Literatura académica sobre el tema "Musiciennes dans la littérature"
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Artículos de revistas sobre el tema "Musiciennes dans la littérature"
Liveri, Angeliki. "Sirens’ Songs and Music: Their Representations and Significance on Archaic and Classical Attic Vase-Paintings". Pallas 124 (2024): 135–70. http://dx.doi.org/10.4000/1221l.
Texto completoMbwangi, Julien Mbwangi. "Littérature Orale et Société. La Chanson ‘Attention Au Sida’ et la Vie Sociale en rd Congo". Afrika Focus 33, n.º 1 (27 de febrero de 2020): 105–23. http://dx.doi.org/10.1163/2031356x-03301007.
Texto completoLemieux, Audrey. "Wittgenstein, philosophe des romanciers". Recherches sémiotiques 30, n.º 1-2-3 (15 de julio de 2014): 147–64. http://dx.doi.org/10.7202/1025930ar.
Texto completoDziub, Nikol. "CARICATURE ET IDEAL AU XIXe SIECLE : LE CLUB DES ECRIVAINS-JOURNALISTES". Non Plus, n.º 8 (8 de febrero de 2016): 6–19. http://dx.doi.org/10.11606/issn.2316-3976.v4i8p6-19.
Texto completoMithout, Anne-Lise. "Les musiciens aveugles itinérants au Japon du Moyen Âge au XXe siècle". Canadian Journal of Disability Studies 8, n.º 6 (19 de diciembre de 2019): 87–107. http://dx.doi.org/10.15353/cjds.v8i6.581.
Texto completoBarnat, Ons. "Le studio d’enregistrement comme terrain en ethnomusicologie". Ethnologies 37, n.º 2 (18 de octubre de 2017): 185–206. http://dx.doi.org/10.7202/1041493ar.
Texto completoHarvey, Fernand. "La politique culturelle d'Athanase David, 1919-1936". Tradition et modernité dans la culture québécoise au XXe siècle, n.º 57 (29 de febrero de 2012): 31–83. http://dx.doi.org/10.7202/1008103ar.
Texto completoChaachoo, Amin, Zakaria Charia y Abdelfattah Lahiala. "L’INNOVATION DE L’ENSEIGNEMENT DE LA MUSIQUE ANDALOUSE". Conhecimento & Diversidade 15, n.º 39 (6 de noviembre de 2023): 156–75. http://dx.doi.org/10.18316/rcd.v15i39.11164.
Texto completoYalouns, Nikolaos. "La contribution des jeux au développement des lettres et des arts en Grèce Ancienne". Classica - Revista Brasileira de Estudos Clássicos 1, n.º 1 (20 de noviembre de 1988): 79–92. http://dx.doi.org/10.24277/classica.v1i1.645.
Texto completoDoucet, Jeanne. "La perception du groove dans la musique funk et ses dérivés : revue et analyses". Les Cahiers de la Société québécoise de recherche en musique 15, n.º 2 (13 de abril de 2016): 87–97. http://dx.doi.org/10.7202/1036121ar.
Texto completoTesis sobre el tema "Musiciennes dans la littérature"
Rybicki, Marie-Hélène. "Le mythe de Paganini dans la presse et la littérature". Paris 4, 2004. https://acces.bibliotheque-diderot.fr/login?url=https://doi.org/10.15122/isbn.978-2-8124-2932-3.
Texto completoThis study is devoted to the presence of Paganini in the press and literature of his time. It explores how this exceptional musician became a character in fictional works in Italy, Germany, France and England, and what influence this "literary career" had on the representation of musicians in novels and short stories during the nineteenth century. The first part of this study begins with a review of the main events in Paganini's life then focuses on the way in which his actions are recounted in the press, revealing the controversies provoked by the violinist's technique. There follows an analysis of the images and stylistic methods adopted by the chroniclers and columnists to convey their impressions of the "Paganini phenomenon". The second part of this study looks at the image of Paganini as it appears in the various literary texts devoted to him. By attributing Paganini's features and his personality to fictional characters, the authors drew the profile of a "romantic virtuoso", which corresponded to the taste of the public of that time - the figure of an artist who surreptitiously distinguished himself from the musician encountered in the works of E. T. A. Hoffmann who served as his model. Moreover, the short stories reveal how the Genoese virtuoso gradually withdrew from the foreground of the narrative to be replaced by the figure of a failed musician. This tragic and ironic dimension, which overrides the idealised vision of the artist, marks the beginning of a trend that established itself in the second half of the nineteenth century. The presence of Paganini in the literature of his time also reveals the permeability of the press and literature at that time. The fact that it is impossible to distinguish clearly between the journalistic and literary treatment of the virtuoso had a major impact on the constitution of the "myth of Paganini"
Rolland, Nina. "Bodies in composition : women, music, and the body in nineteenth-century European literature". Thesis, University of Kent, 2016. http://www.theses.fr/2016USPCA041.
Texto completoThis thesis examines the relations between music and literature through fictional women musicians in nineteenth-century European literature and more particularly through their bodies. The female body appears to be a rich juncture between music and literature, facilitating musical references in literature as well as creating complex musical narrative systems anchored in social, cultural and scientific discourses of the long nineteenth century. All types of women musicians are examined (singers, instrumentalists, composers, and even listeners) along with different discourses on the body (social, philosophical and scientific), shedding a new light on gender and the arts. Our chronological as well as thematic approach strives to highlight a common representation of the body and of female musicians in literature. German Romantic texts thus present women musicians as elusive figures who play a key role in the impossibility to materialise the abstract. Realist and sensation novels are analysed through a clinical perspective on the body and envision female musicians as monomaniacs. On the contrary, fiction written by female authors introduces empowered musicians as priestess of art. Finally, fin-de-siècle novels stage the female body as a degenerate entity of society. The parallel analysis of literary case studies with different perspectives on the body posits the women-music-body triangle as a new approach to gender, music and literature
Locatelli, Aude. "Musique et itinéraires de formation dans quelques œuvres de langues allemande et française du milieu du XIXème siècle à nos jours". Reims, 1996. http://www.theses.fr/1996REIML007.
Texto completoA Double interest for the literary and musical realm and for the idea of bildung justifies the comparison, in this thesis, of ten novels of musical education - in french and german languages - which are symetrically divided from the middle of the nineteenth century to nowadays. The novel of the musician, in which mastery of time is both the stake of apprenticeship and the core of the art of music, is characterized by a plurality of determinations, from a temporal point of view. In opposition to the goethean tradition of educational travel, the analysis of these spatio-temporal and spiritual ways shows the importance in these works of the process of "interiorisation" wich leads to a paradoxal kind of motionless travel. The apprenticeship of music is related to a few permanent features from the point of view of requirements, of institutions, of protecting characters and of education itself-either apprenticeship or "drilling". Through musical references in the works of novelists whose eduction in this realm played for a few of them the part of an introduction to writing, the reader is confronted with a literary transposition which sets the basic problem of relationship between music and language. The claim to a status of "musician-writer", the intertextuality created by the game with musical quotations, reinforce the hypothesis of a contribution of music to fictional novels and put into relief the problem of structural analogies. The study of changes in the representations of musicians leads to the conclusion that the originally religions foundations of the idea of bildung are later called in the question. A transcendental interpretation of vocation is replaced by an interrogation upon the identity of the artist and upon the sublimatory function of music. As a counterpoint to the theme of "unhappiness because of ideals" underlined by the evolution from the romantical myth of the artist to the novel of failure, art tries, in spite of all, to counterbalance, through a formal research, the lack of unifying order inside this epos of a world without god, the novel of the "resigning artist"
Martin, Florence. "La chanteuse de blues et le roman féminin noir américain contemporain". Paris 3, 1987. http://www.theses.fr/1987PA030109.
Texto completoClassic blues recordings transcribe the expression of an oral tradition with the means of a written one. This tradition shows a continuity in form: from the african tribal epics or narratives to the work-songs, religious hymns or entertainment songs on american plantations, its songs have always been performed according to a precise musical structure and specific harmonic and rhythmic patterns allowing the soloist to improvise and the audience to participate in the performance. The artist of the twenties, promoted black show-business star, would use the traditionnal oratory devices of her group in her songs (e. G. Reiteration and double-entendre) and deliver a coded message only the initiated could understand. The development of mass culture killed the classic blues; its contents and language were too intimate, too specific for the multi-ethnic audience of the united states. The classic blues singer was no longer heard at the beginning of the thirties. Yet neither the ancestral tradition of black american women's oral transmission, nor the process of encoding -- inherent to the composition and performance of every song -- disappeared. Today, the black american woman novelist draws her inspiration from the classic blues singer and becomes in turn, the present-day incarnation of the spokeswoman or singing woman of her community. The stars of the twenties are revived in her works of fiction while she writes according to a system of codes, giving the access keys only to her attentive readers
Casmier, Stephen J. "L'esthétique du jazz dans l'oeuvre de John Edgar Wideman". Nice, 1998. http://www.theses.fr/1998NICE2012.
Texto completoMilhorat, Gusteau Maxime. "Présence(s) de l'interprète musical dans les arts de la scène : fonctions, postures et stratégies d'intégration". Master's thesis, Université Laval, 2020. http://hdl.handle.net/20.500.11794/67759.
Texto completoZevaco, Ariane. "Les enjeux de la "tradition" : identités, pouvoirs et réseaux dans les pratiques musiciennes au Tadjikistan". Paris, EHESS, 2016. http://www.theses.fr/2016EHES0695.
Texto completoThis dissertation focuses on musicians' practices in Tajikistan. From a perspective of both social and musical anthropology, it intends to report on how organization of so-called "traditional" musical activities is evidence of identity stakes at work in tajik society. Musicians are involved in several contexts, in which they deliver variousinterpretations and present a different identity according to the obligations and opportunities of each venue. The social relationships between the many actors of a musical performance, and between these actors and the people who intervene before or after the organization of the performance, are determined by several parameters. This canh consist in shared affiliations (familial, teritorial), power or friendship ties, or master-disciple connections. Accordingly, the performance will be organized differnetly, and the music itself, as a social resource, testifies to these relationships through variouspoetic, melodic, rhythmic or staging choices. Furthermore, the musical aesthetics are also determined by the musician's goal, which depends both on the social context and on what he claims as his specific musical perception or experience, which he tries to transmit How do the "traditional" identities and values emphasized by several participants determine specific executions? Do they give any clue, in return, about the social organization at work in musical spaces ?
Murcia, Thierry. "Jésus dans la littérature talmudique". Thesis, Aix-Marseille, 2012. http://www.theses.fr/2012AIXM3076.
Texto completoThis study presents a survey and a systematic analysis of the passages of Talmudic literature (Mishna – Tosefta – Palestinian Talmud – Babylonian Talmud – Midrashim), relative to Jesus or are supposed to be. The documents are examined, criticized and confronted to other sources of Jewish or Christian origin (Hellenistic Jewish literature, Jewish Apocrypha, rabbinic sources, Targumim, Toledot Yeshu – New Testament, Apostolic Fathers, Church Fathers). The investigation tries to answer to several questions: - What did the rabbis exactly know about Jesus? - Has their information any historical value? - Has their perception undergone some evolution? - Did the rabbis of the Talmud have access to the Gospels as a written source? The conclusion of this thesis is that all these documents are rooted in their Sitz im leben. They obviously attest – contra Peter Schäfer (Jesus in the Talmud, 2007) – that the rabbis had no direct acquaintance with the Gospels as written documents. This study also shows, concerning the Babylonian Talmud, that all the passages relative to Jesus belong to the last editorial layer of this corpus (VIIe-VIIIe century)
Eluther, Ena. "L'africanité dans la littérature caribéenne". Thesis, Le Mans, 2013. http://www.theses.fr/2013LEMA3001.
Texto completoCan the africanity of caribbean cultures come down to distant survivals, or constitute the foundation of these cultures ? Literature, as a mirror of peoples, as a painting of cultures, as art, allows to perceive the cultural and literary continuity between the african continent and its caribbean diaspora. The comparison of english-speaking and french-speaking novels from the Caribbean and from West Africa and Central Africa shows common cultural features and literary topoi from one area to the other : colonial trauma, protection and adaptation of ancestral legacy, common spiritual values, linguistic problematics, paintings of resistance struggles in which the writer himself is in the frontline. This comparative study, which sometimes draws from caribbean and african oral literature, as from caribbean spanish-speaking literature, suggests that one should view the afro-caribbean cultural expressions as an extension of african cultural expressions, offering in this way a large panorama of the cultural and literary black world. From 1921 to the early years 2000, this analysis takes into account the changes of african and caribbean literatures and the societies they represent. Have the changes definitively broken the african civilizational unity, the cultural links between Africa and the Americas ? On the contrary, the reading of the novels of the corpus shows an homogeneous and coherent picture of cultural and literary expressions of Africa and its caribbean diaspora, so doing putting Africa back into the center of caribbean culture
Cally, Jean William. "LA BÊTE DANS LA LITTÉRATURE FANTASTIQUE". Phd thesis, Université de la Réunion, 2007. http://tel.archives-ouvertes.fr/tel-00457638.
Texto completoLibros sobre el tema "Musiciennes dans la littérature"
Weliver, Phyllis. Women musicians in Victorian fiction, 1860-1900: Representations of music, science, and gender in the leisured home. Aldershot, England: Ashgate, 2000.
Buscar texto completoChristiane, Benardeau, ed. Napoléon dans la littérature. Paris: Nouveau monde, 2004.
Buscar texto completoPujade-Renaud, Claude. L'ÉCOLE DANS LA LITTÉRATURE. Paris: Editions L'Harmattan, 2006.
Buscar texto completoChristiane, Bénardeau, ed. Napoléon dans la littérature. [Paris]: Nouveau Monde, 2004.
Buscar texto completoDelaroche, Bruno. Figures christiques dans la littérature. Angers, France: Association Saint-Yves, Université Catholique de l'Ouest, 1992.
Buscar texto completoOuattara, Vincent. Ethnologie et littérature: Symbolisme du cola dans la littérature. Ouagadougou, Burkina Faso: Sankofa & Gurly Éditions, 2020.
Buscar texto completoBlack Orpheus. London: Taylor & Francis Group Plc, 2004.
Buscar texto completode, Ruyter-Tognotti Danièle, ed. L' étranger dans la littérature française. Groningen: CRIN, Institut de langues romanes, 1989.
Buscar texto completoLeys, Simon. La mer dans la littérature française. [Paris]: Plon, 2003.
Buscar texto completoTailliart, Charles. L' Algérie dans la littérature française. Genève: Slatkine Reprints, 1999.
Buscar texto completoCapítulos de libros sobre el tema "Musiciennes dans la littérature"
Daros, Philippe. "Discours anthropologique et littérature". En Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 230–42. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch17.
Texto completoMourlan, Lou. "Humanisme et littérature d’après-guerre". En Interactions dans les Sciences du Langage. Interactions disciplinaires dans les Études littéraires, 337–47. Београд: Универзитет у Београду, Филолошки факултет, 2019. http://dx.doi.org/10.18485/efa.2019.11.ch25.
Texto completoCupers, Jean-Louis. "Chapitre 2. Figures de musiciens romantiques dans le roman d'aujourd’hui : un cas exemplaire d’interdépendance musique-littérature". En Euterpe et Harpocrate ou le défi littéraire de la musique, 129–44. Presses de l’Université Saint-Louis, 1988. http://dx.doi.org/10.4000/books.pusl.25906.
Texto completoSendra, Frédérick. "La poétesse Jehanne d’Orliac (1883-1974) et la pianiste Geneviève Dehelly (1885-1970) : un duo entre littérature et musique". En Musiciennes en duo, 107–22. Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.95233.
Texto completoPorot, Bertrand. "Duos et couples à l’Opéra-Comique dans la première moitié du XVIIIe siècle". En Musiciennes en duo, 63–76. Presses universitaires de Rennes, 2015. http://dx.doi.org/10.4000/books.pur.95218.
Texto completo"Littérature". En Journalisme et littérature dans la gauche des années 1930, 147–48. Presses universitaires de Rennes, 2014. http://dx.doi.org/10.4000/books.pur.49712.
Texto completoWalter, Roland. "Littérature panaméricaine:". En Le nouveau récit des frontières dans les Amériques, 73–90. Presses de l'Université Laval, 2005. http://dx.doi.org/10.2307/j.ctv32nxxvz.6.
Texto completoHerzfeld, Claude. "Aspect du Graal dans quelques œuvres contemporaines". En 37 études critiques : littérature générale, littérature française et francophone, littérature étrangère, 95–127. Presses universitaires de Rennes, 1999. http://dx.doi.org/10.4000/books.pur.64379.
Texto completoMohr, Manuela. "L’apparition du monstre dans Maître Zacharius de Jules Verne :". En Littérature monstre, 169–81. Presses universitaires de Liège, 2020. http://dx.doi.org/10.4000/books.pulg.16730.
Texto completoBaron, Philippe. "Médecins et malades dans Le Passage et dans Place des Angoisses de Jean Reverzy". En Littérature et médecine, 269–78. Presses universitaires de Franche-Comté, 2000. http://dx.doi.org/10.4000/books.pufc.1309.
Texto completoActas de conferencias sobre el tema "Musiciennes dans la littérature"
Petitier, Paule y Claude Millet. "L’histoire dans tous ses états". En Littérature et histoire en débats. Fabula, 2013. http://dx.doi.org/10.58282/colloques.2104.
Texto completoDebaene, Vincent y Jean-Louis Jeannelle. "Où est la littérature ?" En L'idée de littérature dans les années 1950. Fabula, 2004. http://dx.doi.org/10.58282/colloques.66.
Texto completoPoels, Géraldine. "La littérature dans les collections de l’INA". En Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9231.
Texto completoMurat, Michel. "Progrès dans le roman assez lents". En Jean Paulhan et l’idée de littérature. Fabula, 2012. http://dx.doi.org/10.58282/colloques.1712.
Texto completoDitche, Élisabeth Rallo. "Voix et émotions dans DanielDeronda de George Eliot". En L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2333.
Texto completoRobinson, Jenefer. "L’empathie, l’expression, et l’expressivité dans la poésie lyrique". En L'émotion, puissance de la littérature. Fabula, 2014. http://dx.doi.org/10.58282/colloques.2329.
Texto completoVérilhac, Yoan. "Science et sensationnalisme dans Détective (1928-1940)". En Séminaire PéLiAS (Périodiques, Littérature, Arts, Sciences). MSH Paris-Saclay Éditions, 2023. http://dx.doi.org/10.52983/ieub4478.
Texto completoAbramovici, Jean-Christophe. "Les traces littéraires dans La Fable mystique". En Michel de Certeau et la littérature. Fabula, 2018. http://dx.doi.org/10.58282/colloques.5058.
Texto completoFroidefond, Marik. "Commentaires sur la place des études de prosodie poético-musicale dans la recherche musico-littéraire". En Littérature et musique. Fabula, 2010. http://dx.doi.org/10.58282/colloques.1258.
Texto completoVaugeois, Dominique. "« Faire son cinéma » : la citation audiovisuelle dans le texte critique". En Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9165.
Texto completoInformes sobre el tema "Musiciennes dans la littérature"
Belkaïd, Meryem. Figures de la marginalité dans la littérature policière française contemporaine. Edicions de la Universitat de Lleida, 2018. http://dx.doi.org/10.21001/luc.21.22.14.
Texto completoReverdy, Thomas y Alicia Roehrich. Incertitude et résilience dans les projets technologiques. Fondation pour une culture de sécurité industrielle, enero de 2016. http://dx.doi.org/10.57071/582prj.
Texto completoAlaoui, Siham, Nadia Naffi y Simon Collin. Les technologies éducatives en milieu scolaire et universitaire. Observatoire international sur les impacts sociétaux de l'IA et du numérique, junio de 2023. http://dx.doi.org/10.61737/nvtm1722.
Texto completoMaubert, Camille, Jeremy Allouche, Irene Hamuli, Eustache Kuliumbwa Lulego, Gauthier Marchais, Ferdinand Mushi Mugumo y Sohela Nazneen. Le pouvoir d’action des femmes et la protection humanitaire au Nord et au Sud-Kivu, RDC. Institute of Development Studies, marzo de 2023. http://dx.doi.org/10.19088/ids.2023.015.
Texto completoAlexis, Alex y Alexandra Bahary-Dionne. Réduire les impacts de la fracture numérique sur les populations marginalisées : leçons apprises de la littérature à la portée des organismes communautaires. Observatoire international sur les impacts sociétaux de l'IA et du numérique, septiembre de 2022. http://dx.doi.org/10.61737/ctfe9118.
Texto completoBellwood-Howard, Imogen, Peter Taylor, Aminata Niang, Kaderi Bukari, Eric Kioko, Peter Wangai, Lansine Sountoura, Bronson Eran’Ogwa y Mohammed Yamusah. Les arts dans le dialogue et la communication sur l’environnement en Afrique de l’Ouest et de l’Est. Institute of Development Studies, agosto de 2023. http://dx.doi.org/10.19088/ids.2023.037.
Texto completoScarpini, Celeste, Oyebola Okunogbe y Fabrizio Santoro. Les promesses et les limites des technologies de l’information dans la mobilisation fiscale. Institute of Development Studies, abril de 2023. http://dx.doi.org/10.19088/ictd.2023.019.
Texto completoGaillard, Irène. Facteurs socio-culturels de réussite du REX industriel par l'analyse bibliographique. Fondation pour une culture de sécurité industrielle, junio de 2005. http://dx.doi.org/10.57071/867rex.
Texto completoGobeil-Proulx, Julien. Recension des besoins en compétences suscités par le développement et la mise en oeuvre de l'IA. Observatoire international sur les impacts sociétaux de l’intelligence artificielle et du numérique, 2021. http://dx.doi.org/10.61737/hsuj4131.
Texto completoLucinda, Cazdow, Martin Hearson, Frederik Heitmüller, Katharina Kuhn, Okagna Okagna y Tovony Randriamanalina. Une coopération fiscale internationale inclusive et efficace : Points de vue des pays du Sud. Institute of Development Studies, diciembre de 2023. http://dx.doi.org/10.19088/ictd.2023.059.
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