Libros sobre el tema "Music Germany History and criticism"
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Lewis-Hammond, Susan. Editing music in early modern Germany. Aldershot, Hants, England: Ashgate Pub., 2007.
Buscar texto completoChorley, Henry Fothergill. Modern German music: Recollections and criticisms. Cambridge: Cambridge University Press, 2009.
Buscar texto completoKomlós, Katalin. Fortepianos and their music: Germany, Austria, and England, 1760-1800. Oxford: Clarendon Press, 1995.
Buscar texto completoWallscheid, Margot, Stephan Schulmeistrat y J. Bradford Robinson. Musical life in Germany: Structure, facts and figures. Editado por Deutsches Musikinformationszentrum. Bonn: German Music Council, 2011.
Buscar texto completoRehding, Alexander. Music and monumentality: Commemoration and wonderment in nineteenth-century Germany. New York: Oxford University Press, 2009.
Buscar texto completoMorrow, Mary Sue. German music criticism in the late eighteenth century: Aesthetic issues in instrumental music. Cambridge, U.K: Cambridge University Press, 1997.
Buscar texto completoBeal, Amy C. New music, new allies: American experimental music in West Germany from the zero hour to reunification. Berkeley: University of California Press, 2006.
Buscar texto completoChorley, Henry Fothergill. Music and manners in France and Germany: A series of travelling sketches of art and society. Cambridge: Cambridge University Press, 2009.
Buscar texto completoFlinn, Caryl. The new German cinema: Music, history, and the matter of style. Berkeley: University of California Press, 2004.
Buscar texto completoBoomgaarden, Donald R. Musical thought in Britain and Germany during the early eighteenth century. New York: P. Lang, 1987.
Buscar texto completoSpitta, Philipp. Johann Sebastian Bach: His work and influence on the music of Germany, 1685-1750. London: Novello, 1992.
Buscar texto completoKater, Michael H. Different drummers: Jazz in the culture of Nazi Germany. New York: Oxford University Press, 1992.
Buscar texto completoHenzel, Christoph. Musik im Unterhaltungskino des Dritten Reichs. Würzburg: Königshausen & Neumann, 2011.
Buscar texto completode, Vries Willem. Sonderstab Musik: Music confiscations by the Einsatzstab Reichsleiter Rosenberg under the Nazi occupation of Western Europe. Amsterdam: Amsterdam University Press, 1996.
Buscar texto completoBiddle, Ian D. Music, masculinity and the claims of history: The Austro-German tradition from Hegel to Freud. Burlington, VT: Ashgate, 2011.
Buscar texto completoFeiereisen, Florence y Alexandra Merley Hill. Germany in the loud twentieth century: An introduction. New York: Oxford University Press, 2012.
Buscar texto completoSaffle, Michael. Liszt in Germany, 1840-1845: A study in sources, documents, and the history of reception. Stuyvesant, NY: Pendragon Press, 1994.
Buscar texto completoMüller, Reinhold. Spielmann, Trompeter, Hoboist: Aus der Geschichte der deutschen Militärmusiker. Berlin: Militärverlag der Deutschen Demokratischen Republik, 1988.
Buscar texto completoSalmi, Hannu. Imagined Germany: Richard Wagner's national utopia. New York: P. Lang, 1999.
Buscar texto completoGentsch, Werner. Hinter den Kulissen der Berliner Philharmonie: Ein Chorsänger erinnert sich. Berlin: Frieling, 1989.
Buscar texto completoLotz, Rainer E. Black people: Entertainers of African descent in Europe and Germany. 5a ed. Bonn: Birgit Lotz Verlag, 1997.
Buscar texto completoSound and Music Computing Conference (5th 2008 Berlin, Germany). SMC 08: 5th Sound and Music Computing Conference : sound in space - space in sound, July 31st - August 3rd, 2008, Berlin, Germany : proceedings. Berlin: Universitätsverlag der TU, Universitätsbibliothek, 2008.
Buscar texto completoSound and Music Computing Conference (5th 2008 Berlin, Germany). SMC 08: 5th Sound and Music Computing Conference : sound in space - space in sound, July 31st - August 3rd, 2008, Berlin, Germany : proceedings. Berlin: Universitätsverlag der TU, Universitätsbibliothek, 2008.
Buscar texto completoKater, Michael H. The twisted muse: Musicians and their music in the Third Reich. New York: Oxford University Press, 1997.
Buscar texto completoJohn, Williamson. The music of Hans Pfitzner. Oxford: Clarendon Press, 1992.
Buscar texto completoRehding, Alexander. Resounding monumentality: Nineteenth-century German music, commemoration, and wonderment. New York: Oxford University Press, 2009.
Buscar texto completoSchutte, Uwe. Kraftwerk: Future Music from Germany. Penguin Books, Limited, 2020.
Buscar texto completoWilliams, Alastair. Music in Germany Since 1968. Cambridge University Press, 2017.
Buscar texto completoWilliams, Alastair. Music in Germany Since 1968. Cambridge University Press, 2008.
Buscar texto completoLewis-hammond, Susan. Editing Music in Early Modern Germany. Ashgate Publishing, 2007.
Buscar texto completoStefaniak, Alexander. Schumann's virtuosity: Criticism, composition, and performance in nineteenth-century Germany. 2016.
Buscar texto completo1929-, Jakoby Richard, ed. Musical life in Germany: Structure, development, figures. Bonn: Inter Nationes, 1997.
Buscar texto completoSchiller, Melanie. Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield Publishers, Incorporated, 2018.
Buscar texto completoSchiller, Melanie. Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield Publishers, Incorporated, 2019.
Buscar texto completoSchiller, Melanie. Soundtracking Germany: Popular Music and National Identity. Rowman & Littlefield International, 2018.
Buscar texto completoThompson, Mark Christian. Anti-Music. State University of New York Press, 2019.
Buscar texto completoMichael, Cooper John y Prandi Julie D. 1951-, eds. The Mendelssohns: Their music in history. Oxford: Oxford University Press, 2002.
Buscar texto completo(Editor), John Michael Cooper y Julie D. Prandi (Editor), eds. The Mendelssohns: Their Music in History. Oxford University Press, USA, 2002.
Buscar texto completoWomen composers in Germany. Bonn: Inter Nationes, 1996.
Buscar texto completoStefaniak, Alexander. Schumann's Virtuosity: Criticism, Composition, and Performance in Nineteenth-Century Germany. Indiana University Press, 2016.
Buscar texto completoFlinn, Caryl. New German Cinema: Music, History, and the Matter of Style. University of California Press, 2004.
Buscar texto completoFlinn, Caryl. New German Cinema: Music, History, and the Matter of Style. University of California Press, 2003.
Buscar texto completoRehding, Alexander. Music and Monumentality: Commemoration and Wonderment in Nineteenth-Century Germany. Oxford University Press, Incorporated, 2017.
Buscar texto completoWaligorska, Magdalena. Klezmer's Afterlife: An Ethnography of the Jewish Music Revival in Poland and Germany. Oxford University Press, Incorporated, 2013.
Buscar texto completo1953-, Walker Paul, ed. Church, stage, and studio: Music and its contexts in seventeenth-century Germany. Ann Arbor, Mich: UMI Research Press, 1990.
Buscar texto completoBohlman, Philip. Jewish Music and Modernity: The Paradox of a European Music History. Oxford University Press, 2005.
Buscar texto completoRauhut, Michael. One Sound, Two Worlds: The Blues in a Divided Germany, 1945-1990. Berghahn Books, Incorporated, 2019.
Buscar texto completoMorrow, Mary Sue. German Music Criticism in the Late Eighteenth Century: Aesthetic Issues in Instrumental Music. Cambridge University Press, 2006.
Buscar texto completoBeal, Amy C. New Music, New Allies: American Experimental Music in West Germany from the Zero Hour to Reunification. University of California Press, 2006.
Buscar texto completoMedieval Germany: Associations and delineations. Ottawa, Canada: Institute of Mediaeval Music, 2000.
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