Libros sobre el tema "Music theory History 17th century"
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Rivera, Benito V. German music theory in the early 17th century: The treatises of Johannes Lippius. Rochester, N.Y: University of Rochester Press, 1995.
Buscar texto completoPalisca, Claude V. Music and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.
Buscar texto completoLester, Joel. Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.
Buscar texto completoWardhaugh, Benjamin. Music, experiment and mathematics in England, 1653-1705. Aldershot, Hants, England: Ashgate, 2008.
Buscar texto completoBayreuther, Rainer. Musikalische Norm um 1700. Berlin ; New York: De Gruyter, 2010.
Buscar texto completoPraetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Buscar texto completoPraetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Buscar texto completoLong, Pamela H. Sor Juana/música: How the Décima musa composed, practiced, and imagined music. New York: Lang, 2009.
Buscar texto completoCampion, Thomas. A new way of making fowre parts in counterpoint. Aldershot: Ashgate, 2003.
Buscar texto completoSjökvist, Peter. The music theory of Harald Vallerius: Three dissertations from 17th-century Sweden. Uppsala: Uppsala Universitet, 2012.
Buscar texto completoHerissone, Rebecca. Music theory in seventeenth-century England. New York: Oxford University Press, 2000.
Buscar texto completoPearsall, Edward. Twentieth-century music theory and practice. New York: Routledge, 2012.
Buscar texto completoLester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.
Buscar texto completoLester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.
Buscar texto completoLedbetter, David. Harpsichord and lute music in 17th-century France. Bloomington: Indiana University Press, 1987.
Buscar texto completoLedbetter, David. Harpsichord and lute music in 17th-century France. London: Macmillan, 1987.
Buscar texto completoBianconi, Lorenzo. Music in the seventeenth century. Cambridge [Cambridgeshire]: Cambridge University Press, 1987.
Buscar texto completoLowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.
Buscar texto completoGoodway, Martha. The metallurgy of 17th- and 18th- century music wire. Stuyvesant, NY: Pendragon Press, 1987.
Buscar texto completoSmith, Charlotte. A manual of sixteenth-century contrapuntal style. Newark: University of Delaware Press, 1989.
Buscar texto completoBlasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.
Buscar texto completoLowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.
Buscar texto completoMcClary, Susan. Desire and pleasure in seventeenth-century music. Berkeley: University of California Press, 2012.
Buscar texto completoMcBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.
Buscar texto completoBrock, John. Introduction to organ playing in 17th & 18th century style. [United States]: Wayne Leupold Editions, 1991.
Buscar texto completoWason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Ann Arbor, Mich: UMI Research Press, 1985.
Buscar texto completoWason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Rochester, N.Y., USA: University of Rochester Press, 1995.
Buscar texto completoKastner, Macario Santiago. The interpretation of 16th and 17th century Iberian keyboard music. Stuyvesant, NY: Pendragon Press, 1987.
Buscar texto completoCarlier, Gilles. On the dignity & the effects of music: Two fifteenth-century treatises. London: Institute of Advanced Musical Studies, King's College London, 1996.
Buscar texto completoBenham, Hugh. Baroque music in focus. London: Rhinegold, 2009.
Buscar texto completoShannon, John R. The evolution of organ music in the 17th century: A study of European styles. North Carolina: McFarland, 2012.
Buscar texto completo1917-, Mann Alfred y Parker Mary Ann 1951-, eds. Eighteenth-century music in theory and practice: Essays in honor of Alfred Mann. Stuyvesant, NY: Pendragon Press, 1994.
Buscar texto completoFabris, Dinko. Music in seventeenth-century Naples: Francesco Provenzale (1624-1704). Ashgate Publishing Limited: Burlington, VT, 2004.
Buscar texto completoBrett, Ursula. Music and ideas in seventeenth-century Italy: The Cazzati-Arrestipolemic. New York: Garland Pub, 1989.
Buscar texto completoMusical theory in the renaissance. Ashgate, 2013.
Buscar texto completoRivera, Benito V. German Music Theory in the Early Seventeenth Century: The Treatises of Johannes Lippius. University of Rochester Press, 1996.
Buscar texto completoOwens, Jessie Ann. Charles Butler's Principles of Musick(1636). Taylor & Francis Group, 2023.
Buscar texto completoTowards tonality: Aspects of Baroque music theory. Leuven: Leuven University Press, 2007.
Buscar texto completoBayreuther, Rainer. Musikalische Norm Um 1700. de Gruyter GmbH, Walter, 2010.
Buscar texto completoBorgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.
Buscar texto completoBorgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.
Buscar texto completoBorgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.
Buscar texto completoBorgerding, Todd C. Gender, Sexuality, and Early Music. Taylor & Francis Group, 2013.
Buscar texto completoGender, Sexuality, and Early Music. Routledge, 2015.
Buscar texto completoPraetorius, Michael y Jeffery T. Kite-Powell. Syntagma Musicum III (Oxford Early Music Series). Oxford University Press, USA, 2004.
Buscar texto completoSmith, David J., Richelle Taylor y Smith David J. Jr. Networks of Music and Cultdure in the Late Sixteenth and Early Seventeenth Centuries. Taylor & Francis Group, 2013.
Buscar texto completoCoprario, Giovanni y Thomas Campion. A New Way of Making Fowre Parts in Counterpoint/Rules How to Compose (Music Theory in Britain, 1500-1700: Critical Editions) (Music Theory in Britain, ... in Britain, 1500-1700: Critical Editions). Ashgate Publishing, 2003.
Buscar texto completoCarter, Tim y John Butt. Cambridge History of Seventeenth-Century Music. Cambridge University Press, 2008.
Buscar texto completoMcEnery, Anthony y Helen Baker. Corpus Linguistics and 17th-Century Prostitution. Bloomsbury Academic, 2018.
Buscar texto completoPearsall, Edward. Twentieth-Century Music Theory and Practice. Taylor & Francis Group, 2012.
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