Bibliografías temáticas / Müteferrika Press

Literatura académica sobre el tema "Müteferrika Press"

Autor: Grafiati
Publicado: 25 de julio de 2024
Última modificación: 26 de julio de 2024

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Artículos de revistas sobre el tema "Müteferrika Press"

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KENAN, Seyfi. "Kemal Beydilli, Two İbrahims: Müteferrika and His Successor – Off The Founders of The Ottoman Printing Press". Osmanlı Araştırmaları 56, n.º 56 (3 de diciembre de 2020): 344–46. http://dx.doi.org/10.18589/oa.862923.

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Karic, Dzenita. "Book Review: Sabev, Orlin. Waiting for Müteferrika: Glimpses of Ottoman Print Culture (Istanbul: Academic Studies Press, 2018), p. 200. ISBN: 978-161-8116-18-". darulfunun ilahiyat 30, n.º 1 (30 de junio de 2019): 289–91. http://dx.doi.org/10.26650/di.2019.30.1.0008.

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Gencer, Yasemin. "Waiting for Müteferrika: Glimpses of Ottoman Print Culture. By Orlin Sabev. Boston: Academic Studies Press, 2018. Pp. xxiii + 143 + 3 illustrations. $99.00 (cloth)." Journal of Near Eastern Studies 80, n.º 1 (1 de abril de 2021): 213–18. http://dx.doi.org/10.1086/712951.

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4

Swanick, Sean E. "İ brahim Müteferrika and the Printing Press: A Delayed Renaissance (pp 269-292)". Papers of The Bibliographical Society of Canada 52, n.º 1 (1 de mayo de 2016). http://dx.doi.org/10.33137/pbsc.v52i1.22262.

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BAŞARAN, Ayşe. "Reconsidering the Role of Ulema and Scribal Actors in the Ottoman Transition from Manuscript to the Printed Medium". Divan: Disiplinlerarası Çalışmalar Dergisi, 6 de junio de 2023. http://dx.doi.org/10.20519/divan.1253075.

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Resumen
The traditional literature on the Ottoman printing enterprise has for long placed the traditional actors of the written word including the ulema and the calligraphers at a counter position to new technology and its connotations. The printed medium, however, has incorporated many of these actors, who continued to fulfill some of the most important tasks. From editorial work to the techno-material aspects of printing, these actors did not remain isolated, but garnered new opportunities for themselves in a rapidly changing cultural environment. By focusing exclusively on the Imperial Press to reveal the editorial workload largely owned up by the ulema, this paper reveals how the know-how of these scholars was critical for the transition to a new cultural medium. It also illuminates the central role played by the scribes and the calligraphers, who had allegedly ‘revolted’ against İbrahim Müteferrika in the eighteenth century, in providing the aesthetic continuity from the manuscript to the printed book in the Ottoman Empire. Overall, this paper argues that the new technology did not necessarily eliminate old professions, but allowed professionals to adapt and carry their skills to the new environment.
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Libros sobre el tema "Müteferrika Press"

1

Early Ottoman printing: The Müteferrika Press : Turkish incunabula from the Müteferrika Press, 1729-1794. Leiden, the Netherlands: IDC, 2004.

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Capítulos de libros sobre el tema "Müteferrika Press"

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"Chapter 3. Deus ex Machina: The Müteferrika Press". En Waiting for Müteferrika, 36–56. Academic Studies Press, 2019. http://dx.doi.org/10.1515/9781618116192-008.

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2

Osborn, J. R. "The Ottoman System of Scripts and the Müteferrika Press". En Manuscript and Print in the Islamic Tradition, 61–88. De Gruyter, 2022. http://dx.doi.org/10.1515/9783110776485-003.

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3

Sabev, Orlin. "The Müteferrika Press: Obstacles, Circumvention, and Repercussion According to Contemporary German Sources (1727–1741)". En Arabic-Type Books Printed in Wallachia, Istanbul, and Beyond, 21–48. De Gruyter, 2024. http://dx.doi.org/10.1515/9783111060392-002.

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4

"The Sultan’s Answer to the Medici Press? Ibrahim Müteferrika’s Printing House in Istanbul". En The Republic of Letters and the Levant, 265–91. BRILL, 2005. http://dx.doi.org/10.1163/9789047416562_015.

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