Artículos de revistas sobre el tema "Music technology and recording"
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Guo, Tingjun. "Application of Internet of Things Technology in Vocal Music Teaching Recording Equipment Assisted by Machine Learning". Wireless Communications and Mobile Computing 2022 (25 de abril de 2022): 1–10. http://dx.doi.org/10.1155/2022/2091387.
Texto completoGuo, Tingjun. "Application of Internet of Things Technology in Vocal Music Teaching Recording Equipment Assisted by Machine Learning". Wireless Communications and Mobile Computing 2022 (25 de abril de 2022): 1–10. http://dx.doi.org/10.1155/2022/2091387.
Texto completoChatterjee (Mukherjee), Dr Samarpita. "Music and Audio Recording Technology: An Overview". Journal of Humanities,Music and Dance, n.º 24 (28 de julio de 2022): 14–24. http://dx.doi.org/10.55529/jhmd.24.14.24.
Texto completoChatterjee (Mukherjee), Dr Samarpita. "Music and Audio Recording Technology: An Overview". Journal of Humanities,Music and Dance, n.º 24 (17 de octubre de 2022): 14–24. http://dx.doi.org/10.55529/jhmd24.14.24.
Texto completoIrawan, Ricky. "Aktor Lokal, Industri Rekaman Musik, dan Musik Daerah: Peran dan Kontribusi Hila Hambala pada Gitar dan Gambus Tunggal Lampung Pesisir". Journal of Music Science, Technology, and Industry 5, n.º 1 (30 de abril de 2022): 25–47. http://dx.doi.org/10.31091/jomsti.v5i1.1973.
Texto completoManning, Peter. "The Influence of Recording Technologies on the Early Development of Electroacoustic Music". Leonardo Music Journal 13 (diciembre de 2003): 5–10. http://dx.doi.org/10.1162/096112104322750719.
Texto completoAndiko, Benny, Benni Andika y Sabri Gusmail. "ANALISIS PROSES PEREKAMAN MUSIK DENGAN METODE DIGITAL DI SANGGAR BUANA BANDA ACEH MASA PANDEMI CIVID-19". Gorga : Jurnal Seni Rupa 11, n.º 2 (30 de diciembre de 2022): 538. http://dx.doi.org/10.24114/gr.v11i2.38737.
Texto completoRykunin, Vladislav Vyacheslavovich. "The first jazz gramophone record: the music of the moment which became timeless". PHILHARMONICA. International Music Journal, n.º 1 (enero de 2021): 14–22. http://dx.doi.org/10.7256/2453-613x.2021.1.35023.
Texto completoWESTERN, TOM. "‘The Age of the Golden Ear’:The Columbia World Libraryand Sounding out Post-war Field Recording". Twentieth-Century Music 11, n.º 2 (30 de julio de 2014): 275–300. http://dx.doi.org/10.1017/s1478572214000103.
Texto completoThompson IV, William A. y Jeffrey Albert. "Baghdad Music Journal: A Soldier’s Move toward Technology in Music". Leonardo Music Journal 25 (diciembre de 2015): 68–72. http://dx.doi.org/10.1162/lmj_a_00938.
Texto completoHughes, Alayna. "Maker music: Incorporating the maker and hacker community into music technology education". Journal of Music, Technology & Education 11, n.º 3 (1 de diciembre de 2018): 287–300. http://dx.doi.org/10.1386/jmte.11.3.287_1.
Texto completoNakajima, Heitaro y Takeaki Anazawa. "PCM Recording-Its Development and Introduction into Music Recording". Journal of the Institute of Image Information and Television Engineers 58, n.º 9 (2004): 1229–32. http://dx.doi.org/10.3169/itej.58.1229.
Texto completoMaglov, Marija. "Past music, future music: Technology and music institutions in the 20th century". New Sound, n.º 48-2 (2016): 53–64. http://dx.doi.org/10.5937/newso1648053m.
Texto completoClauhs, Matthew, Brian Franco y Radio Cremata. "Mixing It Up: Sound Recording and Music Production in School Music Programs". Music Educators Journal 106, n.º 1 (septiembre de 2019): 55–63. http://dx.doi.org/10.1177/0027432119856085.
Texto completoVoss, Brett. "Design principles for music technology education support: Just-in-time learning in the recording studio using mobile technologies". Journal of Music, Technology and Education 14, n.º 1 (1 de abril de 2022): 21–42. http://dx.doi.org/10.1386/jmte_00032_1.
Texto completoReza, Amra, DJ Dimas Phetorant y Demi Tatipikalawan. "Metode Uploading sebagai Sarana Pertunjukan Musik Online: Studi Kasus Duo Guitar Dumotsiny". Journal of Music Science, Technology, and Industry 5, n.º 2 (27 de noviembre de 2022): 199–211. http://dx.doi.org/10.31091/jomsti.v5i2.2132.
Texto completoFukada, Akira. "The Microphone Technique for Music Recording". Journal of The Institute of Image Information and Television Engineers 64, n.º 9 (2010): 1344–48. http://dx.doi.org/10.3169/itej.64.1344.
Texto completoCanyakan, Seyhan. "Music technologist paradigms in music technology educationMüzik teknolojisi eğitiminde müzik teknoloğu paradigması". Journal of Human Sciences 14, n.º 4 (2 de enero de 2018): 4838. http://dx.doi.org/10.14687/jhs.v14i4.5013.
Texto completoDevine, Kyle. "Decomposed: a political ecology of music". Popular Music 34, n.º 3 (8 de septiembre de 2015): 367–89. http://dx.doi.org/10.1017/s026114301500032x.
Texto completoFLAM, Gila. "Abraham Zwi Idelsohn ve Robert Lachmann: İsrail Ulusal Ses Arşivi'nin Entelektüel ve Pratik Kurucuları". MSGSÜ Sosyal Bilimler, n.º 27 (30 de mayo de 2023): 148–58. http://dx.doi.org/10.56074/msgsusbd.1306805.
Texto completoCrawford, Jeanette. "Recording "Computer Music Journal" for the Blind". Computer Music Journal 10, n.º 2 (1986): 6. http://dx.doi.org/10.2307/3679477.
Texto completoSuyasa, I. Made Rai Nurcahya Widhiantara y Agus Fredy Maradona. "Capturing the Face of the Music Industry's Business Strategy". International Journal of Science and Society 5, n.º 4 (28 de agosto de 2023): 1–16. http://dx.doi.org/10.54783/ijsoc.v5i4.760.
Texto completoSymes, Colin. "Beating up the classics: aspects of a compact discourse". Popular Music 16, n.º 1 (enero de 1997): 81–95. http://dx.doi.org/10.1017/s0261143000000702.
Texto completoEren, Hakki Cengiz y Emine Kıvanç Öztuğ. "The implementation of virtual choir recordings during distance learning". Cypriot Journal of Educational Sciences 15, n.º 5 (29 de octubre de 2020): 1117–27. http://dx.doi.org/10.18844/cjes.v15i5.5159.
Texto completoWatson, Ben. "Frank Zappa as dadaist: recording technology and the power to repeat". Contemporary Music Review 15, n.º 1 (1 de enero de 1996): 109–37. http://dx.doi.org/10.1080/07494469600640401.
Texto completoVelikova, M. y T. Radev. "MUSIC-COMPUTER TECHNOLOGY SOUND RECORDING ENRICHES STUDENTS' MUSIC KNOWLEDGE AND SKILLS IN AN EXTRACURRICULAR LEARNING ENVIRONMENT". Trakia Journal of Sciences 21, n.º 2 (2023): 93–98. http://dx.doi.org/10.15547/tjs.2023.02.003.
Texto completoMusib, Ahmad Faudzi. "Extracting Audio Signals from 4-Track Analogue Tape and Digital Standalone Multitrack Machine Material as a Part of Preservation". ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 5 (30 de junio de 2020): 25–38. http://dx.doi.org/10.30819/aemr.5-4.
Texto completoPorcello, Thomas. "Music Mediated as Live in Austin: sound, technology, and recording practice". City Society 14, n.º 1 (enero de 2002): 69–86. http://dx.doi.org/10.1525/city.2002.14.1.69.
Texto completoAlexander, Peter J. "New technology and market structure: Evidence from the music recording industry". Journal of Cultural Economics 18, n.º 2 (1994): 113–23. http://dx.doi.org/10.1007/bf01078934.
Texto completoKhuntajan, Jiranuwat. "A Study of Isan Folk Music Creation Using a Sampler for Music Education". Journal of Education and Learning 13, n.º 2 (20 de febrero de 2024): 85. http://dx.doi.org/10.5539/jel.v13n2p85.
Texto completoSu, Junwen. "Analysis of the Difference Between the Production of Computer Music and the Production of Traditional Music". Advances in Higher Education 3, n.º 3 (30 de agosto de 2019): 115. http://dx.doi.org/10.18686/ahe.v3i3.1480.
Texto completoMróz, Bartłomiej, Piotr Odya y Bożena Kostek. "Creating a Remote Choir Performance Recording Based on an Ambisonic Approach". Applied Sciences 12, n.º 7 (24 de marzo de 2022): 3316. http://dx.doi.org/10.3390/app12073316.
Texto completoBurston, Jonathan. "Theatre space as virtual place: audio technology, the reconfigured singing body, and the megamusical". Popular Music 17, n.º 2 (mayo de 1998): 205–18. http://dx.doi.org/10.1017/s026114300000060x.
Texto completoBrezas, Spyros, Stella Paschalidou, Chrisoula Alexandraki, Makis Bakarezos, Christine Georgatou, Konstantinos Kaleris, Maximos Kaliakatsos-Papakostas et al. "Research in the Department of Music Technology and Acoustics of the Hellenic Mediterranean University: An Overview and Prospects". WSEAS TRANSACTIONS ON ACOUSTICS AND MUSIC 11 (20 de marzo de 2024): 1–19. http://dx.doi.org/10.37394/232019.2024.11.1.
Texto completoGomes, Ricardo Milani. "Audio Quality X Accessibility How Digital Technology Changed the Way We Listen and Consume Popular Music". Revista Vórtex 4, n.º 2 (31 de octubre de 2016): 1–14. http://dx.doi.org/10.33871/23179937.2016.4.2.1320.
Texto completoKearney, Daithí y Adèle Commins. "Studio Trad: Facilitating traditional music experiences for music production students". Journal of Music, Technology & Education 11, n.º 3 (1 de diciembre de 2018): 301–18. http://dx.doi.org/10.1386/jmte.11.3.301_1.
Texto completoPierce, J. Mackenzie. "Writing at the Speed of Sound: Music Stenography and Recording beyond the Phonograph". 19th-Century Music 41, n.º 2 (2017): 121–50. http://dx.doi.org/10.1525/ncm.2017.41.2.121.
Texto completoSalafiyah, Nafik, Wadiyo Wadiyo, Siti Aesijah y Deu Aditama Nuswantara. "Audio Test for Musicality: Designing A Technology-Based Instrument for Measuring Music Learning Outcomes". Jurnal Seni Musik 12, n.º 2 (31 de diciembre de 2023): 312–18. http://dx.doi.org/10.15294/jsm.v12i2.78140.
Texto completoKroher, Nadine y José-Miguel Díaz-Báñez. "Audio-Based Melody Categorization: Exploring Signal Representations and Evaluation Strategies". Computer Music Journal 41, n.º 4 (enero de 2018): 64–82. http://dx.doi.org/10.1162/comj_a_00440.
Texto completoWise, Stuart. "Secondary school teachers’ approaches to teaching composition using digital technology". British Journal of Music Education 33, n.º 3 (noviembre de 2016): 283–95. http://dx.doi.org/10.1017/s0265051716000309.
Texto completoGillon, Les. "Varieties of Freedom in Music Improvisation". Open Cultural Studies 2, n.º 1 (1 de diciembre de 2018): 781–89. http://dx.doi.org/10.1515/culture-2018-0070.
Texto completoFargion, Janet Topp. "African Music in the World and Traditional Music Section at the British Library Sound Archive". History in Africa 31 (2004): 447–54. http://dx.doi.org/10.1017/s0361541300003600.
Texto completoMansell, Thomas. "DIFFERENT MUSIC: Beckett's Theatrical Conduct". Samuel Beckett Today / Aujourd'hui 15, n.º 1 (1 de noviembre de 2005): 225–39. http://dx.doi.org/10.1163/18757405-015001020.
Texto completoHITCHNER, EARLE. "No Yankee Doodling: Notable Trends and Traditional Recordings from Irish America". Journal of the Society for American Music 4, n.º 4 (19 de octubre de 2010): 509–20. http://dx.doi.org/10.1017/s1752196310000416.
Texto completoPeng, Jing. "Multisensor Speech Enhancement Technology in Music Synthesizer Design". Mobile Information Systems 2022 (24 de junio de 2022): 1–12. http://dx.doi.org/10.1155/2022/9926708.
Texto completoBackman, Judy y John Borwick. "Sound Recording Practice". Computer Music Journal 12, n.º 2 (1988): 55. http://dx.doi.org/10.2307/3679944.
Texto completoBlau, Susan, David Huber y Robert Runstein. "Modern Recording Techniques". Computer Music Journal 14, n.º 4 (1990): 72. http://dx.doi.org/10.2307/3680796.
Texto completoDean, Roger. "Another Xenakis Recording". Computer Music Journal 22, n.º 3 (1998): 4. http://dx.doi.org/10.2307/3681150.
Texto completoDimitrov, Milen. "Sound Recording, Processing and Installation for Pedagogical Purposes". Педагогически форум 9, n.º 3 (2021): 54–61. http://dx.doi.org/10.15547/pf.2021.019.
Texto completoSPICER, MARK. "(Ac)cumulative Form in Pop-Rock Music". Twentieth-Century Music 1, n.º 1 (marzo de 2004): 29–64. http://dx.doi.org/10.1017/s1478572204000052.
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