Artículos de revistas sobre el tema "Music by women composers"
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Rickards, Guy. "Music by women composers". Tempo 59, n.º 234 (21 de septiembre de 2005): 66–72. http://dx.doi.org/10.1017/s0040298205300325.
Texto completoBroe, Carolyn Waters. "Viola Music by Women Composers". American String Teacher 57, n.º 3 (agosto de 2007): 68–71. http://dx.doi.org/10.1177/000313130705700312.
Texto completoCant, Stephanie. "Women Composers and the Music Curriculum". British Journal of Music Education 7, n.º 1 (marzo de 1990): 5–13. http://dx.doi.org/10.1017/s0265051700007476.
Texto completoWILSON KIMBER, MARIAN. "Women Composers at the White House: The National League of American Pen Women and Phyllis Fergus's Advocacy for Women in American Music". Journal of the Society for American Music 12, n.º 4 (noviembre de 2018): 477–507. http://dx.doi.org/10.1017/s1752196318000378.
Texto completoHayes, Deborah y Judith Tick. "American Women Composers before 1870". American Music 3, n.º 4 (1985): 478. http://dx.doi.org/10.2307/3051836.
Texto completoBasart, Ann P., Aaron I. Cohen y Jane Frasier. "International Discography of Women Composers". American Music 4, n.º 2 (1986): 227. http://dx.doi.org/10.2307/3051992.
Texto completoEllsworth, Therese. "Composers in academia: Women composers at American colleges and universities". Contemporary Music Review 16, n.º 1-2 (enero de 1997): 27–36. http://dx.doi.org/10.1080/07494469700640041.
Texto completoKálló, Krisztián. "Katalin Incze G.: Portrait af a Composer". Studia Universitatis Babeş-Bolyai Musica 67, n.º 1 (30 de junio de 2022): 9–19. http://dx.doi.org/10.24193/subbmusica.2022.1.01.
Texto completoWu, Di. "A Study of Clara Schumann's Piano Music Performance, Composition and Teaching under the Feminist Movement". Journal of Education, Humanities and Social Sciences 5 (23 de noviembre de 2022): 22–27. http://dx.doi.org/10.54097/ehss.v5i.2878.
Texto completoRickards, Guy. "New Releases of music by Women Composers". Tempo 59, n.º 231 (enero de 2005): 74–80. http://dx.doi.org/10.1017/s0040298205260072.
Texto completoRickards, Guy. "Recent releases of music by women composers". Tempo 60, n.º 236 (23 de marzo de 2006): 85–93. http://dx.doi.org/10.1017/s0040298206310157.
Texto completoBennett, Dawn, Sally Macarthur, Cat Hope, Talisha Goh y Sophie Hennekam. "Creating a career as a woman composer: Implications for music in higher education". British Journal of Music Education 35, n.º 3 (13 de junio de 2018): 237–53. http://dx.doi.org/10.1017/s0265051718000104.
Texto completoBonnycastle, Anne. "FEMALE STUDENTS TALK ABOUT WOMEN COMPOSERS: TWO MISCONCEPTIONS AND A SELF-LIMITING BELIEF". Canadian Journal of Action Research 19, n.º 2 (23 de noviembre de 2018): 67–79. http://dx.doi.org/10.33524/cjar.v19i2.386.
Texto completoDennison, Sam, Anya Laurence, Judith Lang Zaimont, Karen Famera, Miriam Stewart-Green, Don L. Hixon y Don Hennessee. "Women of Notes: 1,000 Women Composers Born before 1900". American Music 3, n.º 4 (1985): 479. http://dx.doi.org/10.2307/3051837.
Texto completoGame-Lopata, Jenny. "Women of Note: The Rise of Australian Women Composers". Musicology Australia 36, n.º 1 (2 de enero de 2014): 153–58. http://dx.doi.org/10.1080/08145857.2014.911066.
Texto completoLindstedt, Iwona. "“Why Are Our Women-Composers So Little Known?”". Musicology Today 16, n.º 1 (31 de diciembre de 2019): 43–64. http://dx.doi.org/10.2478/muso-2019-0004.
Texto completoRibić, Romana. "Contemporary music of Iceland in the post-romantic period: Jôrunn Viđar (Jôrunn Vidar, Reykjavik, Iceland, 1918-)". New Sound, n.º 46 (2015): 141–54. http://dx.doi.org/10.5937/newso1546141r.
Texto completoWollenberg, Susan, Julie Anne Sadie y Rhian Samuel. "The New Grove Dictionary of Women Composers". Musical Times 136, n.º 1826 (abril de 1995): 194. http://dx.doi.org/10.2307/1004172.
Texto completoMiller, Bonny H. y Carolynn A. Lindeman. "Women Composers of Ragtime: A Collection of Six Selected Rags by Women Composers". Notes 43, n.º 3 (marzo de 1987): 683. http://dx.doi.org/10.2307/898226.
Texto completoHope, Cat, Nat Grant, Gabriella Smart y Tristen Parr. "TOWARDS THE SUMMERS NIGHT: A MENTORING PROJECT FOR AUSTRALIAN COMPOSERS IDENTIFYING AS WOMEN". Tempo 74, n.º 292 (6 de marzo de 2020): 49–55. http://dx.doi.org/10.1017/s0040298219001177.
Texto completoSwanekamp, Joan, Barbara Harbach y James R. Briscoe. "Women Composers for the Harpsichord". Notes 45, n.º 2 (diciembre de 1988): 379. http://dx.doi.org/10.2307/941367.
Texto completoTsou, Judy y Aaron I. Cohen. "International Encyclopedia of Women Composers". Notes 46, n.º 3 (marzo de 1990): 633. http://dx.doi.org/10.2307/941433.
Texto completoBlock, Adrienne Fried y Gene Claghorn. "Women Composers and Hymnists: A Concise Biographical Dictionary". American Music 4, n.º 2 (1986): 225. http://dx.doi.org/10.2307/3051991.
Texto completoKrebs, Harald. "The ‘Power of Class’ in a New Perspective: A Comparison of the Compositional Careers of Fanny Hensel and Josephine Lang". Nineteenth-Century Music Review 4, n.º 2 (noviembre de 2007): 37–48. http://dx.doi.org/10.1017/s1479409800000872.
Texto completoBlock, Adrienne Fried y Aaron I. Cohen. "International Encyclopedia of Women Composers: Classical and Serious Music". American Music 3, n.º 1 (1985): 107. http://dx.doi.org/10.2307/3052133.
Texto completoTsou, Judy, Rose-Marie Johnson y Heidi M. Boenke. "Violin Music by Women Composers: A Bio-Bibliographical Guide". Notes 47, n.º 2 (diciembre de 1990): 396. http://dx.doi.org/10.2307/941984.
Texto completoLivingston, Carolyn. "Characteristics of American Women Composers: Implications for Music Education". Update: Applications of Research in Music Education 10, n.º 1 (marzo de 1991): 15–18. http://dx.doi.org/10.1177/875512339101000104.
Texto completoBaker, Vicki D. "Inclusion of Women Composers in College Music History Textbooks". Journal of Historical Research in Music Education 25, n.º 1 (octubre de 2003): 5–19. http://dx.doi.org/10.1177/153660060302500103.
Texto completoCharlton, Benjamin D. "Menstrual cycle phase alters women's sexual preferences for composers of more complex music". Proceedings of the Royal Society B: Biological Sciences 281, n.º 1784 (7 de junio de 2014): 20140403. http://dx.doi.org/10.1098/rspb.2014.0403.
Texto completoDavidson, Mary Wallace y Diane Peacock Jezic. "Women Composers: The Lost Tradition Found". Notes 47, n.º 3 (marzo de 1991): 801. http://dx.doi.org/10.2307/941923.
Texto completoGelfand, Janelle Magnuson. "The pioneering spirit: Women composers of the older generation". Contemporary Music Review 16, n.º 1-2 (enero de 1997): 5–19. http://dx.doi.org/10.1080/07494469700640021.
Texto completoKabdurakhmanova, Luiza. "Three Generations Of Women-Composers In Uzbekistan". Eurasian music science journal, n.º 1 (10 de junio de 2021): 75–85. http://dx.doi.org/10.52847/eamsj/vol_2021_issue_1/54.
Texto completoMcAulay, Karen. "Representation of Women Composers in the Whittaker Library". Journal of Perspectives in Applied Academic Practice 11, n.º 1 (22 de febrero de 2023): 21–26. http://dx.doi.org/10.56433/jpaap.v11i1.533.
Texto completoMILLER, BONNY H. "Augusta Browne: From Musical Prodigy to Musical Pilgrim in Nineteenth-Century America". Journal of the Society for American Music 8, n.º 2 (mayo de 2014): 189–218. http://dx.doi.org/10.1017/s1752196314000078.
Texto completoDoherty, Brian, Adel Heinrich y Sally Jo Sloane. "Organ and Harpsichord Music by Women Composers: An Annotated Catalog". Notes 49, n.º 4 (junio de 1993): 1485. http://dx.doi.org/10.2307/899405.
Texto completoFuller, Sophie. "Unearthing a world of music: Victorian and Edwardian women composers". Women: A Cultural Review 3, n.º 1 (junio de 1992): 16–22. http://dx.doi.org/10.1080/09574049208578100.
Texto completoLiao, Lin-Ni. "Taiwanese Women Composers of Mixed Music with Their Cultural Heritage". Contemporary Music Review 37, n.º 1-2 (4 de marzo de 2018): 161–73. http://dx.doi.org/10.1080/07494467.2018.1453363.
Texto completoGreen, Lucy. "Book Review: The New Grove Dictionary of Women Composers". International Journal of Music Education os-26, n.º 1 (noviembre de 1995): 84. http://dx.doi.org/10.1177/025576149502600110.
Texto completoBaker, Vicki y Carter Biggers. "Research-to-Resource: Programming Ensemble Literature Composed by Women". Update: Applications of Research in Music Education 36, n.º 3 (4 de marzo de 2018): 51–54. http://dx.doi.org/10.1177/8755123318761915.
Texto completoTsou, Judy, Julie Anne Sadie y Rhian Samuel. "The Norton/Grove Dictionary of Women Composers". Notes 53, n.º 2 (diciembre de 1996): 423. http://dx.doi.org/10.2307/900111.
Texto completoJohnson, Naomi y Matthew Dewey. "CONTENT TARGETS WORK: A PRACTICAL EXAMPLE OF CHANGING BEHAVIOURS AND PROCESSES IN PROGRAMMING WOMEN COMPOSERS". Tempo 74, n.º 292 (6 de marzo de 2020): 38–48. http://dx.doi.org/10.1017/s0040298219001165.
Texto completoSimoni, Mary, Julie Anne Sadie y Rhian Samuel. "The Norton/Grove Dictionary of Women Composers". Computer Music Journal 20, n.º 3 (1996): 84. http://dx.doi.org/10.2307/3680830.
Texto completoGergis, Sonia. "The Power of Women Musicians in the Ancient and Near East: The Roots of Prejudice". British Journal of Music Education 10, n.º 3 (noviembre de 1993): 189–96. http://dx.doi.org/10.1017/s0265051700001741.
Texto completoHinkle-Turner, Elizabeth. "Women and music technology: pioneers, precedents and issues in the United States". Organised Sound 8, n.º 1 (abril de 2003): 31–47. http://dx.doi.org/10.1017/s1355771803001043.
Texto completoMorishita, Chikako. "‘A SILENT AND INVISIBLE PRESSURE’: A PANEL DISCUSSION WITH EIGHT JAPANESE WOMEN COMPOSERS". Tempo 73, n.º 290 (12 de septiembre de 2019): 25–39. http://dx.doi.org/10.1017/s004029821900055x.
Texto completoRolland, Nina. "When the poet becomes the muse". Journal of Romance Studies 21, n.º 3 (1 de diciembre de 2021): 351–74. http://dx.doi.org/10.3828/jrs.2021.20.
Texto completoPrado, Sharon S. "New wine into old bottles: Traditional media and contemporary women composers". Contemporary Music Review 16, n.º 1-2 (enero de 1997): 45–57. http://dx.doi.org/10.1080/07494469700640061.
Texto completoFuller, Sophie. "‘Putting the BBC and T. Beecham to Shame’: The Macnaghten–Lemare Concerts, 1931–7". Journal of the Royal Musical Association 138, n.º 2 (2013): 377–414. http://dx.doi.org/10.1080/02690403.2013.830488.
Texto completoBosma, Hannah. "Musical Washing Machines, Composer-Performers, and Other Blurring Boundaries: How Women Make a Difference in Electroacoustic Music". Articles 26, n.º 2 (7 de diciembre de 2012): 97–117. http://dx.doi.org/10.7202/1013229ar.
Texto completoOlszanowski, Magdalena. "What to Ask Women Composers: Feminist Fieldwork in Electronic Dance Music". Dancecult 4, n.º 2 (2012): 3–26. http://dx.doi.org/10.12801/1947-5403.2012.04.02.01.
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