, arises much later with Wagner and his reinterpretation of the Völsungasaga in the Valkyrie. Other researches show various survival myths, such as the novels of Thomas Mann inspired by Wagner, or a certain type of comedies using the principle of substitution and also the issue of the enemy brothers of the Sturm und Drang
ABDEL, BAKY MEDHA. "Histoire et mythologie dans l'epopee des punicia de silius italicus". Paris 3, 2000. http://www.theses.fr/2000PA030134.
Texto completoDimopoulou, Barbara. "La mythologie romantique du peuple". Paris 4, 2002. http://www.theses.fr/2002PA040089.
Texto completoThis thesis puts forward a reading, in 4 parts, of the theme of the people from Nodier to Sand. The works of Stendhal, Hugo, Merimee, Nerval, Balzac, Barbey and Michelet are also considered from a mythological viewpoint, taking account of the early popular approaches to the republican notion of nationality. In the first part the pre-romantic idea of the people (philosophical, political and social) is discussed as it appears at the limits of literature. Only those themes which point to the 19th century are chosen from the 18th. Romanticism heir to the enlightenment and the revolution though criticizing them opposes bourgeois domination and marks the apogee of the myth of the people. We distinguish 3 mythemes, each analyzed to the following parts: medievalism (or the reconstructed past), energy (or revolt in the present) and national unity (or the prophesized future). These aspects of the people - child and poet, worker and criminal or creator of the ideal city describe its heroic͏̈c march
Aubert-Nguyen, Hoai Huong. "Occident, Extrême-Orient : l'eau dans la poésie de Paul Claudel et celles de Li Po, Tu Fu, Wang Wei, Saigyô, Bashô et Buson". Paris 10, 2006. http://www.theses.fr/2006PA100033.
Texto completoBetween the West and the Far-East, water is an essential element of the poetry of Paul Claudel and of the poetry of Li Po, Tu Fu, Wang Wei, Saigyô, Bashô et Buson. It seems to be linked to the idea of desire in their work. Through the landscapes where they depict the images of springs, of rivers, of clouds or of the sea, it seems that those poets say a desire to embrace the world. Moreover, as the material dimension of the landscape is for them connected to its spiritual dimension, it seems that they express a desire of “spirit” through their thirst for a nutritive, purifying and exalting “water”, according to the words of Claudel. Water is finally associated to the poetic word by those poets, who seem to say a desire of poetry through the desire of water – the desire of a word which can be flowing, aerial and crystallized as water – a word deeply linked to the nature and to a mystery which is for them related to life
Libros sobre el tema "Mythologie chinoise – Dans la littérature"
Siyan, Jin. L'écriture subjective dans la littérature chinoise contemporaine: Devenir je. Paris: Maisonneuve & Larose, 2005.
Buscar texto completoVerhulst, Gilliane. Répertoire mythologique dans les Métamorphoses d'Ovide. Paris: Ellipses, 2005.
Buscar texto completoMétamorphoses d'Arachné: L'artiste en araignée dans la littérature occidentale. Genève: Droz, 2006.
Buscar texto completoBallestra-Puech, Sylvie. Métamorphoses d'Arachné: L'artiste en araignée dans la littérature occidentale. Genève: Droz, 2006.
Buscar texto completoDubarry-Sodini, Christine. Étude sur Sophocle: Oedipe roi. 2a ed. Paris: Ellipses, 2005.
Buscar texto completoLa Gorgone dans morts sans sépulture de Sartre. Ottawa, Ont: Éditions de l'Université d'Ottawa, 1987.
Buscar texto completoDesmeules, Georges. Les mythes littéraires: Naissance et création. Montreal, Québec: L'Instant même, 2015.
Buscar texto completoDesmeules, Georges. Les mythes littéraires: Épopées homériques. Québec (Québec): L'Instant même, 2013.
Buscar texto completo1948-, Guidorizzi Giulio y Melotti Marxiano, eds. Orfeo e le sue metamorfosi: Mito, arte, poesia. Roma: Carocci, 2005.
Buscar texto completoPhilippe, Baudorre, Boucharenc Myriam y Brousse M, eds. Écrire le sport. Pessac, France: Presses universitaires de Bordeaux, 2005.
Buscar texto completoCapítulos de libros sobre el tema "Mythologie chinoise – Dans la littérature"
MARTIN, Éléonore. "Peut-on parler d’un théâtre mythologique chinois ?" En Théâtre Mythologique, 209–24. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.4713.
Texto completoMathieu, Rémi. "Mythe et histoire dans le Huainan zi". En Approches critiques de la mythologie chinoise, 353–84. Les Presses de l’Université de Montréal, 2008. http://dx.doi.org/10.1515/9782760625174-011.
Texto completoZheng, Chantal. "Morcellement du corps et création dans les mythes des Saisiat, Austronésiens de Taiwan". En Approches critiques de la mythologie chinoise, 385–409. Les Presses de l’Université de Montréal, 2008. http://dx.doi.org/10.1515/9782760625174-012.
Texto completoGhiglione, Anna. "Quelques remarques sur l’imaginaire du tir à l’arc dans la pensée chinoise ancienne". En Approches critiques de la mythologie chinoise, 207–48. Les Presses de l’Université de Montréal, 2008. http://dx.doi.org/10.1515/9782760625174-008.
Texto completoShao, Baoqing. "Écrire le cannibalisme dans la littérature chinoise moderne". En Le corps dans les littératures modernes d’Asie orientale : discours, représentation, intermédialité. Collège de France, 2022. http://dx.doi.org/10.4000/books.cdf.12462.
Texto completoBady, Paul. "La littérature chinoise en France à l’époque contemporaine". En La modernité française dans l'Asie littéraire (Chine, Corée, Japon), 139. Presses Universitaires de France, 2004. http://dx.doi.org/10.3917/puf.kata.2004.01.0139.
Texto completovan Rooden, Aukje. "Interruption de la mythologie". En L’Intrigue dénouée. Mythe, littérature et communauté dans la pensée de Jean-Luc Nancy, 62–141. BRILL, 2022. http://dx.doi.org/10.1163/9789004518674_004.
Texto completoRaux, Hélène. "Caser les mythes. Analyse de collections de bandes dessinées consacrées à la mythologie". En L'Antiquité dans la littérature de jeunesse, 53–65. Ausonius Éditions, 2021. http://dx.doi.org/10.4000/books.ausonius.19621.
Texto completoMorel, Anne-Sophie. "Une mythologie de la violence historique. Le géant dans l’œuvre de Chateaubriand". En Les Géants entre mythe et littérature, 161–70. Artois Presses Université, 2007. http://dx.doi.org/10.4000/books.apu.13036.
Texto completoLIU, Michel. "Plurilinguisme et création littéraire en chinois". En Ecrire entre les langues, 107–12. Editions des archives contemporaines, 2022. http://dx.doi.org/10.17184/eac.6445.
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