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1

Joanne, Bogart, ed. The musical of musicals: The musical! New York: Samuel French, 2005.

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2

Marques, Henrique de Oliveira. Dicionário de termos musicais =: Dictionnaire de termes musicaux = Dictionary of musical terms. Lisboa: Estampa, 1986.

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3

Farkas, Kiko. Cartazes musicais: Musical posters. São Paulo, SP: Cosac Naify, 2009.

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4

The enraged musician: Hogarth's musical imagery. Burlington, VT: Ashgate, 2005.

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5

Barlow, Jeremy. The enraged musician: Hogarth's musical imagery. Aldershot, Hampshire, England: Ashgate, 2005.

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6

The musical: A research and information guide. New York: Routledge, 2004.

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7

Genève, Musée d'ethnographie de la ville de. Pianeta musicale: Strumenti musicali dei cinque continenti. Ivrea, Italy: Priuli & Verlucca, 1991.

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8

Planet musician: The world music sourcebook for musicians. Milwaukee, WI: Hal Leonard, 1998.

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9

Sadaï, Yizhak. Traité de sujets musicaux: Vers une épistémologie musicale. Paris: Harmattan ; Itinéraire, 2004.

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10

Topicality of musical universals: Actualité des universaux musicaux. Paris: Archives contemporaines, 2013.

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11

1952-, Briggs Tom y Hammerstein Oscar 1895-1960, eds. Musical scene study: The musicals of Rodgers & Hammerstein. New York: Applause Theatre and Cinema Books, 2007.

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12

Baldauf-Berdes, Jane L. Women musicians of Venice: Musical foundations, 1525-1855. Oxford: Clarendon, 1996.

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13

Women musicians of Venice: Musical foundations, 1525-1855. Oxford: Clarendon Press, 1993.

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14

The musical temperament: Psychology and personality of musicians. Oxford: Oxford University Press, 1996.

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15

Kemp, Anthony. The musical temperament: Psychology and personality of musicians. Oxford: Oxford University Press, 1996.

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16

Messiaen, Olivier. Tecnica del mio linguaggio musicale: Testo con esempi musicali. Paris: A. Leduc, 1999.

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17

Colin, Larkin, ed. The Guinness who's who of film musicals & musical films. Enfield, England: Guinness Publishing, 1994.

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18

Alabama musicians: Musical heritage from the heart of Dixie. Charleston, SC: History Press, 2011.

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19

Gary, McPherson, ed. The child as musician: A handbook of musical development. Oxford: Oxford University Press, 2006.

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20

Fling, Robert Michael. Musical memorials for musicians: A guide to selected compositions. Lanham, Md: Scarecrow Press, 2001.

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21

Song, dance & musical: Dizionario del cinema musicale, 1915-1945. Milano: Libri Scheiwiller, 2007.

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22

Olivier, Messiaen. Technique de mon langage musical: Texte avec exemples musicaux. Paris: A. Leduc, 2000.

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23

Raízes musicais da Bahia =: The musical roots of Bahia. Salvador, Bahia: Secretaria da Cultura e Turismo, 2000.

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24

J, Meserve Walter, ed. The musical theatre cookbook: Recipes from best loved musicals. New York: Feedback Theatrebooks & Prospero Press, 1993.

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25

Michel, Sineux y Alix Yves, eds. Musique en bibliothèques: Les supports musicaux et la documentation musicale. Paris: Editions du Cercle de la librairie, 1993.

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26

The musical: A research and information guide. 2a ed. New York: Routledge, 2011.

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27

A, Custodero Lori y International Society of Music Education., eds. Els móns musicals dels infants =: The musical worlds of children. [S.l.]: International Society of Music Education, 2004.

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28

Ganzl, Kurt. Musicals for the millions: The British musical theatre 1947-84. Basingstoke: Macmillan, 1990.

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29

Daniele, Sabaino, Rosa Barezzani Maria Teresa, Tibaldi Rodobaldo, Università di Pavia, Università di Padova. Scuola di paleografia e filologia musicale. y Centro di musicologia "Walter Stauffer"., eds. Musicam in subtilitate scrutando: Contributi alla storia della teoria musicale. Lucca: Libreria musicale italiana, 1995.

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30

Deutscher Musical-Kongress (2nd 1997 Hamburg, Germany). Perspektiven des Musicals: Der 2. Deutsche Musical-Kongress : eine Dokumentation. Berlin: WEIDLER, 2000.

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31

Ndiaye, Souleymane Ndéné, 1958- author of foreword, ed. Oumar Pène: L'histoire d'une épopée musicale. Dakar, Senegal: Les Éditions Maguilen, 2019.

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32

Hatta. Tun Perak: Sebuah teater semi musikal = a semi musical theatre. Kuala Lumpur: Istana Budaya, 2001.

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33

Tengah, Dewan Kesenian Jawa. Direktori pemusik Jawa Tengah. [Semarang]: Dewan Kesenian Jawa Tengah, 2012.

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34

Abdul Kadir bin Hj. Sheikh Fadzir. Muzikal Puteri Hang Li Po. Kuala Lumpur: Istana Budaya, Kementerian Kebudayaan, Kesenian dan Warisan Malaysia, 2006.

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35

Pongiluppi, Lorenzo. Il fondo musicale dell'Archivio capitolare di Modena: Manoscritti musicali I-XLIV. Modena: Poligrafico Mucchi, 2005.

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36

Il fondo musicale dell'Archivio capitolare di Modena: Manoscritti musicali I-XLIV. [Modena?]: Poligrafico Mucchi, 2005.

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37

Everything was possible: The birth of the musical Follies. New York: Alfred A. Knopf, 2003.

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38

Musical Memorials for Musicians. The Scarecrow Press, Inc., 2001.

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39

Barlow, Jeremy. Enraged Musician: Hogarth's Musical Imagery. Taylor & Francis Group, 2017.

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40

Huff, Duane. Musician's Horoscopes: ...by a Musician for Musicians. Huff House Publishing, 2015.

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41

Henry C. (Henry Charles) 1 Banister. Musical Art and Study: Papers for Musicians. Creative Media Partners, LLC, 2021.

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42

Pérez-Ferrer, Francisco A. Musical Doctrine: Deontology and Ethics for Musicians. Independently Published, 2017.

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43

Musical Art And Study Papers For Musicians. Cambridge University Press, 2011.

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44

Galliers, Marina. Musical Notes: Music Manuscript Paper Musicians Notebook. Independently Published, 2021.

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45

Banister, Henry C. Musical Art and Study: Papers for Musicians. Cambridge University Press, 2012.

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46

Gordon, Robert. Introduction. Editado por Robert Gordon. Oxford University Press, 2014. http://dx.doi.org/10.1093/oxfordhb/9780195391374.013.0028.

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This book examines how Stephen Sondheim’s work with several collaborators has altered the course of musical theater history in the United States. Consisting of twenty-seven chapters, it considers problematic questions of authorship within the framework of Broadway musical theater, focusing on intertextuality, direct influence, and original innovation. It discusses how Sondheim has integrated his aesthetic ideals and the postmodern sensibility informing his musicals, fromCompanytoRoad Show, with the commercial values of the Broadway musical. It also looks at Oscar Hammerstein II’s formative influence as mentor to the young Sondheim, the reorchestration of Sondheim’s musicals for different (and smaller) groups of musicians, the notion of the musical as a performance event, the politics of Sondheim performance in the United States, Sondheim’s interest in and sensitivity to audiovisual media such as cinema and television, and his subtle and often ironic exploitation of pastiche and parody. Furthermore, the book addresses questions of cultural, political, and personal identity posed by Sondheim’s musicals in the context of contemporary American society.
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47

BARBARA, Charles. Social Media Promotion for Musicians: Sell More Music, Social Media Promotion for Musician, Musical Journey and Music Industry. Independently Published, 2021.

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48

Hamdan, Rami. Enthusiastic CLARINETIST Clarinet Musical Instrument Journal Notebook for Musicians and Non Musicians. Independently Published, 2020.

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49

Hamdan, Rami. Enthusiastic ZITHERIST Zither Musical Instrument Journal Notebook for Musicians and Non Musicians. Independently Published, 2020.

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50

Hamdan, Rami. Enthusiastic DRUMMER Drum Musical Instrument Journal Notebook for Musicians and Non Musicians. Independently Published, 2020.

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