Literatura académica sobre el tema "Musique élargie"
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Artículos de revistas sobre el tema "Musique élargie"
Bertrand, Denis y Veronica Estay Stange. "Transversalité du sens et relations interartistiques : l’héritage greimassien". Semiotica 2017, n.º 219 (27 de noviembre de 2017): 315–33. http://dx.doi.org/10.1515/sem-2017-0070.
Texto completoLelong, Guy. "Musique in situ1". Circuit 17, n.º 3 (28 de febrero de 2008): 11–20. http://dx.doi.org/10.7202/017585ar.
Texto completoHuvet, Chloé. "La dissociation musique/images dans Jurassic Park : un élargissement des pratiques compositionnelles de l’âge d’or hollywoodien dans la partition de John Williams". Les Cahiers de la Société québécoise de recherche en musique 15, n.º 2 (13 de abril de 2016): 23–39. http://dx.doi.org/10.7202/1036117ar.
Texto completoLintz, Yannick. "Le patrimoine. Un concept au coeur de la question de l’éducation culturelle à l’école". Diversité 148, n.º 1 (2007): 141–46. http://dx.doi.org/10.3406/diver.2007.2722.
Texto completoKotnik, Vlado. "Lévi-Strauss et l’Opéra". Issues in Ethnology and Anthropology 4, n.º 2 (28 de febrero de 2016): 101–20. http://dx.doi.org/10.21301/eap.v4i2.6.
Texto completoComeau, Gilles. "Bonnet, C. et Zulauf, M. (1992). Entre notes. Trois ans d’expérience d’enseignement élargi de la musique dans le Canton de Vaud. Lausanne : Centre vaudois de recherches pédagogiques." Revue des sciences de l'éducation 20, n.º 2 (1994): 388. http://dx.doi.org/10.7202/031718ar.
Texto completoThisselin, Thomas. "Le rôle des virtuoses dans la valorisation de la musique soviétique Examen de la presse communiste française. Examen de la presse communiste française". Slovo The Distant Voyages of Polish..., Varia (6 de mayo de 2021). http://dx.doi.org/10.46298/slovo.2021.7452.
Texto completoBooth, Geoffrey. "Managing the Muses: Musical Performance and Modernity in the Public Schools of Late-Nineteenth Century Toronto". Historical Studies in Education / Revue d'histoire de l'éducation, 4 de noviembre de 2013. http://dx.doi.org/10.32316/hse/rhe.v25i2.4313.
Texto completoStahl, Matt y Leslie Meier. "The Firm Foundation of Organizational Flexibility: The 360 Contract in the Digitalizing Music Industry". Canadian Journal of Communication 37, n.º 3 (29 de septiembre de 2012). http://dx.doi.org/10.22230/cjc.2012v37n3a2544.
Texto completoSantos, Vanessa Lessa Fraga dos y Mônica Santos Salgado. "École de théâtre Bolchoï à Rio de Janeiro : intégration entre art, éducation et architecture". Revista Científica Multidisciplinar Núcleo do Conhecimento, 8 de junio de 2021, 142–73. http://dx.doi.org/10.32749/nucleodoconhecimento.com.br/architecture-fr/ecole-de-theatre.
Texto completoTesis sobre el tema "Musique élargie"
Seress, Hugues. "La musique « folklorique » pour piano (1907 – 1920) de Béla Bartók : emprunt symbolique, matériau combinatoire". Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040101.
Texto completoBorrowing from folklore constitutes one of the numerous operations done by early 20th century creators from a material pre-existing to their works. Those operations are subtended by multiple identity-searching processes that often shift the eyes of the analyst away from the work to the whole of its symbolical and contextual connotations. Questioning oneself about the consequences, be they stylistic or technical, of those phenomena doesn’t seem to be taken for granted. By reexamining the tonal structure of works, with or without borrowings, composed by Béla Bartók between 1903 and 1920, through a pattern of Neo-Riemannian inspiration, enabling an interpretation of their tonal distances based on the definition of triadic unit. This study aims at reassessing, beyond their tonality, corpuses still to often considered as split apart by a rather impervious flaw line, that between romanticism and modernity
Do, Hana. "L'immersion sonore : analyse du phénomène et réalisation compositionnelle". Electronic Thesis or Diss., Sorbonne université, 2024. https://accesdistant.sorbonne-universite.fr/login?url=https://theses-intra.sorbonne-universite.fr/2024SORUL030.pdf.
Texto completoThe term “ sound immersion ” appeared in various artistic fields at the end of the 20th century. It covers many dimensions, whether they are physical, metaphorical or even metaphysical. However, sound immersion can only be achieved with, by or for sound.From the concrete realization of the auditory phenomenon in all its omnidirectionality, to the artistic and contextualized implementation of interaction with the sound world, via a conjunction with the ecological spirit to the quest for modified states of consciousness, sound immersion proposes to communicate differently with the world through sound. In particular, the term has gained considerable extent with contemporary music, highlighting new paradigms and concepts, developing new ways of approaching areas such as corporeality, multiplicity, interaction, fusion, or spirituality. The notion of sound immersion helps us to understand several specific languages, and the resulting aesthetic implies multiple trends or styles, and is thus associated with the search for greater sensitivity and expanded spatiality, a non-linear form of temporality or more metaphorical philosophical concepts. To better understand the ins and outs of this phenomenon, the thesis focuses on the study of Luigi Nono's universe through the analysis of his work Prometeo. Tragedia dell'ascolto (1981-1984, rev. 1985). All the particularities of sound immersion, from aesthetic apprehension to compositional realization, are illustrated, clarifying its artistic and human scope
Libros sobre el tema "Musique élargie"
Zulauf, Madeleine. Cinq périodes à la clé: Observation de la première année d'expérience d'enseignement élargi de la musique. Lausanne: Centre vaudois de recherches pédagogiques, 1990.
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