Libros sobre el tema "Music theory History 16th century"
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Smith, Charlotte. A manual of sixteenth-century contrapuntal style. Newark: University of Delaware Press, 1989.
Buscar texto completoLowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York, NY: Da Capo Press, 1990.
Buscar texto completoPalisca, Claude V. Music and ideas in the sixteenth and seventeenth centuries. Chicago: University of Chicago Press, 2006.
Buscar texto completoHaar, James. The science and art of Renaissance music. Princeton, N.J: Princeton University Press, 1998.
Buscar texto completoWalker, Paul. Theories of fugue from the age of Josquin to the age of Bach. Rochester, NY: University of Rochester Press, 2000.
Buscar texto completoToft, Robert. Aural images of lost traditions: Sharps and flats in the sixteenth century. Toronto: University of Toronto Press, 1992.
Buscar texto completoStoquerus, Gaspar. Musica verbali libri duo =: Two books on verbal music. Lincoln: University of Nebraska Press, 1988.
Buscar texto completoBaumann, Ulrike. Ioannes Stomius, prima ad musicen instructio: Edition, Übersetzung, Kommentar. Bern: Peter Lang, 2010.
Buscar texto completoJoachim, Burmeister. Musical poetics. New Haven: Yale University Press, 1993.
Buscar texto completoVicentino, Nicola. Ancient music adapted to modern practice. New Haven: Yale University Press, 1996.
Buscar texto completoAgricola, Martin. The "Musica instrumentalis deudsch" of Martin Agricola: A treatise on musical instruments, 1529 and 1545. Cambridge: Cambridge University Press, 1994.
Buscar texto completoHülsen, Nora Verena. Frühe Formen musikalisch-rhetorischer Figuren: Ausdrucks- und Gestaltungsmittel in Vokal- und Instrumentalmusik des 16. und beginnenden 17. Jahrhunderts. Frankfurt am Main: Lang, 2012.
Buscar texto completoPraetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Buscar texto completoPraetorius, Michael. Syntagma musicum III. Oxford: Oxford University Press, 2004.
Buscar texto completoMoyer, Ann E. Musica scientia: Musical scholarship in the Italian Renaissance. Ithaca: Cornell University Press, 1992.
Buscar texto completoZarlino, Gioseffo. Theorie des Tonsystems: Das erste und zweite Buch der Institutioni harmoniche (1573). Frankfurt am Main: P. Lang, 1989.
Buscar texto completoMersenne, Marin. Harmonie universelle: Contenant la théorie et la pratique de la musique (Paris, 1636). Paris: Centre National de la Recherche Scientifique, 1986.
Buscar texto completoPesce, Dolores. The affinities and medieval transposition. Bloomington: Indiana University Press, 1987.
Buscar texto completoV, Palisca Claude, ed. The Florentine Camerata: Documentary studies and translations. New Haven: Yale University Press, 1989.
Buscar texto completoMcClary, Susan. Modal subjectivities: Self-fashioning in the Italian madrigal. Berkeley, CA: University of California Press, 2005.
Buscar texto completoPennington, Anne Elizabeth. Music in medieval Moldavia, 16th century. Bucharest: Musical Pub. House, 1985.
Buscar texto completoPraetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.
Buscar texto completoPraetorius, Michael. De organographia: Estratto dal Syntagma musicum : 1616. Udine: Pizzicato, 2003.
Buscar texto completoPraetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1986.
Buscar texto completoD'Accone, Frank A. Music and musicians in 16th-century Florence. Aldershot: Ashgate/Variorum, 2007.
Buscar texto completoHerissone, Rebecca. Music theory in seventeenth-century England. New York: Oxford University Press, 2000.
Buscar texto completoPearsall, Edward. Twentieth-century music theory and practice. New York: Routledge, 2012.
Buscar texto completoPraetorius, Michael. Syntagma musicum.: Parts I and II. Oxford [Oxfordshire]: Clarendon Press, 1991.
Buscar texto completoLester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1992.
Buscar texto completoLester, Joel. Compositional theory in the eighteenth century. Cambridge, Mass: Harvard University Press, 1994.
Buscar texto completoLowinsky, Edward E. Tonality and atonality in sixteenth-century music. New York: Da Capo Press, 1989.
Buscar texto completo1944-, Bray Roger, ed. The Sixteenth century. Oxford [England]: Blackwell Reference, 1995.
Buscar texto completoBernard, Nelly van Ree. Interpretation of 16th century Iberian music on the clavichord. Buren, The Netherlands: Frits Knuf Publishers, 1989.
Buscar texto completoSmith, Anne. The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2010.
Buscar texto completoBlasius, Leslie David. The music theory of Godfrey Winham. Princeton, N.J: Dept. of Music, Princeton University, 1997.
Buscar texto completoSmith, Anne. The performance of 16th-century music: Learning from the theorists. New York: Oxford University Press, 2011.
Buscar texto completoWadhwa, Nisha. Indian music during Delhi Sultanate period: 13th to early 16th century. New Delhi: Kanishka Publishers, Distributors, 2015.
Buscar texto completoRodríguez, Juan Carlos. Theory and history of ideological production: The first bourgeois literatures (the 16th century). Newark [Del.]: University of Delaware Press, 2002.
Buscar texto completoLester, Joel. Between modes and keys: German theory, 1592-1802. Stuyvesant, NY: Pendragon Press, 1989.
Buscar texto completoMcBeth, W. Francis. Twentieth century techniques of composition: For the beginning student. Arkadelphia, Arkansas: Delta Publications, 1994.
Buscar texto completoIain, Fenlon, ed. The Renaissance: From the 1470s to the end of the 16th century. London: Macmillan, 1989.
Buscar texto completoWason, Robert W. Viennese harmonic theory from Albrechtsberger to Schenker and Schoenberg. Ann Arbor, Mich: UMI Research Press, 1985.
Buscar texto completoJudd, Cristle. Tonal Structures in Early Music (Critisism & Analysis of Early Music). Routledge, 1999.
Buscar texto completoMusical theory in the renaissance. Ashgate, 2013.
Buscar texto completoOwens, Jessie Ann. Charles Butler's Principles of Musick(1636). Taylor & Francis Group, 2023.
Buscar texto completoCorneilson, Paul y James Haar. Science and Art of Renaissance Music. Princeton University Press, 2016.
Buscar texto completoCorneilson, Paul y James Haar. Science and Art of Renaissance Music. Princeton University Press, 1998.
Buscar texto completoCorneilson, Paul y James Haar. Science and Art of Renaissance Music. Princeton University Press, 2014.
Buscar texto completoCorneilson, Paul y James Haar. Science and Art of Renaissance Music. Princeton University Press, 2014.
Buscar texto completoMerritt, Arthur Tillman. Sixteenth-Century Polyphony: A Basis for the Study of Counterpoint. Harvard University Press, 2013.
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