Artículos de revistas sobre el tema "Musicology / Organ / 20th century"
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Whittall, Arnold. "Thoughts for the Future". Tempo, n.º 202 (octubre de 1997): 2. http://dx.doi.org/10.1017/s0040298200048865.
Texto completoSiuta, Bohdan. "Notion “Genre Type” as the Metalіngual Unit of the Modern Musical Theory". Terminological Bulletin, n.º 5 (2019): 188–95. http://dx.doi.org/10.37919/2221-8807-2019-5-25.
Texto completoNuo, Xu. "The reform of Chinese Musical Culture and the Formation of Musical Psychology in the Early 20th Century". Университетский научный журнал, n.º 77 (25 de diciembre de 2023): 99–111. http://dx.doi.org/10.25807/22225064_2023_77_99.
Texto completoVesic, Ivana y Danka Lajic-Mihajlovic. "The dominant currents in the research of music in Serbia: An overview of the Institute of Musicology SAS’s early history (1947-1965)". Muzikologija, n.º 25 (2018): 49–76. http://dx.doi.org/10.2298/muz1825049v.
Texto completoHuovinen, Erkki. "Musiikin aatehistoriaa". Trio 12, n.º 1 (29 de junio de 2023): 33–42. http://dx.doi.org/10.37453/tj.131226.
Texto completoLajic-Mihajlovic, Danka. "Audio collection in the SASA Institute of Musicology". Muzikologija, n.º 10 (2010): 141–51. http://dx.doi.org/10.2298/muz1010141l.
Texto completoHysa, Oksana, Bingqiang Liu, Olha Yeremenko, Larisa Biryukova y Bei Liu. "THE HISTORY OF MUSICOLOGY STUDIES AT THE UNIVERSITY OF WROCLAW AND THEIR RELATIONSHIP WITH THE STATE-RELIGIOUS GENESIS OF JAGELLONISM IN THE XV-XVI CENTURIES". Conhecimento & Diversidade 15, n.º 40 (6 de diciembre de 2023): 417–27. http://dx.doi.org/10.18316/rcd.v15i40.11246.
Texto completoBrie, Mihai. "Gheorghe Dima – Seiten von der wertvollen hermannstädter musikalischen Tätigkeit". Studia Universitatis Babeş-Bolyai Musica 65, n.º 2 (21 de diciembre de 2020): 129–42. http://dx.doi.org/10.24193/subbmusica.2020.2.10.
Texto completoQiang, Wang. "Qu Xiao-Song’s Oratorio “Cleaving the Coffi n”: Features of Vocal and Orchestral Style". Университетский научный журнал, n.º 79 (24 de abril de 2024): 152–59. http://dx.doi.org/10.25807/22225064_2024_79_152.
Texto completoMiklós, Noémi. ""Organs in Transylvania – Part 2. Transylvanian Organs During the 19th Century "". Studia Universitatis Babeş-Bolyai Musica 67, n.º 2 (20 de diciembre de 2022): 177–91. http://dx.doi.org/10.24193/subbmusica.2022.2.10.
Texto completoTotan, Virðinia y Petruța Maria Coroiu. "Impressionism in Serbian Music". Studia Universitatis Babeş-Bolyai Musica 68, n.º 2 (30 de diciembre de 2023): 39–61. http://dx.doi.org/10.24193/subbmusica.2023.2.03.
Texto completoSTETSKOVYCH, Olena. "MASS MUSIC CULTURE OF THE 20TH – EARLY 21ST CENTURY IN THE MIRROR OF MODERN UKRAINIAN MUSICOLOGY". Humanities science current issues 2, n.º 64 (2023): 114–19. http://dx.doi.org/10.24919/2308-4863/64-2-19.
Texto completoMykola, Udovychеnko. "Ways of shaping the concert repertoire for the viola in the 17th–19th centuries". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 62, n.º 62 (16 de septiembre de 2022): 7–24. http://dx.doi.org/10.34064/khnum1-62.01.
Texto completoDér, András. "Special Issue on Versatile Organ-on-a-Chip Devices". Micromachines 12, n.º 12 (25 de noviembre de 2021): 1444. http://dx.doi.org/10.3390/mi12121444.
Texto completoPuchalska, Iwona. "Deus ex machina, czyli o doświadczeniu fonografii w poezji Stanisława Barańczaka / DEUS EX MACHINA, OR THE EXPERIENCE OF PHONOGRAPHY IN THE POETRY OF STANISŁAW BARAŃCZAK". Ruch Literacki 54, n.º 4-5 (1 de octubre de 2013): 477–94. http://dx.doi.org/10.2478/v10273-012-0082-3.
Texto completoNaumenko, Tatiana I. "Soviet Musicology: Pro et Contra. Work on Archival Materials from the Soviet Era". Problemy Muzykal'noj Nauki / Music Scholarship, n.º 4 (2022): 22–37. http://dx.doi.org/10.56620/2782-3598.2022.4.022-037.
Texto completoAnuchin, Artem Maximovich. "Musical portrait of Nikolay Tcherepnin: Stages of his life and creative work. On the 150th anniversary of his birth". Manuscript 17, n.º 2 (15 de marzo de 2024): 76–84. http://dx.doi.org/10.30853/mns20240011.
Texto completoTabyisova, Fedosia W. "Trio Texture in Choral Arrangements and Polyclavier Organ of Southern Germany in the First Third of the 16th Century". Contemporary Musicology, n.º 2 (2022): 81–106. http://dx.doi.org/10.56620/2587-9731-2022-2-081-106.
Texto completoKlendii, Oleksandra. "Music editing in the aspect of interdisciplinary connections (according to pages of foreign studies)". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 66, n.º 66 (9 de abril de 2023): 191–206. http://dx.doi.org/10.34064/khnum1-66.12.
Texto completoPeno, Vesna. "Methodological disputes about interpretation of neum notation in the 20th century". Muzikologija, n.º 18 (2015): 15–33. http://dx.doi.org/10.2298/muz1518015p.
Texto completoGorbunova, Irina B. y Mikhail S. Zalivadny. "About Applying Probabilistic-Static Methods in Studying Regular Laws of Music and Musical-Pedagogical Research Works". Music Scholarship / Problemy Muzykal'noj Nauki, n.º 1 (2022): 35–49. http://dx.doi.org/10.33779/2782-3598.2022.1.035-049.
Texto completoBralovic, Milos y Ivana Medic. "The composer and his critics: The reception of Stanojlo Rajicic’s works in the light of crucial events for the development of Serbian music in the twentieth century". Muzikologija, n.º 31 (2021): 59–94. http://dx.doi.org/10.2298/muz2131059b.
Texto completoKysliuk, Andrii. "Lysenkiana in the Studies of Mykhailo Stepanenko in Its Connections with Musicological Tradition and Modern Investigations of the Artist’s Heritage". Folk Art and Ethnology, n.º 2 (30 de junio de 2024): 87–94. http://dx.doi.org/10.15407/nte2024.02.087.
Texto completoStrizhakova, Elena A. "F. J. Fetis and his role in the development of French organ playing school in the second half of the 19th century". Contemporary Musicology, n.º 4 (2020): 75–89. http://dx.doi.org/10.56620/2587-9731-2020-4-075-089.
Texto completoTao, Jin. "PERFORMANCE CHARACTERISTICS of Eugene Goossens’s Concerto for Oboe and Orchestra". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 60, n.º 60 (3 de octubre de 2021): 167–83. http://dx.doi.org/10.34064/khnum1-60.09.
Texto completoTeparić, Srđan. "Analytical Listening and Aesthetic Experience in Music Criticism". Arts 13, n.º 1 (14 de febrero de 2024): 34. http://dx.doi.org/10.3390/arts13010034.
Texto completoKushch, Viktoriia. "Chamber vocal works by Ivan Karabyts in the Ukrainian musicological discourse". Collection of scientific works “Notes on Art Criticism”, n.º 39 (1 de septiembre de 2021): 196–201. http://dx.doi.org/10.32461/2226-2180.39.2021.238720.
Texto completoDUȚICĂ, Luminița y Ema-Laura STANCIU. "Sound polychromes in the choral creation of the composer Gheorghe Duțică". BULLETIN OF THE TRANSYLVANIA UNIVERSITY OF BRASOV SERIES VIII - PERFORMING ARTS 13 (62), SI (20 de enero de 2021): 57–68. http://dx.doi.org/10.31926/but.pa.2020.13.62.3.6.
Texto completoКовнацкая, Л. Г. "The XVIII Bach Readings in St. Petersburg". OPERA MUSICOLOGICA, n.º 2021 (15 de septiembre de 2021): 96–107. http://dx.doi.org/10.26156/om.2021.13.3.006.
Texto completoTazegul, Gokhan, Humeyra Bozoglan, Tahir S. Ogut y Mustafa K. Balci. "A Clinician's Artificial Organ? Instant Messaging Applications in Medical Care". International Journal of Artificial Organs 40, n.º 9 (24 de mayo de 2017): 477–80. http://dx.doi.org/10.5301/ijao.5000606.
Texto completoVasic, Aleksandar. "The beginnings of Serbian music historiography: Serbian music periodicals between the world wars". Muzikologija, n.º 12 (2012): 143–64. http://dx.doi.org/10.2298/muz120227007v.
Texto completoBausch, Sebastian y Manuel Bärtsch. "Geisterhände – neu belebt". Schweizer Jahrbuch für Musikwissenschaft 40 (19 de abril de 2024): 103–8. http://dx.doi.org/10.36950/sjm.40.9.
Texto completoКнязева, Ж. В. "Manfred Bukofzer, Paul Sacher and the Basel Ordinariat". Научный вестник Московской консерватории, n.º 4(39) (7 de diciembre de 2019): 162–93. http://dx.doi.org/10.26176/mosconsv.2019.39.4.006.
Texto completoГрохотов, С. В., К. В. Зенкин, Р. А. Насонов, Т. В. Цареградская y В. П. Чинаев. "Following the Conference “From Art Nouveau to Futurism” (Virtual Round-Table Discussion)". Научный вестник Московской консерватории, n.º 1(40) (20 de marzo de 2020): 56–67. http://dx.doi.org/10.26176/mosconsv.2020.40.1.004.
Texto completoRyzhinsky, Alexander S. "British Choral Music at the Turn of the 19th and 20th Centuries: the Phenomenon of the English Musical Renaissance". Problemy muzykal'noi nauki / Music Scholarship, n.º 2 (julio de 2023): 53–67. http://dx.doi.org/10.56620/2782-3598.2023.2.053-067.
Texto completoRadoman, Valentina. "On comparative research in musicology: Peripheral vs. Central European musical culture and the musicological comparative approach in the 20th century". New Sound, n.º 39-1 (2012): 30–48. http://dx.doi.org/10.5937/newso1201030r.
Texto completoDumbill, Richard y Sanjay Sinha. "Seven decades of organ transplantation: Out of the 20th and into the 21st century". Journal of Indira Gandhi Institute of Medical Sciences 10, n.º 1 (2024): 3–5. http://dx.doi.org/10.4103/jigims.jigims_47_23.
Texto completoZhornikova, Mariia. "EMBODIMENT OF THE PRINCIPLES OF SONOR WRITING IN THE CREATIVE WORKS OF E. VILLA-LOBOS (on the example of the piano suite “Dolls”)". Problems of Interaction Between Arts, Pedagogy and the Theory and Practice of Education 58, n.º 58 (10 de marzo de 2021): 158–81. http://dx.doi.org/10.34064/khnum1-58.10.
Texto completoDOLGUSHINA, MARINA. "CROSS-CULTURAL CONNECTIONS IN BRIGHT SHENG'S OPERA THE SONG OF MAJNUN". Культурный код, n.º 2023-1 (2023): 100–111. http://dx.doi.org/10.36945/2658-3852-2023-1-100-111.
Texto completoBrooke, Christopher, Howell Edwards, Peter Vandenabeele, Sylvia Lycke y Michelle Pepper. "Raman Spectroscopic Analysis of an Early 20th Century English Painted Organ Case by Temple Moore". Heritage 3, n.º 4 (21 de octubre de 2020): 1148–61. http://dx.doi.org/10.3390/heritage3040064.
Texto completoKogler, Susanne. "Art as a Critique of Language: On the Continuity of the Tradition of the Avant-Garde Aesthetic in the Modern and the Postmodern". Musicological Annual 43, n.º 2 (1 de diciembre de 2007): 287–303. http://dx.doi.org/10.4312/mz.43.2.287-303.
Texto completoGumerova, Aysylu Tagirovna. "The tradition of Orthodox singing of the baptized Tatars of the Laish and Mamadysh districts of Kazan province: the historical background". PHILHARMONICA. International Music Journal, n.º 3 (marzo de 2021): 82–88. http://dx.doi.org/10.7256/2453-613x.2021.3.35028.
Texto completoNikolskaya, I. I. "The Warsaw Autumn International Music Festival — Overcoming the Boundaries between East and West". Art & Culture Studies, n.º 4 (diciembre de 2023): 500–555. http://dx.doi.org/10.51678/2226-0072-2023-4-500-555.
Texto completoBoettcher, Wolfgang, Frank Merkle y Heinz-Hermann Weitkemper. "History of Extracorporeal Circulation: The Conceptional and Developmental Period". Journal of ExtraCorporeal Technology 35, n.º 3 (septiembre de 2003): 172–83. http://dx.doi.org/10.1051/ject/2003353172.
Texto completoVasiliu, Laura-Otilia. "Noi istorii ale muzicilor românești [New histories of Romanian types of music] – The most important editorial publication in the Romanian musicology of recent years". Artes. Journal of Musicology 24, n.º 1 (1 de abril de 2021): 329–43. http://dx.doi.org/10.2478/ajm-2021-0020.
Texto completoRastegar, Sohi. "Life Force". Mechanical Engineering 122, n.º 03 (1 de marzo de 2000): 74–79. http://dx.doi.org/10.1115/1.2000-mar-4.
Texto completoRusu-Persic, Dalia. "Critical reception of late 19th century Iași-based music. Alexandru Flechtenmacher". Artes. Journal of Musicology 18, n.º 1 (1 de marzo de 2018): 190–206. http://dx.doi.org/10.2478/ajm-2018-0012.
Texto completoUrbaniak, Krzysztof. "The organ made by Andreas Hildebrandt at tHe elevation of tHe Holy Cross Church in Pruszcz Gdański". Notes Muzyczny 2, n.º 14 (10 de diciembre de 2020): 29–58. http://dx.doi.org/10.5604/01.3001.0014.5747.
Texto completoFu, Xiaojiao. "Court Music of the Qing Dynasty at the End of the 17th-18th Centuries: Main Aspects of Research". PHILHARMONICA. International Music Journal, n.º 6 (junio de 2022): 40–54. http://dx.doi.org/10.7256/2453-613x.2022.6.39562.
Texto completoPina, Isabel. "A Russian way of depicting true Portuguese traditions? Alentejo Suite No. 1 by Luis de Freitas Branco and its connections with intergalisimo lusitano". Contemporary Musicology, n.º 3 (2019): 73–91. http://dx.doi.org/10.56620/2587-9731-2019-3-073-091.
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