Libros sobre el tema "Music theory History 18th century"
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Lester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.
Buscar texto completoLester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.
Buscar texto completoStreet, Christensen Thomas, Beelaert Sylvester, Dejans Peter 1964-, Snyers Kathleen y International Orpheus Academy for Music Theory, eds. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.
Buscar texto completoStreet, Christensen Thomas y Dejans Peter 1964-, eds. Towards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.
Buscar texto completo1917-, Mann Alfred y Parker Mary Ann 1951-, eds. Eighteenth-century music in theory and practice: Essays in honor of Alfred Mann. Stuyvesant, NY: Pendragon Press, 1994.
Buscar texto completoLester, Joel. Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.
Buscar texto completoDaube, J. F. The musical dilettante: A treatise on composition. Cambridge: Cambridge University Press, 2006.
Buscar texto completoDaube, J. F. The musical dilettante: A treatise on composition. Cambridge [England]: Cambridge University Press, 1992.
Buscar texto completoCurry, Robert, 1952 Sept. 26-, Gable David 1955- y Marshall Robert Lewis, eds. Variations on the canon: Essays on music from Bach to Boulez in honor of Charles Rosen on his eightieth birthday. Rochester, NY: University of Rochester Press, 2008.
Buscar texto completoChristensen, Thomas Street. Rameau and musical thought in the Enlightenment. Cambridge [England]: Cambridge University Press, 1993.
Buscar texto completoHeisler, Wayne. The ballet collaborations of Richard Strauss. Rochester, NY: University of Rochester Press, 2009.
Buscar texto completoAlfred, Mann. The great composer as teacher and student: Theory and practice of composition : Bach, Handel, Haydn, Mozart, Beethoven, Schubert. New York: Dover, 1994.
Buscar texto completoSemi, Maria. Music as a science of mankind in eighteenth-century Britain. Surrey, England UK: Ashgate Pub., 2011.
Buscar texto completoCook, Nicholas. Analysis through composition: Principles of the Classical style. Oxford: Oxford University Press, 1996.
Buscar texto completoG, Ratner Leonard, Allanbrook Wye Jamison, Levy Janet M y Mahrt William P, eds. Convention in eighteenth- and nineteenth-century music: Essays in honor of Leonard G. Ratner. Stuyvesant, NY: Pendragon Press, 1992.
Buscar texto completoRoger, North. Roger North's the musicall grammarian: 1728. Cambridge: Cambridge University Press, 1990.
Buscar texto completoDay-O'Connell, Jeremy. Pentatonicism from the eighteenth century to Debussy. Rochester, NY: University of Rochester Press, 2007.
Buscar texto completoSeares, Margaret. Johann Mattheson's Pièces de clavecin and Das neu-eröffnete Orchestre: Mattheson's universal style in theory and practice. Surrey, UK: Ashgate, 2014.
Buscar texto completo1965-, Gallagher Sean, Kelly Thomas Forrest y Wolff Christoph, eds. The century of Bach and Mozart: Perspectives on historiography, composition, theory, and performance. Cambridge, Mass: Harvard University Department of Music, 2008.
Buscar texto completoWardhaugh, Benjamin. Thomas Salmon: Writings on music. Editado por Salmon Thomas 1648-1706 y Locke, Matthew, 1621 or 2-1677. Burlington, VT: Ashgate, 2012.
Buscar texto completoVerba, Cynthia. Music and the French enlightenment: Reconstruction of a dialogue, 1750-1764. Oxford: Clarendon Press, 1993.
Buscar texto completoHerissone, Rebecca. Music theory in seventeenth-century England. New York: Oxford University Press, 2000.
Buscar texto completoPearsall, Edward. Twentieth-century music theory and practice. New York: Routledge, 2012.
Buscar texto completoPopescu-Judetz, Eugenia. Sources of 18th-century music: Panayiotes Chalathzoglou [i.e. Chalatzoglou] and Kyrillos Marmarinos' comparative treatises on secular music. Beşiktaş, İstanbul: Pan Yayıncılık, 2000.
Buscar texto completoYordanova, Iskrena, Guiseppina Raggi y Maria Ida Biggi. Theatre spaces for music in 18th-century Europe. Wien: Hollitzer, 2020.
Buscar texto completoGreenberg, Robert. Kant's theory of a priori knowledge. University Park, PA: Pennsylvania State University Press, 2001.
Buscar texto completoSmith, Charlotte. A manual of sixteenth-century contrapuntal style. Newark: University of Delaware Press, 1989.
Buscar texto completoByrnside, Ronald L. Music in eighteenth-century Georgia. Athens: University of Georgia Press, 1997.
Buscar texto completoBlasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.
Buscar texto completoLowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.
Buscar texto completoLowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.
Buscar texto completo1968-, Keefe Simon P., ed. The Cambridge history of eighteenth-century music. Cambridge: Cambridge University Press, 2009.
Buscar texto completo1968-, Keefe Simon P., ed. The Cambridge history of eighteenth-century music. Cambridge: Cambridge University Press, 2009.
Buscar texto completoPalisca, Claude V. Music and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.
Buscar texto completoGoodway, Martha. The metallurgy of 17th- and 18th- century music wire. Stuyvesant, NY: Pendragon Press, 1987.
Buscar texto completoDanuta, Mirka y Agawu V. Kofi, eds. Communication in eighteenth-century music. New York: Cambridge University Press, 2008.
Buscar texto completo1960-, Burden Michael y Cholij Irena, eds. A handbook for studies in 18th-century English music. Oxford: Burden & Cholij, 1999.
Buscar texto completoFelicity, Nussbaum y Brown Laura 1949-, eds. The New eighteenth century: Theory, politics, English literature. New York: Methuen, 1987.
Buscar texto completoMcBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.
Buscar texto completoWason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Ann Arbor, Mich: UMI Research Press, 1985.
Buscar texto completoWason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Rochester, N.Y., USA: University of Rochester Press, 1995.
Buscar texto completoCarlier, Gilles. On the dignity & the effects of music: Two fifteenth-century treatises. London: Institute of Advanced Musical Studies, King's College London, 1996.
Buscar texto completoLester, Joel. Compositional Theory in the 18th Century. Harvard University Press, 2013.
Buscar texto completoLester, Joel. Compositional Theory in the Eighteenth Century. Harvard University Press, 2005.
Buscar texto completoTowards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.
Buscar texto completo(Editor), Alfred Mann y Mary Ann Parker (Editor), eds. Eighteenth-Century Music in Theory and Practice: Essays in Honor of Alfred Mann (Festschrift Series, No 13). Pendragon Press, 1994.
Buscar texto completoLester, Joel. Compositional Theory in the 18th Century (Studies in the History of Music, No. 4). Harvard University Press, 1993.
Buscar texto completoBrover-lubovsky, Bella. Tonal Space in the Music of Antonio Vivaldi (Music and the Early Modern Imagination). Indiana University Press, 2008.
Buscar texto completo(Editor), Robert Curry, David Gable (Editor) y Robert L. Marshall (Editor), eds. Variations on the Canon: Essays on Music from Bach to Boulez (in Honor of Charles Rosen on his Eightieth Birthday) (Eastman Studies in Music). University of Rochester Press, 2008.
Buscar texto completoKeefe, Simon P. Mozart's Viennese Instrumental Music: A Study of Stylistic Re-Invention. Boydell & Brewer, Incorporated, 2007.
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