Literatura académica sobre el tema "Mythe de l'artiste"
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Artículos de revistas sobre el tema "Mythe de l'artiste":
Hendler, Sefy. "Entre "l'ombre" et "ce qui fait l'ombre" : le Narcisse de Cellini et le Paragone". Studiolo 8, n.º 1 (2010): 169–84. http://dx.doi.org/10.3406/studi.2010.1297.
De Bois, Pierre-Alain. "España Una, España Grande, España Libre de Carlos Giménez:". Neuróptica, n.º 1 (24 de marzo de 2020): 83–102. http://dx.doi.org/10.26754/ojs_neuroptica/neuroptica.201914321.
Araújo, Alberto Filipe Ribeiro de Abreu, Jean-Pierre Sironneau y Hélène Rufat. "CONCEPTION DU MYTHE DANS L’ŒUVRE DE GILBERT DURAND". PARALELLUS Revista de Estudos de Religião - UNICAP 14, n.º 34 (20 de junio de 2023): 195–232. http://dx.doi.org/10.25247/paralellus.2023.v14n34.p195-232.
Rozenblatt, Patrick. "Le mythe français de la modernisation". Articles 50, n.º 3 (12 de abril de 2005): 590–616. http://dx.doi.org/10.7202/051036ar.
Santerre, Renaud. "Vieillesse, monde de femmes: un mythe?" Canadian Journal on Aging / La Revue canadienne du vieillissement 6, n.º 4 (1987): 304–17. http://dx.doi.org/10.1017/s0714980800007583.
Kelly, James B. y Michael Murphy. "Confronting Judicial Supremacy: A Defence of Judicial Activism and the Supreme Court of Cananda's Legal Rights Jurisprudence". Canadian journal of law and society 16, n.º 1 (abril de 2001): 3–27. http://dx.doi.org/10.1017/s0829320100006554.
Saj, Tania L., Charles Mather y Pascale Sicotte. "Traditional taboos in biological conservation: the case of Colobus vellerosus at the Boabeng-Fiema Monkey Sanctuary, Central Ghana". Social Science Information 45, n.º 2 (junio de 2006): 285–310. http://dx.doi.org/10.1177/0539018406063644.
Turk, Boštjan Marko. "Le mythe d'Œedipe-Roi en face du "molinisme" de grandes tragédies cornéliennes". Acta Neophilologica 48, n.º 1-2 (15 de diciembre de 2015): 115–29. http://dx.doi.org/10.4312/an.48.1-2.115-129.
Therrien, Rita. "La responsabilité des familles et des femmes dans le maintien à domicile des personnes âgées : une politique de désengagement ou de soutien de l’État". Le vieillissement 14, n.º 1 (19 de octubre de 2006): 152–64. http://dx.doi.org/10.7202/031496ar.
Laniol, Vincent. "L'article 231 du traité de Versailles, les faits et les représentations. Retour sur un mythe". Relations internationales 158, n.º 2 (2014): 9. http://dx.doi.org/10.3917/ri.158.0009.
Tesis sobre el tema "Mythe de l'artiste":
Sitzia, Emilie. "L'artiste entre mythe et réalité dans trois œuvres de Balzac, Goncourt et Zola". Åbo : Åbo Akademis Förlag, 2004. http://books.google.com/books?id=mzRlAAAAMAAJ.
Sitzia, Emilie. "L'artiste entre mythe et réalité dans trois oeuvres de Balzac, Goncourt et Zola". Åbo : Åbo akademi university press, 2004. http://catalogue.bnf.fr/ark:/12148/cb40044753s.
Rogerat, Marie-Claude. "L'artiste : des représentations, un mythe : étude de l'évolution des représentations de l'artiste au XXème siècle dans la société française, vue à travers les biographies de peintres". Besançon, 2003. http://www.theses.fr/2003BESA1013.
This research work is based upon the study of Van Gogh's, Lautrec's and Monet's biographies. It aims to bring to light the process of setting up of the collective representations people have towards artists. The artist ist mostly regarded as an outstanding, mythical character : this image is being widely spread and leans on the oldest myths and on the 19th century's literature as well. Those lives, conveyors of myth and of sacred, seem to focus the needs of a world in quest of concrete marks, but in quest of dream and imaginativeness too, those marks being the architects of social relationship inside an individualistic, unmoved and anomic society. The purpose of this research is to reveal how one society, during one definite period, can built an image of the artist, according to the values and the ideology which enliven it. An historical study about biographies of artists, added to an analytic work about both contend and form of the stories enable to get to the knowledge of those values
Joannon, Felipe. "Pintar frente al motivo : el mito del artista en la obra literaria de Adolfo Couve". Electronic Thesis or Diss., Paris 8, 2022. http://www.theses.fr/2022PA080088.
This PhD dissertation studies the idea of art and the artist in the literary work of the Chilean painter and writer Adolfo Couve (1940-1998). It approaches his fiction and non-fiction from a unique perspective marked by what we will define as his “myth of the artist”. Anchored in certain concepts and theories of contemporary myth studies, the dissertation identifies five moments or phases that define the artist in Couve’s work. These moments, which are especially visible in some passages of the works that narrate the life of an artist (La lección de pintura, 1979; La comedia del arte, 1995; Cuando pienso en mi falta de cabeza, 2000), are the following: “vocation”, “apprenticeship”, “crisis”, “proposition” and “liberation”. Using the description of these milestones in the itinerary of Couve’s artists as a starting point, the dissertation explores the main aesthetic questions raised by the author’s oeuvre, which will be compared with the expression of his artistic thought in his interviews and writings on art. The main thesis is that the idea of art contained in the literary work of Adolfo Couve is built in (and at the same time is a symbol of) the crossroads –faced by Western modern thought since the early twentieth century– between the crisis of the paradigm of reason and the attempt to rehabilitate certain values associated with mythical thought
Este trabajo estudia la idea de arte y de artista en la obra literaria del pintor y escritor chileno Adolfo Couve (1940-1998). En particular, propone abordar sus textos de ficción y de no ficción desde una única perspectiva marcada por lo que definiremos como su mito de artista. En base a determinados conceptos y teorías propias de los estudios contemporáneos sobre los mitos, se identifican cinco momentos o fases que definen al artista en la obra de Couve. Estos momentos, especialmente visibles en algunos pasajes de las obras que narran la vida de un artista (La lección de pintura, 1979; La comedia del arte, 1995; Cuando pienso en mi falta de cabeza, 2000) son: “vocación”, “aprendizaje”, “crisis”, “apuesta” y “liberación”. A partir de la descripción de estos hitos en el itinerario del artista couveano, analizaremos las principales preocupaciones estéticas que plantea la literatura del autor, las que cotejaremos con la expresión de su pensamiento artístico que consta en sus entrevistas y escritos sobre arte. Como hipótesis general, se postula que la idea de arte contenida en la obra literaria de Adolfo Couve se construye en (y es al mismo tiempo símbolo de) la encrucijada que enfrenta el pensamiento moderno occidental desde inicios del siglo XX, entre la crisis del paradigma de la razón y el intento por rehabilitar determinados valores asociados al pensamiento mítico
Vitacca, Sara. "Un mythe à l'oeuvre : la réception de Michel-Ange entre 1875 et 1914". Thesis, Paris 1, 2018. http://www.theses.fr/2018PA01H060.
This thesis explores the reception of Michelangelo between 1875, date on which the celebrations for the fourth centenary of the artist’s birth were held in Florence, and 1914. During this time, the cult of Buonarroti became an international phenomenon, rooted in a cultural history of taste and artistic inspiration. Through an attentive study of circles and figures that actively promoted the celebration of Michelangelo, from Gabriele d’Annunzio to Auguste Rodin, the aim of this work is to unveil the action of an artistic myth that deeply shaped the creation of the time. On one hand, the legendary figure of Michelangelo became the paradigm of the divine and superhuman creator ; on the other hand, the love for the old master unfolded the ambition of those who hoped to renew an art based on sublime subjects, heroic nudity and monumentality, in order to load their creation with the same aesthetics qualities seen in Michelangelo’s art. Thus, michelangelism reveals itself as a complex artistic problem, capable of shedding light on an unusual artistic geography, while revealing an animated debate upon the multiple uses of the past, between nostalgy and modernity, between imitation and emulation. On a larger scale, then, this subject also engage in a deeper investigation upon the fundamental notions of authority, parentage, and reference, who are at the very core of the revival of Michelangelo at the end of the nineteenth century
Girouard, Caroline. "L'édification d'un mythe : Lautréamont et l'idolâtrie surréaliste". Thèse, 2007. http://hdl.handle.net/1866/7288.
Capítulos de libros sobre el tema "Mythe de l'artiste":
Durand, Jean-François. "Chapitre 5. Le chant du monde entre le roman et le mythe". En Les métamorphoses de l'artiste, 127–42. Presses universitaires de Provence, 2000. http://dx.doi.org/10.4000/books.pup.852.