Bibliografías temáticas / Music and science / Libros

Libros sobre el tema "Music and science"

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Autor: Grafiati
Publicado: 4 de junio de 2021
Última modificación: 29 de julio de 2024

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1

Jeans, James Hopwood. Science and music. New York: Cambridge University Press, 2009.

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2

Hopwood, Jeans James. Science and music. New York: Cambridge University Press, 2009.

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3

Hopwood, Jeans James. Science and music. New York: Cambridge University Press, 2009.

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4

Coulter, George. Science in music. Vero Beach, Fla: Rourke Publications, 1995.

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5

Hopwood, Jeans James. Science and music. New York: Cambridge University Press, 2009.

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6

Neuenschwander, Erwin y Laurence Bouquiaux, eds. Science, Philosophy and Music. Turnhout: Brepols Publishers, 2002. http://dx.doi.org/10.1484/m.dda-eb.5.106675.

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7

Berger, Melvin. The science of music. New York: Crowell, 1989.

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8

Tomecek, Steve. The Science of music. New York: Chelsea House, 2009.

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9

Erwin, Neuenschwander y Bouquiaux Laurence, eds. Science, philosophy, and music. Turnhout, Belgium: Brepols, 2002.

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10

Levine, Shar. Science experiments with sound & music. New York: Sterling Pub., 2000.

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11

May, Andrew. The Science of Sci-Fi Music. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-47833-9.

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12

Johnston, William. Silent music: The science of meditation. New York: Fordham University Press, 1997.

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13

William, Johnston. Silent music: The science of meditation. New York: Fordham University Press, 1997.

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14

Peter, Marler y Slabbekoorn Hans Willem 1967-, eds. Nature's music: The science of birdsong. Amsterdam: Elsevier Academic, 2004.

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15

Alencar, Marcelo Sampaio de. Music Science. River Publishers, 2022.

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16

Music Science. River Publishers, 2020.

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17

Alencar, Marcelo Sampaio de. Music Science. River Publishers, 2022.

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18

Alencar, Marcelo Sampaio de. Music Science. River Publishers, 2022.

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19

Music Science. River Publishers, 2020.

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20

Chaplin, Patrice. Music (Science Connections). Franklin Watts Ltd, 1993.

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21

Jeans, Sir James H. Science and Music. Dover Publications, Incorporated, 2012.

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22

Hopwood, Jeans James. Science and Music. University of Cambridge ESOL Examinations, 2009.

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23

Jeans, James H. Science and Music. Rehak, David, 2021.

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24

Maconie, Robin. Science of Music. Oxford University Press, 1997.

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25

Kassler, Jamie Croy. Music Science Philosophy. Taylor & Francis Group, 2019.

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26

McCarthy, Cecilia Pinto. Science of Music. ABDO Publishing Company, 2016.

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27

James 1877-1946 N. 82000490 Jeans. Science and Music. Creative Media Partners, LLC, 2021.

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28

Hopwood, Jeans James. Science and Music. Cambridge University Press, 2010.

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29

Hopwood, Jeans James. Science and Music. Dover Publications, Incorporated, 2012.

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30

The science of music. Oxford: Clarendon Press, 1997.

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31

The Science of Music. Core Library, 2016.

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32

Sound & Music (Science Factory). Stargazer Books, 2004.

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33

Explore Music Through Science. Oxford University Press, 1993.

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34

PhD, Dr Jean Feldman y Dr Holly. Math & Science Music Collection. Rourke Pub Group, 2010.

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35

Baldwin, W. The Science Of Music. Kessinger Publishing, LLC, 2007.

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36

Thompson, Kim. Science Series Music CD. Frank Schaffer, 2007.

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37

Ballora, Mark. The Science of Music. Cognella Academic Publishing, 2018.

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38

group), Brand New (Musical. Science fiction. 2017.

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39

Making Science Work: Music (Making Science Work). Heinemann Educational Books - Library Division, 1997.

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40

Music and sciences. Bochum: Brockmeyer, 1997.

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41

McLeish, Tom. The Poetry and Music of Science. Oxford University Press, 2019. http://dx.doi.org/10.1093/oso/9780198797999.001.0001.

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‘I could not see any place in science for my creativity or imagination’, was the explanation, of a bright school leaver to the author, of why she had abandoned all study of science. Yet as any scientist knows, the imagination is essential to the immense task of re-creating a shared model of nature from the scale of the cosmos, through biological complexity, to the smallest subatomic structures. Encounters like that one inspired this book, which takes a journey through the creative process in the arts as well as sciences. Visiting great creative people of the past, it also draws on personal accounts of scientists, artists, mathematicians, writers, and musicians today to explore the commonalities and differences in creation. Tom McLeish finds that the ‘Two Cultures’ division between the arts and the sciences is not after all, the best classification of creative processes, for all creation calls on the power of the imagination within the constraints of form. Instead, the three modes of visual, textual, and abstract imagination have woven the stories of the arts and sciences together, but using different tools. As well as panoramic assessments of creativity, calling on ideas from the ancient world, medieval thought, and twentieth-century philosophy and theology, The Poetry and Music of Science illustrates its emerging story by specific close-up explorations of musical (Schumann), literary (James, Woolf, Goethe) mathematical (Wiles), and scientific (Humboldt, Einstein) creation. The book concludes by asking how creativity contributes to what it means to be human.
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42

Donnelly, K. J. y Philip Hayward, eds. Music in Science Fiction Television. Routledge, 2012. http://dx.doi.org/10.4324/9780203076330.

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43

Pettigrew, Mark. Sound and Music (Simply Science). Franklin Watts Ltd, 1986.

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44

Richards, Jon. Sound And Music (Science Factory). Copper Beech, 1999.

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45

Sound and Music (Science World). Franklin Watts Ltd, 2003.

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46

Science Workshop: Sound Noise & Music. Shooting Star Press, 1993.

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47

Sound and Music (Science Factory). Franklin Watts Ltd, 1999.

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48

Barbara, Taylor. Sound and Music (Science Starters). Franklin Watts Ltd, 1993.

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49

Science Experiments with Sound & Music. Sterling, 2002.

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50

Fun Science: Experiments with Music. Hachette Children's Group, 2023.

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